DOCSLIB.ORG

General Introduction 1-20

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
General Introduction 1-20 THE REPRESENTATION OF WOMEN IN THE WORKS OF THREE SOUTH AFRICAN NOVELISTS OF THE TRANSITION by STEPHANE SERGE IBINGA Dissertation submitted in fulfilment of the requirements for the degree of DOCTOR OF LITERATURE in English at the UNIVERSITY OF STELLENBOSCH Promotor: Prof. Annie. H. Gagiano December 2007 ii DECLARATION I, the undersigned, hereby declare that the work contained in this dissertation is my own original work and that I have not previously in its entirety or in part submitted it at any university for a degree. ………………. ………………… Signature Date iii ABSTRACT: The dissertation focuses on literary representation of female characters in selected novels by three particular South African writers working within the transitional phase (from the formal ending of apartheid up to the present) of South African history. By means of textual analysis, the study investigates how the representation of numerous female characters in these texts reflects on and reflects the sector of South African society that forms the social setting of each text. This thesis explores the portrayal of female characters in selected fictional works by examining the ways in which the novelists Mandla Langa, Zakes Mda (both of them black and male writers) and Nadine Gordimer (a white and female novelist) characterise women in novels depicting this adapting society. In scrutinising these texts of the transition period, the thesis writer employs detailed individual delineation of female characters, to some extent by means of a comparative approach, with emphasis on parallels between as well as differences among the abovementioned authors’ ways of describing South African women’s circumstances and responses to their social predicaments. In this study literary representations of women are examined in order to evaluate the effects of social and cultural transformation in post-apartheid South Africa. This is done by analysing these authors’ portrayals of women’s circumstances both in the private and public spheres. The thesis therefore contributes to the movement towards a greater recognition of women’s crucial, catalytic function in the achievement of social development and delineates these authors’ expressed awareness of many women’s actual direct involvement in the struggle against all forms of discrimination in society. This research project has been undertaken as an opportunity to investigate the different qualities and types of conduct attributed to female characters in ten selected novels of the transition, on the assumption that the texts reflect something of the way women are perceived and are playing new roles in a changing society. In studying how three significant ‘post-apartheid’ authors depict women affecting and affected by the social conditions of this period, the thesis traces the way the focus of more recent South African writing has shifted from an apartheid-era preoccupation with racial-political issues towards the depiction of private and public, rural and urban social and gender roles available to some contemporary South African women – and of those factors still constraining some other women. Taking in these authors’ portrayals of female political activism and leadership, the thesis also balances previous preoccupation (in South African English literature) with depictions of male political activity. OPSOMMING: Die proefskrif fokus op die literêre uitbeelding van vroue-karakters in uitgesoekte romans deur drie besondere Suid-Afrikaanse skrywers van die sogenaamde oorgangsfase (vanaf die formele beeindiging van apartheid tot die huidige periode) in die Suid-Afrikaanse geskiedenis. Deur middel van tekstuele analise ondersoek hierdie studie hoe die uitbeelding van ‘n aantal vroulike karakters in hierdie tekste die partikuliere Suid-Afrikaanse samelewing wat die agtergrond van elke teks vorm, reflekteer en daaroor besin. Die tesis bestudeer die uitbeelding van vroue-karakters in geselekteerde fiksie-tekste deur die metodes waarmee die romanskrywers Mandla Langa en Zakes Mda (albei manlike en swart skrywers) en Nadine Gordimer (‘n wit, vroulike skrywer) vroue uitbeeld (in romans van die oorgangsfase), na te vors. Deur die bestudering van hierdie oorgangsfase se tekste gebruik die skrywer van die proefskrif gedetailleerde individuele karakter-beskrywings, tot ‘n mate deur die gebruik van ‘n vergelykende metode en met beklemtoning van parallelle sowel as verskille tussen bogenoemde skrywers se maniere om Suid-Afrikaanse vroue se omstandighede en hul reaksies op hul sosiale probleme uit te beeld. In hierdie studie word literêre uitbeeldings van vroue geeksamineer ten einde die gevolge van sosiale en kulturele veranderings in post-apartheid Suid- Afrika na te spoor. Dit word vermag deur middel van die analise van hierdie drie skrywers se voorstellings van vroue in beide die private en die openbare sfeer. Derhalwe dra die tesis by tot die beweging na groter erkenning van vroue se krities-belangrike, katalitiese funksie in die bereiking van sosiale ontwikkeling, en omlyn dit die gekose skrywers se bewustheid van vroue se werklike, direkte betrokkenheid in die stryd teen alle vorms van diskriminasie in die samelewing. Hierdie navorsingsprojek is onderneem as ‘n geleentheid om ondersoek te doen na die verskillende tipes en voorbeelde van gedrag wat aan vroulike karakters toegeskryf word in tien uitgesoekte oorgangs-romans – berustend op die aanname dat hierdie tekste iets reflekteer van die maniere waarop vroue gesien word, asook hoe hulle nuwe rolle vervul, in ‘n veranderende samelewing. Deur te bestudeer hoe drie belangwekkende ‘post-apartheid’ skrywers vroue beskryf wat geaffekteer word deur sosiale omstandighede (en dit ook op hul beurt affekteer), omlyn die tesis hoe die fokuspunt in meer onlangse Suid-Afrikaanse skryfkuns verskuif het van die apartheids-era begaanheid met rassies-politiese sake na die private en openbare, plattelandse en stedelike sosiale en gender-rolle wat tans beskikbaar geword het vir Suid-Afrikaanse vroue – asook na die soort omstandighede wat nog steeds sommige vroue kortwiek. Deur aandag te gee aan hierdie skrywers se uitbeeldings van vroulike politieke aktivisme en leierskap balanseer die proefskrif ook die voormalige fokus (in die Engels-Suid-Afrikaanse letterkunde) op die uitbeelding van manlike politieke aktiwiteite. iv DEDICATION I dedicate this scientific achievement to my mother, Agathe Koumba, my father, Vincent Ibinga and grandmother, Rosalie Koumba because they taught me capital values: about hard work and the meaning of making one’s parents proud. (v) ACKNOWLEDGEMENTS I express my heartfelt gratitude to my promotor Prof A.-H. Gagiano for being not only my own role model regarding her diligence but also for being a sincere friend showing her sympathy and compassion whenever I needed her support. I also would like to convey appreciative words towards Prof Frank Schulze-Engler for giving me the opportunity to work for the NELK Institute at the University of Frankfurt in 2006. My German experience has contributed a great deal to the achievement of this work. I wish to thank the Government of Gabon for funding my entire education and especially this laudable undertaking. My debt of gratitude also goes to the DAAD (German Institution) for granting me a scholarship to do research at the University of Frankfurt for a period of six months. Eventually, I would like thank the following people for their encouragements, generosity and affection: Gaelle Mve, Dr Karen Pawlish, Dr Sabrina Brancato, Achille-Mayel Bivigou, Isabel Haamel, Jeanne Ellis, Sarah Drici, Gilles Saphou-Bivigat, Sabine Paul, Julie Ntorintsiayi, Léandre Serge Soami, Habib Patrick Yoba Ngoma, Hugues-Steve Koumba Binza, Emmelie Arelette Legnouo, René Lakissi Mackosso, Jean Pierre Moudouma, Annie Mipimbou and Thierry Mouyouma. TABLE OF CONTENTS Chapter 1: General Introduction 1-20 Chapter 2: Women and Political Activism 21-79 1. Mandla Langa 28 a) A Rainbow on the Paper Sky (1989) 28 b) Tenderness of Blood (1987) 48 c) The Memory of Stones (2000) 62 2. Zakes Mda 66 a) The Madonna of Excelsior (2002) 66 b) Ways of Dying (1995) 71 3. Nadine Gordimer 72 a) None to Accompany Me (1994) 72 b) The Pick Up (2001) 76 Chapter 3: Writing Women’s Lives in the Public Sphere 80-138 1. Nadine Gordimer 84 a) None to Accompany Me (1994) 84 b) The House Gun (1998) 90 c) The Pick Up (2001) 92 2. Zakes Mda 96 a) The Heart of Redness (2000) 96 b) Ways of Dying (1995) 104 c) She Plays with the Darkness (1995) 106 d) The Madonna of Excelsior (2002) 109 3. Mandla Langa 115 a) A Rainbow on the Paper Sky (1989) 115 b) The Memory of Stones (2000) 126 Chapter 4: The portrayal of Rural and Urban Women in their Private Lives 139- 248 A. The Private Realm of Rural Female Characters 141 1. Reading Zakes Mda’s Texts 141 a) Ways of Dying (1995) 141 b) The Madonna of Excelsior (2002) 151 c) She Plays with the Darkness (1995) 164 d) The Heart of Redness (2000) 173 2. Exploring the Private Realm of Rural Women in Gordimer’s Narratives 186 a) The Pick Up (2001) 186 B. The Private Realm of Urban Female Characters 193 1. Nadine Gordimer 196 a) None to Accompany Me (1994) 198 b) The House Gun (1998) 216 c) The Pick Up (2001) 226 2. Zakes Mda 229 a) She Plays with the Darkness (1995) 229 3. Mandla Langa 236 a) Tenderness of Blood (1987) 236 Chapter 5: Conclusion 249-259 Bibliography 260-281 Chapter 1: GENERAL INTRODUCTION The shift from apartheid to democracy in South Africa has created a new socio-political environment within which citizens are aspiring to the establishment of new ways of living
Load more

Recommended publications
  • 2(,.3 2(,.3 Anti-Apartheid Movement 13 Mandela Street
    2(,.3 2(,.3 Anti-Apartheid Movement 13 Mandela Street, London NW1 ODW. Tel: 071 387 7966. Fax: 071 388 0173 NC/SEPT 93/2 MINUTES OF THE NATIONAL COMMITTEE 10TH JULY 1993UNISON, 1 MABLEDON PLACE, LONDON WC1. PRESENT Individuals: R Hughes (Chair), I Stuart, M Sparham, P Carroll, B Switzer, D Craine (& ELTSA), R Jewkes, D Kenvyn (& Redbridge AA), G Watson, C Gurney, R Harris, C Burford, A Kruthoffer, M Stacey (& Southwark AA), H Kimble (& Oxford AA), M Terry. Local Groups and Regional Committees: SW Region: D Starrs, Wandsworth A: M Sawyerr, Kingston & Sutton AA: N Laurence, Tyneside AA: S Allcroft, Lewisham AA: C Duah, Wessex Region: D Hoadley, Haringey AA: J Rudin, Southampton AA: A Ridehalgh, Birmingham AA: A Chaffer, Bristol AA: D Spurgeon, Swindon AA: A Kempshall. Voting Organisations: UNA: R Karesh, MAC: P Brayshaw, CRS London Political Cttee: R Dixon. Observer Organisations: LAAA: N Roy. Guest: Mandla Langa, ANC Acting Chief Representative. Staff in attendance: G Omasta-Milsom, J Hughes, R Dadoo. 1.00 APOLOGIES: Bishop Huddleston, Oldham and district AA, Huddersfield AA, Yorkshire and Humberside AA, Aberdeen AA, MSF, Bradford AA, P Blomfield, Sheffield AA, Canterbury AA, Merseyside AA, Blackburn and Darwin AA, Nottingham AA, Greater Manchester AA, UNISON, GMB, C Adkins, GPMU, M Malik, Sir David Steel, V Pillay, A Minty, M Ling, Colchester and District AA. 2.00 MINUTES OF NATIONAL COMMITTEE MEETING 24/4/93 fNC/JLY 93/2): The Minutes (NC/APR 93/2) were agreed as a correct record. Under this item Bob Hughes drew the meetings attention to the revised agenda and timetable.
    [Show full text]
  • Nelson Mandela Y Mandla Langa, New York: Farrar, Straus and Giroux, 2017
    RESEÑA DEL LIBRO DARE NOT LINGER. THE PRESIDENTIAL YEARS. AUTORES: NELSON MANDELA Y MANDLA LANGA, NEW YORK: FARRAR, STRAUS AND GIROUX, 2017 Samuel Rodríguez González Dare not linger. The Presidential Years1 es el último libro publicado bajo la autoría de Nelson Mandela, y en el cual Mandla Langa, un escritor sudafricano, ejerce de coautor. Esta obra fue pensada por Mandela como la autobiografía de sus años presidenciales, en la que con su puño y letra2, pretendía detallar de forma íntima los aspectos más relevantes durante su ascenso y posterior ejercicio del poder, desde las negociaciones con el gobierno de Frederik De Klerk, pasando por conflictos internos dentro del Congreso Nacional Africano (CNA) y demás movimientos afines a su lucha democrática, su inagotable trabajo para detener una posible guerra civil en Sudáfrica, hasta su esfuerzo día 1 El título en español que se le ha dado al libro es El Color de la Libertad. El autor de esta reseña ha leído la versión original del libro y las traducciones de las citas han sido hechas por él mismo. 2 Tal y como reseña el libro, los borradores que escribió Mandela para este libro siempre fueron hechos a mano. En el libro se aprecian fotografías de algunos borradores con la caligrafía de Mandela. Samuel Rodríguez González tras día en la búsqueda de la reconstrucción del país en términos sociales, raciales, políticos y económicos. Sin embargo, como lo reseña en el prólogo su viuda Graça Machel, la tarea quedó incompleta y Madiba3, por múltiples razones, no pudo terminar el trabajo, y fue esta una fuente de frustración en sus últimos años.
    [Show full text]
  • Mannenberg": Notes on the Making of an Icon and Anthem1
    African Studies Quarterly | Volume 9, Issue 4 | Fall 2007 "Mannenberg": Notes on the Making of an Icon and Anthem1 JOHN EDWIN MASON Abstract: Abdullah Ibrahim's [Dollar Brand] composition "Mannenberg" was an instant hit, when it was released on the 1974 album, Mannenberg is Where It's Happening. This paper shows that the song is a product of Ibrahim's efforts to find an authentically South African mode of expression within the jazz tradition, blending South African musical forms -- marabi, mbaqanga, and langarm--with American jazz-rock fusion. It quickly became an icon of South African jazz, defining the genre both within the country and overseas. At the same time, the South African coloured community invested the song with their own meaning, transforming it into an an icon of their culture and of themselves. In the 1980s, "Mannenberg" had a second life as an anthem of the struggle against apartheid. Some called it South Africa's "unofficial national anthem." Once again, the song acquired a new meaning, this time through the efforts of musicians, especially Basil Coetzee and Robbie Jansen, who made it the musical centerpiece of countless anti- apartheid rallies and concerts. As the paper traces this narrative, it is constantly aware of the profound influence of African-American culture and political thought on Ibrahim and the coloured community as a whole. Introduction On a winter's day in 1974, a group of musicians led by Abdullah Ibrahim (or Dollar Brand, as most still knew him) entered a recording studio on Bloem Street, in the heart of Cape Town, and emerged, hours later, having changed South African music, forever.
    [Show full text]
  • A Study of Select Fictional Narratives of Nadine Gordimer Is the Outcome of My Own Research Undertaken Under the Guidance of Dr
    Living in the Interregnum: A Study of Select Fictional Narratives of Nadine Gordimer By Mrs. Geetha Shastri Sripad Bhat Guiding Teacher: Dr. A. Rafael Fernandes Professor of English GOA UNIVERSITY TALEIGAO PLATEAU, GOA. INDIA 403 206 March 2019 DECLARATION As required under the University Ordinance OA-19.8 (v), I hereby declare that the thesis entitled, Living in the Interregnum: A Study of Select Fictional Narratives of Nadine Gordimer is the outcome of my own research undertaken under the guidance of Dr. A. Rafael Fernandes, Associate Professor of English, Department of English, Goa University. All the sources used in the course of this work have been duly acknowledged in the thesis. This work has not previously formed the basis of any award of Degree, Diploma, Associateship, Fellowship or other similar titles to me, by this or any other University. Geetha Shastri Sripad Bhat Research Student Department of English Goa University Taleigao Plateau, Goa Date: 25 March 2019 CERTIFICATE In fulfillment of the provision of the Goa University Ordinance OA-19.8 (viii), I hereby certify that the thesis titled Living in the Interregnum: A Study of Select Fictional Narratives of Nadine Gordimer submitted by Mrs. Geetha Shastri Sripad Bhat for the award of the Degree of Doctor of Philosophy is the record of her own work done under my guidance and further that it has not formed the basis of any award of Degree, Diploma, Associateship, Fellowship or other similar titles to her. Dr. A. Rafael Fernandes Professor of English Research Guide Date: 25 March 2019 ACKNOWLEDGEMENTS First and foremost, I would like to express my heartfelt gratitude to my guide Dr.
    [Show full text]
  • On Wings of Song 2011 Presented by Apollo Music Trust Richard Cock &Music Enterprises
    Johannesburg International Festival On Wings of Song 2011 Presented by Apollo Music Trust Richard Cock &Music Enterprises ARTISTIC DIRECTOR: FLORIAN UHLIG 1406-210x148 (P).pdf 1/10/11 12:15:33 PM C M Y CM MY CY CMY K Contents page Welcome message 4 Composer-in-Residence 2011: Mokale Koapeng 6 27 January Opening Concert/Symphony Concert I 7 28–30 January Collaboration with Schleswig-Holstein Musik Festival Auditions, Vocal Workshop/Masterclass, Concert 14 29 January Chamber Concert I 16 30 January Concert and Oratorio Recital 18 03 February Song Recital I 18 04/05 February Symposium Music and Exile: Songs, Styles and Sub-Texts 28 04 February Song Recital II 29 05/06 February Melodi Music Workshop Concerts 32 05 February Choral Concert 33 06 February Composers’ Workshop/Masterclass 37 06 February Piano Recital 38 08 February School Workshop Concerts 40 09 February Song Recital III 40 12 February Symphony Concert II 51 13 February Final Concert/Chamber Concert II 58 Sponsors & Partners 36 Biographies 60 Booking & Tickets 70 www.join-mozart-festival.org 3 Dear music-lovers, “Tout finit par des chansons – everything ends in songs”, Beaumarchais wrote as his last line in The Marriage of Figaro. By contrast, in the 2011 edition of the Johannesburg International Mozart Festival everything begins with songs. With its theme “On Wings of Song” (after the eponymous lied by Felix Mendelssohn), the Festival will take place between 27 January and 13 February, offering an exciting tribute to vocal music and to music inspired by vocal genres. The spectrum ranges from Mozart’s Requiem, via Schubert’s epic song- cycle Die Winterreise and African choral music, to cabaret songs by Weill and Eisler and back to a programme of operatic arias and duets by Mozart.
    [Show full text]
  • Dramatization of the Political Story of Apartheid in Nadine Gordimer’S Novels
    Journal of English and Literature (JEL) Vol.2, Issue 1 June 2012 12-16 © TJPRC Pvt. Ltd., DRAMATIZATION OF THE POLITICAL STORY OF APARTHEID IN NADINE GORDIMER’S NOVELS P. NAGARAJ Assistant Professor, Department of English and Foreign languages Bharathiar University, Coimbatore ,Tamil Nadu, ABSTRACT In Afrikaans the term ‘apartheid’ means ‘apartness’. This system of racial segregation brought by the Afrikaner National Party in 1948 was the culmination of the intense political situation experienced by South Africa for the last few centuries. The blacks were cornered into ‘homelands’ and left without a choice other than living in their own country like foreigners. Those who did not own a passport were deprived of even the limited liberty to enter the white inhabited area. When the world politics grew sophisticated in the second half of the twentieth century, the persisting savagery in South Africa caught world’s attention. More than historians and media it is the literature from the country that sent the exact colour of the picture across the border. KEYWORDS: Nadine Gordimer, Politics, Novels. Among the revolutionary writers emanated from apartheid, Nadine Gordimer has produced an oeuvre that is observed as an unofficial record of the South African history by her famous critic Stephen Clingman (13). Her literary career runs parallel to the apartheid and post apartheid era and she has nothing to transmit to the world other than the traumatic experiences of individuals under the regime. It is in this aspect she differs and elevates herself from the traditional historians. Hers is not a cold account of the sequence of events of history.
    [Show full text]
  • D:\EXEMPLUM\Werkwinkel4\Po Korekcie\03-Szczurek.Wpd
    “Come Rap for the Planet”: Matters of Life and Death in Nadine Gordimer’s Get a Life (2005) KARINA MAGDALENA SZCZUREK Independent writer 6 Banksia Road, Rosebank 7700 Cape Town, South Africa [email protected] Abstract. Get a Life (2005) is Nadine Gordimer’s latest and probably last novel. As some of its reviewers have suggested, it is not a major addition to her oeuvre. However, its significance lies in its activist thrust as the first truly ‘green’ novel published in post- apartheid South Africa. Using a basic ecocritical approach, the following essay exposes the eco-conscious character of the book. Furthermore, it shows how the novel engages in some crucial contemporary debates in the South African public sphere and situates them in the global context of the 21st century. At the same time, by looking at some of Gordimer’s short stories written around the time of publication of Get a Life and primarily at the novel itself, this essay analyses how the author explores the topics of ageing and natural death as well as the need to leave a trace of one’s life beyond physical existence. Keywords: ecocriticism, post-apartheid literature and society, globalisation, confrontation with ageing and death And what a rich mix it is… we have… elements of…even green consciousness (long before the Greens existed, we had green in our flag, representing land). (Albie Sachs) We must take responsibility for nature. (Frederick Turner) werkwinkel 4(1)2009 36 Karina Magdalena Szczurek Nadine Gordimer’s most recent and presumably last novel, 1 Get a Life (2005), is “a minor addition to an impressive body of work produced over the decades, but it cannot be faulted for being blind to the changes of our time” (Deb 2005: 20).
    [Show full text]
  • Draft Programme
    THE POLITICS OF ARMED STRUGGLE IN SOUTHERN AFRICA 23-25 November 2016 University of the Witwatersrand (John Moffat Building and Extension Building, East campus) DRAFT PROGRAMME Wednesday 23rd November Registration Time: 15:00 – 17:30 Venue: Foyer – John Moffat Building The exhibition ‘Recollecting Samora - Thirty Years On’ (curated by Gabriele Mohale and Ruth Muller) in currently on display in the foyer of the nearby William Cullen Library OPENING PUBLIC DIALOGUE: ‘The Armed Struggle: Was it Worth It?’ Time: 18:00 – 19:30 Venue: Dorothy Suskind Auditorium, John Moffat Building Speakers: Dumiso Dabengwa, Terry Bell, Ayanda Dlodlo Thursday 24th November Time: 08:30 – 9:00 Venue: Dorothy Suskind Auditorium, John Moffat Building Welcome and opening remarks Time: 9:00 – 9:45 Venue: Dorothy Suskind Auditorium First keynote address: ‘Storied Wars: Personal Narratives and Liberation Struggle Histories’ Jocelyn Alexander Time: 9:45 – 10:30 Venue: Dorothy Suskind Auditorium Second keynote address: ‘The Hero & the New Intellectual: Writing and the Armed Struggle’ Mandla Langa Time: 10:30 -10:45 Venue: Dorothy Suskind Auditorium Comments & questions 1 Time: 10:45 – 11:15 Venue: Foyer – John Moffat Building Tea & Coffee Time: 11:15 – 12:25 PARALLEL PANELS 1-2-3-4 Panel 1: Strategic and tactical turning points in South Africa’s liberation struggle (part 1) Venue: John Moffat Building Room A2 1. Pallo Jordan and Mac Maharaj: ‘South Africa and the Turn to Armed Resistance’ 2. Simon Stevens: ‘The “turn to armed struggle” and the “turn to sanctions”, 1960- 1969’ 3. Dale McKinley: ‘Umkhonto We Sizwe: A critical analysis of the armed struggle of the African National Congress’ Chair: Tshepo Moloi Panel 2: Film Screening 1.
    [Show full text]
  • CATALOGUE 2009 | 2010 WITS UNIVERSITY PRESS Is Strategically Placed at the Crossroads of African and Global Knowledge Productio N and Dissemination
    CATALOGUE 2009 | 2010 WITS UNIVERSITY PRESS is strategically placed at the crossroads of African and global knowledge productio n and dissemination. We are committed to publishing well- researched, innovative books for both academic and general readers. Our areas of focus include art and heritage, popular scien ce, history and politics, biography, literary studies, women’s writing and select textbooks. Physical address: 23 Junction Ave, Parktown, Johannesburg Postal address : P O Wits, 2050, South Africa Tel: +27 11 484 5906/07/10/13 Fax: +27 11 484 5971 Online: http://witspress.wits.ac.za Cover photograph by Alon Skuy, taken from Go Home or Die Here: Violence, Xenophobia and the Reinvention of Difference in South Africa, page 188. Design and layout: HotHouse South Africa CATALOGUE 2009 | 2010 CONTENTS Politics 2 Migration Studies 6 Cultural Studies 9 Environmental Studies 14 Social Sciences 16 Biography 18 Heritage Studies 21 Historical Archaeology 23 History 24 Anthropology 26 Rock Art 28 Wits P&DM Series 30 Literary Studies 32 Popular Culture 35 Film/Theatre 36 Education 41 African Treasury Series 42 Women’s Writing 44 Art/Photography 48 Popular Science 52 Natural Sciences 53 Textbooks 54 Backlist 58 Index 61 POLITICS NEW Mbeki and After TITLE Reflections on the Legacy of Thabo Mbeki Edited by Daryl Glaser For nearly ten years – indeed more if we include his period of influence under Mandela’s presidency – Thabo Mbeki bestrode South Africa’s political stage. Despite attempts by some in the new ANC leadership to airbrush out his role, there can be little doubt that Mbeki was a seminal figure in South Africa’s new democracy, one who left a huge mark in many fields, perhaps most controversially in state and party management, economic policy, public health intervention, foreign affairs and race relations.
    [Show full text]
  • Profiles of Speakers
    3.1. Profiles of Speakers Gillian Marcelle Gillian Marcelle has been active in the telecommunications and ICT policy arena for the past 12 years. She has worked as an academic, a regulator, in the private sector and as a consultant to NGOs, private sector companies, national governments and international organisations. Gillian is a member of the High Level Panel advising the United Nations on ICT and development issues in preparation for the 55th session of the General Assembly. Gillian trained as an economist at the University of the West Indies, and obtained an MBA from George Washington University. She is currently reading for a Dphil in Science and Technology Policy at Sussex University. Bill Melody Bill Melody is Course Director of the Master of Business Telecommunications programme, and the Telecom Regulatory Training programme at Delft University, the Netherlands. He is also Guest Professor and Chair, International Advisory Board, Centre for Teleinformation, Technical University of Denmark. Professor Melody is editor contributing authority to Telecom Reform, which is used in more than 100 countries for education and training, He is also editor of the journal Telecommunications Policy. Peter Benjamin Consultant: Learning Information Networking and Knowledge (LINK) Centre, Graduate School of Public Development, University of the Witwatersrand. Peter has qualified for a BSc Physics (Hons), Oxford University and MSc Information Technology, De Montford University, UK. He is currently registered for a PhD in Community use of ICT with scholarship from Aalborg University, Denmark. Some publications: • Community Development and Democratisation through Information Technology, in Richard Heeks (ed.) Reinventing Government in the Information Age, Routledge, London, 1998.
    [Show full text]
  • • Joe ALFERS • Peter AUF DER HEYDE • Omar BADSHA • Rodger
    • Joe ALFERS • Peter AUF DER HEYDE • Omar BADSHA • Rodger BOSCH • Julian COBBING • Gille DE VLIEG • Brett ELOFF • Don EDKINS • Ellen ELMENDORP • Graham GODDARD • Paul GRENDON • George HALLETT • Dave HARTMAN • Steven HILTON-BARBER • Mike HUTCHINGS • Lesley LAWSON • Chris LEDOCHOWSKI • John LIEBENBERG • Herbert MABUZA • Humphrey Phakade "Pax" MAGWAZA • Kentridge MATABATHA • Jimi MATTHEWS • Rafs MAYET • Vuyi Lesley MBALO • Peter MCKENZIE • Gideon MENDEL • Roger MEINTJES • Eric MILLER • Santu MOFOKENG • Deseni MOODLIAR (Soobben) • Mxolisi MOYO • Cedric NUNN • Billy PADDOCK • Myron PETERS • Biddy PARTRIDGE • Chris QWAZI • Jeevenundhan (Jeeva) RAJGOPAUL • Wendy SCHWEGMANN • Abdul SHARIFF • Cecil SOLS • Lloyd SPENCER • Guy TILLIM • Zubeida VALLIE • Paul WEINBERG • Graeme WILLIAMS • Gisele WULFSOHN • Anna ZIEMINSKI • Morris ZWI 1 AFRAPIX PHOTOGRAPHERS, BIOGRAPHICAL NOTES • Joe ALFERS Joe (Joseph) Alfers was born in 1949 in Umbumbulu in Kwazulu Natal, where his father was the Assistant Native Commissioner. He attended school and university in Pietermaritzburg, graduating from the then University of Natal with a BA.LLB in 1972. At University, he met one of the founders of Afrapix, Paul Weinberg, who was also studying law. In 1975 he joined a commercial studio in Pietermaritzburg, Eric’s Studio, as an apprentice photographer. In 1977 he joined The Natal Witness as a photographer/reporter, and in 1979 moved to the Rand Daily Mail as a photographer. In 1979, Alfers was offered a position as Photographer/Fieldworker at the National University of Lesotho on a research project, Analysis of Rock Art in Lesotho (ARAL) which made it possible for him to evade further military service. The ARAL Project ran for four years during which time Alfers developed a photographic recording system which resulted in a uniform collection of 35,000 Kodachrome slides of rock paintings, as well as 3,500 pages of detailed site reports and maps.
    [Show full text]
  • The Black Opera Research Network (BORN) Is Pleased to Announce Two Online Panel Discussions in June 2021
    The Black Opera Research Network (BORN) is pleased to announce two online panel discussions in June 2021. Panel 1, ‘Charting “Black Opera”’ (17 June), continues BORN’s inaugural discussion series about research and practice in the field of Black Opera. Panel 2, ‘Opera, Commemoration, and the Racialized Politics of Place’ (23 June), is a special event to mark three June dates central to Black political history around the world. Both conversations feature distinguished participants from the spheres of opera performance, composition, and research. Find further information Below and on the BORN weBsite. Register for either or Both panels here. We look forward to welcoming you to these exciting events! Panel 1: Charting ‘Black Opera’ Thursday 17 June 2021, 12pm EST / 5pm BST / 6pm CAT / 9am PDT What is Black? What is Opera? When does something qualify as ‘Black Opera’? In the second of its series of inaugural panels, BORN grapples with the parameters of its own terms of reference. Taking as a starting point the ‘Black Opera Database’ created By BORN affiliates Allison Lewis and Nicholas Newton, the conversation interrogates the politics of racial categorization and generic classification. We ask what institutional integration might mean for works of art that resist prevailing taxonomies of opera and Blackness. Finally, panellists ask if it is possiBle to circumscriBe the field of ‘Black opera’ without allowing practitioners or their works to Be co-opted into a politics of inequality and/or exclusion. Talking points may include, But won’t Be limited to: • diverse demarcations of Blackness in different times and places • works of art as ciphers for racialized expectations • operatic Blackness as ‘vernacular’ or ‘folk’ construct • opera and its generic others • what should or shouldn’t Be included in a database of ‘Black’ operas? • the potential co-option of Black opera as an antidote to white liBeral guilt Moderator Naomi André (USA) Panelists Genevieve Arkle (UK) Mandla Langa (South Africa) Allison Lewis (USA) Panelist Bios are available on the BORN weBsite.
    [Show full text]