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Canadian Beatles Albums Identification Guide Updated: 22 De 16
Canadian Beatles Albums Identification Guide Updated: 22 De 16 Type 1 Rainbow Label Capitol Capitol Records of Canada contracted Beatlemania long before their larger and better-known counterpart to the south. Canadian Capitol's superior decision-making brought Beatles records to Canada in early 1963. After experimenting with the release of a few singles, Capitol was eager to release the Beatles' second British album in Canada. Sources differ as to the release date of the LP, but surely by December 2, 1963, Canada's version of With the Beatles became the first North American Beatles album. Capitol-USA and Capitol-Canada were negotiating the consolidation of their releases, but the US release of The Beatles' Second Album had a title and contained songs that were inappropriate for Canadian release. After a third unique Canadian album, album and single releases were unified. From Something New on, releases in the two countries were nearly identical, although Capitol-Canada continued to issue albums in mono only. At the time when Beatlemania With the Beatles came out, most Canadian pop albums were released in the "6000 Series." The label style in 1963 was a rainbow label, similar to the label used in the United States but with print around the rim of the label that read, "Mfd. in Canada by Capitol Records of Canada, Ltd. Registered User. Copyrighted." Those albums which were originally issued on this label style are: Title Catalog Number Beatlemania With the Beatles T-6051 (mono) Twist and Shout T-6054 (mono) Long Tall Sally T-6063 (mono) Something New T-2108 (mono) Beatles' Story TBO-2222 (mono) Beatles '65 T-2228 (mono) Beatles '65 ST-2228 (stereo) Beatles VI (mono) T-2358 Beatles VI (stereo) ST-2358 NOTE: In 1965, shortly before the release of Beatles VI, Capitol-Canada began to release albums in both mono and stereo. -
Howard Rumsey's Lighthouse All-Stars Barney Kessel Hampton
Howard Rumsey's Lighthouse All-Stars Lighthouse At Laguna mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Lighthouse At Laguna Country: France Released: 1956 Style: Bop, Cool Jazz MP3 version RAR size: 1598 mb FLAC version RAR size: 1230 mb WMA version RAR size: 1733 mb Rating: 4.3 Votes: 200 Other Formats: AUD VQF AAC AHX VOX AU MP2 Tracklist Hide Credits Witch Doctor No. 2 A1 –The All-Stars* 5:56 Flute – Bud ShankWritten-By – Bob Cooper 'Round About Midnight A2 –Barney Kessel Accompanied By – The All-Stars*Arranged By – Kessel*Guitar 5:43 [Solo] – Barney KesselWritten-By – Thelonious Monk Mood For Lighthouse A3 –The All-Stars* 3:56 Written-By – Bob Cooper –The Hampton Hawes Walkin' A4 6:52 Trio* Written-By – Richard Carpenter Blind Man's Bluff B1 –The All-Stars* 6:02 Written-By – Claude Williamson Lady Jean B2 –Frank Rosolino Accompanied By – The All-Stars*Written-By, Trombone [Solo] – 3:46 Frank Rosolino –The Hampton Hawes The Champ B3 5:14 Trio* Written-By – Dizzy Gillespie Casa De Luz B4 –The All-Stars* 6:24 Written-By – Shorty Rogers Companies, etc. Copyright (c) – Contemporary Records Designed At – Tri-Arts Distributed By – Vogue P.I.P. Credits Alto Saxophone – Bud Shank (tracks: A1 to A3, B1, B2, B4) Bass – Howard Rumsey (tracks: A1 to A3, B1, B2, B4), Red Mitchell (tracks: A4, B3) Design [Cover Design] – Guidi* Drums – Shelly Manne (tracks: A4, B3), Stan Levey (tracks: A1 to A3, B1, B2, B4) Engineer – John Palladino Liner Notes – Lester Koenig Photography By – Ray Avery Piano – Claude Williamson (tracks: A1 to A3, -
Gerry Mulligan Discography
GERRY MULLIGAN DISCOGRAPHY GERRY MULLIGAN RECORDINGS, CONCERTS AND WHEREABOUTS by Gérard Dugelay, France and Kenneth Hallqvist, Sweden January 2011 Gerry Mulligan DISCOGRAPHY - Recordings, Concerts and Whereabouts by Gérard Dugelay & Kenneth Hallqvist - page No. 1 PREFACE BY GERARD DUGELAY I fell in love when I was younger I was a young jazz fan, when I discovered the music of Gerry Mulligan through a birthday gift from my father. This album was “Gerry Mulligan & Astor Piazzolla”. But it was through “Song for Strayhorn” (Carnegie Hall concert CTI album) I fell in love with the music of Gerry Mulligan. My impressions were: “How great this man is to be able to compose so nicely!, to improvise so marvellously! and to give us such feelings!” Step by step my interest for the music increased I bought regularly his albums and I became crazy from the Concert Jazz Band LPs. Then I appreciated the pianoless Quartets with Bob Brookmeyer (The Pleyel Concerts, which are easily available in France) and with Chet Baker. Just married with Danielle, I spent some days of our honey moon at Antwerp (Belgium) and I had the chance to see the Gerry Mulligan Orchestra in concert. After the concert my wife said: “During some songs I had lost you, you were with the music of Gerry Mulligan!!!” During these 30 years of travel in the music of Jeru, I bought many bootleg albums. One was very important, because it gave me a new direction in my passion: the discographical part. This was the album “Gerry Mulligan – Vol. 2, Live in Stockholm, May 1957”. -
See Cartridge Glossary
32 Cartridge-making Dictionary Audio-Technica’s guide to cartridge-making terminology 33rpm Bonded diamond Channel Balance Connecting (the phono cartridge) very often denotes 12” LP Vinyl records Bonded diamond refers to a The channel balance of a cartridge is the (1949-Today), that should be played at stylus where the diamond tip is ability of the transducer to reproduce left a speed of 33 1/3 rpm, rpm stands for glued on a metal shank that is and right channels in the same manner. Rotation Per Minute. itself glued into the hole of the Channel balance should be part of the cantilever. This construction may cartridge specifications, it expresses the 45rpm increase the mass of the overall tip and possible output difference in dB from one 45rpm very often denotes 7” Vinyl records, affect transient reproduction compared channel to another. A cartridge with ideal (1949-Today) that should be played at a with nude styli that are preferred and used channel balance will playback any mono speed of 45rpm, rpm stands for Rotation on higher-priced models. signal with equal level in both channels. Per Minute. The channel balance will be 0dB. The ratio of the signals between the two channels To install a Phono cartridge, connect the 78rpm Boron (boron cantilever) is specified in dB. Channel imbalance four wires of the cartridge headshell to the 78rpm very often denotes 10” Shellac SP Boron is a chemical element from the can result in several factors independent correct terminals on the back of the Gramophone records (1925-1950) that metalloid family, extracted from Borax and from the cartridge itself: mechanical cartridge. -
Vinyl Theory
Vinyl Theory Jeffrey R. Di Leo Copyright © 2020 by Jefrey R. Di Leo Lever Press (leverpress.org) is a publisher of pathbreaking scholarship. Supported by a consortium of liberal arts institutions focused on, and renowned for, excellence in both research and teaching, our press is grounded on three essential commitments: to publish rich media digital books simultaneously available in print, to be a peer-reviewed, open access press that charges no fees to either authors or their institutions, and to be a press aligned with the ethos and mission of liberal arts colleges. This work is licensed under the Creative Commons Attribution- NonCommercial 4.0 International License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc/4.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042, USA. The complete manuscript of this work was subjected to a partly closed (“single blind”) review process. For more information, please see our Peer Review Commitments and Guidelines at https://www.leverpress.org/peerreview DOI: https://doi.org/10.3998/mpub.11676127 Print ISBN: 978-1-64315-015-4 Open access ISBN: 978-1-64315-016-1 Library of Congress Control Number: 2019954611 Published in the United States of America by Lever Press, in partnership with Amherst College Press and Michigan Publishing Without music, life would be an error. —Friedrich Nietzsche The preservation of music in records reminds one of canned food. —Theodor W. Adorno Contents Member Institution Acknowledgments vii Preface 1 1. Late Capitalism on Vinyl 11 2. The Curve of the Needle 37 3. -
Stereo Pickups & Phono Cartridges: 1958
Stereo Pickups & Phono cartridges: 1958 - today - stereophonic sound customer . Pickup Technology by some popular stereo Pickups & Cartridges 1958 - today Some well-known stereo Pick-up from 1958 to today " URLs OF popular cartridge & pickup fire " The influence OF A so-called ' Compensation Capacitor ' on frequency response OF mm of cartridges. " the influence of a compensation condenser on the frequency response of a mm pick-up. 1958 This is typical frequency response OF 1st generation Ceramics stereo Pickup Typical frequency response of one of the first ceramic(s) stereophonic sound customers: Fig. 2.1 file:///C|/HiFiStuff/CartridgeDatabase/PickupTechnology.htm (1 of 17)6/3/2005 11:12:39 AM Stereo Pickups & Phono cartridges: 1958 - today - stereophonic sound customer Ceramics Pickup cartridge by ELAC: BST 1 (1958) [ 2.2 ] Ceramic(s) pick-up . Fig. 2.2 refers tons of A Fig. 2.2 refers to the fundamental basic construction OF structure of a piezoelectric pick- piezoelectric pickup that up, as it was usually planned with which usually supplied crystal elements from with low turntables cost. Seignettesalz Most OF thesis pickups (Kaliumnatriumtartrat) for have seignette salt crystals inexpensive record players. To based on potassium the unfavorable influence of sodium tartrate. Regarding temperature and air humidity on the disadvantageous such a crystal connection ceramic influence OF temperature (s) offers against it by far more and humidity, more favorable characteristics. Fig. however, ceramics instead shows 2.1 the frequency OF that crystal compound response of a piezokeramischen does more offer much pick-up made of barium titanate more better properties. (asking IO 3 ). Fig. -
Instead Draws Upon a Much More Generic Sort of Free-Jazz Tenor
1 Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. BILL HOLMAN NEA Jazz Master (2010) Interviewee: Bill Holman (May 21, 1927 - ) Interviewer: Anthony Brown with recording engineer Ken Kimery Date: February 18-19, 2010 Repository: Archives Center, National Museum of American History, Smithsonian Institution Description: Transcript, 84 pp. Brown: Today is Thursday, February 18th, 2010, and this is the Smithsonian Institution National Endowment for the Arts Jazz Masters Oral History Program interview with Bill Holman in his house in Los Angeles, California. Good afternoon, Bill, accompanied by his wife, Nancy. This interview is conducted by Anthony Brown with Ken Kimery. Bill, if we could start with you stating your full name, your birth date, and where you were born. Holman: My full name is Willis Leonard Holman. I was born in Olive, California, May 21st, 1927. Brown: Where exactly is Olive, California? Holman: Strange you should ask [laughs]. Now it‟s a part of Orange, California. You may not know where Orange is either. Orange is near Santa Ana, which is the county seat of Orange County, California. I don‟t know if Olive was a part of Orange at the time, or whether Orange has just grown up around it, or what. But it‟s located in the city of Orange, although I think it‟s a separate municipality. Anyway, it was a really small town. I always say there was a couple of orange-packing houses and a railroad spur. Probably more than that, but not a whole lot. -
European Journal of American Studies, 12-4
European journal of American studies 12-4 | 2017 Special Issue: Sound and Vision: Intermediality and American Music Electronic version URL: https://journals.openedition.org/ejas/12383 DOI: 10.4000/ejas.12383 ISSN: 1991-9336 Publisher European Association for American Studies Electronic reference European journal of American studies, 12-4 | 2017, “Special Issue: Sound and Vision: Intermediality and American Music” [Online], Online since 22 December 2017, connection on 08 July 2021. URL: https:// journals.openedition.org/ejas/12383; DOI: https://doi.org/10.4000/ejas.12383 This text was automatically generated on 8 July 2021. European Journal of American studies 1 TABLE OF CONTENTS Introduction. Sound and Vision: Intermediality and American Music Frank Mehring and Eric Redling Looking Hip on the Square: Jazz, Cover Art, and the Rise of Creativity Johannes Voelz Jazz Between the Lines: Sound Notation, Dances, and Stereotypes in Hergé’s Early Tintin Comics Lukas Etter The Power of Conformity: Music, Sound, and Vision in Back to the Future Marc Priewe Sound, Vision, and Embodied Performativity in Beyoncé Knowles’ Visual Album Lemonade (2016) Johanna Hartmann “Talking ’Bout My Generation”: Visual History Interviews—A Practitioner’s Report Wolfgang Lorenz European journal of American studies, 12-4 | 2017 2 Introduction. Sound and Vision: Intermediality and American Music Frank Mehring and Eric Redling 1 The medium of music represents a pioneering force of crossing boundaries on cultural, ethnic, racial, and national levels. Critics such as Wilfried Raussert and Reinhold Wagnleitner argue that music more than any other medium travels easily across borders, language barriers, and creates new cultural contact zones (Raussert 1). -
Howard Rumsey's Lighthouse All-Stars in the Solo Spotlight! Mp3, Flac, Wma
Howard Rumsey's Lighthouse All-Stars In The Solo Spotlight! mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: In The Solo Spotlight! Country: US Style: Cool Jazz, Contemporary Jazz MP3 version RAR size: 1901 mb FLAC version RAR size: 1168 mb WMA version RAR size: 1322 mb Rating: 4.2 Votes: 600 Other Formats: XM ASF MPC VOX MP1 DTS MP2 Tracklist Hide Credits Funny Frank A1 4:03 Arranged By, Written-By – Dick ShreveSoloist – Frank Rosolino That's Rich A2 6:02 Arranged By, Written-By – Dick ShreveSoloist – Richie Kamuca If You Are There A3 5:57 Arranged By, Written-By – Dick ShreveSoloist – Conte Candoli Stan A4 3:57 Soloist – Stan LeveyWritten-By – Stan LeveyWritten-By, Arranged By – Bill Holman Coop B1 5:11 Arranged By, Written-By – Bob CooperSoloist – Bob Cooper S & B B2 2:51 Arranged By, Written-By – Bill HolmanSoloist – Bob Enevoldsen, Stu Williamson Claude B3 4:29 Arranged By, Written-By – Claude WilliamsonSoloist – Claude Williamson Concerto For Doghouse B4 3:25 Arranged By – Bill HolmanSoloist – Howard RumseyWritten-By – Stan Kenton Bud (The Whipper) B5 4:37 Arranged By – Bill HolmanSoloist – Bud ShankWritten-By – Claude Williamson Companies, etc. Copyright (c) – Contemporary Records Credits Alto Saxophone – Bud Shank (tracks: A4, B1 to B5), Lennie Niehaus (tracks: A1 to A3) Baritone Saxophone – Bob Gordon (tracks: A4, B1 to B5), Pepper Adams (tracks: A1 to A3) Bass – Howard Rumsey Drums – Stan Levey Liner Notes – Dick Williams Photography By [Cover Photo Of Rumsey & Spotlight In An Actual Lighthouse] – Doug Mitchell Piano -
Fcc and Am Stereo: a Deregulatory Breach of Duty
THE FCC AND AM STEREO: A DEREGULATORY BREACH OF DUTY JASON B. MEYERt The trend toward governmental deregulation of private enterprise, which began in earnest in the 1970's1 and has gathered momentum under the Reagan administration, has had a significant effect on the telecommunications industry. The Federal Communications Commis- sion (FCC) has reduced regulation of operation and maintenance log- ging2 and eliminated minimum aural transmission power require- ments.' Similarly, a major effort has been made in Congress to enact a bill deregulating broadcast programming.4 In 1984 the FCC justified eliminating or relaxing many licensing requirements on the grounds that such "actions further the Commission's goals of creating, to the maximum extent possible, an unregulated, competitive environment for t A.B. 1980, Princeton University; J.D. Candidate, 1985, University of Pennsylva- nia. The author wrote this Comment while a student at the University of Pennsylvania Law School. I See, e.g., Depository Institutions Deregulation and Monetary Control Act of 1980, Pub. L. No. 96-221, 94 Stat. 132 (codified at scattered sections of Titles 12, 15, 22 & 42 of the U.S.C.) (reducing regulatory control of banks); Airline Deregulation Act of 1978, Pub. L. No. 95-504, 92 Stat. 1705 (codified at 49 U.S.C. §§ 1300-02, 1305-08, 1324, 1341, 1371-79, 1382, 1384, 1386, 1389, 1461, 1482, 1486, 1490, 1504, 1551-52) (reducing regulatory control of airlines). I See Operating and Maintenance Logs for Broadcast and Broadcast Auxiliary Stations, 48 Fed. Reg. 38,473 (1983). ' The Commission abolished minimum aural power requirements that had previ- ously created a situation in which a station's aural range well exceeded its visual range. -
US Military Takes Action Stuttgart High School Shut Down As Germany Reels Under Record Number of New Coronavirus Cases
MLB: Dodgers get back into MOVIES NLCS with big win Back page ‘The Forty-Year-Old Version’ introduces Radha Blank MUSIC: Remembering as an auteur to watch Eddie Van Halen Page 32 Pages 20-21 LIFESTYLE: Keep smiling behind your mask Page 30 stripes.com Volume 79, No. 130 ©SS 2020 FRIDAY, OCTOBER 16, 2020 $1.00 VIRUS OUTBREAK US military takes action Stuttgart High School shut down as Germany reels under record number of new coronavirus cases BY KARIN ZEITVOGEL, JOHN VANDIVER AND JENNIFER SVAN Stars and Stripes U.S. military communities in Germany took quick action as the country’s national public health agency said there had been more new infections in one day than at any time since the start of the pandemic. Stuttgart shuttered its high school and tested hundreds of service members and their families. Soldiers were banned from barhopping in US layoffs Baumholder, and officials at Grafenwoehr tightened remain elevated restrictions on soldiers, ci- Page 8 vilians and family members after the nearby town of Weiden went on red alert against the coronavirus. The Robert Koch Institute, Germany’s public health agency, said 6,638 new cases of the virus had been report- ed from Wednesday to Thursday, the biggest daily increase since March 28, when case numbers rose by 6,294. SEE MILITARY ON PAGE 6 A woman wearing a face mask walks past a sign saying “Mask duty –- Cover your mouth and nose!” in the city center of Munich, Germany, on Thursday. PETER KNEFFEL, DPA/AP Army to encourage urgency in searching for missing soldiers BY ALEX HORTON ing from the ranks, a duty status amine how that process works. -
1960 Catalog
Shure-the Standard of Quality.. ."In Electronics Since 1925'" Shure Brothers, Inc. is providing for today's critical requirements and will meet the exacting demands of the future. The world of electronics is at the threshold of a new era, and Shure planning envisions dramatic new products and revolutionary applications which will meet the challenge and fulfill the promise of tomorrow. Since 1925 Shure Brothers, Inc., has made numerous significant contributions to the development of orig- inal acoustical-electronic products. In the future, as in the past, you can look to Shure for continued leadership in : Fine Studio and Public Address Microphones Precision Magnetic Recording Heads High Fidelity Phonograph Cartridges and Arms Original Equipment and Replacement Phonograph Cartridges "Industry-Standard" Communications Microphones Handsets and Special-Purpose Microphones CONTENTS Shure Brothers, Inc., is able to give you quality products because we continually strive to raise already critical standards to precision levels previously considered unattainable. Some of the more important factors governing Shure Page quality are: Carbon. .................16 *RESEARCH AND DEVELOPM ENT-A contin- Controlled Magnetic. .l3-14 uing research program is devoted to the objective Crystal.. .............11-12 of developing new products with performance and General Purpose. ......6-10 design standards of a high order. Special Purpose. ...l5,17 & 18 *ENGINEERING FACILITI ES-The most modern Studio .................4-5 anechoic chambers and laboratory equipment, much of it unavailable commercially, have been designed and built by our own engineering laboratory staff. "ADVANCED METHODS AND STANDARDS- Special control techniques and devices enable us to improve the precision quality of customized Stereo Broadcast Equalizer.