TWG Prelim M.Kit 24 June
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Brisbane Comedy Festival Returns in 2020
MEDIA RELEASE Tuesday 26 November 2019 BRISBANE COMEDY FESTIVAL RETURNS IN 2020 Brisbane Comedy Festival enters its second big decade in 2020, playing in more venues, welcoming more international stars, promoting more local talent and bringing more laughs than ever before. A highlight of the international comedy calendar, Brisbane Comedy Festival 2020 returns for its 11th year with a bumper line-up of 85 acts playing in 14 performance spaces across five Brisbane venues from 21 February to 22 March, 2020. Brisbane Powerhouse is comedy central, hosting performances and gigs across its iconic New Farm space – from its rooftop to its storeroom – with Brisbane City Hall and Newstead Brewing Co again throwing open their doors to entertainers. Joining the fold for the first time are two new Fortitude Valley venues: the old-world charm of The Tivoli and the shiny newness of Fortitude Music Hall. The month-long festival of fun and frivolity begins with the popular Brisbane Comedy Festival Opening Gala, hosted by a soon-to-be-revealed act who will attempt to corral the comedic chaos of more than 9 comedians at Brisbane City Hall on Friday 21 February. The festival again shines the spotlight on top Queensland talent including Mel Buttle, Steph Tisdell, Becky Lucas and Matt Okine; local collectives Act/React, Brisburned and Politics in the Pub; and the dazzling return of a ‘90s icon – Agro with Jamie Dunn. Grin, giggle and guffaw with a slate of national comedy heavyweights such as Dave Hughes, Peter Helliar, Fiona O’Loughlin, Nazeem Hussein, Frank Woodley, Sammy J and the duo we never knew we needed: Paul McDermott and Steven Gates. -
Commercial Radio Awards (Acras), Announced This Evening at the Royal International Convention Centre in Brisbane
MEDIA RELEASE 19 October 2019 Jonesy & Amanda win Best On-Air Team FM at Radio Awards Successful WSFM breakfast hosts Jonesy and Amanda (Brendan Jones and Amanda Keller), have been crowned Best On- Air Team (Metro FM category) at the 31st Australian Commercial Radio Awards (ACRAs), announced this evening at the Royal International Convention Centre in Brisbane. The win caps off a great year for the much-loved duo, who have notched up 14 years on air together and previously won the coveted award in 2012 and 2014. 2GB’s drive time host Ben Fordham won Best Talk Presenter for the fifth time and 2GB morning presenter Ray Hadley was awarded Best Current Affairs Presenter, bringing his career tally of ACRAs to 33 across all categories. The Best On-Air Team (Metro AM) was won by Afternoons with Erin Molan & Natalie Peters, the first female duo to host a news/talk show on 2GB and the first all-female team to win this award in ACRAs history. NOVA’s popular drive show Kate, Tim & Marty won Best Networked Program and Best Syndicated Australian Program. Best Entertainment Presenter went to Triple M funny man Lawrence Mooney, while Rebecca Morse, half of Hit107 Adelaide’s new breakfast duo Bec & Cosi, won Best Newcomer On-Air. Winners of other major awards included: Best Sports Presenter – Peter Sterling (Triple M, Sydney) Best Music Presenter – Kent “Smallzy” Small, Nova Network Best Community Service Project – Kennedy Molloy’s trip to Yuendumu for Red Dust, Triple M. Best News Presenter (Metro AM) – Mel Usher, FIVEaa, Adelaide Best News Presenter (Metro FM) – Ange Anderson, Nova 106.9 Brisbane Brian White Award for Radio Journalism - Matthew Pantelis, FIVEaa, Adelaide Best Music Special - Carrie Bickmore & Tommy Little, Southern Cross Austereo Best Original Podcast (Unbranded) – Hamish & Andy, PodcastOne Australia. -
Commercial Radio
MEDIA RELEASE 20 AUGUST 2017 Digital radio finalists announced for 2017 Radio Awards The finalists in the 29th annual Australian Commercial Radio Awards (ACRAs) were announced today and Coles Radio (NOVA Entertainment), Buddha Radio (Southern Cross Austereo), Oldskool (Southern Cross Austereo) and Elf Radio (Australian Radio Network) are in the running for the Best Digital Radio Format award. The biggest names in radio will battle it out for the hotly contested Best On Air Team in both the AM and FM (Metro) categories. Last year’s winners in the FM category Kate, Tim and Marty (Kate Ritchie, Tim Blackwell & Marty Sheargold, Nova Entertainment) are amongst the finalists that include, five-time winners Kyle Sandilands and Jackie Henderson, (The Kyle and Jackie O Show, KIIS 1065, Sydney); three-time winners Hamish Blake and Andy Lee, who have announced they are leaving radio at the end of 2017 (The Hamish & Andy Show, Hit Network); Fifi, Dave, Fev & Byron (Fifi Box, Dave Thornton, Brendan Fevola & Byron Cooke, Fox FM, Melbourne); Chrissie, Sam & Browny (Chrissie Swan, Sam Pang, Jonathan Brown & Dean Thomas, Nova 100, Melbourne) and Hughesy & Kate (Dave Hughes & Kate Langbroek, KIIS Network, ARN). The Metropolitan Best On Air Team AM title will be a contest between last year’s winner, Nights with Steve Price (Steve Price & Andrew Bolt, 2GB, Sydney); The Big Sports Breakfast with Slats & TK (Michael Slater & Terry Kennedy, Sky Sports Radio, Sydney); Breakfast with Steve Mills & Basil Zempilas (6PR, Perth); The Continuous Call Team (Ray Hadley, Bob Fulton, Darryl Brohman, Erin Molan, David Morrow, Mark Riddell, Chris Warren & Mark Levy); 2GB, Sydney NSW, Macquarie Media Limited and Breakfast with David Penberthy & Will Goodings; (FIVEaa, Adelaide, NOVA Entertainment). -
CHRISTINA 'BINA' PALLOT Production Manager / Production Coordinator M: +61 414 312 478 E: [email protected] DOB: 4 September 1987 Citizenship: Australian
CHRISTINA 'BINA' PALLOT Production Manager / Production Coordinator M: +61 414 312 478 E: [email protected] DOB: 4 September 1987 Citizenship: Australian October 2020 - July 2021 PIECES OF HER Made Up Stories / Netflix Production Coordinator Drama Series produced in Sydney, Australia Executive Producers: Charlotte Stoudt, Minkie Shot on Location in Sydney, Australia Spiro, Janice Williams, Bruna Papandrea, Steve Hutensky, Casey Haver, Lesli Linka Glatter Line Producer: Louisa Kors Unit Production Manager: Angelique Badenoch January 2020 - May 2020 FIRST WARS Blackfella Films / SBS Production Manager Documentary Series produced in Sydney, Australia Producer: Darren Dale To be shot on Location all over Australia (Pre-Production only) Series Producer: Jacob Hickey Director: Rachel Perkins November 2019 - December 2019 PETER RABBIT 2 ADDITIONAL PHOTOGRAPHY Sony Pictures Production Manager Feature Film produced in Sydney, Australia Producers: Zareh Nalbandian & Will Gluck Shot on Location in Sydney, Australia Executive Producers: Jodi Hildebrand, Jonathan Hludzinski & Doug Belgrad Executive Producer / Line Producer: Tatts Bishop May 2019 - November 2019 HALIFAX: RETRIBUTION Beyond / Channel 9 Production Coordinator Drama TV Series produced in Melbourne, Australia Executive Producers: Roger Simpson, Shot in a converted warehouse (to a studio) in Melbourne and Mikael Borglund & Rebecca Gibney on Location around Victoria, Australia Producer / Line Producer: Louisa Kors Production Manager: Ben Grogan November 2018 - April 2019 PETER RABBIT 2 Sony -
A Dark New World : Anatomy of Australian Horror Films
A dark new world: Anatomy of Australian horror films Mark David Ryan Faculty of Creative Industries, Queensland University of Technology A thesis submitted in fulfillment of the degree Doctor of Philosophy (PhD), December 2008 The Films (from top left to right): Undead (2003); Cut (2000); Wolf Creek (2005); Rogue (2007); Storm Warning (2006); Black Water (2007); Demons Among Us (2006); Gabriel (2007); Feed (2005). ii KEY WORDS Australian horror films; horror films; horror genre; movie genres; globalisation of film production; internationalisation; Australian film industry; independent film; fan culture iii ABSTRACT After experimental beginnings in the 1970s, a commercial push in the 1980s, and an underground existence in the 1990s, from 2000 to 2007 contemporary Australian horror production has experienced a period of strong growth and relative commercial success unequalled throughout the past three decades of Australian film history. This study explores the rise of contemporary Australian horror production: emerging production and distribution models; the films produced; and the industrial, market and technological forces driving production. Australian horror production is a vibrant production sector comprising mainstream and underground spheres of production. Mainstream horror production is an independent, internationally oriented production sector on the margins of the Australian film industry producing titles such as Wolf Creek (2005) and Rogue (2007), while underground production is a fan-based, indie filmmaking subculture, producing credit-card films such as I know How Many Runs You Scored Last Summer (2006) and The Killbillies (2002). Overlap between these spheres of production, results in ‘high-end indie’ films such as Undead (2003) and Gabriel (2007) emerging from the underground but crossing over into the mainstream. -
October 2008 Comedy Channel Highlights
www.comedychannel.com.au OCTOBER 2008 HIGHLIGHTS THE MERRICK & ROSSO SHOW WORLD PREMIERE Thursday October 2 @ 8.30pm Continues Thursdays at 8.30pm Merrick and Rosso are back on the box where they belong, with the keys to the Foxtel car - and enough fuel in the tank to really cause some chaos! They’ll finally return to their broadcasting birth place at The Comedy Channel with THE MERRICK & ROSSO SHOW. So what’s on the cards for the new show? Each week the boys will front up before a live studio audience with their unique take on anything and everything. From what’s happening in the world of news to the big questions: Can you deep fry a watermelon? On THE MERRICK & ROSSO SHOW, celebrities will make regular guest appearances from in-studio interviews to recorded comedy pieces to show you a side of them never before seen. Into the mix will go plenty of studio audience interaction and more mayhem and stupidity than is legal in three states. For perhaps the first time, Merrick Watts and Tim Ross will truly focus the energy and excitement of their legendary sell-out live comedy shows and bring that force to the electric television. It’s hotter than Gordon Ramsay’s kitchen, is sure to top Brendan Nelson’s approval ratings and it’s ‘wronger’ than an Austrian family get-together. THE MERRICK & ROSSO SHOW will allow nobody to be immune from their parodies and sketch comedy. Finally, as Merrick and Rosso are keen to point out, “Put simply, the show is Morcambe and Wise meets The Star Wars Christmas Special at an Alcoholics Anonymous meeting during The French Renaissance… on a weeknight.” Buckle up Australia, for a riotous half hour of THE MERRICK & ROSSO SHOW. -
State Ed by Sue Smith
state ed by Sue Smith 2 3 Index .................................................................................................................................................................................................... 4 Cast & Creatives .............................................................................................................................................................................. 5 Writer .................................................................................................................................................................................................. 6 Synopsis ............................................................................................................................................................................................. 8 Plot ....................................................................................................................................................................................................... 9 Director............................................................................................................................................................................................ 11 Actor Profile ................................................................................................................................................................................... 13 Characters ..................................................................................................................................................................................... -
Archived at the Flinders Academic Commons
Archived at the Flinders Academic Commons: http://dspace.flinders.edu.au/dspace/ "This is an Author's Accepted Manuscript of an article published in Continuum: Journal of Media & Cultural Studies, published online 12 March 2013. © Taylor & Francis, available online at: http://www.tandfonline.com/doi/abs/10.1080/10304312.2 013.772110#.Ui0Jfcbdd8E“ Please cite this as: Erhart, J.G., 2013. ‘Your heart goes out to the Australian Tourist Board’: critical uncertainty and the management of censure in Chris Lilley's TV comedies. Continuum: Journal of Media & Cultural Studies, DOI:10.1080/10304312.2013.772110 DOI: http://dx.doi.org/10.1080/10304312.2013.772110 © 2013 Taylor & Francis. This article may be used for research, teaching, and private study purposes. Any substantial or systematic reproduction, redistribution, reselling, loan, sub-licensing, systematic supply, or distribution in any form to anyone is expressly forbidden. ‘Your Heart Goes Out to the Australian Tourist Board’: critical uncertainty and the management of censure in Chris Lilley’s TV Comedies Since the year 2005 when We Can Be Heroes: Finding the Australian of the Year first appeared on TV, Chris Lilley’s name has been associated with controversy in the Australian and international press. Making fun of disabled and gay people, drug overdose victims, and rape survivors, are but a few of the accusations which have been levied. While some of the uproar has been due to factors beyond Lilley’s control (the notorious coincidence of a real- life overdose with Lilley’s representation -
Carrie Kennedy Work CV 2019 Sequential
Carrie Kennedy APDG production designer Tel: (613)9486 4112 Mob: 0408 349 576 Email: [email protected] www.carbencopy.com.au SELECTED CREDITS 2019 Hungry Ghosts Matchbox/SBSTV Producers: Stephen Corvini, Timothy Hobart, Production Designer: Carrie Kennedy Debbie Lee, Sue Masters Art Director: Rob Molnar Line Producer: Margaret Chong TV 4 x 1 hr drama series Director: Shawn Seet DOP : Bruce Young 2018 Bloom Playmaker/Stan Original Producers: Sue Seeary, David Taylor, David Maher, Production Designer: Carrie Kennedy Created by Glen Dolman Art Director: Ben Barber Line Producer: David Redman TV 6 x 1 hr drama series Directors: John Curran, Mat King DOP : Geoffrey Hall Ride Like a Girl 100 to 1 P/L/ Transmission Films Producer: Richard Keddie, Naomi Cleaver Production Designer Carrie Kennedy Rachel Griffiths, Felicity Stoward, Susie Montague Art Director : Ben Barber Director: Rachel Griffiths Feature film DOP: Martin McGrath 2017 2040 2040 P/L / Madman Entertainment Producer: Nick Batzias, Damon Gameau, Anna Kaplan Production Designers: Virginia Whitwell Carrie Kennedy and Luke Bubb Director: Damon Gameau Feature documentary film DOP: Hugh Miller Dr Blake Mysteries the Telemovie December Media/ABCTV Producers: George Adams, Tony Wright Production Designer: Carrie Kennedy Director: Ian Barry Line Producer : Lisa Wang Art Director: Ben Morieson DOP: Craig Barden Telemovie feature length period drama Offspring series 7 Endemol Shine Australia/Network Ten Producer: Imogen Banks Line Producer: Ross Allsop Production Designer: Carrie Kennedy -
Annual Report 2013 Annual Report 2013
Annual Report 2013 Annual Report 2013 4 Objectives and Mission Statement 50 Open Door 6 Key Achievements 9 Board of Management 52 Literary 10 Chairman’s report Literary Director’s Report 12 Artistic Director’s report MTC is a department of the University of Melbourne 14 Executive Director’s report 54 Education 16 Government Support Education Manager’s Report and Sponsors 56 Education production – Beached 18 Patrons 58 Education Workshops and Participatory Events 20 2013 Mainstage Season MTC Headquarters 60 Neon: Festival of 252 Sturt St 22 The Other Place Independent Theatre Southbank VIC 3006 24 Constellations 03 8688 0900 26 Other Desert Cities 61 Daniel Schlusser Ensemble 28 True Minds 62 Fraught Outfit Southbank Theatre 30 One Man, Two Guvnors 63 The Hayloft Project 140 Southbank Blvd 32 Solomon and Marion 64 THE RABBLE Southbank VIC 3006 34 The Crucible 65 Sisters Grimm Box Office 03 8688 0800 36 The Cherry Orchard 66 NEON EXTRA 38 Rupert mtc.com.au 40 The Beast 68 Employment Venues 42 The Mountaintop Actors and Artists 2013 Throughout 2013 MTC performed its Melbourne season of plays at the 70 MTC Staff 2013 Southbank Theatre, The Sumner and The Lawler, 44 Add-on production and the Fairfax Studio and Playhouse at The Book of Everything 72 Financial Report Arts Centre Melbourne. 74 Key performance indicators 46 MTC on Tour: 76 Audit certificate Managing Editor Virginia Lovett Red 78 Financial Statement Graphic Designer Emma Wagstaff Cover Image Jeff Busby 48 Awards and nominations Production Photographers Jeff Busby, Heidrun Löhr Cover -
576 the Contemporary Pacific • 27:2 (2015) Vilsoni Hereniko *
576 the contemporary pacific • 27:2 (2015) Wild felt familiar. I had experienced film, disguised as an ordinary road the same feelings in countless other movie. As such, it is a film that is easy mainstream movies. In The Pā Boys, to overlook, even at film festivals however, my emotional responses where it might be possible to discover emanated from the deep recesses of a fearlessly independent voice. my being, which very few films have When you accidentally stumble been able to touch. Rotumans call this on an authentic voice, like I did, you place huga, which literally translates know you’ve finally experienced as “inside of the body, esp. of the the film you have always hoped to abdomen”; Hawaiians call it the na‘au see when you go to the movies but while Māori call it the ngakau. thought the day would never come! It is in one’s gut that the truth of This was how it was with me. the ages resides. This kind of knowing vilsoni hereniko cannot be explained logically or ratio- University of Hawai‘i, nally. It is a knowing that is activated Mānoa when one experiences a universal truth, which in The Pā Boys, is this: *** For these Māori young people to be truly healed, they needed to reconnect Jonah From Tonga. 2014. Televi- with and learn about their ances- sion series, 180 minutes, dvd, color, tral pasts in order to become more in English. Written by Chris Lilley, humane, more compassionate, better produced by Chris Lilley and Laura human beings. This is the universal Waters, and directed by Chris Lilley message, told not through a sermon and Stuart McDonald; distributed but through a musical story about by hbo. -
TWG Presskit TX Date Compre
SEASON ONE SYNOPSIS The Wrong Girl is a new contemporary show called The Breakfast Bar, who drama that centres on the adventures fi nds herself torn between two very of 29-year-old Lily Woodward. different men. Brimming with exuberance, optimism Joining Jessica is a star-studded, and cheeky energy, The Wrong Girl is virtual Hall of Fame cast including a sharp, playful and fresh fresh look at Craig McLachlan (The Doctor Blake men and women, friendship, work and Mysteries, Packed To The Rafters), family. It is for anyone who has fallen Kerry Armstrong (Bed of Roses, in love with someone they were never Lantana), Madeleine West (Fat Tony meant to love. & Co., Satisfaction), comedian, author Great job? Tick. Great best friend? and actor Hamish Blake, and Christie Tick. Great fl atmate? Tick. So what Whelan Browne (Spin Out, Peter Allen: could possibly go wrong? Not The Boy Next Door). Based on the best-selling novel by Zoë Fast-rising local acting sensation Foster Blake, The Wrong Girl features Ian Meadows (The Moodys, 8MMM) Jessica Marais – the award-winning stars as Pete Barnett, Lily’s confl icted star of television hits such as Packed best friend. The dynamic Rob Collins, To The Rafters, Love Child and Carlotta fresh from his star turn as Mufasa – as Lily, the producer of a cooking in the acclaimed Australian stage segment on a morning television production of The Lion King, portrays Jack Winters, the charismatic television chef who might just have the essential ingredients for capturing Lily’s heart. Stunning newcomer Hayley Magnus (The Dressmaker, Slide) plays Simone, Lily’s always intriguing fl atmate.