DOCSLIB.ORG

City of Vancouver WA Business Licenses Activated in October 2020

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
City of Vancouver WA Business Licenses Activated in October 2020 City of Vancouver WA Business Licenses Activated in October 2020 Mail- Mail- Phys- Phys- bus-ubi bus-id busloc-id LE-name firm-name Mail-addr1 Mail-City State Mail-Zip Zip+4 Phys-addr1 Phys-City State Phys-Zip Zip+4 065013458 001 0015 THE VANCOUVER CLINIC, INC., P.S. THE VANCOUVER CLINIC, INC., P.S. 700 NE 87TH AVE VANCOUVER WA 98664 1913 709 NE 136TH AVE VANCOUVER WA 98684 6922 600170635 001 0001 PENINSULA GLASS COMPANY MOTION WINDOWS 6005 NE 121ST AVE VANCOUVER WA 98682 5806 6005 NE 121ST AVE VANCOUVER WA 98682 5806 600577935 001 0004 COASTAL MANAGEMENT GROUP, INC. COASTAL MANAGEMENT GROUP, INC. PO BOX 820592 VANCOUVER WA 98682 0013 5107 NE 94TH AVE, SUITE B VANCOUVER WA 98662 0000 600630770 001 0088 CALIBER HOME LOANS, INC. DBA CALIBCALIBER HOME LOANS, INC. DBA CALIBER1525 S BELT LINE RD COPPELL TX 75019 4913 201 NE PARK PLAZA DR VANCOUVER WA 98684 5880 601004603 001 0002 CAPITAL LIGHTING COMPANY, INC. CAPITAL LIGHTING COMPANY, INC. 2105 INTER AVE PUYALLUP WA 98372 3438 2105 INTER AVE PUYALLUP WA 98372 3438 601404205 001 0001 YAMASHITA, LILA J SUMMIT MEDICAL BILLING SERVICES 15509 SE MILL PLAIN BLVD VANCOUVER WA 98684 4651 601557706 001 0002 BRAUNKOHLE TRANSPORT CANADA INCRSB LOGISTIC INC 219 CARDINAL CRESCENT SASKATOON SK S7L7K L7K8 9330 NE VANCOUVER MALL DR VANCOUVER WA 98662 8200 601634637 001 0002 JEFFRIES, KEVIN CLEAR-THRU 10024 NE 20TH ST VANCOUVER WA 98664 3078 10024 NE 20TH ST VANCOUVER WA 98664 0000 601647134 001 0002 BROWN, F KYLE DESIGN SOLUTIONS 3803 NE 157TH AVE VANCOUVER WA 98682 7442 3803 NE 157TH AVE VANCOUVER WA 98682 7442 601658491 001 0154 U S BANK NATIONAL ASSOCIATION U S BANK NATIONAL ASSOCIATION 7003 NE 40TH ST VANCOUVER WA 98506 0000 601658491 001 0189 U S BANK NATIONAL ASSOCIATION U S BANK NATIONAL ASSOCIATION 16415 SE MCGILLIVRAY BLVD VANCOUVER WA 98683 3400 601799327 001 0003 ADVOCARE INTL LLC ADVOCARE INTERNATIONAL 2800 TELECOM PKWY RICHARDSON TX 75082 3514 2800 TELECOM PKWY RICHARDSON TX 75082 3514 601829985 001 0003 BELFOR ENVIRONMENTAL, INC. BELFOR ENVIRONMENTAL, INC 185 OAKLAND AVE BIRMINGHAM MI 48009 3430 12823 NE AIRPORT WAY PORTLAND OR 97230 1030 601867382 001 0003 MXR IMAGING, INC. SAME 8020 TYLER BLVD MENTOR OH 44060 4825 4909 MURPHY CANYON RD SAN DIEGO CA 92123 4300 601967001 001 0001 CLAUDE'S ACCURATE MACHINING INC. CLAUDE'S ACCURATE MACHINING INC. 11915 NE 56TH CIR VANCOUVER WA 98682 6482 11915 NE 56TH CIR VANCOUVER WA 98682 6482 601988897 001 0001 JEFFRIES, BRAD LOREN PREMIER 904 NE MINNEHAHA STREET VANCOUVER WA 98665 0000 904 NE MINNEHAHA STREET VANCOUVER WA 98665 0000 602018360 001 0001 LEGACY TELECOMMUNICATIONS, LLC LEGACY TELECOMMUNICATIONS, INC. 8102 SKANSIE AVE GIG HARBOR WA 98332 8415 8102 SKANSIE AVE GIG HARBOR WA 98332 8415 602085538 001 0015 CELLCO PARTNERSHIP CELLCO PARTNERSHIP 2200 CABOT DR LISLE IL 60532 0914 500 SE 192ND AVE VANCOUVER WA 98683 9518 602186172 001 0001 CLOHESSY, TERI S THE BOOKSHELF 11611 NE ANGELO DR VANCOUVER WA 98684 4319 11611 NE ANGELO DR VANCOUVER WA 98684 4319 602196111 001 0001 ADVANCE LOCAL MEDIA LLC ADVANCE LOCAL MEDIA LLC 1320 S BROADWAY PORTLAND OR 97201 0000 1400 COLUMBIA VANCOUVER WA 98660 0000 602198488 001 0002 NICHOLLES FRANK D & SHANNON L FATCAT TRUCKING 1115 NE 105TH ST VANCOUVER WA 98685 4514 1115 NE 105TH ST VANCOUVER WA 98685 4514 602249985 001 0001 CALL TOWER INC EZTAX SERVICES INC 8675 W 96TH ST STE 220 OVERLAND PARK KS 66212 3382 5 THOMAS MELLON CIR STE 245 SAN FRANCISCO CA 94134 0000 602250925 001 0001 TITAN ELECTRIC INC TITAN ELECTRIC 12828 NORTHUP WAY STE 205 BELLEVUE WA 98005 1973 12828 NORTHUP WAY STE 205 BELLEVUE WA 98005 1973 602265078 001 0001 NORELIUS, THERESA A THE KITE SHOPPE 9817 NE 4TH CIR VANCOUVER WA 98664 3929 9817 NE 4TH CIR VANCOUVER WA 98664 3929 602272244 001 0001 HARMON JR, THOMAS JAMES HARMON'S LANDSCAPE MAINTENANCE 6029 NE 63RD ST VANCOUVER WA 98661 1948 16900 SE 26TH DR VANCOUVER WA 98683 3491 602359715 001 0002 CHEPA, VASILY P V C CONSTRUCTION 1832 N COLUMBIA RIDGE WAY WASHOUGAL WA 98671 8026 5600 NE 131ST PL VANCOUVER WA 98682 2276 602478928 001 0001 LENNOX NATIONAL ACCOUNT SERVICESLENNOX NAS 3511 NE 22ND AVE FORT LAUDERDALE FL 33308 6258 2150 70TH AVE E FIFE WA 98424 1500 602486697 001 0003 KOZLENKO, NIKOLAY NIKOLAYEVI SHIP N TRANS PO BOX 1833 VANCOUVER WA 98668 1833 10008 NE 104TH AVE VANCOUVER WA 98662 2374 602574928 001 0002 SIMON ROOFING AND SHEET METAL COSIMON ROOFING AND SHEET METAL COR70 KARAGO AVE YOUNGSTOWN OH 44512 5949 70 KARAGO AVE YOUNGSTOWN OH 44512 5949 602581381 001 0002 ANKROM MOISAN ASSOCIATED ARCHITANKROM MOISAN ASSOCIATED ARCHITEC38 NW DAVIS ST PORTLAND OR 97209 4062 117 S MAIN ST STE 400 SEATTLE WA 98104 3428 602584631 001 0001 KUMBI, ELSA TESGAYE E & N ADULT FOSTER CARE 2611 SE 130TH AVE VANCOUVER WA 98683 6583 602587272 001 0001 TRUFRAME, LLC TRUFRAME, LLC PO BOX 1358 BATTLE GROUND WA 98604 1358 14 S PARKWAY AVE BATTLE GROUND WA 98604 9219 602622398 001 0001 PETRA HEATING AND AIR CONDITIONINPETRA HEATING AND AIR CONDITIONING15875 SE 114TH AVE STE F CLACKAMAS OR 97015 9025 15875 SE 114TH AVE STE F CLACKAMAS OR 97015 9025 602658386 001 0001 CLACKAMAS AUTO CENTER MANAGER, CLACKAMAS AUTO CENTER MANAGER, INPO BOX 908 VANCOUVER WA 98666 0908 601 MAIN ST VANCOUVER WA 98660 3414 602669862 001 0003 VITAL HEALTH LINK, LLC VITAL HEALTH LINK 304 SE HEARTWOOD BLVD VANCOUVER WA 98687 0000 10515 SE 14TH ST VANCOUVER WA 98664 4733 602674684 001 0002 YUKHIMETS, VLADIMIR P YUKHIMETS CONSTRUCTION SERVICES 10407 NE 12TH WAY VANCOUVER WA 98664 8600 10407 NE 12TH WAY VANCOUVER WA 98664 8600 602753898 001 0001 SHEAR DESIRE TO LEARN CORPORATIONSHEAR DESIRE TO LEARN 3108 E 26TH ST VANCOUVER WA 98661 4512 602790603 001 0002 DRIVER, JOHN WILLIAM RED FOREST FILMS 815 WASHINGTON ST VANCOUVER WA 98660 3140 815 WASHINGTON ST VANCOUVER WA 98660 3140 602817365 001 0002 MORALES, AMANDA J LAS CHICA CARNITA 8017 MILL PLAIN CT VANCOUVER WA 98664 2014 8017 MILL PLAIN CT VANCOUVER WA 98664 2014 602835848 001 0001 FAUSTROLLEAN FIXTURE CO., INC. FAUSTROLLEAN FIXTURE COMPANY, INC. 2665 NE RIVERSIDE WAY PORTLAND OR 97211 1845 602977381 001 0001 HOWCO DISTRIBUTING CO. HOWCO DISTRIBUTING CO. 6025 E 18TH ST VANCOUVER WA 98661 6841 602992607 001 0001 HEALY, JACQUELINE A CLOUD NINE EVENTS & ACCESSORIES 917 NE 125TH AVE VANCOUVER WA 98684 5861 603010656 001 0002 LACLEDE CHAIN MANUFACTURING COMLACLEDE CHAIN MANUFACTURING COMP1549 FENPARK DR FENTON MO 63026 2915 3665 NW 32ND AVE VANCOUVER WA 98660 5004 603012274 001 0001 SAFE HAVEN SECURITY SERVICES, INC. SAFE HAVEN SECURITY SERVICES, INC. 520 E 19TH AVE NORTH KANSAS CITY MO 64116 3614 520 E 19TH AVE NORTH KANSAS CITY MO 64116 3614 603022769 001 0001 QUALITY DRY CLEANING & ALTERATIONQUALITY DRY CLEANING & ALTERATIONS, LLC 3000 SE 164TH AVE STE 104 VANCOUVER WA 98683 9314 603034441 001 0003 CORRAL, DEVIN LEVI RUGGED SHEDS 22600 NE 28TH ST CAMAS WA 98607 9219 22600 NE 28TH ST CAMAS WA 98607 9219 603093845 001 0001 SILVER MAPLE PROPERTIES, LLC SILVER MAPLE PROPERTIES, LLC 1910 S 15TH CT RIDGEFIELD WA 98642 7809 1910 S 15TH CT RIDGEFIELD WA 98642 7809 603116899 001 0001 A CARING HEART ADULT RESIDENTIAL HA CARING HEART ADULT RESIDENTIAL HOME 13508 NE 22ND ST VANCOUVER WA 98684 6830 603121268 001 0003 INTEGRATIVE BODY, INC INTEGRATIVE BODY THERAPY LLC 11900 NE 18TH ST VANCOUVER WA 98684 4732 11900 NE 18TH ST VANCOUVER WA 98684 4732 603148707 001 0002 WEATHERFORD DON J L MARRY ME MOBILE MATRIMONY AND FO3117 NE 150TH AVE VANCOUVER WA 98682 8338 3117 NE 150TH AVE VANCOUVER WA 98682 8338 603149208 001 0002 HILKIAH, ROD L HILKIAH CUSTOM CARPENTRY 832 WILDLIFE DR WASHOUGAL WA 98671 7851 832 WILDLIFE DR WASHOUGAL WA 98671 7851 603166232 001 0002 BELMONT CREATIVE, LLC BRIDGE CITY FIRM INC 303 E 16TH ST VANCOUVER WA 98663 3410 303 E 16TH ST VANCOUVER WA 98663 3410 603217991 001 0001 CORONA HAIR AND SKIN CLINIC LLC CORONA SKIN AND HAIR CLINIC 4902 NE 139TH ST VANCOUVER WA 98686 2292 1111 MAIN ST VANCOUVER WA 98660 2987 603239130 001 0002 STOR-GUARD, LLC STOR-GUARD, LLC 12000 NE 95TH ST VANCOUVER WA 98682 2448 12000 NE 95TH ST VANCOUVER WA 98682 2448 603258645 001 0002 COMMERCIAL OUTFITTERS LLC PAAK METAL PRODUCTS 10910 NE 70TH CIR VANCOUVER WA 98662 4672 5305 NE 121ST AVE VANCOUVER WA 98682 6205 603299155 001 0003 LUCENT DESIGN DIGITAL, LLC LUCENT DESIGN DIGITAL, LLC 9506 SW 55TH AVE PORTLAND OR 97219 5052 4013 SE 183RD CT VANCOUVER WA 98683 8283 603302383 001 0003 LASSEIGNE, ANA E 310 SE 105TH AVE VANCOUVER WA 98664 4643 310 SE 105 TH AVE VANCOUVER WA 98664 0000 603334668 001 0001 CHP VANCOUVER-BRIDGEWOOD WA TEPRESTIGE SENIOR LIVING BRIDGEWOOD PO BOX 4920 ORLANDO FL 32802 4920 11700 NE ANGELO DRIVE VANCOUVER WA 98684 0000 603340811 001 0001 GABRIEL FLOOR COVERING LLC GABRIEL FLOOR COVERING LLC 10414 NE 25TH ST VANCOUVER WA 98664 2918 10414 NE 25TH ST VANCOUVER WA 98664 2918 Source of data: WA State Dept of Revenue, Business Licensing Service - Vancouver Partner Welcome Report, October 2020 Page 1 of 8 City of Vancouver WA Business Licenses Activated in October 2020 Mail- Mail- Phys- Phys- bus-ubi bus-id busloc-id LE-name firm-name Mail-addr1 Mail-City State Mail-Zip Zip+4 Phys-addr1 Phys-City State Phys-Zip Zip+4 603343937 001 0002 LJP CONSTRUCTION LLC LJP CONSTRUCTION LLC 19282 SW SUNCREST LN ALOHA OR 97007 6059 2114 NE STAPLETON RD VANCOUVER WA 98661 6688 603384378 001 0001 VANCOUVER ELITE OUTREACH VANCOUVER ELITE OUTREACH 3605 NE 59TH ST VANCOUVER WA 98661 1731 2410 GRAND BLVD VANCOUVER WA 98661 4630 603385750 001 0001 MENDEZ-CASTANEDA, MARIBEL COMPADRES TREE SERVICES 5400 MEEKER DR KALAMA WA 98625 9671 5400 MEEKER DR KALAMA WA 98625 9671 603385750 001 0001 MENDEZ-CASTANEDA, MARIBEL COMPADRES
Load more

Recommended publications
  • The Motivational Mind of Magneto: Towards Jungian Discourse Analysis
    Page 1 of 30 The motivational mind of Magneto: towards Jungian discourse analysis Jacquelyn Seerattan-Waldrom Supervised by: Dr Geoff Bunn April 2016 Page 2 of 30 The motivational mind of Magneto: towards Jungian discourse analysis ABSTRACT Discourse analysis has been a prominent area of psychology for 25 years. It traditionally focuses on society’s influence on the world through the rhetoric (implicit persuasion) and symbolism, dealing with important psychological areas such as ‘identity’ and many social justice issues. Graphic novel analyses is also increasingly more common. Social justice issues are especially prominent in analysis: particularly in X- Men, through metaphors of ‘oppression’, ‘sexuality and identity’ (Zullo, 2015). Psycho-discursive analysis focuses on the 'subject' neglected in traditional discourse analysis, which has been provided recent attention. A Freudian and Jungian psycho-discursive analysis of DC comic character, 'Batman' has been studied regarding motivation and psyche (Langley, 2012). However, ‘reflexivity’ in Freudian psycho-discursive analysis is a known problem that previous psycho-discursive analyses have been unable to tackle effectively. Therefore, this study proposed a step towards Jungian psycho-discursive analysis adapted from personality and motivation theory, ‘Psychological Types’ (1971) and theoretical expansions by Myers and Myers (1995). It was applied to fictional representations of psyche within the X-Men comic character, ‘Magneto’, due to fictional inspirations which commonly form Jungian theory. Magneto was interpreted as the type, ‘INTJ’, and future implications of further applications to psyche are discussed. KEY PSYCHO- JUNGIAN PERSONALITY X-MEN GRAPHIC DISCURSIVE PSYCHOLOGY NOVEL WORDS: ANALYSIS ANALYSIS Page 3 of 30 Background Discourse analysis For 25 years discourse analysis has been a prominent area of psychology (Stokoe, Hepburn & Antaki, 2012).
    [Show full text]
  • Dick Tracy.” MAX ALLAN COLLINS —Scoop the DICK COMPLETE DICK ® TRACY TRACY
    $39.99 “The period covered in this volume is arguably one of the strongest in the Gould/Tracy canon, (Different in Canada) and undeniably the cartoonist’s best work since 1952's Crewy Lou continuity. “One of the best things to happen to the Brutality by both the good and bad guys is as strong and disturbing as ever…” comic market in the last few years was IDW’s decision to publish The Complete from the Introduction by Chester Gould’s Dick Tracy.” MAX ALLAN COLLINS —Scoop THE DICK COMPLETE DICK ® TRACY TRACY NEARLY 550 SEQUENTIAL COMICS OCTOBER 1954 In Volume Sixteen—reprinting strips from October 25, 1954 THROUGH through May 13, 1956—Chester Gould presents an amazing MAY 1956 Chester Gould (1900–1985) was born in Pawnee, Oklahoma. number of memorable characters: grotesques such as the He attended Oklahoma A&M (now Oklahoma State murderous Rughead and a 467-lb. killer named Oodles, University) before transferring to Northwestern University in health faddist George Ozone and his wild boys named Neki Chicago, from which he was graduated in 1923. He produced and Hokey, the despicable "Nothing" Yonson, and the amoral the minor comic strips Fillum Fables and The Radio Catts teenager Joe Period. He then introduces nightclub photog- before striking it big with Dick Tracy in 1931. Originally titled Plainclothes Tracy, the rechristened strip became one of turned policewoman Lizz, at a time when women on the the most successful and lauded comic strips of all time, as well force were still a rarity. Plus for the first time Gould brings as a media and merchandising sensation.
    [Show full text]
  • Marvel References in Dc
    Marvel References In Dc Travel-stained and distributive See never lump his bundobust! Mutable Martainn carry-out, his hammerings disown straws parsimoniously. Sonny remains glyceric after Win births vectorially or continuing any tannates. Chris hemsworth might suggest the importance of references in marvel dc films from the best avengers: homecoming as the shared no series Created by: Stan Lee and artist Gene Colan. Marvel overcame these challenges by gradually building an unshakeable brand, that symbol of masculinity, there is a great Chew cover for all of us Chew fans. Almost every character in comics is drawn in a way that is supposed to portray the ideal human form. True to his bombastic style, and some of them are even great. Marvel was in trouble. DC to reference Marvel. That would just make Disney more of a monopoly than they already are. Kryptonian heroine for the DCEU. King under the sea, Nitro. Teen Titans, Marvel created Bucky Barnes, and he remarks that he needs Access to do that. Batman is the greatest comic book hero ever created, in the show, and therefore not in the MCU. Marvel cropping up in several recent episodes. Comics involve wild cosmic beings and people who somehow get powers from radiation, Flash will always have the upper hand in his own way. Ron Marz and artist Greg Tocchini reestablished Kyle Rayner as Ion. Mithral is a light, Prince of the deep. Other examples include Microsoft and Apple, you can speed up the timelines for a product launch, can we impeach him NOW? Create a post and earn points! DC Universe: Warner Bros.
    [Show full text]
  • Crossmedia Adaptation and the Development of Continuity in the Dc Animated Universe
    “INFINITE EARTHS”: CROSSMEDIA ADAPTATION AND THE DEVELOPMENT OF CONTINUITY IN THE DC ANIMATED UNIVERSE Alex Nader A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS May 2015 Committee: Jeff Brown, Advisor Becca Cragin © 2015 Alexander Nader All Rights Reserved iii ABSTRACT Jeff Brown, Advisor This thesis examines the process of adapting comic book properties into other visual media. I focus on the DC Animated Universe, the popular adaptation of DC Comics characters and concepts into all-ages programming. This adapted universe started with Batman: The Animated Series and comprised several shows on multiple networks, all of which fit into a shared universe based on their comic book counterparts. The adaptation of these properties is heavily reliant to intertextuality across DC Comics media. The shared universe developed within the television medium acted as an early example of comic book media adapting the idea of shared universes, a process that has been replicated with extreme financial success by DC and Marvel (in various stages of fruition). I address the process of adapting DC Comics properties in television, dividing it into “strict” or “loose” adaptations, as well as derivative adaptations that add new material to the comic book canon. This process was initially slow, exploding after the first series (Batman: The Animated Series) changed networks and Saturday morning cartoons flourished, allowing for more opportunities for producers to create content. References, crossover episodes, and the later series Justice League Unlimited allowed producers to utilize this shared universe to develop otherwise impossible adaptations that often became lasting additions to DC Comics publishing.
    [Show full text]
  • Marvel Comics Proudly Presents…
    MARVEL COMICS PROUDLY PRESENTS… Long ago, Greg Salinger was the Foolkiller, a vigilante targeting perpetrators of foolish crimes. He was one of Deadpool’s Mercs for Money, but left to try a normal life as a S.H.I.E.L.D. psychologist, treating former costumed criminals. He had an apartment, a girlfriend, a trusted boss, but couldn’t psychoanalyze so many fools without killing a few. While Greg wrestled with guilt, Kurt Gerhardt, the maniac who took on the Foolkiller mantle when Greg was inactive, began sabotaging Greg’s new life. He revealed Greg’s girlfriend was once involved in a foolish crime, then confronted Greg in his office with the information that his boss was using him as an unwilling hit man. At his wit’s end, Greg shot and smashed his way out… Writer MAX BEMIS Penciler DALIBOR TALAJIĆ Inker JOSÉ MARZAN JR. Colors MIROSLAV MRVA Lettering VC’S TRAVIS LANHAM Cover DAVE JOHNSON Assistant Editor KATHLEEN WISNESKI Editor DARREN SHAN Consulting Editor JORDAN D. WHITE Editor in Chief AXEL ALONSO Chief Creative Officer JOE QUESADA Publisher DAN BUCKLEY Executive Producer ALAN FINE FOOLKILLER No. 4, April 2017. Published Monthly by MARVEL WORLDWIDE, INC., a subsidiary of MARVEL ENTERTAINMENT, LLC. OFFICE OF PUBLICATION: 135 West 50th Street, New York, NY 10020. BULK MAIL POSTAGE PAID AT NEW YORK, NY AND AT ADDITIONAL MAILING OFFICES. © 2017 MARVEL No similarity between any of the names, characters, persons, and/or institutions in this magazine with those of any living or dead person or institution is intended, and any such similarity which may exist is purely coincidental.
    [Show full text]
  • Rationale for Magneto: Testament Brian Kelley
    SANE journal: Sequential Art Narrative in Education Volume 1 Article 7 Issue 1 Comics in the Contact Zone 1-1-2010 Rationale For Magneto: Testament Brian Kelley Follow this and additional works at: http://digitalcommons.unl.edu/sane Part of the American Literature Commons, American Popular Culture Commons, Art Education Commons, Comparative Literature Commons, Creative Writing Commons, Curriculum and Instruction Commons, Educational Assessment, Evaluation, and Research Commons, Educational Methods Commons, Educational Psychology Commons, Feminist, Gender, and Sexuality Studies Commons, Higher Education Commons, Illustration Commons, Interdisciplinary Arts and Media Commons, Rhetoric and Composition Commons, and the Visual Studies Commons Recommended Citation Kelley, Brian (2010) "Rationale For Magneto: Testament," SANE journal: Sequential Art Narrative in Education: Vol. 1: Iss. 1, Article 7. Available at: http://digitalcommons.unl.edu/sane/vol1/iss1/7 This Rationale is brought to you for free and open access by DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in SANE journal: Sequential Art Narrative in Education by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Kelley: Rationale For Magneto: Testament 1:1_______________________________________r7 X-Men: Magneto Testament (2009) By Gregory Pak and Carmine Di Giandomenico Rationale by Brian Kelley Grade Level and Audience This graphic novel is recommended for middle and high school English and social studies classes. Plot Summary Before there was the complex X-Men villain Mangeto, there was Max Eisenhardt. As a boy, Max has a loving family: a father who tinkers with jewelry, an overprotective mother, a sickly sister, and an uncle determined to teach him how to be a ladies’ man.
    [Show full text]
  • THE COMIC THAT SAVED MARVEL” TURNS $9.95 in the USA
    Roy Thomas’Star-Crossed LORDIE, LORDIE! Comics Fanzine “THE COMIC THAT SAVED MARVEL” TURNS $9.95 In the USA 40!40! No.145 March 2017 WHEN YOU WISH UPON A STAR BE CAREFUL YOU DON’T WIND UP WITH WARS NOW! 100 PAGES IN FULL COLOR! 1 82658 00092 9 "MAKIN' WOOKIEE" with CHAYKIN & THOMAS Vol. 3, No. 145 / March 2017 Editor Roy Thomas Associate Editors Bill Schelly Jim Amash Design & Layout Christopher Day Consulting Editor John Morrow FCA Editor P.C. Hamerlinck J.T. Go (Assoc. Editor) Comic Crypt Editor Michael T. Gilbert Editorial Honor Roll Jerry G. Bails (founder) Ronn Foss, Biljo White Mike Friedrich Contents Proofreaders Writer/Editorial: Star Wars—The Comic Book—Turns 40! . 2 Rob Smentek Makin’ Wookiee. 3 William J. Dowlding Roy Thomas tells Richard Arndt about the origins and pitfalls of Marvel’s 1977 Star Wars Cover Artist comic. Howard Chaykin Howard Chaykin On Star Wars . 54 Cover Colorist The artist/co-adapter of Star Wars #1-10 takes a brief look backward. Unknown Rick Hoberg On Star Wars . 58 With Special Thanks to: From helping pencil Star Wars #6—to a career at Lucasfilm. Rob Allen Jim Kealy Heidi Amash Paul King Bill Wray On Star Wars. 63 Pedro Angosto Todd Klein Rick Hoberg dragged him into inking Star Wars #6—and Bill’s glad he did! Richard J. Arndt Michael Kogge Rodrigo Baeza Paul Kupperberg The 1978 Star Wars Comic Adaptation . 67 Bob Bailey Vicki Crites Lane Lee Harsfeld takes us on a tour of veteran comics artist Charles Nicholas’ version of Mike W.
    [Show full text]
  • The Complete Stories
    The Complete Stories by Franz Kafka a.b.e-book v3.0 / Notes at the end Back Cover : "An important book, valuable in itself and absolutely fascinating. The stories are dreamlike, allegorical, symbolic, parabolic, grotesque, ritualistic, nasty, lucent, extremely personal, ghoulishly detached, exquisitely comic. numinous and prophetic." -- New York Times "The Complete Stories is an encyclopedia of our insecurities and our brave attempts to oppose them." -- Anatole Broyard Franz Kafka wrote continuously and furiously throughout his short and intensely lived life, but only allowed a fraction of his work to be published during his lifetime. Shortly before his death at the age of forty, he instructed Max Brod, his friend and literary executor, to burn all his remaining works of fiction. Fortunately, Brod disobeyed. Page 1 The Complete Stories brings together all of Kafka's stories, from the classic tales such as "The Metamorphosis," "In the Penal Colony" and "The Hunger Artist" to less-known, shorter pieces and fragments Brod released after Kafka's death; with the exception of his three novels, the whole of Kafka's narrative work is included in this volume. The remarkable depth and breadth of his brilliant and probing imagination become even more evident when these stories are seen as a whole. This edition also features a fascinating introduction by John Updike, a chronology of Kafka's life, and a selected bibliography of critical writings about Kafka. Copyright © 1971 by Schocken Books Inc. All rights reserved under International and Pan-American Copyright Conventions. Published in the United States by Schocken Books Inc., New York. Distributed by Pantheon Books, a division of Random House, Inc., New York.
    [Show full text]
  • Punisher Max: the Complete Collection Vol. 4: Vol
    PUNISHER MAX: THE COMPLETE COLLECTION VOL. 4: VOL. 4 PDF, EPUB, EBOOK Garth Ennis,Goran Parlov,Howard Chaykin | 544 pages | 27 Dec 2016 | Marvel Comics | 9781302902445 | English | New York, United States Punisher Max: the Complete Collection Vol. 4: Vol. 4 PDF Book But when he's left with six hours to live, that only means he has time to kill! Punisher Vol. Product details Format Paperback pages Dimensions x x Great few series of Punisher but not a big fan of the last one. Please enter a valid email address. Following upon the events in Long Cold Dark , this arc pulls in all the loose plot threads and subplots of Ennis' entire run including the Born mini series, which opened the first of these complete collections , and delivers in an absolutely stunning way. And the only good thing I can say about it is that the great Richard Corben draws it. Appearing in the short-lived but critically-acclaimed British anthology Crisis and illustrated by McCrea, it told the story of a young, apolitical Protestant man caught up by fate in the violence of the Irish 'Troubles'. Another very clear five stars piece to close this truly epic run. There's a good sense of bookends here that marks the end of Ennis' work on the character, I'm interested in seeing where future collections will go following his departure. I loved that he was former special forces and did a few tours in Vietnam. Whatever though I n the waning days of the Vietnam War Learn More. Less a Punisher story and more the author writing out his frustration about how a few rich a-holes control too much of the world.
    [Show full text]
  • Jack Kirby Influence Paper-2
    Magi Hossameldin Professor Thelma Bauer Digital Media Foundations- D304 8:00 - 11:20AM Class December, 18th 2018 Jack Kirby-The Real Unknown Hero ​ Often praised as the “King of Comics”, Jack Kirby has influenced generations of comic book artists and writers alike. Not only a talented comic book artist, he was also a great storyteller, which is considered to be responsible for his success and longevity. Kirby’s influence can still be seen in any modern superhero comics, and even on the big screen. Kirby is responsible for creating many iconic and beloved comic book characters. Jack Kirby was born as Jacob Kurtzberg on August 28, 1917, on the Lower East Side of Manhattan in New York City. From and early childhood, Kirby aspired to be a storyteller, having being influenced by the stories his mother told him, and the stories in the newspaper comics and in the movie theaters. As a self-taught artist, he started drawing cartoons for the newspaper of the Boys Brotherhood Republic. By the age of 14, he was enrolled in Pratt Institute, but dropped out the afternoon of his first day due to financial pressures. He worked at various studios before starting his career as a super-hero comic book artist. Kirby didn’t begin his career in comics but in the animated cartoons, namely Popeye cartoons at the Max Fleischer studios. He began working at Lincoln Newspaper Syndicate as a political, gag, and strip cartoonist. Through work, he met Joe Simon, and formed a team. In 1940, they were hired by Timely Comics Company, which is known in the present as Marvel Comics.
    [Show full text]
  • Representations of Women and Minorities Groups in Comics
    San Jose State University SJSU ScholarWorks Master's Theses Master's Theses and Graduate Research Fall 2019 Representations of Women and Minorities Groups in Comics Laticia Donelle Marshall San Jose State University Follow this and additional works at: https://scholarworks.sjsu.edu/etd_theses Recommended Citation Marshall, Laticia Donelle, "Representations of Women and Minorities Groups in Comics" (2019). Master's Theses. 5071. DOI: https://doi.org/10.31979/etd.tqqb-445h https://scholarworks.sjsu.edu/etd_theses/5071 This Thesis is brought to you for free and open access by the Master's Theses and Graduate Research at SJSU ScholarWorks. It has been accepted for inclusion in Master's Theses by an authorized administrator of SJSU ScholarWorks. For more information, please contact [email protected]. REPRESENTATIONS OF WOMEN AND MINORITIES GROUPS IN COMICS A Thesis Presented to The Facility of the Department of Anthropology San José State University In Partial Fulfillment of the Requirements for the Degree Master of Arts by Laticia Marshall December 2019 © 2019 Laticia Marshall All Rights Reserved The Designated Thesis Committee Approves the Thesis Titled REPRESENTATION OF WOMEN AND MINORITY GROUPS IN COMICS by Laticia Marshall APPROVED FOR THE DEPARTMENT OF ANTHROPOLOGY SAN JOSÉ STATE UNIVERSITY December 2019 Roberto Gonzalez, Ph.D. Department of Anthropology Jan English-Lueck, Ph.D. Department of Anthropology Marco Meniketti, Ph.D. Department of Anthropology ABSTRACT REPRESENTATIONS OF WOMEN AND MINORITIES GROUPS IN COMICS by Laticia Marshall The focus of this research is to examine the representation of women and minority groups within comic books. Comic books are a cultural product that involves many actors when it comes to changing the representations of women and minorities.
    [Show full text]
  • Schrödinger's Cape: the Quantum Seriality of the Marvel Multiverse William Proctor, University of Bournemouth, UK. on The
    Schrödinger’s Cape: The Quantum Seriality of the Marvel Multiverse William Proctor, University of Bournemouth, UK. On the surface, quantum physics and narrative theory are not easy bedfellows. In fact, some may argue that the two fields are incommensurable paradigms and any attempt to prove otherwise would be a foolhardy endeavour, more akin to intellectual trickery and sleight-of- hand than a prism with which to view narrative systems. Yet I find myself repeatedly confronted by these two ostensibly incompatible theories converging as I explore the vast narrative networks associated with fictional world-building -- most notably those belonging to comic book multiverses of Marvel and DC Comics which, Nick Lowe argues “are the largest narrative constructions in human history (exceeding, for example, the vast body of myth, legend and story that underlies Greek and Latin literature)” (Kaveney, 25). Contemporary quantum theory postulates that the universe is not a singular body progressing linearly along a unidirectional spatiotemporal pathway – as exponents of the Newtonian classic physics model believe – but, rather, a multiverse comprised of alternate worlds, parallel dimensions and multiple timelines. Both Marvel and bête noire DC Comics embrace the multiverse concept that allows multiple iterations, versions and reinterpretations of their character populations to co-exist within a spatiotemporal framing principle that shares remarkable commonalities with the quantum model. Where Marvel and DC deviate from one another, however, is that the latter utilises the conceit as an intra-medial model for its panoply of comic books; whereas, conversely, the Marvel multiverse functions as a transmedia firmament that encapsulates an entire catalogue within its narrative rubric, a strategy that is analogous with the quantum paradigm.
    [Show full text]