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Klątwa Rodziny Kennedych Klątwa rodziny Kennedych Jolanta Janiczak reżyseria: Wiktor Rubin NR 85 luty 2021 DYREKTOR MICHAŁ KOTAŃSKI JOLANTA Wanted (2019), Kurt Gerron. Führer daje miasto Żydom (2019), I tak Inspiracje czerpie z futurystycznych wizji i świata natury. Obecnie nikt mi nie uwierzy (2020). realizuje się w projektowaniu kostiumów teatralnych, krawiectwie JACQUELINE JANICZAK personalnym oraz w tworzeniu form na miarę performatywnych SOBISZEWSKI Jego spektakle to oryginalne zjawisko z pogranicza teatru, potrzeb. filmu i performansu, regularnie pokazywane na najważniejszych festiwalach w Polsce, gdzie zdobywają nagrody, m.in. Grand Wybrane realizacje: kostiumy we współpracy z Jasminą Metwaly Prix (2006) i nagrodę główną na Festiwalu Kontrapunkt w Szczeci- (Hammer Museum, Los Angeles, 2019, KW Institute for Contem- nie (2014), Grand Prix Festiwalu Prapremier w Bydgoszczy (2006), porary Art, Berlin, 2020, Galeria Arsenał, Białystok, 2020), kostiumy Fot. archiwum prywatne archiwum Fot. Fot. archiwum prywatne archiwum Fot. wyróżnienie na Festiwalu Sztuk Przyjemnych i Nieprzyjemnych do spektakli: Chaplin, reż. Wiktor Rubin (Teatr Żydowski im. Estery w Łodzi (2007) i Opolskich Konfrontacjach Teatralnych „Klasyka Rachel i Idy Kamińskich, Warszawa), Teraz Poliż: Czarny kwadrat. Polska” (2009), Grand Prix Festiwalu R@port w Gdyni (2014, 2017), Sonata for keyboard and tape, reż. Wojtek Blecharz (Komuna// nagrodę dla najlepszego reżysera na Międzynarodowym Festiwa- Warszawa), Żeglarz, reż. Wojciech Rodak (Teatr Dramatyczny im. lu Teatralnym Boska Komedia (2016). W 2013 roku został laureatem Jerzego Szaniawskiego, Wałbrzych), Wszyscy rozmawiamy o po- Paszportu Polityki. godzie. My nie, reż. Agata Baumgart (Pawilon, Poznań), kostiumy i scenografia do spektakli: Lagma, Czyczel/Chmielewska/Gryka/ Absolwentka psychologii Uniwersytetu Jagiellońskiego i Lart stu- Szypulska (Centrum Teatru i Tańca w Warszawie), Miejski Pta- Studiowała na Wydziale Operatorskim Państwowej Wyższej Szkoły diO, dramaturżka i dramatopisarka. Z Wiktorem Rubinem adapto- siarz, reż. Weronika Szczawińska (Teatr Współczesny im. Edmun- Filmowej, Telewizyjnej i Teatralnej w Łodzi. Zaprojektowała światła wała Drugie zabicie psa Marka Hłaski, Cząstki elementarne Michela ŁUKASZ da Wiercińskiego, Wrocław), Po prostu, reż. Weronika Szczawińska do ponad 80 produkcji teatralnych, operowych i koncertów. Praco- Houellebecqa, Lalkę Bolesława Prusa (wyróżnienie na Opolskich SUROWIEC (Instytut Sztuk Performatywnych, Komuna//Warszawa), Jaśnienie, wała dla: Teatru Wielkiego – Opery Narodowej, TR Warszawa, Teatru Konfrontacjach Teatralnych „Klasyka Polska”, 2009). Autorka ada- reż. Dobrawa Borkała (Komuna//Warszawa), Rozmowy o drzewach, Narodowego w Warszawie, Narodowego Starego Teatru w Krakowie, ptacji teatralnej filmu i książki Misja Roberta Bolta pt. Klub miło- reż. Weronika Szczawińska (Komuna//Warszawa), Nigdy więcej woj- Burgtheater w Wiedniu, Opéra de Lyon, Schaubühne w Berlinie, Bay- śników filmu Misja w reżyserii Bartosza Szydłowskiego (Teatr Łaźnia ny, reż. Weronika Szczawińska (Komuna//Warszawa). erische Staatsoper w Monachium i Toneelgroep Amsterdam. Jej pra- Nowa w Krakowie, 2013). ce pokazywane były na całym świecie, m.in. w: Nowym Jorku, Los An- Związana z grupą ATM (Antkowiak/Pataridze/Szypulska) założo- geles, Londynie, Edynburgu, Paryżu, Wellington, Berlinie i Moskwie. Jest autorką dramatów: James Bond: - Świnie nie widzą gwiazd Kozuń Aleksandra Fot. ną w 2018 roku w Poznaniu. W swojej praktyce założycielki grupy Współpracowała m.in. z: Grzegorzem Jarzyną (Zaryzykuj wszystko, (Teatr im. Jerzego Szaniawskiego w Wałbrzychu, 2010), Joanna poszukują balansu między przypadkiem a regułą, fatum a prze- Bash, Macbeth, Giovanni, T.E.O.R.E.M.A.T., Między nami dobrze jest, Szalona; Królowa (Teatr im. Stefana Żeromskiego w Kielcach, 2011), znaczeniem. Ich twórczość nie zaistniałaby bez głębokiej fascyna- Nosferatu, mede:a, Lew w zimie, Gracz, Fedra, Dziecko i czary, Karzeł), Ofelie (Teatr im. Wilama Horzycy w Toruniu, 2011) Tak powiedział cji popkulturą i modą. Brały udział m.in. w wystawach Celem jest Agnieszką Glińską (Nieznajoma z Sekwany, 2 maja, Opowieści o zwy- Michael J. (Teatr Wybrzeże w Gdańsku, 2012), Karzeł, down i inne trafianie do dziurki(Realny Obszar Działań w Warszawie), Tymczas czajnym szaleństwie, Wiedźmy, Lulu na moście, Lekkomyślna siostra, żywioły (Teatr Nowy im. Kazimierza Dejmka w Łodzi w koproduk- (Galeria Miejska Arsenał w Poznaniu), Three is a Crowd (Galeria 9/10 Mewa, Efekt, Między nami dobrze jest, Panny z Wilka), Redbadem cji z Międzynarodowym Festiwalem Teatralnym Boska Komedia, w Poznaniu). Klynstrą (Gry, Electronic City), Grzegorzem Wiśniewskim (Przed odej- 2012), Caryca Katarzyna (Teatr im. Stefana Żeromskiego w Kielcach, Polski artysta interdyscyplinarny, rzeźbiarz, performer, scenograf, ściem w stan spoczynku, Letnicy), Anną Smolar (Zamiana), Pawłem 2013), Towiańczycy, królowie chmur (Narodowy Stary Teatr im. twórca filmów wideo, autor akcji społecznych. Ukończył Wydział Miśkiewiczem (Niewina, Auto da fé), Aleksandrą Konieczną (Helena Heleny Modrzejewskiej w Krakowie, 2014), Detroit. Historia ręki (Te- Rzeźby Akademii Sztuk Pięknych w Krakowie, studiował na Akade- S.), Natalią Korczakowską (Strefa działań wojennych, Solaris. Raport), atr Polski im. Hieronima Konieczki w Bydgoszczy, 2014), Sprawa mii Sztuk Pięknych w Poznaniu oraz Universität der Künste w Ber- René Polleschem (Ragazzo dell`Europa), Robertem Glińskim (Loret- Gorgonowej (Narodowy Stary Teatr im. Heleny Modrzejewskiej KRZYSZTOF linie. W swoich obiektach i interwencjach artystycznych Surowiec ta), Michałem Borczuchem (Portret Doriana Graya, Metafizyka dwu- w Krakowie, 2015), O mężnym Pietrku i Sierotce Marysi (Teatr Polski KALISKI wnika i bada aktualne stosunki społeczne, podejmuje również za- głowego cielęcia, Wszystko o mojej matce, Zew Cthulhu, Moja walka, w Poznaniu, 2018), Dead Girls Wanted (Teatr Zagłębia w Sosnowcu, gadnienia historyczne i polityczne. Jego twórczość przyjmuje formę Czarne papugi), Gáborem Zsámbéki (Kazimierz i Karolina) i Arturem 2019), Kurt Gerron. Führer daje miasto Żydom (Teatr Śląski im. Stani- metody umożliwiającej poznanie publicznej rzeczywistości, ze zwró- Ildefonsem Urbańskim (Wiarołomni), Remigiuszem Brzykiem (Bra- sława Wyspiańskiego w Katowicach, 2019), I tak nikt mi nie uwierzy ceniem uwagi na jednostki marginalizowane. W swojej działalności cia Grimm dla dorosłych, Królestwo), Janem Englertem (Bezimien- (Teatr im. Aleksandra Fredry w Gnieźnie, 2020). ne dzieło, Kordian), Oliverem Frljićem (Klątwa), Wiktorem Rubinem artystycznej podejmuje aktualne kwestie społeczne, wychodząc Winiarska Monika Fot. Od 2008 roku pracuje jako dramaturżka z Wiktorem Rubinem, także poza mury oficjalnych instytucji sztuki. (Neron, I tak nikt mi nie uwierzy). W 2008 roku za reżyserię świateł współtworząc oryginalny język teatralny. Ich wspólne spektakle są do mede:i Grzegorza Jarzyny została nagrodzona na 15. International Prace Surowca prezentowane były na indywidualnych ekspozy- obecne na wszystkich ważnych festiwalach w Polsce. Na IV Między- Small Scene Theatre Festival w chorwackiej Rijece. W 2009 roku na cjach, m.in. Umierać się nikt nie boi w CSW Zamek Ujazdowski narodowym Festiwalu Boska Komedia w Krakowie (2011) Janiczak Międzynarodowym Festiwalu Teatralnym Boska Komedia jako reży- w Warszawie (2014), Poczekalnia w CSW Znaki Czasu (2014), Dziady otrzymała wyróżnienie za dramat Joanna Szalona; Królowa, zaś za serka świateł do spektaklu T.E.O.R.E.M.A.T Grzegorza Jarzyny została w Bunkrze Sztuki w Krakowie (2013), Szwedzkie gołębie w Kalmar Sprawę Gorgonowej otrzymała Gdyńską Nagrodę Dramaturgiczną. wyróżniona „za stworzenie spójnego krajobrazu, w którym odręb- Konstmuseum w Kalmarze (2012) czy Nice to Meet You w Art Agen- Jest laureatką Paszportu Polityki 2013 i programu stypendialnego ność ukazuje się poprzez potężny ładunek emocjonalny”. da Nova w Krakowie oraz wielokrotnie na wystawach zbiorowych Ministra Kultury i Dziedzictwa Narodowego „Młoda Polska” 2014. Kompozytor muzyki teatralnej i filmowej, multiinstrumentalista. w Polsce i za granicą, m.in. Celebration w Kyoto Art Center (2018), Gra w zespołach Alameda 4, Jantar i trppst-1. Pracuje z Wikto- Procedures for the head/Polish Art Today w Kunsthalle Bratislava rem Rubinem i Magdą Szpecht, współpracował m.in. z Weroniką (2015), Critical Juncture podczas Kochi Muziris Biennale w Indiach Szczawińską, Grzegorzem Jarzyną, Bartoszem Frąckowiakiem. (2014), East + Europe - Eastern European Contemporary Art Exhi- MONIKA WIKTOR Jest autorem muzyki do ponad czterdziestu spektakli, m.in.: bition w City Hall Exhibition Hall w Hong Kongu (2013), Air de Polo- WINIARSKA I tak nikt mi nie uwierzy (Teatr im. Aleksandra Fredry, Gniezno), RUBIN gne w De Garage w Mechelen w Belgii (2012) czy podczas 7. Berlin Fiasko (Narodowy Stary Teatr im. Heleny Modrzejewskiej, Kra- Biennale w Kunst Werke w Berlinie (2012). W 2017 roku był nomi- ków), Inni ludzie (TR Warszawa), Always coming home (Tokyo balazstoth Fot. nowany do Paszportów Polityki oraz do nagrody Deutsche Banku – Metropolitan Theatre), Kurt Gerron. Führer daje miasto Żydom Spojrzenia, gdzie został uhonorowany nagrodą publiczności. (Teatr Śląski im. Stanisława Wyspiańskiego, Katowice), Pro- Fot. Tomasz Urbanek Tomasz Fot. szę bardzo (Teatr Żydowski im. Estery Rachel i Idy Kamińskich), In dreams begin responsibilities (Teatr im. Juliusza Słowackie- go, Kraków), i filmów: Heavy mental, Zgniłe uszy, Kattowitz. MARTA Laureat Nagrody Głównej dla Osobowości Artystycznej na Festi- SZYPULSKA walu
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