DOCSLIB.ORG

Bill Bradley Addresses the AUC

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Bill Bradley Addresses the AUC VOL. 72, NO. 6 MOREHOUSE COLLEGE; ATLANTA, GEORGIA Monday, November 22, 1999 INA&E IN SPORTS IN FEATURES A review of the Who’s the best Finances in jeop­ Elizabeth Catlett Sculp­ running back: Barry or ardy? Always broke? See ture Retrospective and Emmitt? pages 8-9 to turn that the inside track on other around! current exhibits Page 12 Page 14 Page 10 Bill Bradley addresses the AUC Staff Reports the budget surplus and endan­ ger Medicare funding. Gore He graduated from also claimed that Bradley's Princeton University, he is a proposal to end Medicaid in Rhodes Scholar, he played for favor of subsidized health in­ the New York Knicks and on surance for the poor would be Wednesday November 17, to the disadvantage of minor­ 1999 Senator Bill Bradley ad­ ity Americans. dressed the Morehouse School His message was from of Medicine and the surround­ the heart and no one could ing academic community. question his sincerity, but the In an enticing 30-minute most impressive thing about address, Bill Bradley inspired Bradley was his unshakable political awareness in a small integrity. From his very frank number of AUC students. Ina positions on race to his open message about universal support of health and wealth health care, equality of the for all Americans, it was clear races, and the inherent good­ that Bradley was grounded in ness of people (according to some very clear and solid prin­ Bradley unrealized goodness), ciples. Bradley was only able to touch Under Senator Bradley's a few. proposal, "American citizens Bradley's visit was in­ would have a choice, and bet­ tended to clear up misconcep­ ter healthcare." What once tions concerning recent accusa­ looked like a Democratice tions from his opponent for the coronation for Vice President Democratic nomination, Vice A1 Gore is now a race for the During his brief visit to the Morehouse School of Medicine on Wednesday, November President A1 Gore. Gore 2000 nomination, with Bradley 17, Bill Bradley emphasized his goal to eventually eliminate Medicaid by developing charged that Bradley's total closing in and ahead in cam­ one health system under which all citizens would have access to. coverage plan would consume paign funds at last report. Steinern speaks at Spelman Randall Jackson tional Human Rights educa­ achieved. Contributing Writer tor Loretta Ross, and Ms. Steinem also en­ Spelman Women's Studies couraged the audience to Professor Dr. Beverly Guy- take a stronger position on On November 10, Sheftall. international issues, and not Spelman college hosted a lec­ The event packed to fall into a trap of moral ture and panel discussion as Spelman's Cosby Audito­ isolationism. At several part of a national series of en­ rium to capacity, with a points in the presentation gagements entitled, "Human number of attendees choos­ she instructed the audience Rights-The Unfinished ing to stand in the back of to examine portions of the Agenda for the New the room rather than miss Universal Declaration of Millenium". the event. Ms. Steinem de­ Human Rights, which had The discussion which livered a thought-provoking been distributed before the Spelman hosted was en­ speech on the subject of start of the program. titled "Gender Equality," Gender Equality and the As the audience exam­ From Atlanta to Burkina Faso and featured as keynote place of the Human Rights ined various articles of the speaker noted writer, lec­ struggle in modern society. declaration they were asked Recent Spelman College graduate Heather Thompson Steinem warned against the to examine whether or not turer, and activist Gloria (right) is serving her duty in the Peace Corps in Steinem. Other panelists in­ danger of complacency and various world conditions cluded author and play­ the sentiment that Human seemed to be in line with the Burkina Faso. see page 3 wright Pearl Cleage, na- Rights goals have been Continued on page 4 In this ISSUE In this issue Page? The annual Morehouse and Spelman Collge joint Christmas concert will be on the 4th, 5th, and 6th of December. The concert, a Morehouse tradition, in now in its 74th year. The concerts on the 4th Another over your head and 6th will be at King Chapel. On the 5th, the concert will take place in Sisters chapel. All three will begin at 8:00 p.m. editor(-in-chief)ial Page 7 The Catalyst, Morehouse College's annually published literary journal, is now accepting submissions for poetry, short fiction, essay, black and white photography, and black and white artwork. Cash prizes will be awarded. The deadline is Friday, December 6th. For more information, call Dr. Get your finances Lutenbacher at ext. 2159 or e-mail: [email protected] straight Pages 8 & 9 There will be a mandatory Senior Class meeting on Tuesday, November 23. The meeting will take place in Sale Hall at 11:00 a.m. All December graduates must attend. Morehouse deserves bad rap for shutting down hip-hop The senior class spring break trip to Montego Bay in Jamaica has been scheduled for March 11-16. Page 10 A non-refundable deposit of $125 is due on Dec. 1. Full payment is due on February 25. Contact Michelle Kow at Jamaica World Travel for more information. Mann takes us inside The Insider Correction: The article from last issue (Vol. 72, No. 5) entitled: "Fine dining at the Davidson House," Page 13 was inaccurately credited to Lewis Reddick. It should have been attributed to Assistant Campus News Editor Michael Harrison. That none of the stories in this edition are credited to Michael is not College basketball’s due to any error on our part. He just didn't write any this time. back, ba-by! Page 14 Explore our Columbia University offers environmental immersion programs at its beautiful Biosphere 2 Center campus in Earlh and ils the Sonoran desert of Arizona. Undergraduate students dynamic can enroll in the challenging Biosphere 2 curriculum to ecosystems! earn college course credits. Columbia University Sl*niHG for UMDERGRADUATE PROGRAM Offerings: 2000; Nov. 1S ^L,'ne EARTH SYSTEMS EARTH SEMESTER FIELD SCHOOL I & II 16 weeks: January-May 2000 Session I — 6 weeks: June-July 2000 September-December 2000 Session II — 4 weeks: July-August 2000 UNIVERSE SEMESTER BIODIVERSITY INSTITUTE 16 weeks: September-December 2000 5 weeks: June-July 2000 Summer 2000 program also being planned Contact Student Admissions at (800) 992-4603 • [email protected] • www.bio2.edu Campus News Reaping the rewards of the Peace Corps club- hopping and dinners at nice fling and the aridness made it dif­ played by God and the Peace started to smile. At that moment Heather Thompson everything crystallized for me and Contributing Writer restaurants. Although I had ac­ ficult to breathe. I almost started Corps placement office. I had cepted the invitation to join the to cry as I realized with sadness been promised the adventure of I really began to enjoy my life in that this barren, landlocked poor a lifetime and all I had to show Burkina. Perhaps the gods were The early morning light Peace Corps in March and had been "preparing" for life in a de­ country would be my home for for it so far were a few intestinal shining on me that day. More streams through the metal slats veloping nation since then, no the next two years. parasites and a scar from getting likely, I just got over my western­ that serve as cover for the sole win- ized expectations and learned to dowinmybedroom. It's500a.m. appreciate all West Africa had to and the loud howling from the offer. assorted chickens and turkeys in Although I have been in my courtyard have alerted me that country for only five months I can it is time to begin a new day. As I already detect the difference my go through my morning ritual of time abroad has made in my per­ a cold shower followed by a break­ spective and disposition. Al­ fast of white bread and instant cof­ though Peace Corps offers it vol­ fee I have a lot of time to reflect on unteers to work in critical areas of the prudence of my decision to join development and make a sizable the Peace Corps. difference, I think perhaps the It is August and I have been greatest opportunity it offers is one in Burkina Faso, my country of for extraordinary personal growth. service since early June. The past two months have tested me in ways I never would have The Peace Corps operates in dreamed possible. Getting ad­ nearly 80 countries in South America, justed to frequent water shortages the Caribbean, Africa, Asia and Eu­ and the sweltering heat has been rope. There is a rolling application the easy part. The terrible home­ deadline and training groups leave sickness and the pangs of uncer­ throughout theyear. This week the At­ tainty about my ability to affect Philip Asbury/Staff lanta regional office of the Peace Corps change during my tour here have Heather takes part in a Peace Corps panel discussion last week is hosting Peace Corps Week in the been more difficult to deal with. amount of research could have The Awakening... knocked off my bike by a rabid AUC. Therewillbepaneldiscussions Reality Bites... prepared me for the paradigm I spent the first month in Burkinabé driver. with current and returned volunteers Six months ago I was a se­ shift I was about to undergo. Re­ Burkina crying myself to sleep ev­ Then one day it just hit me. and opportunities to speak with repre­ nior at Spelman College. Life was ery night.
Load more

Recommended publications
  • Discography Updates (Updated May, 2021)
    Discography Updates (Updated May, 2021) I’ve been amassing corrections and additions since the August, 2012 publication of Pepper Adams’ Joy Road. Its 2013 paperback edition gave me a chance to overhaul the Index. For reasons I explain below, it’s vastly superior to the index in the hardcover version. But those are static changes, fixed in the manuscript. Discographers know that their databases are instantly obsolete upon publication. New commercial recordings continue to get released or reissued. Audience recordings are continually discovered. Errors are unmasked, and missing information slowly but surely gets supplanted by new data. That’s why discographies in book form are now a rarity. With the steady stream of updates that are needed to keep a discography current, the internet is the ideal medium. When Joy Road goes out of print, in fact, my entire book with updates will be posted right here. At that time, many of these changes will be combined with their corresponding entries. Until then, to give you the fullest sense of each session, please consult the original entry as well as information here. Please send any additions, corrections or comments to http://gc-pepperadamsblog.blogspot.com/, despite the content of the current blog post. Addition: OLIVER SHEARER 470900 September 1947, unissued demo recording, United Sound Studios, Detroit: Willie Wells tp; Pepper Adams cl; Tommy Flanagan p; Oliver Shearer vib, voc*; Charles Burrell b; Patt Popp voc.^ a Shearer Madness (Ow!) b Medley: Stairway to the Stars A Hundred Years from Today*^ Correction: 490900A Fall 1949 The recording was made in late 1949 because it was reviewed in the December 17, 1949 issue of Billboard.
    [Show full text]
  • Williams, Justin A. (2010) Musical Borrowing in Hip-Hop Music: Theoretical Frameworks and Case Studies
    Williams, Justin A. (2010) Musical borrowing in hip-hop music: theoretical frameworks and case studies. PhD thesis, University of Nottingham. Access from the University of Nottingham repository: http://eprints.nottingham.ac.uk/11081/1/JustinWilliams_PhDfinal.pdf Copyright and reuse: The Nottingham ePrints service makes this work by researchers of the University of Nottingham available open access under the following conditions. · Copyright and all moral rights to the version of the paper presented here belong to the individual author(s) and/or other copyright owners. · To the extent reasonable and practicable the material made available in Nottingham ePrints has been checked for eligibility before being made available. · Copies of full items can be used for personal research or study, educational, or not- for-profit purposes without prior permission or charge provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. · Quotations or similar reproductions must be sufficiently acknowledged. Please see our full end user licence at: http://eprints.nottingham.ac.uk/end_user_agreement.pdf A note on versions: The version presented here may differ from the published version or from the version of record. If you wish to cite this item you are advised to consult the publisher’s version. Please see the repository url above for details on accessing the published version and note that access may require a subscription. For more information, please contact [email protected] MUSICAL BORROWING IN HIP-HOP MUSIC: THEORETICAL FRAMEWORKS AND CASE STUDIES Justin A.
    [Show full text]
  • Jay Brown Rihanna, Lil Mo, Tweet, Ne-Yo, LL Cool J ISLAND/DEF JAM, 825 8Th Ave 28Th Floor, NY 10019 New York, USA Phone +1 212 333 8000 / Fax +1 212 333 7255
    Jay Brown Rihanna, Lil Mo, Tweet, Ne-Yo, LL Cool J ISLAND/DEF JAM, 825 8th Ave 28th Floor, NY 10019 New York, USA Phone +1 212 333 8000 / Fax +1 212 333 7255 14. Jerome Foster a.k.a. Knobody Akon STREET RECORDS CORPORATION, 1755 Broadway 6th , NY 10019 New York, USA Phone +1 212 331 2628 / Fax +1 212 331 2620 16. Rob Walker Clipse, N.E.R.D, Kelis, Robin Thicke STAR TRAK ENTERTAINMENT, 1755 Broadway , NY 10019 New York, USA Phone +1 212 841 8040 / Fax +1 212 841 8099 Ken Bailey A&R Urban Breakthrough credits: Chingy DISTURBING THA PEACE 1867 7th Avenue Suite 4C NY 10026 New York USA tel +1 404 351 7387 fax +1 212 665 5197 William Engram A&R Urban Breakthrough credits: Bobby Valentino Chingy DISTURBING THA PEACE 1867 7th Avenue Suite 4C NY 10026 New York USA tel +1 404 351 7387 fax +1 212 665 5197 Ron Fair President, A&R Pop / Rock / Urban Accepts only solicited material Breakthrough credits: The Calling Christina Aguilera Keyshia Cole Lit Pussycat Dolls Vanessa Carlton Other credits: Mya Vanessa Carlton Current artists: Black Eyed Peas Keyshia Cole Pussycat Dolls Sheryl Crow A&M RECORDS 2220 Colorado Avenue Suite 1230 CA 90404 Santa Monica USA tel +1 310 865 1000 fax +1 310 865 6270 Marcus Heisser A&R Urban Accepts unsolicited material Breakthrough credits: G-Unit Lloyd Banks Tony Yayo Young Buck Current artists: 50 Cent G-Unit Lloyd Banks Mobb Depp Tony Yayo Young Buck INTERSCOPE RECORDS 2220 Colorado Avenue CA 90404 Santa Monica USA tel +1 310 865 1000 fax +1 310 865 7908 www.interscope.com Record Company A&R Teresa La Barbera-Whites
    [Show full text]
  • The Post-Traumatic Futurities of Black Debility
    This is an electronic reprint of the original article. This reprint may differ from the original in pagination and typographic detail. Koivisto, Mikko (Live!) The Post-traumatic Futurities of Black Debility Published in: DISABILITY STUDIES QUARTERLY DOI: 10.18061/dsq.v39i3.6614 Published: 30/08/2019 Document Version Publisher's PDF, also known as Version of record Please cite the original version: Koivisto, M. (2019). (Live!) The Post-traumatic Futurities of Black Debility. DISABILITY STUDIES QUARTERLY, 39(3). https://doi.org/10.18061/dsq.v39i3.6614 This material is protected by copyright and other intellectual property rights, and duplication or sale of all or part of any of the repository collections is not permitted, except that material may be duplicated by you for your research use or educational purposes in electronic or print form. You must obtain permission for any other use. Electronic or print copies may not be offered, whether for sale or otherwise to anyone who is not an authorised user. Powered by TCPDF (www.tcpdf.org) (Live!) The Post-traumatic Futurities of Black Debility Mikko O. Koivisto Aalto University School of Arts, Design and Architecture Email: [email protected] Keywords: Pharoahe Monch, debilitation, racism, ableism, sanism, rap music Abstract This article investigates the possibilities of artistic and performative strategies for elucidating forms of systemic violence targeted at racialized and disabled bodies. The analysis focuses on the album PTSD: Post traumatic stress disorder by the New York rapper Pharoahe Monch, delving into the ways in which it explores the intersections of Blackness and disability. The album's lyrics range from a critique of the structural racism in contemporary American society to subjective, embodied experiences of clinical depression, anxiety, and chronic asthma—and their complex entanglement.
    [Show full text]
  • Nayosoul Sista’S Got Soul!!! No Room for Eccentrics
    REVit UP ! 06/07 2015 N2,000 THE RISE AND RISE OF NEO-SOUL MUSIC IN NIGERIA THISNAYOSOUL SISTA’S GOT SOUL!!! NO ROOM FOR ECCENTRICS SADE ADU NNEKA KEZIAH JONES ATTA ‘LENELL’ OTIGBA LINDSEY ABUDEI CEFREV it UP ! 06/07 2015 1 SUBSCRIBE REVit UP ! Enjoy and have access to unlimited music: interviews, news, history and lots more! [email protected] T. (+234) 818 455 3331, 818 515 3111 EDITORIAL REV it UP ! At Revilo, it has been our job for several years to promote the best of PUBLISHER AND EDITOR-IN-CHIEF African culture through our various platforms of music, film, design, and OLIVER ENWONWU publishing. Naturally, as lovers of the visual arts in all its forms, the move [email protected] towards promoting other artistic media has been a long time coming. That being said, we are proud to announce the birth of RevitUp!, the first DEPUTY EDITOR magazine focused on the promotion of alternative, contemporary African LUCIANO UZUEGBU music. [email protected] As the continent’s music industry CONTRIBUTING EDITOR continues to grow, we at Revilo OMOLADUN OGIDAN believe it has never been more [email protected] important to highlight the works of outstanding musicians taking creative risks and producing quality sound. ASSOCIATE EDITOR In an industry where radio play and WILLIAM IFEANYI MOORE television time is reserved for artists [email protected] sticking to set industry standards, we believe as champions of quality work, ART DIRECTOR we have a responsibility to stand up YUSUF ARIYO for the many talented African acts around the globe doing so much DESIGN AND LAYOUT to push the musical envelope.
    [Show full text]
  • Grammy Countdown U2, Nelly Furtado Interviews Kedar Massenburg on India.Arie Celine Dion "A New Day Has Come"
    February 15, 2002 Volume 16 Issue 781 $6.00 GRAMMY COUNTDOWN U2, NELLY FURTADO INTERVIEWS KEDAR MASSENBURG ON INDIA.ARIE CELINE DION "A NEW DAY HAS COME" The premiere single from "A New Day Has Come," her first new album in two years and her first studio album since "Let's Talk About Love," which sold over 28 million copies worldwide. IMPACTING RADIO NOW 140 million albums sold worldwide 2,000,000+ cumulative radio plays and over 21 billion in combined audience 6X Grammy' winner Winner of an Academy Award for "My Heart Will Go On" Extensive TV and Press to support release: Week of Release Jprah-Entire program dedicated to Celine The View The Today Show CBS This Morning Regis & Kelly Upcoming Celine's CBS Network Special The Tonight Show Kicks off The Today Show Outdoor Concert Series Single produced by Walter Afanasieff and Aldo Nova, with remixes produced by Ric Wake, Humberto Gatica, and Christian B. Video directed by Dave Meyers will debut in early March. Album in stores Tuesday, March 26 www.epicrecords.com www.celinedion.com I fie, "Epic" and Reg. U.S. Pat. & Tm. Off. Marca Registrada./C 2002 Sony Music Entertainment (Canada) Inc. hyVaiee.sa Cartfoi Produccil6y Ro11Fair 1\lixeJyJo.serli Pui3 A'01c1 RDrecfioi: Ron Fair rkia3erneit: deter allot" for PM M #1 Phones WBLI 600 Spins before 2/18 Impact Early Adds: KITS -FM WXKS Y100 KRBV KHTS WWWQ WBLIKZQZ WAKS WNOU TRL WKZL BZ BUZZWORTHY -2( A&M Records Rolling Stone: "Artist To Watch" feature ras February 15, 2002 Volume 16 Issue 781 DENNIS LAVINTHAL Publisher LENNY BEER THE DIVINE MISS POLLY Editor In Chief EpicRecords Group President Polly Anthony is the diva among divas, as Jen- TONI PROFERA Executive Editor nifer Lopez debuts atop the album chart this week.
    [Show full text]
  • Chicagoland Music Festival but from a Black Perspec- Omnipresent Backdrop
    American Music Review The H. Wiley Hitchcock Institute for Studies in American Music Conservatory of Music, Brooklyn College of the City University of New York Volume XLIV, Number 2 Spring 2015 Black and White, then “Red” All Over: Chicago’s American Negro Music Festival Mark Burford, Reed College The functions of public musical spectacle in 1940s Chicago were bound up with a polyphony of stark and sometimes contradic- tory changes. Chicago’s predominantly African American South Side had become more settled as participants in the first waves of the Great Migration established firm roots, even as the city’s “Black Belt” was newly transformed by fresh arrivals that bal- looned Chicago’s black population by 77% between 1940 and 1950. Meanwhile, over the course of the decade, African Ameri- cans remained attentive to a dramatic narrowing of the political spectrum, from accommodation of a populist, patriotic progres- sivism to one dominated by virulent Cold War anticommunism. Sponsored by the Chicago Defender, arguably the country’s flagship black newspaper, and for a brief time the premiere black-organized event in the country, the American Negro Music Festival (ANMF) was through its ten years of existence respon- sive to many of the communal, civic, and national developments during this transitional decade. In seeking to showcase both racial achievement and interracial harmony, festival organizers registered ambivalently embraced shifts in black cultural identity W.C. Handy at the during and in the years following World War II, as well as the American Negro Music Festival Courtesy of St. Louis Post-Dispatch possibilities and limits of coalition politics.
    [Show full text]
  • The Accelerating Pace Of
    THE ACCELERATING PACE OF CANCELLATIONS AND DELAYS OF KEY INDUSTRY EVENTS AND PRODUCTIONS DUE TO THE SPREAD OF CORONAVIRUS PUTS A HEIGHTENED STRAIN ON BUSINESS IN HOLLYWOOD BY CYNTHIA LITTLETON AND ELAINE LOW P.32 MARCH 18, 2020 US $9.99 JAPAN ¥1280 CANADA $11.99 CHINA ¥80 UK £ 8 HONG KONG $95 EUROPE €9 RUSSIA 400 AUSTRALIA $14 INDIA 800 www.avatars.inc Untitled-3 1 3/5/20 12:07 PM CONTENTS LONELIEST PLACE ON EARTH Visitors stand at Disneyland’s closed gates March 16 after the company shuttered the theme park until at least the end of the month due to coronavirus fears. P.3 2 P.3 8 P.4 2 Showbiz Shuts Down Across the IFC’s Nimble How is Hollywood coping as projects suspend ‘Universe’ Strategy Showrunner Rebecca Sugar reflects on her The indie distributor has thrived for 20 production and events postpone or cancel? groundbreaking Cartoon Network series. years by being willing to reinvent itself. By CYNTHIA LITTLETON and ELAINE LOW By DANIEL HOLLOWAY By BRENT LANG (C0VER) ILLUSTRATION BY BRIAN STAUFFER; (THIS PAGE) EUGENE GARCIA/EPA-EFE/SHUTTERSTOCK (THIS PAGE) BRIAN STAUFFER; BY ILLUSTRATION (C0VER) VARIETY 3 CONTENTS P.4 5 Pixar’s “Soul” is one of the anticipated movies highlighted in Variety’s Summer TOP BILLING Cinema Preview 13 MARCH MADNESS The live sports biz is in chaos after almost all events have been canceled or postponed 16 GUEST COLUMN Dr. Oz weighs in on the coronavirus crisis 17 FYC CONUNDRUM How will the TV and film awards seasons weather the global health crisis? ALSO INSIDE 18 VIRAL VIDEO Hong Kong YouTube creators say
    [Show full text]
  • REMEMBERING the MAN in the MIRROR By: David Walker Reactions from Fans Were Posted Across Little Michael on TV During the Jackson Ways Beyond Belief
    ENTERTAINMENT 8 THE COMPASS - FALL 2009 REMEMBERING THE MAN IN THE MIRROR By: David Walker reactions from fans were posted across little Michael on TV during the Jackson ways beyond belief. Jackson contributed Michael Jackson, the King of Pop, their website. 5 era. Children can also be spotted with and gave back to the world more than the “Thriller fever”. was rushed to U.C.L.A. Medical Center Black Entertainment Television paid music; he gave back a spirit that will on June 25, 2009. Hours later the forever be remembered. The pop homage to the King of Pop and the With the fame and stardom comes the announcement of the world-renowned Jackson family during its annual Black price many must pay with it. culture has lost a pioneer but his lasting music icon death brought the world to affect on the world will last forever. Entertainment Television Award. Controversy surrounded Jackson a halt. Michael’s father, Joe Jackson, and throughout his lifetime. This included Jackson’s sudden death shocked his sister Janet Jackson were present at the the times of his father’s alleged millions of fans that Thursday. Often awards. Janet was the spokesperson for excessive abuse, demanding the best of imitated but always original, Jackson’s the entire family his children, and what some say was the style left a moon-walking footprints on The youngest of the Jackson worst that he did to his talented son, the music industry and society. daughters reminded the BET audience destroying his image of himself which Just before he could give the world that the Jackson family was hurting just most agree lead him to embark upon t'; another com eback the shocking 911 call like many o f them , and she thanked BET a number of plastic surgeries to create .• was dialed from the Jackson mansion.
    [Show full text]
  • Xiami Music Genre 文档
    xiami music genre douban 2021 年 02 月 14 日 Contents: 1 目录 3 2 23 3 流行 Pop 25 3.1 1. 国语流行 Mandarin Pop ........................................ 26 3.2 2. 粤语流行 Cantopop .......................................... 26 3.3 3. 欧美流行 Western Pop ........................................ 26 3.4 4. 电音流行 Electropop ......................................... 27 3.5 5. 日本流行 J-Pop ............................................ 27 3.6 6. 韩国流行 K-Pop ............................................ 27 3.7 7. 梦幻流行 Dream Pop ......................................... 28 3.8 8. 流行舞曲 Dance-Pop ......................................... 29 3.9 9. 成人时代 Adult Contemporary .................................... 29 3.10 10. 网络流行 Cyber Hit ......................................... 30 3.11 11. 独立流行 Indie Pop ......................................... 30 3.12 12. 女子团体 Girl Group ......................................... 31 3.13 13. 男孩团体 Boy Band ......................................... 32 3.14 14. 青少年流行 Teen Pop ........................................ 32 3.15 15. 迷幻流行 Psychedelic Pop ...................................... 33 3.16 16. 氛围流行 Ambient Pop ....................................... 33 3.17 17. 阳光流行 Sunshine Pop ....................................... 34 3.18 18. 韩国抒情歌曲 Korean Ballad .................................... 34 3.19 19. 台湾民歌运动 Taiwan Folk Scene .................................. 34 3.20 20. 无伴奏合唱 A cappella ....................................... 36 3.21 21. 噪音流行 Noise Pop ......................................... 37 3.22 22. 都市流行 City Pop .........................................
    [Show full text]
  • Eurochart Hot 100 Singles by Emmanuel Legrand Van in a Paris Street After He Lost Con- Informing Them of the News
    JULY 19, 2003 Volume 22, Issue 30 Music £3.95 euros 6.5 ChapterII(Murdering/ Mercury) by Ashanti is the highest new entry in this week's European Top 100 Albums chart, at number seven. Media®we taller dradio M&M chart toppers this week Warner France president dies in crash Eurochart Hot 100 Singles by Emmanuel Legrand van in a Paris street after he lost con- informing them of the news. EVANESCENCE FEAT. PAUL MCCOY trol of the machine. He suffered brain Last week, top AOL Time Warner Bring Me To Life PARIS - The French music industrydamage and was pronounced dead executives-including chairman and (Wind-Up/Epic) has been paying tribute to Warnerupon arrival at the hospital. Blanc hadCEO Dick Parsons-were in Paris to European Top 100 Albums Music France president/CEO Yan-just spent an evening with friends who meet with French officials and Blanc METALLICA Philippe Blanc, 39, who died in aincluded BMG France MD Christophe played a major part in setting up their St. Anger motorcycle accident in Paris on July 9. Lameignere, indie label Atmospheri- agenda, according to sources. "He was (Vertigo) "We are devastated," says Herve que's founder Marc Thonon, and Warn- extremely enthusiastic about these Rony,director generalof industryer's label Tot Ou Tard MD Vincent meetings," says Rony. European Radio Top 50 body SNEP, of which Blanc was a vice- Frerebeau. Frerebeau is understood to Blanc joined Warner in April 2001 MADONNA president. "He was an adorable man,have been alongside Blanc on anotherfrom Universal Music France, where he Hollywood and one of our most active members." motorbike when the crash happened.
    [Show full text]
  • The History of Rock Music - the Nineties
    The History of Rock Music - The Nineties The History of Rock Music: 1989-1994 Raves, grunge, post-rock History of Rock Music | 1955-66 | 1967-69 | 1970-75 | 1976-89 | The early 1990s | The late 1990s | The 2000s | Alpha index Musicians of 1955-66 | 1967-69 | 1970-76 | 1977-89 | 1990s in the US | 1990s outside the US | 2000s Back to the main Music page (Copyright © 2009 Piero Scaruffi) The Golden Age of Hip-hop Music (These are excerpts from my book "A History of Rock and Dance Music") Generally speaking, the rule for hip-hop music of the 1990s was that behind every successful rap act there was a producer. Rap music was born as a "do it yourself" art in which the "message" was more important than the music. During the 1990s, interest in the lyrics declined rapidly, while interest in the soundscape that those lyrics roamed increased exponentially. The rapping itself became less clownish, less stereotyped, less macho, and much more psychological and subtle. In fact, rappers often crossed over into singing. Hip-hop music became sophisticated, and wed jazz, soul and pop. Instrumental hip-hop became a genre of its own, and one of the most experimental outside of classical music. East-Coast rap TM, ®, Copyright © 2005 Piero Scaruffi All rights reserved. The most significant event of the early 1990s was probably the advent of Wu-Tang Clan (1), a loose affiliation of rappers, including Gary "Genius/GZA" Grice, Russell "Ol' Dirty Bastard" Jones, Clifford "Method Man" Smith and Dennis "Ghostface Killah" Coles, "conducted" (if the rap equivalent of a classical conductor exists) by Robert "RZA" Diggs, the musical genius behind Enter the Wu-Tang (1993), a diligent tribute to old-school rap.
    [Show full text]