Public Art Inventory Updated July 2020

Table of Contents Public Art ...... 2 John Diefenbaker Statue ...... 4 The Spirit of the Games ...... 5 The Keeper ...... 6 The Big Save ...... 7 City Hall Mural ...... 8 Leo LaChance Memorial ...... 9 Canada 150 Mosaic Mural ...... 10 Untitled Canvas Wall Hanging (Rene Joshi Sims) ...... 11 Murals on Wall of Concourse Art Hauser Centre ...... 12 Summer’s Breeze ...... 13 City of Prince Albert Art Collection ...... 14 Sir George Simpson on his Tour Inspection from Hudson’s Bay to the Pacific Coast ...... 15 John G. Diefenbaker Portrait ...... 17 On the Saskatchewan River ...... 18 JV Hicks Portrait Bust ...... 19 Nativity ...... 20 Untitled (John G. Diefenbaker Portrait) ...... 21 Untitled (Girl in a Wicker Chair) ...... 22 Untitled (Circle Labyrinth) ...... 23 Soul Connections...... 24 Commemorative Wall Hanging ...... 25 Untitled (In Appreciation) ...... 26 Fabric of a Nation ...... 27 Untitled (2010 Olympic Torch Relay) ...... 28 Spool Series: Tin Mirror ...... 29 Monuments ...... 30 City Hall War Memorial ...... 31 Fountain in Memorial Square ...... 32 Cenotaph ...... 33 Historical Artifacts ...... 34 Totem Pole (de-accessioned) ...... 35

1 Private Artworks ...... 36 A Sense of Wonder ...... 37 Free-form Metal Sculpture ...... 38 Louis Riel Mural ...... 39 Grey Owl Mural ...... 40 Mahihkan ...... 41 Salute ...... 42 Fall ...... 43 Growing Circle ...... 44 Across the Skin ...... 45 Untitled (Foulds) ...... 46 The Legends Live On ...... 47 Indigenous Mural Project ...... 48 Temporary Artworks ...... 49 635 Steps of Resistance ...... 50 Intergenerational Metis Art Mentorship Project ...... 51 Loons; Elk (Crosswalk Art) ...... 52 Forest – Trees & Northern Lights (Crosswalk Art) ...... 53 Grasslands – Lily & Wheat (Crosswalk Art) ...... Error! Bookmark not defined. Streetscape (Crosswalk Art) ...... 55 Lilies (Crosswalk Art) ...... 56 The Arts – Microphones & Paint Brushes (Crosswalk Art) ...... 57 Grizzly (Crosswalk Art) ...... 58 Appendix A: At-A-Glance Condition Information ...... 59 Public Art ...... 59 City of Prince Albert Art Collection ...... 61 Monuments ...... 64

2 Public Art

3 John Diefenbaker Statue

Artist: Helen Granger Young Date: c. 1976 Medium: Bronze Dimensions: 216 x 100 x 86 cm Framed or Unframed: Base - 100 x 135 x 155 cm Location: Memorial Square (City Hall)

Short Description: This statue of John Diefenbaker shows him in an assertive stance with his trademark finger point. He holds a scroll in his left hand with a piece of cloth draped on his forearm. This sculpture has been in multiple locations, including the Chamber of Commerce office (formerly at 6th Ave. W and Marquis Road) and the John M. Cuelenaere Public Library.

Information about Born and raised in Toronto, Helen Granger Young (1944 - ) the Artist (incl. studied art at the Ontario College of Art and Design. In location): 1947 she relocated to to raise her family while also working as a portrait painter, commercial artist, art teacher, and sculptor. Her bronze sculptures are in collections around the world, including Buckingham Palace, the White House, and the Vatican.

Acquisition Information Method of Acquisition (Donation, Donation Purchase, or Other – specify): Acquisition #: 2017.01.15 Date Acquired: 1976? Donor: Donated by the Chamber of Commerce Diefenbaker Project; funds solicited from donors across Canada. Appraised (yes or no): No. Amount Paid: Approx. $50,000? Unknown. (Source: Prince Albert Daily Herald, John Drabble, “Diefenbaker Statue Financing Through Public Donations,” 25 June 1975, p. 3.) Copyright Details on File (yes or no): No Artist’s Declared Value: Undeclared Insurance Value: $135,910.00

Condition & Maintenance Information Condition of Artwork: Nov. 2017: Some graffiti, rust on head & unknown white corrosion? (Assessed by Emma Anderson, Former Registrar, Mann Art Gallery) May 2020: Good condition. Areas of rust along the base of the casting; it is seeping onto the concrete trapezoid base. Around the bottom of his shoes is some green rusting. On his right elbow is a bit of corrosion; white spots. His fingers and wrists also contain corrosion spots of white. His lips have some corrosion; could also be bird poop. A few scratches along his pants. For images, see the document “Condition Reports (COPA Public Art).pdf" (Assessed by Tia Furstenberg, Registrar, Mann Art Gallery) Maintenance Instructions from Artist: No instructions Maintenance Done: No maintenance record Date Maintenance was Completed:

4 The Spirit of the Games

Artist: Jack Jensen Date: 1992 Medium: Bronze Dimensions: 200 x 70 x 30 cm Framed or Unframed: Location: Prime Minister’s Park

Short Description: A sculpture of a female athlete with her arms raised. She wears a medal around her neck in the shape of Saskatchewan (trapezoidal). The sculpture was cast at Bill Epp's foundry at his acreage. The model for the piece was artist's niece, Liane Bitinsky, now a veterinarian.

Information about the Jack Jensen is based in Prince Albert. He is a retired Artist (incl. location): engineer whose art practice includes painting, drawing,

bronze sculpture, and paper sculpture. He also creates cartoons. Jack is a founding member of the local Kyla Art Group, who exhibit their work two to three times per year in Prince Albert, , and Waskesiu.

Acquisition Information Method of Acquisition (Donation, Commissioned by The Saskatchewan Summer Games Committee Purchase, or Other – specify): Acquisition #: 2017.01.05 Date Acquired: 1992 Donor: Commissioned by The Saskatchewan Summer Games Committee Appraised (yes or no): Yes Amount Paid: Copyright Details on File (yes or no): No Artist’s Declared Value: $36,000.00 Insurance Value: $25,000.00

Condition & Maintenance Information Condition of Artwork: Nov. 2017: Vandalism (Assessed by Emma Anderson, Registrar, Mann Art Gallery) May 2020: Good condition. There is dirt present. Green rust is also present along the shoes and ankles of the athlete. On the athlete’s right heel is white corrosion. Graffiti present on right shoulder; initials J.D. in green. Right ear has a bit of bird poop. Right index finger and left pinky also have traces of bird poop. The crotch area in front has scratches of white (not sure what it is). For images, see the document “Condition Reports (COPA Public Art).pdf" (Assessed by Tia Furstenberg, Registrar, Mann Art Gallery) Maintenance Instructions from Artist: Remove vandalism Maintenance Done: Restoration work complete (vandalism removed?) in summer of 2016 Date Maintenance was Completed: 2016

5 The Keeper

Artist: Leslie Potter Date: 2002 Medium: Concrete, metal, paint Dimensions: 450 x 100 x 100 cm

Framed or Unframed: Location: E.A. Rawlinson Centre (north side)

Short Description: A pole, with various organic, stacked shapes painted in pink, green, red, yellow, blue, and black. This work was previously located in front of the Mann Art Gallery entrance.

Information about the Leslie Howard Potter was born in 1947 in Kimberley, BC Artist (incl. location): and raised on a farm south of Biggar, SK. He received his BFA from the University of Saskatchewan in 1986, and his MFA from the U of S in 1993. He primarily works in painting and sculpture, and his artwork is in collections throughout the province. Leslie resides in Saskatoon.

Acquisition Information Method of Acquisition (Donation, Donation Purchase, or Other – specify): Acquisition #: 2017.01.10 Date Acquired: 2002 Donor: Donated to building by funds that were surplus to the Cultural Connection Committee of the 1999 Western Canada Summer Games. Appraised (yes or no): No Amount Paid: $12,000.00 Copyright Details on File (yes or no): Artist retains copyright Artist’s Declared Value: $20,000.00 Insurance Value: Unknown

Condition & Maintenance Information Condition of Artwork: Nov. 2017: Writing/graffiti in poured cement base area (Assessed by Emma Anderson, Former Registrar, Mann Art Gallery) May 2020: Very good condition. There is a crack in the paint happening at the front of the piece; between the middle and top tier. Dirt and dust has collected in some of the crevices of the piece. For images, see the document “Condition Reports (COPA Public Art).pdf" (Assessed by Tia Furstenberg, Registrar, Mann Art Gallery) Maintenance Instructions from Artist: No instructions Maintenance Done: Restoration work in September 2015 completed by artist after a vehicle backed into sculpture, when it was located at the entrance of the Mann Art Gallery. Date Maintenance was Completed: September 2015

6 The Big Save

Artist: Jack Jensen Date: 2005 Medium: Bronze Dimensions: 198 x 118 x 80 cm

Framed or Unframed: Location: Art Hauser Centre, Johnny Bower Lobby

Short Description: A sculpture in the round of an ice hockey goalie in motion. The model for work was artist's son Aaron in goalie equipment borrowed from Owen Felske's son, Karsten who was the Raider's goalie. A brief acknowledgement to Karsten has been put on the back of the goalie stick with an angle grinder.

Information about Jack Jensen is based in Prince Albert. He is a the Artist (incl. retired engineer whose art practice includes location): painting, drawing, bronze sculpture, and paper sculpture. He also creates cartoons. Jack is a founding member of the local Kyla Art Group, who exhibit their work two to three times per year in Prince Albert, Saskatoon, and Waskesiu.

Acquisition Information Method of Acquisition (Donation, Donation Purchase, or Other – specify): Acquisition #: 2017.01.06 Date Acquired: 1992 Donor: Prince Albert and Region Civic Facilities Association Appraised (yes or no): No Amount Paid: Copyright Details on File (yes or no): No Artist’s Declared Value: $40,000.00 Insurance Value: $40,000.00

Condition & Maintenance Information Condition of Artwork: Oct. 2017: Graffiti/vandalism (Assessed by Emma Anderson, Former Registrar, Mann Art Gallery) June 2020: Great condition. A bit of dirt/sand present in the crevices of his gear, specifically between his right knee and shin padding. For images, see the document “Condition Reports (COPA Public Art) AFJH and Art Hauser.pdf" (Assessed by Tia Furstenberg, Registrar, Mann Art Gallery) Maintenance Instructions from Artist: Contact artist for cleaning Maintenance Done: No maintenance record Date Maintenance was Completed: 7 City Hall Mural

Artist: Huang Zhong-Ru Date: 1998 Medium: Paint Dimensions: 3.0 x 13.8 m

Framed or Unframed: Location: West (front) of City Hall Building

Short Description: A landscape that extends the entire right side of City Hall’s front wall. A forest scene painted with light blues and greens with some wildlife. (Tia Furstenberg)

Information about Huang Zhong-Ru is a landscape and the Artist (incl. portrait painter based in Regina. He location): and his brother, artist Huang Zhong-Yang, immigrated from China (date unknown); during their childhood they were forced to leave school and work as peasant labourers.

Acquisition Information Method of Acquisition (Donation, Donation Purchase, or Other – specify): Acquisition #: 2017.01.18 Date Acquired: c. 1997 Donor: Therese Gaudet & family commissioned in memory of Ed Moore Appraised (yes or no): No Amount Paid: Unknown Copyright Details on File (yes or no): No Artist’s Declared Value: Insurance Value: Information requested in 2017

Condition & Maintenance Information Condition of Artwork: Nov. 2017: Paint fading and flaking. (Assessed by Emma Anderson, Former Registrar, Mann Art Gallery) May 2020: Mediocre condition. It is quite faded due to sun exposure. The paint has started to flake away in certain areas along the bottom and top edges, where the window meets the wall. For images, see the document “Condition Reports (COPA Public Art).pdf" (Assessed by Tia Furstenberg, Registrar, Mann Art Gallery) Maintenance Instructions from Artist: No instructions Maintenance Done: No maintenance record Date Maintenance was Completed:

8 Leo LaChance Memorial

Artist: Lloyd Pinay Date: 2001 Medium: Bronze Dimensions: 150 x 25 x 60cm

Framed or Unframed: Location: In front (south) of the Provincial Courthouse

Short Description: This sculpture shows the chest, shoulders, and head of Robert LaChance. Behind his left shoulder is a howling wolf, and behind his right shoulder is a bird/duck. Behind the three figures is a grouping of pine trees and a soaring eagle. (Tia Furstenberg)

Information about the Lloyd Pinay's artwork has been featured in exhibitions Artist (incl. location): in major cities throughout Canada and the United States. He has made presentations of his work to the Queen Mother in Great Britain and to the Republic of China. His work can also be seen throughout Saskatchewan, including the Wanuskewin Heritage Park, the Royal Saskatchewan Museum and monuments in Fort Qu'Appelle. Lloyd is a member of the Peepeekisis First Nation.

Acquisition Information Method of Acquisition (Donation, Commission Purchase, or Other – specify): Acquisition #: 2017.01.09 Date Acquired: 2001 Donor: Department of Justice commissioned Lloyd Pinay. Appraised (yes or no): No Amount Paid: Unknown Copyright Details on File (yes or no): No Artist’s Declared Value: $30,000.00 - $40,000.00 Insurance Value: $30,000.00 - $40,000.00

Condition & Maintenance Information Condition of Artwork: Nov. 2017: Okay. (Assessed by Emma Anderson, Former Registrar, Mann Art Gallery) May 2020: Good condition. Signs of rust along the surface. The paint or coating shows signs of scrapes/peeling. For images, see the document “Condition Reports (COPA Public Art).pdf" (Assessed by Tia Furstenberg, Registrar, Mann Art Gallery) Maintenance Instructions from Artist: Wipe down when dirty Maintenance Done: No maintenance record Date Maintenance was Completed:

9 Canada 150 Mosaic Mural

Artist: Mosaic designed by Lewis Lavoie; tiles painted by community. Date: 2016 Medium: Acrylic on aluminum tile Dimensions: 244 x 244 x 3.5cm Framed or Unframed: Unframed Location: Alfred Jenkins Field House, Lobby

Short Description: A mosaic of referencing Prince Albert, with 576 squares painted by local residents. The foreground is a golden field with two pairs of hay bails; the middle ground is a curving river; in the center of the

composition is the MacIntosh building with housing on its left, a tree line behind it, and two large teepees on its right. (Tia Furstenberg)

Information about the Approximately 400 community members painted Artist (incl. location): individual tiles as a part of the Canada 150 Mosaic Mural project, initiated by Lewis Lavoie. Lavoie is a Canadian artist who works in mural mosaics, illustration, and live art fundraising. He resides in St. Albert?

Acquisition Information Method of Acquisition (Donation, Purchased by the City of Prince Albert Purchase, or Other – specify): Acquisition #: 2017.01.22 Date Acquired: 2016 Donor: Purchased by the City of Prince Albert Appraised (yes or no): No Amount Paid: $20,000.00 Copyright Details on File (yes or no): No Artist’s Declared Value: $20,000.00 Insurance Value: $20,000.00

Condition & Maintenance Information Condition of Artwork: Nov. 2017: Okay (Assessed by Emma Anderson, Former Registrar, Mann Art Gallery) June 2020: Great condition. No paint chipping, wear, or graffiti present. For images, see the document “Condition Reports (COPA Public Art) AFJH and Art Hauser.pdf" (Assessed by Tia Furstenberg, Registrar, Mann Art Gallery) Maintenance Instructions from Artist: We put a UV clear coat over top of the mural upon completion which should protect it for many years. If the Mural is going to be hung outside avoid south facing walls for longevity and of course indoors will guarantee a long life… But if outdoors much greater chance of longer life if not south facing. Maintenance Done: No maintenance record Date Maintenance was Completed:

10 Untitled Canvas Wall Hanging (Rene Joshi Sims)

Artist: René Joshi Sims Date: 2001 Medium: Painted wall hanging on canvas. Dimensions: 200 x 388 cm Framed or Unframed Unframed: Location: E.A. Rawlinson Centre

Short Description: This was the winning piece from a competition for submissions to be displayed at the E.A. Rawlinson Centre.

Information about René Joshi Sims is a Winnipeg-based the Artist (incl. visual artist and community arts location): facilitator. She works extensively with children and adults who have developmental disabilities. René graduated from Alberta College of Art and Design; other education includes Yale's Summer School of Art, MAWA's Foundation Mentorship, and, most recently, ACI Manitoba's Community Collaborative Arts Training Program.

Acquisition Information Method of Acquisition (Donation, Donation Purchase, or Other – specify): Acquisition #: 2017.01.27 Date Acquired: 2003 Donor: Donated to building by funds that were surplus to the Cultural Connection Committee of the 1999 Western Canada Summer Games. Appraised (yes or no): No Amount Paid: $12,139.00 Copyright Details on File (yes or no): Artist retains copyright Artist’s Declared Value: $25,000.00 Insurance Value: Unknown

Condition & Maintenance Information Condition of Artwork: Dec. 2017: Wear of fabric along bottom edge in areas. (Assessed by Emma Anderson Former Registrar, Mann Art Gallery) Maintenance Instructions from Artist: No instructions Maintenance Done: No maintenance record Date Maintenance was Completed:

11 Murals on Wall of Concourse Art Hauser Centre

Artist: Danny Dunn Date: 2005/06 Medium: Oil paint, marine paint Dimensions: Two sets of murals run outer length of arena on either side. Framed or Unframed: n/a Location: Art Hauser Centre Concourse

Short Description: Murals showcasing cultural and sporting activities. For details and more images, see the document “Condition Reports (COPA Public Art) AFJH and Art Hauser.pdf" (pp. 5-50)

Information about the Artist is a relative of Frank Dunn. Artist (incl. location):

Acquisition Information Method of Acquisition (Donation, Donated/purchased by the “Bring Back the Magic” campaign. Purchase, or Other – specify): Acquisition #: 2017.01.17 Date Acquired: 2005/06 Donor: “Bring Back the Magic” campaign. Appraised (yes or no): No Amount Paid: $20,000.00 Copyright Details on File (yes or no): No Artist’s Declared Value: Undeclared Insurance Value: Unknown

Condition & Maintenance Information Condition of Artwork: Oct. 2017: Paint missing, dirt and markings on walls (Assessed by Emma Anderson, Former Registrar, Mann Art Gallery) June 2020: Most sections are in good condition, although with paint chips and scuff marks in areas. A few sections are in medicore condition, with paint peeling and scuffed areas. For details and images, see the document “Condition Reports (COPA Public Art) AFJH and Art Hauser.pdf" (pp. 5-50) (Assessed by Tia Furstenberg, Registrar, Mann Art Gallery) Maintenance Instructions from Artist: Clean walls, mend mural Maintenance Done: No maintenance record Date Maintenance was Completed:

12 Summer’s Breeze

Artist: Jayde “WizWon” Goodon Date: September 3rd, 2019 Medium: Paint Dimensions: 43 feet wide (32 blocks) X11.5 feet ground to top (17 blocks) Framed or n/a Unframed: Location: Kinsmen Water Park, West Wall

Short This mural shows the flowers, Description: water, and a woman’s profile. The face is the focal point, emphasized with strong lines and contrast of light and shadow, and offset by areas with loose, dripping paint.

Information Jayde “WizWon” Goodon is a about the Artist Metis graffiti. He is known for his (incl. location): depictions of faces. Jayde’s murals are located in Winnipeg, Vancouver, Cabo (Mexico), and throughout SK. He also works as a tattoo artist. Jayde has family connections to Prince Albert.

Acquisition Information Method of Acquisition (Donation, Purchase Purchase, or Other – specify): Acquisition #: 2017.01.28 Date Acquired: September 3rd, 2019 Donor: Commissioned by the City of Prince Albert through the Municipal Cultural Action Plan and Public Art Working Groups. Appraised (yes or no): No Amount Paid: $5,250.00 Copyright Details on File (yes or no): Yes, in Agreement Artist’s Declared Value: Insurance Value:

Condition & Maintenance Information Condition of Artwork: May 2020: Good condition. Along the left side of the piece is graffiti; spelling “KeithEBoi Hennessy” in black marker. There are a few chips/flakes of paint missing sporadically throughout the piece. For images, see the document “Condition Reports (COPA Public Art).pdf" (Assessed by Tia Furstenberg, Registrar, Mann Art Gallery) Maintenance Instructions from Artist: Clean as needed Maintenance Done: Date Maintenance was Completed:

13 City of Prince Albert Art Collection

14 Sir George Simpson on his Tour Inspection from Hudson’s Bay to the Pacific Coast

Artist: Cyrus Cincinatto Cuneo Date: c. 1908 Medium: Oil on canvas Dimensions: 92.25 x 72.5" unframed, 104 x 87" framed Framed or Framed Unframed: Location: City Hall, Council Chambers

Short Description: This painting depicts Sir George Simpson on his tour of inspection from Hudson's Bay to the Pacific Coast. It was one in a series of work commissioned by the Canadian Pacific Railway. Many of these paintings were destroyed when the CPR’s offices suffered the Blitz of 1940.

Information Cyrus Cincinatto Cuneo (1869-1916) about the Artist was an American artist who worked (incl. location): in England, France, and Italy. His studied at the Carlo Rossi Academy in Paris, where he was the massier (head student) of Whistler. In addition to his painting practice, he was a magazine and book illustrator. He focused heavily on war subjects after the onset of WWI.

Acquisition Information Method of Acquisition (Donation, Donation Purchase, or Other – specify): Acquisition #: 2017.01.01 Date Acquired: 1931 Donor: Canadian Pacific Railway Appraised (yes or no): Yes Amount Paid: n/a Copyright Details on File (yes or no): No Artist’s Declared Value: Insurance Value: $65,000.00

Condition & Maintenance Information Condition of Artwork: Sept. 2017: Poor - requires conservation treatment (Assessed by Emma Anderson, Former Registrar, Mann Art Gallery) May 2020: Very good condition. The piece has just gotten back from being restored completely by Fraser Spafford Ricci Art & Archival Conservation. the painted surface and it has a new wooden stretcher. A French cleat hanging system was built by Tia Furstenberg, and her and Michel Boutin both re-hung the piece in early March. Below are some images of the 15 hanging system. For images, see the document “Condition Reports (City Hall and Arts Centre Public Art).pdf" (Assessed by Tia Furstenberg, Registrar, Mann Art Gallery) Maintenance Instructions from Artist: From Fraser Spafford Ricci Art & Archival Conservation (2020): The painting will require removal of loose dust and dirt in the future. This should be done with a large soft brush. We recommend use of a Hake (goat hair) brush to be used to remove dust from the painting surface and a hog hair brush (e.g. a varnishing type brush) be used to remove dust and dirt from the frame. A feather duster could be used as well, but a cloth would be too abrasive on the surface. Maintenance should be restricted to dry surface cleaning; solvents (including water) should not be used for cleaning the painting or the frame. Maintenance Done: By Fraser Spafford Ricci Art & Archival Conservation (2020): - Cleaned of dirt, grime, old discoloured varnishes, and old retouching; - Provided with a supportive adhered lining; - Deformations in canvas removed; - Painting stretched onto a new strong, keyed stretcher replaced the old weak replacement stretcher; - Stabilization of paint; inpainting; - Stable conservation varnish with a UV stabilizer applied to painting; - Frame cleaned with losses (chips) restored; - Title plaque repaired and restored For details see the Conservation Treatment Report (file: “1869 Prince Albert Cuneo Conservation Treatment Report email.pdf”)

Date Maintenance was Completed: 2019-2020

16 John G. Diefenbaker

Artist: Unknown Date: c. 1984 Medium: Oil on canvas Dimensions: 140 x 104 x 7cm Framed or Framed Unframed: Location: City Hall, Council Chambers

Short Description: Portrait of John G. Diefenbaker: mid- thigh to the top of his head. Turned slightly to the left, right hand on his hip (only thumb visible), with left hand, curled, resting on a purple couch. He has a golden ring on his left pinky. The piece is famed in a heavy, decorated wooden frame with a canvas matte board with an interior white, wooden frame. (Tia Furstenberg, 2020)

Information about Artist unknown. the Artist (incl. location):

Acquisition Information Method of Acquisition (Donation, Unknown Purchase, or Other – specify): Acquisition #: 2017.01.19 Date Acquired: October 1984? Donor: Unknown Appraised (yes or no): No Amount Paid: Unknown Copyright Details on File (yes or no): No Artist’s Declared Value: Insurance Value: Unknown

Condition & Maintenance Information Condition of Artwork: Sept. 2017: Image is okay; some damage on frame (Assessed by Emma Anderson, Former Registrar, Mann Art Gallery) May 2020: Good condition. The canvas matteboard shows some signs of wear: bubbles in the surface along the left side and in the upper left corner is a grey stain. There are chips in the wood frame and dust present. For images, see the document “Condition Reports (City Hall and Arts Centre Public Art).pdf" (Assessed by Tia Furstenberg, Registrar, Mann Art Gallery) Maintenance Instructions from Artist: No instructions Maintenance Done: No maintenance record Date Maintenance was Completed:

17 On the Saskatchewan River

Artist: Dr. Augustus Kenderdine Date: 1929 Medium: Oil on canvas board Dimensions: 133 x 47 x 8 cm Framed or Framed Unframed: Location: City Hall, Council Chambers

Short Description: A landscape with muted brown, green and yellow tones showing a river in the background. In the middle ground and to the left is a valley filled with trees, and the foreground shows a hill on the right side with trees. The sky is cloudy and painted with varying muted whites, pinks, purples, and yellows. (Tia Furstenberg, 2020)

Information about Kenderdine (1870-1947) emigrated from the Artist (incl. Manchester to Lashburn in 1908. After years of location): farming, he painted northern SK landscapes and portraits. In 1933 he developed the first credit art classes at the U of S; in 1936 he established the Emma Lake Artist Workshops, where he was director until his death.

Acquisition Information Method of Acquisition (Donation, Donation Purchase, or Other – specify): Acquisition #: 2017.01.07 Date Acquired: May 16th, 1930 Donor: Dr. Augustus Kenderdine Appraised (yes or no): No Amount Paid: Unknown Copyright Details on File (yes or no): No Artist’s Declared Value: Insurance Value: Unknown

Condition & Maintenance Information Condition of Artwork: Sept. 2017: Image is okay; frame is okay (Assessed by Emma Anderson, Former Registrar, Mann Art Gallery) May 2020: Good condition. Some yellowing of the paint is apparent, especially in the sky. There are small cracks in the paint in a few places along the surface. The frame has some normal wear a tear; a few scratches and chips, with some of the corners separating slightly. For images, see the document “Condition Reports (City Hall and Arts Centre Public Art).pdf" (Assessed by Tia Furstenberg, Registrar, Mann Art Gallery) Maintenance Instructions from Artist: No instructions Maintenance Done: No maintenance record Date Maintenance was Completed: 18 JV Hicks Portrait Bust

Artist: Hans Holtkamp Date: 1994 Medium: Bronze Dimensions: 56 x 35 x 28 cm Framed or Unframed: Location: Prince Albert Arts Centre, 2nd Floor

Short Description: Commission to celebrate the Arts Centre’s centennial in 1993. The bust sits atop a small piece of white granite, which in turn sits atop a piece of dark grey, rectangular granite. (Tia Furstenberg)

Information about Hans Holtkamp was born in 1947 in the Artist (incl. Maastricht, the Netherlands. He location): studied with Bill Epp at the University of Saskatchewan, assisting him with major commissions. Hans creates portrait busts and larger-than-lifesize figures for government, corporate, and private commissions. Holtkamp resides in Saskatoon.

Acquisition Information Method of Acquisition (Donation, Commission to celebrate the Arts Centre’s centennial in 1993. Purchase, or Other – specify): Acquisition #: 2017.01.04 Date Acquired: 1994 Donor: Prince Albert Council for the Arts, Private Donors Appraised (yes or no): No Amount Paid: $2,000.00 Copyright Details on File (yes or no): No Artist’s Declared Value: $2,000.00 Insurance Value: $2,000.00

Condition & Maintenance Information Condition of Artwork: Nov. 2017: Okay. (Assessed by Emma Anderson, Registrar, Mann Art Gallery) May 2020: Great condition. Needs a dusting. For images, see the document “Condition Reports (City Hall and Arts Centre Public Art).pdf" (Assessed by Tia Furstenberg, Registrar, Mann Art Gallery) Maintenance Instructions from Artist: No instructions Maintenance Done: No maintenance record Date Maintenance was Completed:

19 Nativity

Artist: ALFCO - NY (Artistic Latex Foam Co.) ? Date: 1970? Medium: Latex foam, paint Dimensions: Various Framed or Unframed: Location: City Hall, basement (storage)

Short Description: The nativity is comprised of 18 sculptural figures and animals. For details and images, see document titled “Condition Report (Nativity Scene).pdf”

Information about ALFCO - NY (Artistic Latex Foam Co.) the Artist (incl. ceased business in the early 1970s. location): According to trademark records, they operated in New Rochelle, NY starting in 1957 and specialized in 3D display figures.

Acquisition Information Method of Acquisition (Donation, Unknown Purchase, or Other – specify): Acquisition #: 2017.01.21 Date Acquired: 1970? Donor: Unknown Appraised (yes or no): No Amount Paid: Unknown Copyright Details on File (yes or no): No Artist’s Declared Value: Undeclared Insurance Value: Unknown

Condition & Maintenance Information Condition of Artwork: Oct. 2017: Poor. Works have been "refixed" since 2016 restoration with poor results (Assessed by Emma Anderson, Registrar, Mann Art Gallery) May 2020: Some pieces are in good condition; many are in mediocre condition, with paint flaking and cracking in numerous areas; one piece is in bad condition. For details, see document titled “Condition Report (Nativity Scene).pdf” (Assessed by Tia Furstenberg, Registrar, Mann Art Gallery) Maintenance Instructions from Artist: No instructions Maintenance Done: Grant McConnell built up cracks and missing areas; touched up paint. Date Maintenance was Completed: 2016

20 Untitled (John G. Diefenbaker Portrait)

Artist: James A. Flux Date: 1985 Medium: Graphite and acrylic paint on canvas board Dimensions: 173 x 122 x 5 cm Framed or Framed Unframed: Location: City Hall, Foyer

Short Description: Diefenbaker’s profile is in the center of a tindlestone archway. Written in golden yellow below his head is “Our Canada,” followed by a map of Canada, and below the map are three maple leaves. (Tia Furstenberg)

Information about No information found the Artist (incl. b. 1902 (Source: the Canadian Heritage location): Information Network; more info is possibly at the Diefenbaker Archives at the University of Saskatchewan)

Acquisition Information Method of Acquisition (Donation, Donation Purchase, or Other – specify): Acquisition #: 2017.01.02 Date Acquired: February 25th, 1985 Donor: Presented to the City by James A. Flux, on behalf of “The Friends of John Diefenbaker” Appraised (yes or no): No Amount Paid: $0.00 Copyright Details on File (yes or no): No Artist’s Declared Value: Insurance Value:

Condition & Maintenance Information Condition of Artwork: Nov. 2017: Okay. (Assessed by Emma Anderson, Former Registrar, Mann Art Gallery) May 2020: Good condition. A circular abrasion is present in the lower right corner of the painting; a larger circle with a smaller circle on its interior. For images, see the document “Condition Reports (City Hall and Arts Centre Public Art).pdf" (Assessed by Tia Furstenberg, Registrar, Mann Art Gallery) Maintenance Instructions from Artist: No instructions Maintenance Done: No maintenance done Date Maintenance was Completed:

21 Untitled (Girl in a Wicker Chair)

Artist: Students from Carlton Comprehensive High School Date: 2000 Medium: Wood, clay, paint Dimensions: 92 x 92 x 6 cm Framed or Tondo format Unframed: Location: City Hall, upper levels

Short Description: This piece is based upon Girl in a Wicker Chair by Mary Pratt. A circular image of a monochromatic grey, seated figure. The figure’s legs are bent to her chest, and she sits on a white pillow/cloud. Behind the figure is a yellow circle, with 10 rays that are red and black. There is a black band of black behind the yellow, (Tia Furstenberg)

Information about By Carlton Students: Andrew Crowdis, the Artist (incl. Colter McLeod, Jason Ratt, Rachel location): Sagardia, and Ronald Divero.

Acquisition Information Method of Acquisition (Donation, Donation – presented to City Council on March 27th, 2000. Purchase, or Other – specify): Acquisition #: 2017.01.26 Date Acquired: 2000 Donor: Students from Carlton Comprehensive High School Appraised (yes or no): No Amount Paid: $0.00 Copyright Details on File (yes or no): No Artist’s Declared Value: Undeclared Insurance Value: Unknown

Condition & Maintenance Information Condition of Artwork: Nov. 2017: Chips in wood. (Assessed by Emma Anderson, Former Registrar, Mann Art Gallery) May 2020: Good condition. There are some small scratches along the black band outlining the yellow; not very noticeable unless you get up close. For images, see the document “Condition Reports (City Hall and Arts Centre Public Art).pdf" (Assessed by Tia Furstenberg, Registrar, Mann Art Gallery) Maintenance Instructions from Artist: No instructions Maintenance Done: No maintenance record Date Maintenance was Completed:

22 Untitled (Circle Labyrinth)

Artist: Unknown (Mary ____?) Date: Before 2017 Medium: Acrylic on canvas Dimensions: 122 x 122 x 4 cm Framed or Unframed Unframed: Location: City Hall, upper levels

Short Description: A square orientation of a yellow circle labyrinth with various structures placed around its outer edge. The circle takes up most of the surface space, and is located in the center of a blue, textured background. (Tia Furstenberg)

Information about Artwork is by former City employees. the Artist (incl. location):

Acquisition Information Method of Acquisition (Donation, ? Left behind? Purchase, or Other – specify): Acquisition #: 2017.01.25 Date Acquired: Before 2017 Donor: Former City employees Appraised (yes or no): No Amount Paid: Unknown Copyright Details on File (yes or no): No Artist’s Declared Value: Undeclared Insurance Value: Unknown

Condition & Maintenance Information Condition of Artwork: Nov. 2017: Okay. (Assessed by Emma Anderson, Former Registrar, Mann Art Gallery) May 2020: Great condition. The canvas is taut and there are no surface abrasions. (Assessed by Tia Furstenberg, Registrar, Mann Art Gallery) Maintenance Instructions from Artist: No instructions Maintenance Done: No maintenance record Date Maintenance was Completed:

23 Soul Connections

Artist: Various artists from Christina’s Art School Date: 2007 Medium: Acrylic on canvas Dimensions: 91 x 122 x 4 cm Framed or Unframed Unframed: Location: City Hall, main floor (north side)

Short A landscape orientation of an Description: outdoor scene and an artist painting plain air. The surface is divided into 12 squares, and each square has been painted by a different, local artist (see file for list of artists) and thus each contains a different style. (Tia Furstenberg)

Information Made by multiple artists from about the Artist Christina’s Art School. (incl. location):

Acquisition Information Method of Acquisition (Donation, Donation Purchase, or Other – specify): Acquisition #: 2017.01.24 Date Acquired: 2007 Donor: Various artists in Christina’s Art School Appraised (yes or no): No Amount Paid: Unknown Copyright Details on File (yes or no): No Artist’s Declared Value: Undeclared Insurance Value: Unknown

Condition & Maintenance Information Condition of Artwork: Nov. 2017: Okay. (Assessed by Emma Anderson, Former Registrar, Mann Art Gallery) May 2020: Good condition. The canvas is taut and there are no apparent surface abrasions. (Assessed by Tia Furstenberg, Registrar, Mann Art Gallery) Maintenance Instructions from Artist: No instructions Maintenance Done: No maintenance record Date Maintenance was Completed:

24 Commemorative Wall Hanging

Artist: Prince Albert Creative Stitchers’ Guild (formerly Prince Albert Sharp Needles) Date: c. 1979 Medium: Quilt: fabric, thread Dimensions: 216 x 174 x 16 cm (within case) Framed or In a glass and wood case. Unframed: Location: City Hall, upper levels

Short Description: A quilt with 12 squares depicting numerous scenes images of events, places, and items relevant to Prince Albert. For details, see the file “Condition Reports (City Hall and Arts Centre Public Art).pdf”

Information about The Prince Albert Creative Stitchers’ the Artist (incl. Guild meets weekly and practices location): knitting, crocheting, and embroidery. Their work has been displayed in an annual group exhibition at the Grace Campbell Gallery for over 30 years.

Acquisition Information Method of Acquisition (Donation, Donation Purchase, or Other – specify): Acquisition #: 2017.01.23 Date Acquired: 1979 Donor: Prince Albert Sharp Needles Chapter of the Saskatchewan Embroidery Guild (now called the Prince Albert Creative Stitchers Guild) Appraised (yes or no): No Amount Paid: Unknown Copyright Details on File (yes or no): No Artist’s Declared Value: Undeclared Insurance Value: Unknown

Condition & Maintenance Information Condition of Artwork: Nov. 2017: Okay. (Assessed by Emma Anderson, Former Registrar, Mann Art Gallery) May 2020: Great condition. Needs a dusting. (Assessed by Tia Furstenberg, Registrar, Mann Art Gallery) Maintenance Instructions from Artist: No instructions Maintenance Done: No maintenance record Date Maintenance was Completed:

25 Untitled (In Appreciation)

Artist: Denny Morrison Date: 1991 Medium: Acrylic on canvas Dimensions: 101.5 x 71 x 4 cm Framed or Framed Unframed: Location: City Hall, upper levels

Short Description: A landscape with a figure standing in the middle, holding a bison skull above their head. In the background a mountain range contains a middle peak with outlines of a nose, mouth and cheekbones. In the sky two eyes are outlined in white. The moon touches the middle peak and has the profile of a hawk in its shadows. (Tia Furstenberg)

Information about Denny Morrsion (b. 1950) is a painter, the Artist (incl. potter, headdress designer, jewellery location): maker, and leather and craftsman from Ochapowace, SK. His work is on display at the Royal Saskatchewan Museum’s First Nations Gallery and he has painted murals in downtown . Morrison has also worked as an art teacher at the Regina Correctional Centre.

Acquisition Information Method of Acquisition (Donation, Donation Purchase, or Other – specify): Acquisition #: 2017.01.08 Date Acquired: 1991 Donor: Federation of Sovereign Indigenous Nations Appraised (yes or no): No Amount Paid: Copyright Details on File (yes or no): No Artist’s Declared Value: Undeclared Insurance Value: Unknown

Condition & Maintenance Information Condition of Artwork: Nov. 2017: Okay. (Assessed by Emma Anderson, Former Registrar, Mann Art Gallery) May 2020: Great condition. The canvas is taut and there are no surface abrasions. (Assessed by Tia Furstenberg, Registrar, Mann Art Gallery) Maintenance Instructions from Artist: No instructions Maintenance Done: No maintenance record Date Maintenance was Completed:

26 Fabric of a Nation

Artist: Larisa Sembaliuk Cheladyn Date: 2004 Medium: Print on paper (209/300) Dimensions: 70 x 69 x 2 cm Framed or Framed Unframed: Location: City Hall, upper levels

Short Description: Fabrics of different cultures are draped over each other. (Tia Furstenberg)

Information about Larisa Sembaliuk Cheladyn was born the Artist (incl. and lives in . She received a location): BFA in Art & Design (1981) and an MA in Ukrainian Folklore (2016), both from the University of Alberta. She primarily works in watercolours and is inspired by folklore and Ukrainian Culture. She is currently the Community Liaison at the Kule Folklore Centre at the U of A.

Acquisition Information Method of Acquisition (Donation, Donation Purchase, or Other – specify): Acquisition #: 2017.01.11 Date Acquired: c. 2004 Donor: Unknown Appraised (yes or no): No Amount Paid: Copyright Details on File (yes or no): No Artist’s Declared Value: Undeclared Insurance Value: Unknown

Condition & Maintenance Information Condition of Artwork: Nov. 2017: Okay. (Assessed by Emma Anderson, Former Registrar, Mann Art Gallery) May 2020: Great condition. Needs a dusting. (Assessed by Tia Furstenberg, Registrar, Mann Art Gallery) Maintenance Instructions from Artist: No instructions Maintenance Done: No maintenance record Date Maintenance was Completed:

27 Untitled (2010 Olympic Torch Relay)

Artist: Unknown Date: 2010 Medium: Acrylic on canvas Dimensions: 153 x 93 x 4.5 cm Framed or Unframed Unframed: Location: City Hall, upper levels

Short Description: 2010 Olympic Torch Relay. The artist used fingerpainting to show a figure holding the white Olympic torch with fire. The RBC logo is indicated in the lower left corner.

Information about the Artist (incl. location):

Acquisition Information Method of Acquisition (Donation, Donation Purchase, or Other – specify): Acquisition #: 2017.01.16 Date Acquired: 2010 Donor: RBC Appraised (yes or no): No Amount Paid: Copyright Details on File (yes or no): No Artist’s Declared Value: Undeclared Insurance Value: Unknown

Condition & Maintenance Information Condition of Artwork: Nov. 2017: Okay. (Assessed by Emma Anderson, Former Registrar, Mann Art Gallery) May 2020: Great condition. The canvas is taut and there are no surface abrasions. (Assessed by Tia Furstenberg, Registrar, Mann Art Gallery) Maintenance Instructions from Artist: No instructions Maintenance Done: No maintenance record Date Maintenance was Completed:

28 Spool Series: Tin Mirror

Artist: George Glenn Date: After 2007 Medium: Oil on canvas Dimensions: 52 x 65 cm Framed or Framed Unframed: Location: Prince Albert Arts Centre

Short Description: The piece is painted in impasto (thick paint) and contains grey, light blue, light yellow, and deep blue shapes. (Tia Furstenberg)

Information about George Glenn (b. 1948, Regina) has the Artist (incl. been painting and teaching in Prince location): Albert since 1975. He focuses on still life and portraiture subjects, using numerous media and combining representational and abstract styles. His work has been collected and exhibited throughout Canada.

Acquisition Information Method of Acquisition (Donation, Donation Purchase, or Other – specify): Acquisition #: 2017.01.03 Date Acquired: 2007 Donor: The Estate of G.A. (Sandy) Kerr / Prince Albert Council for the Arts Appraised (yes or no): No Amount Paid: ? Info coming (as of 2017) Copyright Details on File (yes or no): Artist retains copyright Artist’s Declared Value: ? Info coming (as of 2017) Insurance Value: ? Info coming (as of 2017)

Condition & Maintenance Information Condition of Artwork: Dec. 2017: Okay. (Assessed by Emma Anderson, Former Registrar, Mann Art Gallery) May 2020: Good condition. The piece’s white wooden frame has a horizontal crack along the right side. The clear plate with the piece’s information is missing a screw fixture in the upper left corner. For images, see the document “Condition Reports (City Hall and Arts Centre Public Art).pdf" (Assessed by Tia Furstenberg, Registrar, Mann Art Gallery) Maintenance Instructions from Artist: Dust lightly once per year. Maintenance Done: No maintenance record Date Maintenance was Completed:

29 Monuments

30 City Hall War Memorial

Artist: Wayne Rudderham Date: 1996 Medium: Granite Dimensions: 400 x 365 x 65 cm Framed or n/a Unframed: Location: Memorial Square (City Hall, West)

Short Description: A granite monument with two rectangular bases and a mina portion that gathers to a point at the top. It contains a vine-like engraving and a large piece of granite containing a sword. The middle portion contains stacked emblems and a container of text. This piece is in honoured memory of the men and women from Prince Albert and surrounding areas who served in the allied forces during the Second World War. Especially remembered are those that paid the supreme sacrifice.

Information about Prince Albert local, ex RCMP, veteran, the Artist (incl. made monuments for several years. location):

Acquisition Information Method of Acquisition (Donation, Yes – purchased by City of Prince Albert? Purchase, or Other – specify): Acquisition #: 2017.01.14 Date Acquired: 1996 Donor: ? City of Prince Albert? Appraised (yes or no): No Amount Paid: Unknown Copyright Details on File (yes or no): No Artist’s Declared Value: Undeclared Insurance Value: $48,000.00

Condition & Maintenance Information Condition of Artwork: Nov. 2017: Okay. (Assessed by Emma Anderson, Former Registrar, Mann Art Gallery) May 2020: Good condition. A bit dirty, but otherwise void of any vandalism/graffiti. For images, see the document “Condition Reports (COPA Public Art).pdf" (Assessed by Tia Furstenberg, Registrar, Mann Art Gallery) Maintenance Instructions from Artist: No instructions Maintenance Done: Flag poles and panels put in 2016/17 Date Maintenance was Completed: 2016/17

31 Fountain in Memorial Square

Artist: Unknown Date: c. 1940s Medium: Painted metal (Steel? Iron?) Dimensions: 175 x 175 x 320 cm Framed or Unframed: Location: Memorial Square (City Hall, West)

Short Description: The fountain contains a base, 4 columns that hold the bottom (and biggest) tier, one column that holds the middle tier (slightly smaller), and then a smaller column that holds the top tier (smallest) and a small column that rests on the very top; the fountain is painted black. (Tia Furstenberg)

Information about Artist unknown. the Artist (incl. location):

Acquisition Information Method of Acquisition (Donation, ? Purchase, or Other – specify): Acquisition #: 2017.01.20 Date Acquired: c. 1940s Donor: Unknown Appraised (yes or no): Amount Paid: Copyright Details on File (yes or no): Artist’s Declared Value: Insurance Value: $30,000.00

Condition & Maintenance Information Condition of Artwork: Nov. 2017: Rusty. (Assessed by Emma Anderson, Former Registrar, Mann Art Gallery) May 2020: Mediocre condition. The fountain is not running water, yet there is small pool at the bottom. Various leaves, paper, coins, and cigarette buts/packages are scattered in the base. The base of the fountain (4 columns) are rusted at the bottom. Paint is starting to wear and flake off the fountain in various places. The fountain is very dirty. Rust is happening at the base of the topmost tier. For images, see the document “Condition Reports (COPA Public Art).pdf" (Assessed by Tia Furstenberg, Registrar, Mann Art Gallery) Maintenance Instructions from Artist: Prevent further corrosion. Maintenance Done: No maintenance record. Date Maintenance was Completed:

32 Cenotaph

Artist: Marguerite Judd Taylor Date: 1916 Medium: Bronze Dimensions: 400 x 110 x 143 cm Framed or n/a Unframed: Location: SK Court of the Queen’s Bench

Short Description: This sculpture is in memorial of those who served in the WWI; it is the first in Canada where a figure personifies the nation, evident in the maple leaf coronet and shield with the Canadian Coat of Arms. The female figure emphasizes the roles that women played in the Wars.

Information about M.J. Taylor (1886, Paris – 1964, Winnipeg) the Artist (incl. studied art with Antoine Bourdelle. After location): meeting her husband, Hilliard Taylor, they moved to Winnipeg in the early 20th C. She has created numerous bronze war memorials, and has cited her favourite piece as the Cenotaph in Prince Albert.

Acquisition Information Method of Acquisition (Donation, Donation Purchase, or Other – specify): Acquisition #: 2017.01.13 Date Acquired: June 3rd, 1927 Donor: A committee of the War Memorial association, chaired by Dr. D.P. Miller, who solicited funds from donors. Appraised (yes or no): No Amount Paid: $10,000.00 (in 1927) Copyright Details on File (yes or no): No Artist’s Declared Value: Undeclared Insurance Value: Unknown

Condition & Maintenance Information Condition of Artwork: Nov. 2017: Okay (Assessed by Emma Anderson, Former Registrar, Mann Art Gallery) May 2020: Good condition. It is a bit dirty; there is dirt all along the drapery. There is rust where she is holding the wreath; on her fingers and below the wreath. The hand holding the shield also shows green rust. There is a small crack on the right hand, along the wrist extending to the palm. There is some rust/corrosion happening under the left armpit. For images, see the document “Condition Reports (COPA PublicArt).pdf" (Assessed by Tia Furstenberg, Registrar, Mann Art Gallery) Maintenance Instructions from Artist: No instructions Maintenance Done: No maintenance record Date Maintenance was Completed: 33 Historical Artifacts

34 Totem Pole (de-accessioned)

Artist: James Sutherland, assisted by Dale Stonechild, and inmates from P.A. Penitentiary. Date: 1975 Medium: Wood, paint Dimensions: 1000 x 72 x 220 cm Framed or n/a Unframed: Location: Riverbank, west of Historical Museum

Short Description: The Eaglechild totem pole was designed and carved especially for Prince Albert by James Sutherland, with help from Dale Stonechild. The Warden - Jim O'Sullivan (1932-2016) was the Carpentry Instructor starting in 1965 at the Penitentiary – this no doubt aided in the creation of the pole. Assistant Fred Payton ?

Information about Sutherland and Stonechild were the Artist (incl. inmates at the Penitentiary. location): Sutherland’s grandfather taught him

how to carve.

Acquisition Information Method of Acquisition (Donation, Donation Purchase, or Other – specify): Acquisition #: 2017.01.12 Date Acquired: 1975 Donor: Gift to the City from the inmates of the Saskatchewan Penitentiary Appraised (yes or no): No Amount Paid: $0.00 Copyright Details on File (yes or no): No Artist’s Declared Value: Undeclared Insurance Value: $47,500.00 (before de-accessioned)

Condition & Maintenance Information Condition of Artwork: Nov. 2017 Vandalism, wood pieces missing, paint fading (assessed by Emma Anderson, Former Registrar, Mann Art Gallery) Maintenance Instructions from Artist: No instructions Maintenance Done: No maintenance record Date Maintenance was Completed:

De-accession Information Date: September 9th, 2019 Reason: Safety concerns with rotting and wings. Extensive consultation completed about totem pole traditional protocols and with the local indigenous community, and finally the family of Dale Stonechild, assistant carver. Detail: No maintenance record 35 Private Artworks

36 A Sense of Wonder

Artist: Twyla Exner (lead artist; artist-in-residence); Jill Armstrong (Art teacher, PACI); students; volunteers Date: 2013 Medium: Mosaic of glass tiles and ceramic medallions Dimensions: Framed or n/a Unframed: Location: Prince Albert Collegiate Institute (north side)

Short Description: This outdoor mosaic was a project in Jill Armstrong's Art 20/30 class in 2013. Students created preliminary designs and paper mosaics to generate ideas and symbols, develop a colour palette, and explore the principles of design. Using the ideas produced in class, artist Twyla Exner created a final design for the mural. Each student created a medallion that symbolized community, school, or images of personal importance.

Information about Twyla Exner is a Canadian contemporary artist the Artist (incl. who resides in Prince George, British location): Columbia. She creates art works in various mediums, including drawing, sculpture, ceramics, and installation. Exner's pieces explore themes of nature, combined with technology and electronics, and have been exhibited across Canada.

Acquisition Information Method of Acquisition (Donation, Artist residency project, funded by Arts Smarts grant (SK Arts, formerly called SK Arts Purchase, or Other – specify): Board) Acquisition #: 2017.01.29 Date Acquired: 2013 Donor: n/a Appraised (yes or no): No Amount Paid: Copyright Details on File (yes or no): No – copyright remains with artist (Twyla Exner) Artist’s Declared Value: Insurance Value:

Condition & Maintenance Information Condition of Artwork: July 2020: Maintenance Instructions from Artist: Maintenance Done: Date maintenance was Completed: Date condition was last reviewed Condition assessed by (name, contact) 37 Free-form Metal Sculpture

Artist: Otto Rogers Date: 1962 Medium: Metal Dimensions: Framed or base Unframed: Location: Wapiti Regional Library

Short Description: Inspired by prairie landscape and informed by his Baha’i faith, Rogers translated elements of nature to abstract forms in his steel sculptures. This piece represents a “search for knowledge” (Prince Albert Daily Herald, 19 October 1962, “Regional Library Design Most Advanced in Province,” p. 3). Rogers was one of the first artists in Canada to make welded steel sculptures.

Information about Otto Rogers (1935, Kerrobert SK – 2019, Picton the Artist (incl. ON) was one of Canada's foremost location): contemporary colour-field painters and assembled steel sculptor. In 1960 he adopted the Baha’i faith. He lectured and wrote about the religion, emphasizing its importance to his art practice.

Acquisition Information Method of Acquisition (Donation, Commission as part of Wapiti Regional Library (then the north Central Regional Purchase, or Other – specify): Library) building design in 1962; funds for sculpture were provided in the general contract of the building. Acquisition #: 2017.01.48 Date Acquired: 1962 Donor: n/a Appraised (yes or no): No Amount Paid: Unknown Copyright Details on File (yes or no): Unknown Artist’s Declared Value: Unknown Insurance Value: Unknown

Condition & Maintenance Information Condition of Artwork: July 2020: Maintenance Instructions from Artist: Maintenance Done: Date maintenance was Completed:

38 Louis Riel Mural

Artist: Jayde WizWon Goodon Date: 2017 Medium: Welded steel. Dimensions: Framed or n/a Unframed: Location: Fresh Air Experience (east side)

Short The iconic face of Louis Riel is Description: shown in Jayde Goodon's signature graffiti style. This mural, positioned next to a mural of Grey Owl (on the south wall of the building), creates a contrast between the symbols and legacies

of Metis and colonial histories.

Information Jayde “WizWon” Goodon is a about the Artist Metis graffiti. He is known for his (incl. location): depictions of faces. Jayde’s murals are located in Winnipeg, Vancouver, Cabo (Mexico), and throughout SK. He also works as a tattoo artist. Jayde has family connections to Prince Albert.

Acquisition Information Method of Acquisition (Donation, Commissioned by the Indigenous Peoples Artist Collective's Urban Metis Project, with Purchase, or Other – specify): support from the Sask Culture Metis Cultural Development Fund (Sask Culture/Sask Lotteries) Acquisition #: 2017.01.30 Date Acquired: 2017 Donor: n/a Appraised (yes or no): No Amount Paid: Copyright Details on File (yes or no): No – copyright remains with artist Artist’s Declared Value: Insurance Value:

Condition & Maintenance Information Condition of Artwork: Maintenance Instructions from Artist: Maintenance Done: Date Maintenance was Completed: Date condition was last reviewed: Condition assessed by (name, contact)

39 Grey Owl Mural

Artist: Grant Moor Date: 1992 Medium: Paint Dimensions: 10 x 40’ Framed or n/a Unframed: Location: Fresh Air Experience (south side)

Short This mural shows Grey Owl (Archibald Description: Belaney), his wife Anahareo (Gertrude Bernard), and their cabin. "Grey Owl" remains well-known and praised for his conservation work, although after his death in 1938 it was revealed that he was 100% British and manufactured a guise as an Indigenous person.

Information Grant Moor is a Prince Albert artist. He about the Artist operated Moor Signs in Prince Albert (incl. location): and area for more than 50 years. In his studio practice he works in watercolour, acrylic, encaustic, and silk screen printing.

Acquisition Information Method of Acquisition (Donation, Commissioned by Dr. Glen Green and family. Purchase, or Other – specify): Acquisition #: 2017.01.31 Date Acquired: 1992 Donor: Appraised (yes or no): No Amount Paid: Copyright Details on File (yes or no): No – copyright remains with artist Artist’s Declared Value: Insurance Value:

Condition & Maintenance Information Condition of Artwork: Paint has faded and chipped due to natural wear of outdoor location. Maintenance Instructions from Artist: Maintenance Done: Date Maintenance was Completed: Date condition was last reviewed: Condition assessed by (name, contact):

40 Mahihkan

Artist: Joe Fafard Date: 2015-16 Medium: Powder-coated bronze Dimensions: 1.8 x 2.4 x 1.0 m Framed or n/a Unframed: Location: Mann Art Gallery

Short Description: Mahihkan (Cree for "wolf) is the first bronze sculpture in the MAG's permanent collection. Fafard designed this sculpture to represent a connection to northern Saskatchewan, to honor the wolf and its presence in Indigenous culture, and to encourage us to have a respectful relationship with the natural world.

Information about Joe Fafard (1942, Ste. Marthe SK -2019, the Artist (incl. Lumsden SK) was one of Canada's leading location): professional visual artists and exhibited a wide variety of work across the country and around the world. In the early 1970s he primarily worked with clay; in 1985 he shifted to bronze as his chief sculptural medium, successfully establishing a foundry in Pense. His insight and humour characterized his portraits of neighbours, farm animals, and famous artists that he came to respect as he learned his craft.

Acquisition Information Method of Acquisition (Donation, Commissioned by the Mann Art Gallery with funding from Canada Council for the Arts Purchase, or Other – specify): (acquisitions grant), individual donors, local businesses, and fundraisers. Sculpture installed with in-kind assistance from the City of Prince Albert, JDB Installation, United Rentals, and J&C Stone Cutters. Acquisition #: 2017.01.32 Date Acquired: 2016 Donor: Appraised (yes or no): Yes Amount Paid: $110,00.00 (incl. taxes) Copyright Details on File (yes or no): Yes - details on file at MAG. Copyright remains with artist's estate. Artist’s Declared Value: Insurance Value: $110,000.00 ?

Condition & Maintenance Information Condition of Artwork: Good condition. Maintenance Instructions from Artist: Maintenance Done: Date Maintenance was Completed: Date condition was last reviewed: Condition assessed by (name, contact)

41 Salute

Artist: Don Foulds Date: 1987 Medium: Welded steel Dimensions: 2.59 x 1.12 x 1.22 m Framed or n/a Unframed: Location: Mann Art Gallery

Short Description: Foulds' works in the MAG collection come from the tradition of modernist sculpture in SK, influenced heavily by teachings at the Emma Lake Artists Workshops. Foulds attended workshops between 1976 and 1984, when focus on constructivist sculpture was shaped largely by Anthony Caro, who was a workshop leader in 1977. He emphasized line, shape and the use of hard material such as steel.

Information about Don Foulds is a sculptor and teacher from the Artist (incl. Saskatoon. He taught at the University of location): Saskatchewan, ran the Gordon Snelgrove Art Gallery, and coordinated Emma Lake Artist Workshops in the 1980s and early 1990s. His art has been exhibited across Canada and internationally, and his works are in public, corporate, and private collections. Since 1995 Foulds has resided in Corner Brook, Newfoundland, where he teaches at Grenfell Campus, Memorial University.

Acquisition Information Method of Acquisition (Donation, Donation Purchase, or Other – specify): Acquisition #: 2017.01.33 Date Acquired: 2004 Donor: Don Foulds Appraised (yes or no): Yes Amount Paid: N/A Copyright Details on File (yes or no): Artist’s Declared Value: Insurance Value:

Condition & Maintenance Information Condition of Artwork: Maintenance Instructions from Artist: Maintenance Done: Polished with linseed oil in summer 2017. Date Maintenance was Completed: Summer 2017. Date condition was last reviewed: Condition assessed by (name, contact)

42 Fall

Artist: Don Foulds Date: 1982 Medium: Concrete Dimensions: 28 x 122 x 38 cm Framed or n/a Unframed: Location: Mann Art Gallery

Short Description: Foulds' works in the MAG collection come from the tradition of modernist sculpture in SK, influenced heavily by teachings at the Emma Lake Artists Workshops. Foulds attended workshops between 1976 and 1984, when focus

on constructivist sculpture was shaped largely by Anthony Caro, who was a workshop leader in 1977. He emphasized line, shape and the use of hard material such as steel.

Information about Don Foulds is a sculptor and teacher from the Artist (incl. Saskatoon. He taught at the University of location): Saskatchewan, ran the Gordon Snelgrove Art Gallery, and coordinated Emma Lake Artist Workshops in the 1980s and early 1990s. His art has been exhibited across Canada and internationally, and his works are in public, corporate, and private collections. Since 1995 Foulds has resided in Corner Brook, Newfoundland, where he teaches at Grenfell Campus, Memorial University.

Acquisition Information Method of Acquisition (Donation, Donation Purchase, or Other – specify): Acquisition #: 2017.01.34 Date Acquired: 2004 Donor: Don Foulds Appraised (yes or no): Yes Amount Paid: Copyright Details on File (yes or no): Artist’s Declared Value: Insurance Value:

Condition & Maintenance Information Condition of Artwork: Maintenance Instructions from Artist: Maintenance Done: Date Maintenance was Completed: Date condition was last reviewed: Condition assessed by (name, contact)

43 Growing Circle

Artist: Don Foulds Date: 1988 Medium: Welded steel Dimensions: 68.6 x 91.4 x 61 cm Framed or n/a Unframed: Location: Mann Art Gallery

Short Description: Foulds' works in the MAG collection come from the tradition of modernist sculpture in SK, influenced heavily by teachings at the Emma Lake Artists Workshops. Foulds attended workshops between 1976 and 1984, when focus

on constructivist sculpture was shaped largely by Anthony Caro, who was a workshop leader in 1977. He emphasized line, shape and the use of hard material such as steel.

Information about Don Foulds is a sculptor and teacher from the Artist (incl. Saskatoon. He taught at the University of location): Saskatchewan, ran the Gordon Snelgrove Art Gallery, and coordinated Emma Lake Artist Workshops in the 1980s and early 1990s. His art has been exhibited across Canada and internationally, and his works are in public, corporate, and private collections. Since 1995 Foulds has resided in Corner Brook, Newfoundland, where he teaches at Grenfell Campus, Memorial University.

Acquisition Information Method of Acquisition (Donation, Donation Purchase, or Other – specify): Acquisition #: 2017.01.35 Date Acquired: 2004 Donor: Don Foulds Appraised (yes or no): Yes Amount Paid: Copyright Details on File (yes or no): Artist’s Declared Value: Insurance Value:

Condition & Maintenance Information Condition of Artwork: Maintenance Instructions from Artist: Maintenance Done: Polished with linseed oil in summer 2017 Date Maintenance was Completed: Summer 2017 Date condition was last reviewed: Condition assessed by (name, contact)

44 Across the Skin

Artist: Don Foulds Date: 1987 Medium: Welded steel Dimensions: 1.37 x 1.52 x 0.38 m Framed or n/a Unframed: Location: Mann Art Gallery

Short Description: Foulds' works in the MAG collection come from the tradition of modernist sculpture in SK, influenced heavily by teachings at the Emma Lake Artists Workshops. Foulds attended workshops between 1976 and 1984, when focus

on constructivist sculpture was shaped largely by Anthony Caro, who was a workshop leader in 1977. He emphasized line, shape and the use of hard material such as steel.

Information about Don Foulds is a sculptor and teacher from the Artist (incl. Saskatoon. He taught at the University of location): Saskatchewan, ran the Gordon Snelgrove Art Gallery, and coordinated Emma Lake Artist Workshops in the 1980s and early 1990s. His art has been exhibited across Canada and internationally, and his works are in public, corporate, and private collections. Since 1995 Foulds has resided in Corner Brook, Newfoundland, where he teaches at Grenfell Campus, Memorial University.

Acquisition Information Method of Acquisition (Donation, Donation Purchase, or Other – specify): Acquisition #: 2017.01.36 Date Acquired: 2004 Donor: Don Foulds Appraised (yes or no): Yes Amount Paid: Copyright Details on File (yes or no): Artist’s Declared Value: Insurance Value:

Condition & Maintenance Information Condition of Artwork: Maintenance Instructions from Artist: Maintenance Done: Polished with linseed oil in summer 2017. Date Maintenance was Completed: Summer 2017 Date condition was last reviewed: Condition assessed by (name, contact)

45 Untitled (Foulds)

Artist: Don Foulds Date: 1987 Medium: Welded steel Dimensions: 254 x 61 x 23 cm Framed or n/a Unframed: Location: Mann Art Gallery

Short Description: Foulds' works in the MAG collection come from the tradition of modernist sculpture in SK, influenced heavily by teachings at the Emma Lake Artists Workshops. Foulds attended workshops between 1976 and 1984, when focus

on constructivist sculpture was shaped largely by Anthony Caro, who was a workshop leader in 1977. He emphasized line, shape and the use of hard material such as steel.

Information about Don Foulds is a sculptor and teacher from the Artist (incl. Saskatoon. He taught at the University of location): Saskatchewan, ran the Gordon Snelgrove Art Gallery, and coordinated Emma Lake Artist Workshops in the 1980s and early 1990s. His art has been exhibited across Canada and internationally, and his works are in public, corporate, and private collections. Since 1995 Foulds has resided in Corner Brook, Newfoundland, where he teaches at Grenfell Campus, Memorial University.

Acquisition Information Method of Acquisition (Donation, Donation Purchase, or Other – specify): Acquisition #: 2017.01.37 Date Acquired: 2004 Donor: Don Foulds Appraised (yes or no): Yes Amount Paid: Copyright Details on File (yes or no): Artist’s Declared Value: Insurance Value:

Condition & Maintenance Information Condition of Artwork: Maintenance Instructions from Artist: Maintenance Done: Polished with linseed oil in summer 2017 Date Maintenance was Completed: Summer 2017. Date condition was last reviewed: Condition assessed by (name, contact)

46 The Legends Live On

Artist: John Hanikenne (lead artist; assisted by Sara Carrier, Deanine Starblanket, Roddy Michelle, and Karen Sewap) Date: 2000 Medium: Paint Dimensions: Framed or n/a Unframed: Location: Indian & Metis Friendship Centre (north side)

Short Description: This mural shows an Elder speaking to youth, illustrating the importance of oral tradition and storytelling in First Nations culture. Historical Indigenous leaders in Canada are also represented. Hanikenne designed the mural and worked on it with local youth. For one week they studied art concepts, and Indigenous spirituality, legends, and traditions; followed by five weeks of painting.

Information John Hanikenne is based in Prince Albert about the Artist and is the President of the Coalition of (incl. location): Indigenous Peoples of Saskatchewan. The assistants applied to work with him on the mural, as part of a summer work-study art program.

Acquisition Information Method of Acquisition (Donation, Mural project sponsored by the Indian & Metis Friendship Centre Purchase, or Other – specify): Acquisition #: 2017.01.38 Date Acquired: 2000 Donor: Appraised (yes or no): Amount Paid: Copyright Details on File (yes or no): Artist’s Declared Value: Insurance Value:

Condition & Maintenance Information Condition of Artwork: Maintenance Instructions from Artist: Maintenance Done: Date Maintenance was Completed: Date condition was last reviewed Condition assessed by (name, contact)

47 Indigenous Mural Project

Artist: Leah Dorion, Kevin Pee-Ace Date: 2019 Medium: Paint Dimensions: Framed or n/a Unframed: Location: Historical Museum (Connaught room)

Short Description: The artwork was suggested by the Metis and First Nations Knowledge Keepers to promote Indigenous art. The murals are located along the top of the room that also includes pictures and artifacts to create a permanent interpretation of Indigenous history in the P.A. area. Dorion's designs tell the story of local English Metis; Pee-Ace's designs show histories of multiple First Nations groups. The project was named runner up in the category of Excellence for Community Programming at the 12th Canada's History Forum in Ottawa, and received the Award of Merit for projects less than $50,000 from the Museums Association of Saskatchewan.

Information about Artwork designed by Leah Dorion & Kevin Pee- the Artist (incl. Ace, painted by the public, Northcote Manor location): residents, and Queen Mary School students.

Acquisition Information Method of Acquisition (Donation, Commissioned by the P.A. Historical Museum and funded by the Northern Lights Purchase, or Other – specify): Community Development Corporation, SK Arts (formerly SK Arts Board), and the City's Public Art Stimulus Fund. Acquisition #: 2017.01.39 Date Acquired: 2019 Donor: n/a Appraised (yes or no): Amount Paid: Copyright Details on File (yes or no): Artist’s Declared Value: Insurance Value:

Condition & Maintenance Information Condition of Artwork: Maintenance Instructions from Artist: Maintenance Done: Date Maintenance was Completed: Date condition was last reviewed: Condition assessed by (name, contact)

48 Temporary Artworks

49 635 Steps of Resistance

Artist: John McDonald, Terri-Lynn McDonald Date: 2017 Medium: Paint Dimensions: Framed or n/a Unframed: Location: Central Avenue

Short Description: Series of stencilled paintings of Louis Riel and

Gabriel Dumont. The title comes from the number of steps between the first and last painted faces. This piece was a "pop-up" installation and has remained on the sidewalk for at least three years. Information about John McDonald is an award-winning writer, the Artist (incl. artist, historian, musician, playwright, actor and location): activist originally from Prince Albert. His writings and artwork have been displayed in various publications, private and permanent collections and galleries around the world, including the Canadian War Museum in Ottawa. He currently resides in Paddockwood.

Terri-Lynn McDonald is the Administrative Director for IPAC. She is also a painter, with work in the Mann Art Gallery Permanent Collection, and a social worker. She resides in Prince Albert.

Acquisition Information Method of Acquisition (Donation, Commissioned by the Indigenous Peoples Artist Collective's Urban Metis Project, with Purchase, or Other – specify): support from the Sask Culture Metis Cultural Development Fund (Sask Culture/Sask Lotteries). Assistance provided by City of Prince Albert CONFIRM Acquisition # 2017.01.40 Date Acquired: 2017 Donor: Appraised (yes or no): Amount Paid: Copyright Details on File (yes or no): Artist’s Declared Value: Insurance Value: n/a

Condition & Maintenance Information Condition of Artwork: n/a: the work is intended to fade over time. Maintenance Instructions from Artist: n/a Maintenance Done: n/a Date Maintenance was Completed: n/a

50 Intergenerational Metis Art Mentorship Project

Artist: Leah Dorion (lead artist), Danielle Castle (mentee) Date: 2020 Medium: Dimensions: Framed or Unframed: Location:

Short Description:

Information about the Artist (incl. location):

Acquisition Information Method of Acquisition (Donation, Purchase, or Other – specify): Acquisition # Date Acquired: Donor: Appraised (yes or no): Amount Paid: Copyright Details on File (yes or no): Artist’s Declared Value: Insurance Value: n/a

Condition & Maintenance Information Condition of Artwork: n/a Maintenance Instructions from Artist: n/a Maintenance Done: n/a Date Maintenance was Completed: n/a

51 Loons; Elk (Crosswalk Art)

Artist: Jack Jensen Date (Design Acquired): Fall 2017 Acquisition #: 2017.01.41 Area: Downtown Location: Transit Station on 14th St W (2 – 1 from each terminal) 1.7m Paint: Latex Colour: White Painted or Date to Paint (date & Fall 2017 who): Maintenance Plan: Target Date for Maintenance: Likely can’t reuse stencils Short Description:

Information about the Artist Jack Jensen is based in Prince Albert. He is a retired engineer whose art practice (incl. location): includes painting, drawing, bronze sculpture, and paper sculpture. He also creates cartoons. Jack is a founding member of the local Kyla Art Group, who exhibit their work two to three times per year in Prince Albert, Saskatoon, and Waskesiu.

52 Forest – Trees & Northern Lights (Crosswalk Art)

Artist: Joanne Churko Date (Design Acquired): Fall 2017 Acquisition #: 2017.01.42 Area: Corridor - bottom Location: 2nd Ave W & 13th St W (corner – NE: 4.61m X 4m) Paint: Latex? Colour: White Painted or Date to Paint Fall 2017 (date & who): Maintenance Plan: Needs to be re done with Cold Plastic & new stencil Target Date for Re-do somewhere in 2021? Maintenance: Short Description:

Information about the Artist (incl. location):

53 Grasslands – Lily & Wheat (Crosswalk Art)

Artist: Joanne Churko Date (Design Acquired): Fall 2017 Acquisition #: 2017.01.43 Area: Corridor - bottom Location: 2nd Ave W & 13th St W (corner - SW: 3.81m X 4m) Paint: Latex? Colour: White Painted or Date to Paint Fall 2017 (date & who): Maintenance Plan: Needs to be re done with Cold Plastic & new stencil Target Date for Re do somewhere in 2021? Maintenance: Short Description:

Information about the Artist (incl. location):

54 Streetscape (Crosswalk Art)

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Artist: Devon Plett Date (Design Acquired): Fall 2017 Acquisition #: 2017.01.44 Area: Downtown Location: Central & 11th St E North Side Paint: Oil Colour: White Painted or Date to Paint June 2018 (date & who): Maintenance Plan: Don’t re-do Target Date for Don’t re-do Maintenance: Short Description:

Information about the Devon Plett is a Saskatoon-based designer, artist, and carpenter. In 2016 he founded Artist (incl. location): Saskatoon Makerspace, a studio and workshop space that focuses on accessibility, education, and collaboration.

55 Lilies (Crosswalk Art)

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Artist: Devon Plett Date (Design Acquired): Fall 2017 Acquisition #: 2017.01.45 Area: Downtown Location: Central & 10th St E North Side Paint: Oil Colour: White Painted or Date to Paint June 2018 (date & who): Maintenance Plan: Don’t re-do Target Date for Don’t re-do Maintenance: Short Description:

Information about the Devon Plett is a Saskatoon-based designer, artist, and carpenter. In 2016 he founded Artist (incl. location): Saskatoon Makerspace, a studio and workshop space that focuses on accessibility, education, and collaboration.

56 The Arts – Microphones & Paint Brushes (Crosswalk Art)

Artist: Jack Jensen Date (Design Acquired): Winter 2017 Acquisition #: 2017.01.46 Area: Downtown Location: E.A. Rawlinson Centre (sidewalk) to the Gateway Mall Parking Lot, crossing 12th Street W Paint: Cold plastic Colour: Colour Painted or Date to Paint August 2018 (date & who): Maintenance Plan: Don’t re-do; get new design Target Date for Don’t re-do; get new design Maintenance: Short Description: The series of microphones and paint brushes at this location reference the E.A. Rawlinson Centre. Jensen has a connection to both the theatre and gallery that operate in the Centre. He has performed on the John and Olive Diefenbaker stage and has had his visual artwork displayed in exhibitions at the gallery.

Information about the Jack Jensen is based in Prince Albert. He is a retired engineer whose art practice includes Artist (incl. location): painting, drawing, bronze sculpture, and paper sculpture. He also creates cartoons. Jack is a founding member of the local Kyla Art Group, who exhibit their work two to three times per year in Prince Albert, Saskatoon, and Waskesiu.

57 Grizzly (Crosswalk Art)

Artist: Devon Plett Date (Design Acquired): Winter 2017 Acquisition #: 2017.01.47 Area: West - Bottom Location: Central Avenue & River Street (Across Central) Paint: Oil Colour: White Painted or Date to Paint June 2019 (date & who): Maintenance Plan: Target Date for Maintenance: Short Description:

Information about the Devon Plett is a Saskatoon-based designer, artist, and carpenter. In 2016 he founded Artist (incl. location): Saskatoon Makerspace, a studio and workshop space that focuses on accessibility, education, and collaboration.

Last acquisition number: 2017.01.48

58 Appendix A: At-A-Glance Condition Information

Public Art

Artwork Condition Maintenance Done & Date Completed: John Diefenbaker Statue May 2020: No record. Helen Granger Young Good condition. Areas of rust along the base of the casting; it is seeping onto the concrete trapezoid base. Around the bottom of his shoes is some green rusting. On his right elbow is a bit Instructions From Artist: of corrosion; white spots. His fingers and wrists also contain corrosion spots of white. His lips None have some corrosion; could also be bird poop. A few scratches along his pants. For images, see the document “Condition Reports (COPA Public Art).pdf" The Spirit of the Games May 2020: Maintenance Done & Date Completed: Jack Jensen Good condition. There is dirt present. Green rust is also present along the shoes and ankles of Restoration work complete (vandalism the athlete. On the athlete’s right heel is white corrosion. Graffiti present on right shoulder; removed?) in summer 2016. initials J.D. in green. Right ear has a bit of bird poop. Right index finger and left pinky also have traces of bird poop. The crotch area in front has scratches of white (not sure what it is). Instructions From Artist: For images, see the document “Condition Reports (COPA Public Art).pdf" Remove vandalism.

The Keeper May 2020: Maintenance Done & Date Completed: Les Potter Very good condition. There is a crack in the paint happening at the front of the piece; between Restoration work in September 2015 the middle and top tier. Dirt and dust has collected in some of the crevices of the piece. completed by artist after a vehicle For images, see the document “Condition Reports (COPA Public Art).pdf" backed into sculpture, when it was located at the entrance of the MAG.

Instructions From Artist: No instructions. The Big Save June 2020: Maintenance Done & Date Completed: Jack Jensen Great condition. A bit of dirt/sand present in the crevices of his gear, specifically between his No maintenance record. right knee and shin padding. For images, see the document “Condition Reports (COPA Public Art) AFJH and Art Hauser.pdf" Instructions From Artist: Contact artist for cleaning. City Hall Mural May 2020: Maintenance Done & Date Completed: Huang Zhong-Ru Mediocre condition. It is quite faded due to sun exposure. The paint has started to flake away in No maintenance record. certain areas along the bottom and top edges, where the window meets the wall. For images, see the document “Condition Reports (COPA Public Art).pdf" Instructions From Artist: No instructions.

59 Leo LaChance Memorial May 2020: Maintenance Done & Date Completed: Lloyd Pinay Good condition. Signs of rust along the surface. The paint or coating shows signs of No maintenance record. scrapes/peeling. For images, see the document “Condition Reports (COPA Public Art).pdf" Instructions From Artist: Wipe down when dirty. Canada 150 Mosaic Mural June 2020: Maintenance Done & Date Completed: Designed by Lewis Lavoie; Great condition. No paint chipping, wear, or graffiti present. No maintenance record. painted by instructors and For images, see the document “Condition Reports (COPA Public Art) AFJH and Art Hauser.pdf" community members Instructions From Artist: Mosaic Mural Company: We put a UV clear coat over top of the mural upon completion which should protect it for many years. If the Mural is going to be hung outside avoid south facing walls for longevity and of course indoors will guarantee a long life… But if outdoors much greater chance of longer life if not south facing. Untitled canvas hanging Nov. 2017: Maintenance Done & Date Completed: Rene Joshi Sims Wear of fabric along bottom edge in areas. No maintenance record.

Instructions From Artist: No instructions. Murals at Art Hauser June 2020: Maintenance Done & Date Completed: Danny Dunn Most sections are in good condition, although with paint chips and scuff marks in areas. A few No maintenance record. sections are in medicore condition, with paint peeling and scuffed areas. For details and images, see the document “Condition Reports (COPA Public Art) AFJH and Art Instructions From Artist: Hauser.pdf" (pp. 5-50) Clean walls, mend mural. Summer’s Breeze May 2020: Maintenance Done & Date Completed: Jayde WizWon Goodon Good condition. Along the left side of the piece is graffiti; spelling “KeithEBoi Hennessy” in black No maintenance record. marker. There are a few chips/flakes of paint missing sporadically throughout the piece. For images, see the document “Condition Reports (COPA Public Art).pdf" Instructions From Artist: Clean as needed.

60 City of Prince Albert Art Collection

Artwork Condition Maintenance Done & Date Completed: Sir George Simpson on his May 2020: Extensive work completed by Fraser Tour Inspection from Very good condition. The piece has just gotten back from being restored completely by Fraser Spafford Ricci Art & Archival Hudson’s Bay to the Spafford Ricci Art & Archival Conservation. the painted surface and it has a new wooden Conservation in 2019/20. For details Pacific Coast stretcher. A French cleat hanging system was built by Tia Furstenberg, and her and Michel see the Conservation Treatment Report Cyrus Cincinnato Cuneo Boutin both re-hung the piece in early March. Below are some images of the hanging system. (file: “1869 Prince Albert Cuneo For images, see the document “Condition Reports (City Hall and Arts Centre Public Art).pdf" Conservation Treatment Report email.pdf”)

Instructions From Artist: From Fraser Spafford Ricci Art & Archival Conservation (2020): The painting will require removal of loose dust and dirt in the future. This should be done with a large soft brush. We recommend use of a Hake (goat hair) brush to be used to remove dust from the painting surface and a hog hair brush (e.g. a varnishing type brush) be used to remove dust and dirt from the frame. A feather duster could be used as well, but a cloth would be too abrasive on the surface. Maintenance should be restricted to dry surface cleaning; solvents (including water) should not be used for cleaning the painting or the frame. John G. Diefenbaker May 2020: Maintenance Done & Date Completed: portrait Good condition. The canvas matteboard shows some signs of wear: bubbles in the surface along No maintenance record. Artist unknown. the left side and in the upper left corner is a grey stain. There are chips in the wood frame and dust present. Instructions From Artist: For images, see the document “Condition Reports (City Hall and Arts Centre Public Art).pdf" No instructions.

61 On the Saskatchewan May 2020: Maintenance Done & Date Completed: River Good condition. Some yellowing of the paint is apparent, especially in the sky. There are small No maintenance record. Dr. Augustus Kenderdine cracks in the paint in a few places along the surface. The frame has some normal wear a tear; a few scratches and chips, with some of the corners separating slightly. Instructions From Artist: For images, see the document “Condition Reports (City Hall and Arts Centre Public Art).pdf" No instructions.

J.V. Hicks Portrait Bust May 2020: Maintenance Done & Date Completed: Hans Holtkamp Great condition. Needs a dusting. No maintenance record. For images, see the document “Condition Reports (City Hall and Arts Centre Public Art).pdf" Instructions From Artist: No instructions.

Nativity May 2020: Maintenance Done & Date Completed: ALFCO – NY Some pieces are in good condition; many are in mediocre condition, with paint flaking and 2016: Grant McConnell built up cracks cracking in numerous areas; one piece is in bad condition. and missing areas; touched up paint. For details, see document titled “Condition Report (Nativity Scene).pdf” Instructions From Artist: No instructions. Untitled (John G. May 2020: Maintenance Done & Date Completed: Diefenbaker portrait) Good condition. A circular abrasion is present in the lower right corner of the painting; a larger No maintenance record. James A. Flux circle with a smaller circle on its interior. For images, see the document “Condition Reports (City Hall and Arts Centre Public Art).pdf" Instructions From Artist: No instructions.

Untitled (Girl in a Wicker May 2020: Maintenance Done & Date Completed: Chair) Good condition. There are some small scratches along the black band outlining the yellow; not No maintenance record. Students from Carlton very noticeable unless you get up close. For images, see the document “Condition Reports (City Hall and Arts Centre Public Art).pdf" Instructions From Artist: No instructions.

Untitled (Circle Labyrinth) May 2020: Maintenance Done & Date Completed: Unknown Great condition. The canvas is taut and there are no surface abrasions. No maintenance record.

Instructions From Artist: No instructions.

62 Soul Connections May 2020: Maintenance Done & Date Completed: Various students from Good condition. The canvas is taut and there are no apparent surface abrasions. No maintenance record. Christina’s Art School Instructions From Artist: No instructions.

Commemorative Wall May 2020: Maintenance Done & Date Completed: Hanging Great condition. Frame and glass needs dusting. No maintenance record. Prince Albert Creative Stitchers Guild (formerly Instructions From Artist: Prince Albert Sharp No instructions. Needles) Untitled (In Appreciation) May 2020: Maintenance Done & Date Completed: Denny Morrison Great condition. The canvas is taut and there are no surface abrasions. No maintenance record.

Instructions From Artist: No instructions.

Fabric of a Nation May 2020: Maintenance Done & Date Completed: Larisa Sembaliuk Cheladyn Great condition. Frame and glass needs dusting. No maintenance record.

Instructions From Artist: No instructions.

Untitled (2010 Olympic May 2020: Maintenance Done & Date Completed: Torch Relay) Great condition. The canvas is taut and there are no surface abrasions. No maintenance record. Artist unknown Instructions From Artist: No instructions.

Spool Series: Tin Mirror May 2020: Maintenance Done & Date Completed: George Glenn Good condition. The piece’s white wooden frame has a horizontal crack along the right side. The No maintenance record. clear plate with the piece’s information is missing a screw fixture in the upper left corner. For images, see the document “Condition Reports (City Hall and Arts Centre Public Art).pdf" Instructions From Artist: Dust lightly once per year.

63

Monuments

Artwork Condition Maintenance Done & Date Completed: City Hall War Memorial May 2020: 2016/17: Flag poles and panels put in. Wayne Rudderham Good condition. A bit dirty, but otherwise void of any vandalism/graffiti. For images, see the document “Condition Reports (COPA Public Art).pdf" Instructions From Artist: No instructions.

Fountain in Memorial May 2020: Maintenance Done & Date Completed: Square Mediocre condition. The fountain is not running water, yet there is small pool at the bottom. No maintenance record. Artist unknown. Various leaves, paper, coins, and cigarette buts/packages are scattered in the base. The base of the fountain (4 columns) are rusted at the bottom. Paint is starting to wear and flake off the Instructions From Artist: fountain in various places. The fountain is very dirty. Rust is happening at the base of the Prevent further corrosion. topmost tier. For images, see the document “Condition Reports (COPA Public Art).pdf"

Cenotaph May 2020: Maintenance Done & Date Completed: Marguerite Judd Taylor Good condition. It is a bit dirty; there is dirty all along the drapery. There is rust where she is No maintenance record. holding the wreath; on her fingers and below the wreath. The hand holding the shield also shows green rust. There is a small crack on the right hand, along the wrist extending to the Instructions From Artist: palm. There is some rust/corrosion happening under the left armpit. No instructions. For images, see the document “Condition Reports (COPA Public Art).pdf"

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