The Theater Scene the Art Scene a Faire Calendar
Your Guide to Tri-State Events
Art, Movies, Theater, Dining, Music, Dance, Recreation June 5 - 11, 2014 Nicholas Gordon and Polo at Music Mountain; Photo by Marsden Epworth Movies: ‘Malefi cent’ Special effects and hodgepodge, page 9 The Theater Scene “The Other Place” at Barrington Stage, page 5 “Noises Off” at Rhinebeck’s Performing Arts Center, page 4 The Art Scene Mexico InPrint, page 3 A Faire The Robin Hood kind, page 8 Calendar, Auditions, crafts, dancing, theater, food, page 10 Nicholas Gordon looks back (and online) at many triumphs, crises, even a little espionage, and introduces Music Mountain’s 85th season of chamber music & in Falls Village, page 6 Supplement to THE LAKEVILLE JOURNAL, THE MILLERTON NEWS and THE WINSTED JOURNAL 2 Compass, Thursday, June 5, 2014
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The Art Scene: Debra Losada & Avery Danziger Mexico InPrint at the White Gallery
hese prints at the White Gallery in Lakeville, Art, Probing and Witty CT, sing with vibrant color and energy, with an- “The Owner of the Dog,” Martin Vinaver Tger, humor, wit, sarcasm and irreverence. A young Mexican girl is covered in abstract blotches of purple, yellow, blue and green — almost as if she’d been erratically spray-painted. At fi rst look, the color is so captivating that the meaning is slow to penetrate: the colors of bruises in various stages of healing? She has a square choker around her neck, it seems like a piece of silver jewelry, but on it is embossed the sign of 1 peso. Her lips are parted and she stares out — in- nocence bought and sold, a commodity traffi cked like drugs. It is so compelling that it is hard to disengage. A colograph of deconstructed sneakers in black and yellow is amusingly like a dance gone awry, or a grid of colorfully expressive men’s underwear on a turquoise Please turn to page 10
Join Us! Saturday, June 7th, 1-7pm Live Music - Artists - Vintage Poster Show – Refreshments Arts & Entertainment In conjunction with Spring for Sound 4 Compass, Thursday, June 5, 2014
Theater: ‘Noises Off’ Theater: ‘The Other Place’ Le o n Gr a h a m Ma c e y Le v i n . . . But Hilarity On
hen Michael sardines that appear and ing to make entrances; clothes, speedy entrances Frederick Fellowes, whose Frayn watched disappear in each of its Act III occurs late in the and exits and all sorts of nose bleeds at the slight- Whis farce, “The three acts. tour, again from the front, silly but crucial props: est mention of blood. Tom Two of Us,” from the The play is about a tour- when everything goes baskets, a bottle of whis- Bunker’s Garry Lejeune, wings in 1970, he thought ing company of second- wrong. key, unopened mail from Dotty’s much-younger it was much funnier than rate actors presenting an Financed by Dotty Otley the inland revenue, those lover, is a Beatle-maned from the front of the awful bedroom farce. In (Susan Gies), an already pesky sardines, even an innocent, and Amber theater. So 12 years later each of Frayn’s three acts, faded, older near-star, and ax. McCarthy, whose Brooke his “Noises Off,” bril- the first act of that play — directed by the blustering, But these are actors who Ashton (in reality an liantly made and bursting called “Nothing On” — is self-important, not-quite- not only know one an- Inland Revenue agent!) with every type of comedy performed in different London-material director other, but who know each spends most of the play in imaginable, swept theater phases of the tour. Act I Lloyd Dallas (a baritonal other’s history and quirks; her underwear, is delight- awards in London, then is the technical and dress Thom Webb), “Noth- they are involved in con- ful. Best by a whisker is more in New York. More rehearsal seen from the ing On” is chock-full of voluted romantic relation- Lou Trapani as Selsdon than 30 years later, in an front; Act II takes place every cliché in English ships, secret tax evasion, Mowbray, a whiskey-be- Up in One production mid-tour from behind the farce: double-entendres, rivalries that keep spin- sotted, over-the-hill actor, at Rhinebeck’s Center set with the actors, who smirks and winks, doors ning out of control. And who remembers neither for the Performing Arts, argue and rage, mostly in that won’t open or open Frayn, the prize-winning lines nor entrances, but it is still as fresh as the pantomime, while try- when they shouldn’t, lost author of serious dramas has the play’s last words. such as “Copenhagen” Eric Oloffson’s set — and “Democracy,” quickly front and back — and establishes each character Donna Letteri’s costumes and all the relationships are spot on. Scott Tunkel’s Arts Entertainment that we will see tangle lighting is just right. The & and untangle before us in props design by Barbara sparkling, machine gun- Melzer is superlative. quick language. At Rhinebeck, Direc- “Noises Off” plays at tor Diana di Grandi has The Center for Perform- a splendid cast. Besides ing Arts in Rhinebeck, NY, Gies and Webb, Kevin through June 15. For tickets Archambault, with his or information call 845- blond, Oxbridge good 876-3080 or go to www. looks, is a wonderful centerforperformingarts.org.
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Compass, Thursday, June 5, 2014 5
Theater: ‘The Other Place’ rel, and the woman who is now living in the other Ma c e y Le v i n place, displays a diverse range of attitudes. Adam Donshik performs his . . . But Hilarity On Losing Family, Work and a Place three roles well.The spare set by Brian Prather and harr White’s “The episodes are framed by a subtle at first but becomes Despite this single scene, the atmospheric lighting Other Place” at speech she is delivering more intense and disturb- his work is precise, skillful by Scott Pinkney serve to SBarrington Stage to a convention of other ing as she slowly slips and affecting. keep the focus on the plot is a play that operates on scientists regarding a pro- away from her husband, Helgenberger, an and Juliana’s deteriorating several levels, leaving tein-folding product she is Ian (Brent Langdon), and Emmy Award winner and condition. the audience pondering developing. Through the her grasp on sanity. The Golden Globe nominee, There are intention- the life and mind of its speech her attention is audience experiences the delivers a wrenching ally unanswered questions central character, Juliana focused on a girl wearing a jumble of her hallucina- performance. Her pro- throughout the play, and Smithton (Marg Helgen- yellow bikini in the audi- tions and realities and we gression from the driven, the very last moment is berger.) The work is a ence. Who is she? wonder about the truth. arrogant scientist to her revealing and touching. blend of medical mystery, The other place often The script is taut, descent into a personal You will take Juliana’s suspense story and family referred to throughout the though one of the more hell is a dynamic example story home with you. drama. Also, as a good play is a home on Cape important and emotion- of characterization and play should, it offers the Cod that Juliana’s great- ally-driven scenes falls actor’s control. Her per- “The Other Place” runs audience an opportunity grandfather built. It holds into melodrama. This, formance is complement- at Barrington Stage Com- for introspection and an both warm and tragic however, may have been ed by Langdon’s as her pany’s St. Germain Stage examination of their own memories for her. It is her the approach of director frightened and confused in Pittsfield, MA, through experiences. refuge. Though the house Christopher Innvar, one husband. Katya Campbell June 14. Juliana is a highly re- has been sold, when she of Barrington Stage’s stal- as Juliana’s therapist, Dr. For tickets and information: spected medical research needs comfort she returns wart actors and directors. Teller, the daughter, Lau- 413-236-8888. scientist whose life has there in her imagination. gone through profound In a flashback, she relives upheaval. Her teenage the evening when her daughter, Laurel, disap- daughter vanished. In the Arts Entertainment peared years ago; her penultimate scene she & husband, Ian, is about to actually revisits the house. file for divorce; and she Much of what she remem- BEST CONCERT VENUE is succumbing to demen- bers may or may not have Tickets and Info at Advocate Best of Hartford 2011, 2012, 2013, 2014 tia. These events, espe- occurred as we accompany www.InfinityHall.com Toll Free: 1-866-666-6306 cially the latter, bring the her on her slide into men- Rt. 44, Norfolk, CT audience into Juliana’s tal illness. mind as she narrates the White’s depiction and moments that brought Helgenberger’s portrayal ����� turmoil to her life. The of Juliana’s deterioration is ������ ����������������������� �������������� ������������������������� Undermountain ���������� �������������� ������������������������� ���������������� ������������������� ���������������������������� Golf Course ������������������� ��������������������������� Marvelous Mondays are Back ������������������ All players recieve senoirsenior greens fee rate �������������������� Between 8 am and 2 pm ����������������������� ����������� Offer valid Mondays May 5 – June 30 non-holiday �������������������� ��������������� ��������������� ����������� ����������������������������� �������������������� 274 Undermountain Rd Boston Corner ,NY ����������������� ��������������� ����������������� 518-329-4444 www.undermountaingolf.com PfiCh kli t 6 Compass, Thursday, June 5, 2014
The Music Scene: Marsden Epworth
After Surviving War, ing, fixtures, planks, pipes, declared Emma May Foot, screws, tiles, doors, floors, president of the Gordon walls, bolts and shingles) Musical Association, Inc., A Depression for four Honor-Bilt one she set out to remedy. homes and for Gordon “She did not look im- Hall, a music room built, posing, but she had a will And Human Nature, as Jacques Gordon pre- of iron,” Gordon said. scribed, basically like the “She was devoted to interior of a violin. Work- Music Mountain and to icholas Gor- concert violinist Joshua performances at Music ers needed nothing more my parents and to music don is a story Bell bought it for $3 mil- Mountain made it onto than the foundations and and culture. And she was teller. Yes, he lion. Not knowing of the radio. As a youngster, the instructions to piece it one tough girl.” Nis the presi- violin’s earlier adventure Gordon recalls a huge he- all together. Foot planned to go dent of Music Mountain’s with Jacques Gordon, lium balloon hanging over Today these Sears build- to the Sears people in Board, and he is the Bell was persuaded by a the mountain, dropping a ings still accommodate Chicago, “people with festival’s musical direc- Washington Post writer microphone into Gordon performers and students at no particular humanity,” tor, too — more on that to head one day for the Hall that picked up the the airy, green mountain- Gordon said in the inter- shortly — but above all, D.C. subway system and concerts for transmission top. view. “Nothing mattered this man knows how to play Bach’s glorious “Cha- to radio station WNYC But as Nicholas Gordon to them but survival.” spin a tale, such as one conne,” among other in New York. The balloon says, “I’m amazed Music She went to them with about his father, Jacques classic works, during a is long gone, of course, Mountain is still here the money raised to date, Gordon: violinist, child morning rush hour. The but the concerts are still after 85 years.” an undisclosed amount, prodigy, teacher, soloist, effort resulted in extensive broadcast, now by 125 and a very simple mes- concert master of the Chi- newsprint devoted to this stations around the nation The first blow was the sage, Gordon says. “Music cago Symphony Orchestra violinist’s skill, virility and and to listeners in more Depression, Gordon said Mountain is not a hall by age 21 and founder and showmanship, and even than 35 countries. in interviews at home and houses, but an idea, first violinist of the Gor- more about the nature of Nick Gordon has more in Sharon. It hit Music a place for the study and don String Quartet. art and its value to 1,097 serious stories, too, about Mountain’s backers hard. perfection of classical mu- Once, on a dare in pressed commuters. the history of Music “They vanished. We lost sic for string quartets.” 1930, the elder Gordon, (Only one of the travel- Mountain, how it started, the property.” This was December, dressed as a street musi- lers stopped to listen to its goals, its crises — ar- Construction and land 1936. Europe was in cian, took his Stradivarius Bell, and that was because tistic and financial — its had been financed with economic and political violin, the Tom Taylor she figured out who the near collapse and how a mortgage. But in 1932, shambles. Foot went to of 1732, out for a little player was. She dropped it was once rescued by a “The guarantors reneged Chicago and told the concert in front of Chi- a $20 in his open violin determined woman who and Sears foreclosed on Sears men that the future cago’s Orchestra Hall. case.) told a band of Midwestern the mortgage, renting the of Western civilization The undertaking netted Like all of the younger businessmen what’s what. property back to Music ultimately rested on de- him a small audience on Gordon’s stories, this Mountain.” velopment in the United the windy street, some one is told with élan, as Jacques Gordon founded The only way out was to States. That meant pre- pocket change, perhaps though for the first time, Music Mountain in 1930 raise a lot of money to pay serving the arts. Here. in his open violin case, and always from the view as a home for his quartet, off the mortgage. Under- Evidently, they bought it. and a story in the Chicago of a life in art. a place to teach chamber standably, fundraising was By January 28, 1937, she Evening Post. Certainly there are music and to summer with rough. And slow. later told a Music Moun- The instrument changed hundreds more, such as his family. Sears delivered This was “a most un- tain audience, “We owned hands and, decades later, how the weekly summer the fixings (all the wir- satisfactory situation,” Music Mountain.” COMPASS, Thursday, June 5, 2014 7
. . . Music Mountain Thrives
So the music continued 1945. When the war dent of Music Moun- the cellist, who is seated chamber music, not pos- and in 1940, in Gordon’s ended, the quartet moved tain, the board fi red the on a platform to maintain sible by taking on a single words, “the world’s great- back to Gordon Hall. Berkshire Quartet, which eye contact with his fel- group for the entire sum- est xylophone player” “It all seemed golden. threatened, but failed, to lows. mer. came to the United The boys came back from sue, and Music Moun- Among the familiar As for Gordon, this States. His name was Yo- the war. We had over- tain’s 52nd season opened names returning this year is his last year as musi- ichi Hiroka. He was Japa- come the Depression, and with the young and ac- is the St. Petersburg Quar- cal director, but he will nese. And he worked at then in 1946 my father complished Manhattan tet. And Peter Askim continue as president of NBC. On Sept. 24, 1941, had a stroke. He died in String Quartet. will return for a second Music Mountain’s Board he performed at Music 1948, leaving us totally This group set a new year at Music Mountain of Managers, charged with Mountain playing his own rudderless.” tone. They were young, with The Next Festival raising the festival’s an- transcription of Mozart’s approachable and inter- of Emerging Artists, an nual budget of less than “Eine Kleine Nachtmusik” The Gordon Quar- ested in teaching and in orchestral workshop for $500,000. for string quartet and tet, renamed, now, the performing 20th-century young adults. “I still love it all,” Gor- xylophone. Berkshire Quartet, with a chamber works, such as In this way, Gordon don said at the end of one “I remember the con- new fourth member and a Samuel Barber’s String says, Music Mountain ful- interview. cert. He was a brilliant bad attitude, returned to Quartet, Op. 11 (its lean fi lls its mission of educat- “I still regard walking musician,” Gordon said. Music Mountain. But they second movement was ing players and audiences into Gordon Hall for a He was also a spy. did not want to teach, eventually fattened up to and covering, expertly, concert an enormous He slipped out of the part of Music Mountain’s become the famed “Ada- the wide repertory of privilege.” country right before Dec. mission; and they did not gio for Strings”). They 7, 1941, the date the want to play more than 10 gave this work a spectacu- For a season schedule and tickets, go to Japanese attacked Pearl concerts a summer. lar performance. musicmountain.org or call 860-824-7126. Harbor. Also, “The playing was But ambitions and Now the war improved not up to snuff,” Gordon discord among members the economy, Gordon recalls (incidentally, the broke up the quartet, recalls, but it pinched quartet’s cellist had been setting Music Mountain gas supplies and inter- Nicholas’s teacher. The on a new course, one the rupted train service. Lots effort failed. The younger venerable festival follows of people who had always Gordon, it turned out, dis- to this day: A different, traveled to reach Music played no particular talent established quartet was Mountain simply could for string playing). Fur- booked every week, some- not anymore. So in 1941, ther, the cellist snuffl ed so times with guest artists, Music Mountain was fi ercely on big down-bows such as the Shanghai re-created in Hartford, that for recordings he was String Quartet, which giving concerts at the obliged to hold a pen- returns year after year, Bushnell and various spots cil between his teeth to the Orion, the Juilliard. around New England, but muffl e the sound. And this year, the festival teaching continued at Funding waned and so opens June 7 with one of “the mountain,” as Estelle, did radio air time. “It was the most venerated and Gordon’s wife, calls it. either change or close the inspiring quartets per- The situation was tem- doors, and I had promised forming today, the Emer- porary, of course. “We my father I would not let son String Quartet. They kept the audience warm,” that happen.” play, often without music, Gordon recalled, until With Gordon as presi- and standing, except for 8 Compass, Thursday, June 5, 2014
Movies: ‘Maleficent’ Summertime: Darryl Gangloff have been attending Renaissance faires for more than a decade, and I was thrilled to discover one in Connecticut running right now. Pa t r i c k L. Su ll i v a n My wife, Kayla, and I visited the Robin Hood Springtime Festival in IGuilford for the first time last weekend, and I was thoroughly impressed. As I walked through the gates, I was immediately transported back in time to Nottingham and Sherwood Forest. Robin Hood himself brazenly walked by his wanted posters to welcome us to his festival. He even posed for photos with youngsters who were wearing his familiar green hat and carrying a bow. In fact, all of the citizens of the shire were incredibly friendly. Faires, The size of the fairgrounds is perfect — not too big, not too small. After our first lap, we quickly learned the lay of the land and could enjoy the event without opening our map every few minutes. Our first stop was the Garden of Eatin’ food tents. The classic turkey leg Not Fairs, was on the menu, but I couldn’t pass up a bowl of macaroni and cheese with bacon and pulled pork. It was delicious. We also purchased a glass root beer bottle that not only acted as a great souvenir, but allowed us to receive free The and discounted refills. I was pleased to see so much ample seating under tents, helping attendees to get out of the sun, enjoy their meal and watch people walk by in wonderful costumes (you can rent an outfit if you’d like). The Thunderhouse Tavern al- Robin Hood ways has talented musicians performing on a stage — in fact, bands of all sizes keep the music going constantly at various locations throughout the faire. Next we decided to browse the tents with vendors selling their wares, such Kind as garden statues, flowers, clothes, leather goods, armor and swords (both real and fake), incense, herbs, jewelry, art and more. The festival offers ample entertainment opportunities. You can ride a don- key, get a psychic reading or pose for a photo. You can get your hair braided or your face painted or choose some henna body art. You can also try your hand at archery or darts, or throw daggers and javelins. There are all sorts of shows to watch, which are held on various stages throughout the day. Luckily, the stages are very close to each other, so you can move between them quickly. Acts include a juggler, a sword-swallower, a freak show (both bizarre and entertaining) and armored combat. My favorite show was Gail Mirabella and her Dynamo Dogs; the animals seem to defy '%4 4(% -/34 gravity as they soar through hoops. '%4 4(% -/34 The faire is a family-friendly event — both children and adults can find /54 /&