Royal De Luxe

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International distribution of documentary films and factual TV programmes ROYAL DE LUXE Director(s): Jean-Michel Carré Writer(s): Jean-Michel Carré Royal de Luxe, a French company of 200 artists, actors, acrobats, inventors, engineers, metal-workers, technicians, dancers and poets, run by Jean-Luc Courcoult, is today considered the most emblematic troop of street artists in the world. Their enchanting projects, such as the iconic "Saga of Giants" have already invaded the streets of cities in some 46 countries (Berlin, London, Liverpool, Argentina, Australia, Belgium, Burkina Faso, Brazil, Chile, USA...). Jean-Michel Carré's film takes us into the heart of the creative process of their show. It begins with a 'daydream' and slowly evolves into a majestic performance for hundreds of thousands spectators... Royal de Luxe is the story of artistic creation: a gigantic enterprise set up and orchestrated by Jean-Luc Courcoult. For each big event, a new scenario, a new fantasy and a new character sees the day... Usually, the author invents it all in...his bath: Humour, music, imagination, precision, gigantism, poetry... It's just "...the stuff that dreams are made of"! Categorie(s): Art, music & culture, New Programmes Tag(s): Traditions, discovery, performance - street art Producer(s): LES FILMS DU BALIBARI, Les Films de Grain de Sable, Tortuga Films Coproducer(s): FRANCE 5 - France Télévisions, SRC - RADIO CANADA, FRANCE 3 Pays de la Loire Length: 1x52 / Format: One-off Original version: French Versions available: English Nationality: France, 2018 Rights: world excl. Canada Support(s): HD file http://www.pointdujour-international.com/catalogueFiche.php?idFiche=38416&lang=en POINT DU JOUR INTERNATIONAL – 23, rue de Cronstadt – 75015 Paris – France – Tel. : 33 1 75 44 80 80 – Fax : 33 1 45 31 13 05 | Page 1/1.

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Note on Contributors
Note on Contributors Note on Contributors Sofia Apospori is currently a PhD candidate at Royal Holloway, University of London. Her research, which is supervised by Professor Helen Nicholson and advised by Dr. Colette Conroy, explores theatre for people with visual impairments. More specifically, it engages with the theoretical, aesthetic and ethical challenges that are implicated by the re-evaluation of performance space in reference to visual and non-visual perception respectively. Over the last two years, Sofia has been a visiting tutor in the Department of Drama and Theatre Studies, teaching Writing and Performance and Staging Histories. She holds a BA in Drama and Theatre Studies and an MA in Theatre (Applied Drama), both of which were awarded by Royal Holloway, University of London. Beatriz Cantinho is presently developing practice based research work as a PhD student in Dance/Philsophy at the Edinburgh College of Art. Her work focuses mainly on the mechanisms of image perception within aesthetics and performance art. The academic research as been presented at Edinburgh University, Chelsea College of Art, Cambridge University and the University of Surrey. Beatriz graduated from the Superior School of Dance at Instituto Politécnico de Lisboa. She took an intensive training course in Noh Theatre at the Kyoto Art Centre. She has completed a professional internship in the theatre company Royal de Luxe. Artistically for the past few years she has been developing work as a choreographer in projects such as Parde2, Scch…Um Ensaio Sobre o Silêncio, and Peça Veloz Corpo Volátil. She has also been involved in collaborative projects with artists from different disciplines with work that has been presented in Portugal, France, the UK, Germany, and Austria.
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Article The Cultural Legacy of a Major Event: A Case Study of the 2008 European Capital of Culture, Liverpool Yi-De Liu Graduate Institute of European Cultures and Tourism, National Taiwan Normal University, Taipei 106, Taiwan; [email protected] Received: 23 June 2019; Accepted: 26 July 2019; Published: 26 July 2019 Abstract: Cultural legacy is a relatively neglected theme in event and sustainability studies, compared to economic or physical legacies with solid evidence. This article focuses on the experience of Liverpool as the 2008 European Capital of Culture. An evaluation ten years on can provide the basis for research on the long-term cultural legacy of a major event, as well as how to achieve sustainability through legacy planning. Five dimensions of cultural legacy are explored, including: Cultural agency and strategies, cultural network, cultural provision, cultural engagement, and cultural image. The results of the study show that the spill-over eﬀect of culture can be achieved through thorough legacy planning. The most important lesson learned from Liverpool is to integrate the event into the city’s long-term and culture-led development, which yields a healthy and productive cultural climate. Keywords: event sustainability; cultural legacy; legacy planning; European Capital of Culture; Liverpool 1. Introduction In view of the economic, social and cultural impacts, more and more cities are competing to host major events. However, due to the short-lived and one-oﬀ nature, the event itself may not be sustainable. The sustainability of major events, or their legacy or long-term impact, has been the focus of discussion in recent years.
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Studies in International Performance Published in association with the International Federation of Theatre Research General Editors: Janelle Reinelt and Brian Singleton Culture and performance cross borders constantly, and not just the borders that define nations. In this new series, scholars of performance produce interactions between and among nations and cultures as well as genres, identities and imaginations. Inter-national in the largest sense, the books collected in the Studies in International Performance series display a range of historical, theoretical and critical approaches to the pan- oply of performances that make up the global surround. The series embraces ‘Culture’ which is institutional as well as improvised, underground or alternate, and treats ‘Performance’ as either intercultural or transnational as well as intracultural within nations. Titles include: Khalid Amine and Marvin Carlson THE THEATRES OF MOROCCO, ALGERIA AND TUNISIA Performance Traditions of the Maghreb Patrick Anderson and Jisha Menon (editors) VIOLENCE PERFORMED Local Roots and Global Routes of Conflict Elaine Aston and Sue-Ellen Case STAGING INTERNATIONAL FEMINISMS Matthew Isaac Cohen PERFORMING OTHERNESS Java and Bali on International Stages, 1905–1952 Susan Leigh Foster (editor) WORLDING DANCE Helen Gilbert and Jacqueline Lo PERFORMANCE AND COSMOPOLITICS Cross-Cultural Transactions in Australasia Helena Grehan PERFORMANCE, ETHICS AND SPECTATORSHIP IN A GLOBAL AGE Susan C. Haedicke CONTEMPORARY STREET ARTS IN EUROPE Aesthetics and Politics James Harding and Cindy Rosenthal (editors) THE RISE OF PERFORMANCE STUDIES Rethinking Richard Schechner’s Broad Spectrum Silvija Jestrovic and Yana Meerzon (editors) PERFORMANCE, EXILE AND ‘AMERICA’ Silvija Jestrovic PERFORMANCE, SPACE, UTOPIA Ola Johansson COMMUNITY THEATRE AND AIDS Ketu Katrak CONTEMPORARY INDIAN DANCE New Creative Choreography in India and the Diaspora Sonja Arsham Kuftinec THEATRE, FACILITATION, AND NATION FORMATION IN THE BALKANS AND MIDDLE EAST Daphne P.
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PRESS RELEASE 16TH AUGUST St Paul’s Cathedral, Tate Modern and the National Theatre join lineup of landmark locations and events for London’s Burning Artichoke’s contemporary art and ideas festival marking 350th anniversary of Great Fire of th th London 30 August 4 September 2016 Three more London landmarks, a live digital broadcast presented by Lauren Laverne and a talks programme inspired by major themes across the festival have been announced as part of LONDON’S BURNING, Artichoke’s contemporary art and ideas festival marking the 350th anniversary of the Great Fire of London. The series of spectacular art events, which are all free to the public, will take place in key th th sites across the City, Southbank and Bankside from 30 August 4 September 2016, marking this momentous event in London’s history and addressing its contemporary resonance with themes including displacement, disaster and the resilience of the urban metropolis. Artist Martin Firrell presents Fires of London, two new commissions either side of the River Thames. Fires Ancient will light up the south and east sides of the dome of St Paul’s Cathedral with a fiery projection echoing both the catastrophic impact of the Great Fire of London on the Cathedral itself and the birth of the building designed by Christopher Wren that emerged, phoenixlike from the ashes. The projection will be visible from across the river and with a unique view from the terrace of One New Change. (Supported by Cheapside Business Alliance, RSA Insurance and Land Securities) On the other side of the river, Firrell’s Fires Modern will be projected onto the flytower of the National Theatre’s (NT’s) iconic Grade II listed building.
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CS LAB#6 May 25-26, 2021
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26 Ship-Breaking.Com
Bulletin of information and analysis Februry 13th 2012 on ship demolition # 26 From October 22nd to December 31st 2011 Ship-breaking.com Content Ciao Melquiades-Ville de Nantes 1 US MARAD Reserve Fleet 13 Cement carrier 30 Nuclear scrapping 2 Reefer 13 General cargo 30 The Tellier in Ghent 3 Ro Ro 14 Miscellaneous 39 The brokers speculate up until the end 3 Oil Tanker 15 Car carrier 40 Letters to the Editor 3 Gas tanker 18 1020 ships for scrap 41 Demolition on the job : Rena, TK 5 Chemical tanker 18 The END : 42 Bremen, Canadian Miner, Gibraltar OBO 20 from Saint-Clair to Salam, Results from November to December 9 Bulk carrier 21 the end of a mutant Ferry / passenger ship 10 Container ship 27 Sources 44 Ciao Melquiades-Ville de Nantes Gera, future Melquiades-Ville de Nantes, in On board Melquiades-Ville de Nantes, 1992 1986 in Southampton © Brian Fisher © Nantes.fr The Melquiades-Ville de Nantes has just been demolished in Turkey. In 1991, the City of Nantes had bought this grain carrier from a Spanish ship-owner. She was then called Gera. The freighter was renamed Melquiades-Ville de Nantes and converted into a floating stage. Melquiades, the gypsy prophet, is a key character from the novel 'One Hundred Years of Solitude’ by Gabriel Garcia Marquez. The former grain vessel was used to stage performances from four companies: Philippe Decouflé, Philippe Genty, Mano Negra and Royal de Luxe. Her main hold was bisected by a ‘street’ inspired by the old city of Nantes. Cargo 92 poster by Loustal Montevideo 1992 © AFAA During her glory years the Melquiades-Ville de Nantes hosted the Cargo 92 tour in South America before returning to the shadows of the Cheviré bridge downstream of Nantes, her mother city, and taking a trip to Cherbourg in October 1993.
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AA SUMMERSUMMER ININ LELE HAVREHAVRE 20172017 ART THROUGHOUT THE CITY, EXHIBITIONS, PERFORMANCES, CELEBRATIONS PRESS KIT © OTAH PRESS KIT 2 PRESS KIT TABLE OF CONTENTS 3 Foreword 5 PART 1 1517-2017: THE 500TH ANNIVERSARY OF LE HAVRE From the birth of Le Havre through its opening toward the world 7 From reconstruction to its World Heritage designation by UNESCO, Le Havre: Modern City 9 A Le Havre to (re)discover 11 A growing cultural influence 14 A bold city undergoing transformation 18 PART 2 A SUMMER IN LE HAVRE 2017 A Summer in Le Havre - Artists play the city 24 A Summer in Le Havre - The call from abroad 36 An ambitious global approach to a sustainable and environmentally responsible event 38 The dynamism of economic actors from the surrounding territory 40 PART 3 PRACTICAL INFORMATION Accessibility 42 Press Images 44 Contacts 45 A SUMMER A SUMMER IN LE HAVRE IN LE HAVRE 2017 2017 PRESS KIT 4 PRESS KIT 5 FOREWORD The chance to celebrate a 500th anniversary is a rare one — and in 2017, Le Havre has this chance! A chance to take a new look at our city — a look that will perhaps prove sur- prising. A chance to tell the world what we are and what we can do. 2017 will also mark a celebration of our identity. A happy identity, which does not revel in regrets of the past; an identity built from courage; an identity that looks lucidly on the glories and the shadows of the past; on the powers as well as the challenges of the present — but an optimistic identity, the porter of future projects.
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Key to London Map of Days
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