Light from the Lamp Reviews

Total Page:16

File Type:pdf, Size:1020Kb

Light from the Lamp Reviews Light from the Lamp Reviews Tricks REVIEWED BY DANNY ORLEANS because, "clearly," the possibilities are endless. Phantom Deck • Joshua Jay • $40 • www.vanishinginc.com • Phantom Deck Dealers should contact Murphy's Magic Supplies, Inc. on the Joshua Jay $40 web at www.murphysmagicsupplies.com or by phone at (800} Orleans Opinion in less than 25 words: Jerry Andrus' s 853-7403 "Solid Deception" (aka "Omni Deck" ) sliced 52 ways increases your presentation options. Great idea. Beautifully manufactured. An instant classic. Omni Pen David Penn and Spencer Wood $31.50 I HAVE O FTEN STATED that the creations of today's magic 00<25: Jerry Andrus' s "Omni Deck" meets a Sharpie. The sudden discovery of this novel prop surprises spectators. Neat idea. community stand on the shoulders of our predecessors. Joshua's Jay's " Phantom Deck" is a perfect example. WHAT A DELIGHTFUL coincidence Clearly inspired by Jerry Andrus's "Solid Deception," later to receive "Phantom Deck" and the marketed by Danny Korem as "Omni Deck," Mr. Jay has "Omni Pen" (described below) in the created a prop that allows you to magically transform a same month. Consider combining them standard deck into 52 separate, transparent plastic cards. if you want to gild an already gilded lily. Of course, using the traditional "Omni Deck" handling, How do you think your spectators would this can apparently happen in the spectator's hands. react if they discovered that the Sharpie The " Phantom Deck," in some ways, behaves very marker with which they signed their name similarly to a standard deck when it comes to shuffling, rif­ moments before- the marker that they've fling, and even cascading. The edges of each card are not been holding in their hands-suddenly became transpar­ painted but fused, so the white edges simulate that of a ent? That describes the audience experience when you per­ standard deck. This is important as a convinc­ form Spencer Wood's routine with "Omni Pen" as a kicker er when spectators see it with a normal ending to Jerry Andrus's "Omni Deck." cover card on top. Mr. Wood has created a routine that takes serious chutz­ What gives the "Phantom Deck" pah to perform, relying on not only a bold switch, but also an advantage over the traditional the handing out of the transparent pen to a spectator, "Omni Deck" is the fact that the mid-routine, with hopes that she will not prematurely dis­ selected card can be inserted cover it. This takes some advanced audience management into the Phantom Deck after the techniques, but Mr. Spencer executes them flawlessly in deck switch has been made. This the three performance video snippets where he amazes makes the trick all that much eas­ and amuses British sophisticates at an upscale reception. ier to do deceptively, especially for For those of you who like multi-phase routines with beginners who are attracted to the many magical moments, the instructional DVD includes effect, but uneasy about their capability to two other routines you can do with the transparent execute the method. marker. These are real time, real audience performances Mr. Jay's instructional DVD is excellent, complete with without playing cards by Matthew Youngs and Craig live demos and a tutoring session. He explains one of the Petty. Mr. Youngs' "Recaptivate" is a solid performance in easiest deck switches I have ever seen. If you can hold a which the marker cap vanishes and reappears in different deck of cards, you can successfully utilize this method. I places and then becomes transparent while held in the also really liked Andi Gladwin's advanced routine in which spectator's hand. The finale includes a slow extraction a deck in the spectator's hand transforms into individual of the marker from his hand as it becomes transparent. clear cards and then is put back into her hand where the Mr. Petty's razzle-dazzle, jazz version of Gregory Wilson's cards meld together into the solid Lucite "Omni Deck." "Recap," which uses the "Omni Pen" as the finale, is for This gives you two distinct magical moments after the card finger flingers. He adds lots of flip stick and cigarette revelation, (and you only have to do one switch!) vanish moves- some of which are less than deceptive­ If you like magic that gilds the lily, magic that delivers cli­ blended together with body English, as you flip and ditch max after climax, invest in "Phantom Deck." People remem­ the Sharpie until it becomes clear. It's fun to watch, but ber magic that is simple to describe and visually tantalizing. will take even experienced magicians at least a week of That is what "Phantom Deck" is all about. I recommend it to dedicated practice to master. any of you who want a memorable finish for a card routine. This is a well-made prop with an excellent hour long, Best of all, it's easy to make this fit your performing style DVD tutorial. I recommend it to experienced close-up 94 GENII Please send books, tricks, and videotapes for review to: Genii, 4200 Wisconsin Ave., NW, Suite 106-384, Washington, DC 20016. Include a prepaid padded envelope or shipping carton if you want the item to be returned. workers. I am not a proponent of the show-off sleight of Totally Crazy Bands hand that Youngs and Petty perform with the Sharpie, but Rasmus $30 if you are, or if you'd like to add some icing on the cake of 00<25: Rubber band magic compilation DVD for beginning and experienced hobbyists. Mediocre production quality. Excellent your existing presentation of "Omni Deck," I think you and description of an examinable linking band effect. your audience will enjoy the addition of the "Omni Pen" to your repertoire. THIS DVD IS A COMPILATION of existing magic tricks with Omni Pen • David Penn and Spencer Wood • $31 .SO • Favorite rubber bands. Rasmus, our Swiss host and teacher, teaches Dealer • Dealers should contact Murphy's Magic Supplies, Inc. beginner level tricks like "Jumping Band" (with a little touch to make it more deceptive), how to make a rubber Melting Point band appear to penetrate your finger or wrist, and "Rising Casshan Wallace $19.95 Ring (on Rubber Band)." For more expe­ 00<25: Slow motion rubber band penetration. Visually perplexing, rienced magi, he includes "Crazy Man's but really hard to learn from the confusing DVD instructions. Handcuffs," "Torn and Restored Band," THE YOUTHFUL CASSHAN WALLACE has created an "Band through Ring," and Dan Harlan's ungimmicked linking and unlinking rubber band routine "Crazy Twist Vanish." that completely befuddled me when I watched the trailer Of most interest to me was his "Perfect on his DVD. Watch it yourself. You, too, will be fooled badly. Linked Bands." This is an actual linking You stretch a red band between the first fingers of both of two bands selected from a pile of rub­ hands, and hold a blue band with your right second finger ber bands. The linked bands become an and thumb beneath it. Ever so slowly you lift the blue band examinable, impossible object. I believe until it touches the red band. Suddenly they're linked. Then Michael Weber was the first to create the you reverse the movement by dropping method for this effect, which was later the blue band. It again penetrates the popularized by Jay Sankey. On the DVD, you will learn red band and falls into the spectator's several, very easy, straightforward and convincing meth­ waiting palm. Both bands can be imme­ ods to permanently link two bands together and, more diately examined. importantly, how to make the gimmick in less than two Mr. Wallace makes it look effortless minutes, which I believe is heretofore unpublished. This is and magical. I struggled with his video a really puzzling effect and, in my opinion, worth the price instructions for more than an hour and of the DVD. could only get the trick to work, sort With the DVD, you get a bunch of bands of the style of, half the time. I cannot deduce why. and substance that Rasmus prefers. However, the home­ Admittedly, rubber band magic is not made production quality of this DVD makes this, at times, my cup of tea. However, the wording in an effort to watch. And I'm being kind. I recommend the DVD instructions is often confusing Rasmus's Totally Crazy Bands to those of you who can tol­ (for example: Put your middle fingers erate mediocre production in order to learn tricks, as well on top of each other) and make for a frustrating learning as those of you who want to learn his version of "Perfect experience. If you do buy this, watch the over the shoulder Linked Bands." instructions (which follows the audience view) first. Totally Crazy Bands • Rasmus • $30 • Your favorite dealer • I wonder if the DVD producers bothered to ask competent Dealers should contact Murphy's Magic Supplies, Inc. magi, "Can you learn the trick from the DVD instructions?" If they had, I think that nine out of 10 hobbyists would have Hide and Seek struggled with the instructions that are often vague. James Brown $30 Included as a bonus is Mr. Wallace's approach to Arthur 00<25: Very clever utility sleight based on a Pat Page move. Worth learning if you perform close up in a sport coat. No gimm icks. Setterington's "Crazy Man's Handcuffs" and a very easy Challenging and gutsy. to do, "Rubber Band through Finger" effect. If you're a fan of advanced rubber band magic, I can only hope WITH TH E KIND PERMISSION of the late Pat Page's family, that you'll be able to decipher the video instructions and James Brown, an Englishman who calls himself a profes­ perform "Melting Point." It works with just two bands and sional "opportunist," has expounded on a sleight of hand looks incredible.
Recommended publications
  • September/October 2020 Oakland Magic Circle Newsletter Official Website: ​ ​ Facebook: ​
    September/October 2020 Oakland Magic Circle Newsletter Official Website:www.OaklandMagicCircle.com ​ ​ Facebook: https://www.facebook.com/groups/42889493580/ ​ Password: EWeiss This Month’s Contents -. Where Are We?- page 1 - Ran’D Shines at September Lecture- page 2 - October 6 Meeting-Halloween Special -page 4 - September Performances- page 5 - Ran’D Answers Five Questions- page 9 - Phil Ackerly’s New Book & Max Malini at OMC- page 10 - Magical Resource of the Month -Black Magician Matter II-page 12 -The Funnies- page 16 - Magic in the Bay Area- Virtual Shows & Lectures – page 17 - Beyond the Bay Shows, Seminars, Lectures & Events in July- page 25 - Northern California Magic Dealers - page 32 Everything that is highlighted in blue in this newsletter should be a link that takes you to that person, place ​ ​ or event. WHERE ARE WE? JOIN THE OAKLAND MAGIC CIRCLE---OR RENEW OMC has been around since 1925, the oldest continuously running independent magic club west of the Mississippi. Dozens of members have gone on to fame and fortune in the magic world. When we can return to in-person meetings it will be at Bjornson Hall with a stage, curtains, lighting and our excellent new sound system. The expanding library of books, lecture notes and DVDs will reopen. And we will have our monthly meetings, banquets, contests, lectures, teach-ins plus the annual Magic Flea Market & Auction. Good fellowship is something we all miss. Until then we are proud to be presenting a series of top quality virtual lectures. A benefit of doing ​ ​ virtual events is that we can have talent from all over the planet and the audiences are not limited to those who can drive to Oakland.
    [Show full text]
  • As We Kicked Off the New Millennium, Readers of This
    s we kicked off the new Amillennium, readers of this magazine cast their ballots to elect the ten most influential magicians of the 20th century. Although there were some sur- prises, few could argue with the top two — Harry Houdini and Dai Vernon. While scores of books have been written about Houdini, David Ben has spent the past five years prepar- ing the first detailed biography of Dai Vernon. What follows is a thumbnail sketch of Vernon’s remarkable life, legacy, and con- tribution to the art of magic. BY DAVID BEN Scene: Ottawa admired performers such as T. Nelson to learn, however, that he might as well have Scene: Ballroom of the Great Year: 1899 Downs, Nate Leipzig, and J. Warren Keane been the teacher. Northern Hotel, Chicago David Frederick Wingfield Verner, born more. He marveled at their ability to enter- In 1915, New York could lay claim to Year: 1922 on June 11, 1894, was raised in the rough- tain audiences with simple props and virtu- several private magic emporiums, the places On February 6, 1922, Vernon and his and-tumble capital of a fledgling country, oso sleight of hand. Coins flitted and flick- where magic secrets were bought, built, and confidant, Sam Margules, attended a ban- Canada, during the adolescence of magic’s ered through Downs’ fingers, while Leipzig sold. Much to Vernon’s chagrin, the propri- quet in honor of Harry Houdini in the Golden Age. It was his father, James Verner, and Keane, ever the gentlemen, entertained etor and staff at Clyde Powers’ shop on Crystal Ballroom of the Great Northern who ignited his interest in secrets.
    [Show full text]
  • Biblioteca Digital De Cartomagia, Ilusionismo Y Prestidigitación
    Biblioteca-Videoteca digital, cartomagia, ilusionismo, prestidigitación, juego de azar, Antonio Valero Perea. BIBLIOTECA / VIDEOTECA INDICE DE OBRAS POR TEMAS Adivinanzas-puzzles -- Magia anatómica Arte referido a los naipes -- Magia callejera -- Música -- Magia científica -- Pintura -- Matemagia Biografías de magos, tahúres y jugadores -- Magia cómica Cartomagia -- Magia con animales -- Barajas ordenadas -- Magia de lo extraño -- Cartomagia clásica -- Magia general -- Cartomagia matemática -- Magia infantil -- Cartomagia moderna -- Magia con papel -- Efectos -- Magia de escenario -- Mezclas -- Magia con fuego -- Principios matemáticos de cartomagia -- Magia levitación -- Taller cartomagia -- Magia negra -- Varios cartomagia -- Magia en idioma ruso Casino -- Magia restaurante -- Mezclas casino -- Revistas de magia -- Revistas casinos -- Técnicas escénicas Cerillas -- Teoría mágica Charla y dibujo Malabarismo Criptografía Mentalismo Globoflexia -- Cold reading Juego de azar en general -- Hipnosis -- Catálogos juego de azar -- Mind reading -- Economía del juego de azar -- Pseudohipnosis -- Historia del juego y de los naipes Origami -- Legislación sobre juego de azar Patentes relativas al juego y a la magia -- Legislación Casinos Programación -- Leyes del estado sobre juego Prestidigitación -- Informes sobre juego CNJ -- Anillas -- Informes sobre juego de azar -- Billetes -- Policial -- Bolas -- Ludopatía -- Botellas -- Sistemas de juego -- Cigarrillos -- Sociología del juego de azar -- Cubiletes -- Teoria de juegos -- Cuerdas -- Probabilidad
    [Show full text]
  • Attention and Awareness in Stage Magic: Turning Tricks Into Research
    PERSPECTIVES involve higher-level cognitive functions, SCIENCE AND SOCIETY such as attention and causal inference (most coin and card tricks used by magicians fall Attention and awareness in stage into this category). The application of all these devices by magic: turning tricks into research the expert magician gives the impression of a ‘magical’ event that is impossible in the physical realm (see TABLE 1 for a classifica- Stephen L. Macknik, Mac King, James Randi, Apollo Robbins, Teller, tion of the main types of magic effects and John Thompson and Susana Martinez-Conde their underlying methods). This Perspective addresses how cognitive and visual illusions Abstract | Just as vision scientists study visual art and illusions to elucidate the are applied in magic, and their underlying workings of the visual system, so too can cognitive scientists study cognitive neural mechanisms. We also discuss some of illusions to elucidate the underpinnings of cognition. Magic shows are a the principles that have been developed by manifestation of accomplished magic performers’ deep intuition for and magicians and pickpockets throughout the understanding of human attention and awareness. By studying magicians and their centuries to manipulate awareness and atten- tion, as well as their potential applications techniques, neuroscientists can learn powerful methods to manipulate attention to research, especially in the study of the and awareness in the laboratory. Such methods could be exploited to directly study brain mechanisms that underlie attention the behavioural and neural basis of consciousness itself, for instance through the and awareness. This Perspective therefore use of brain imaging and other neural recording techniques. seeks to inform the cognitive neuroscientist that the techniques used by magicians can be powerful and robust tools to take to the Magic is one of the oldest and most wide- powers.
    [Show full text]
  • Here Are Many Heroes of the Skeptical Movement, Past and Present
    THE COMMITTEE FOR THE SCIENTIFIC INVESTIGATION OF CLAIMS OF THE PARANORMAL AT THE CENTER FOR INQUIRY-INTERNATIONA! (ADJACENT TO THE STATE UNIVERSITY OF NEW YORK AT BUFFALO) • AN INTERNATIONAL ORGANIZATION Paul Kurtz, Chairman; professor emeritus of philosophy. State University of New York at Buffalo Barry Karr, Executive Director Joe Nickell, Senior Research Fellow Lee Nisbet, Special Projects Director FELLOWS James E. Alcock,* psychologist. York Univ., Thomas Gilovich, psychologist, Cornell Univ. Dorothy Nelkin, sociologist, New York Univ. Toronto Henry Gordon, magician, columnist, Joe Nickell,* senior research fellow, CSICOP Steve Allen, comedian, author, composer, Toronto Lee Nisbet* philosopher, Medaille College pianist Stephen Jay Gould, Museum of Bill Nye, science educator and television Jerry Andrus, magician and inventor, Comparative Zoology, Harvard Univ. host, Nye Labs Albany, Oregon Susan Haack, Cooper Senior Scholar in Arts James E. Oberg, science writer Robert A. Baker, psychologist, Univ. of and Sciences, prof, of philosophy, Loren Pankratz, psychologist Oregon Kentucky University of Miami Stephen Barrett, M.D., psychiatrist, author, C. E. M. Hansel, psychologist Univ. of Wales Health Sciences Univ. consumer advocate, Allentown, Pa. Al Hibbs, scientist. Jet Propulsion Laboratory John Paulos, mathematician. Temple Univ. Barry Beyerstein, * biopsychologist, Simon Douglas Hofstadter, professor of human W. V. Quine, philosopher, Harvard Univ. Fraser Univ., Vancouver, B.C., Canada understanding and cognitive science, Milton Rosenberg, psychologist. Univ. of Irving Biederman, psychologist, Univ. of Indiana Univ. Chicago Southern California Gerald Holton, Mallinckrodt Professor of Wallace Sampson, M.D., clinical professor Susan Blackmore, psychologist, Univ. of the Physics and professor of history of science, of medicine, Stanford Univ. West of England, Bristol Harvard Univ.
    [Show full text]
  • MORGAN STREBLER Lite MAN of STEEL PLUS: REVIEWS MAGIC FRANKENSTEIN MAGIC BURNOUT
    Issue No. 1 MORGAN STREBLER Lite MAN OF STEEL PLUS: REVIEWS MAGIC FRANKENSTEIN MAGIC BURNOUT HenryNEW Harrius KID ON THE BLOCK! THE OPENER A WORD FROM THE EDITORelcome to taster of what we included in the selection of some of the many opposed to the semi-skimmed, Magicseen regular full version. product reviews from the May we are happy to invite you to Lite! We’ll edition too. subscribe (details inside), as admit that we So, inside you will find our feature then you will not only receive are excited to article on cover star Henry Add to this interesting adverts every two months the full edition, be able to offer Harrius, a whizz if ever there was from some of the more important but also get it a month before Wyou the chance to experience with Rubik’s Cube magic, and we magic suppliers from around the Lite version hits the streets. some of what Magicseen is also get up close and personal the world, and we hope you’ll Subscribers also get 20% off all about with this special with Morgan Strebler, who has agree with us when we contend every book order they make with version of the May 2019 a very individual approach to his that this is an interesting mix. Magicseen too. But the choice issue. magic life. Our intention is to provide a Lite is yours. version a month after each future Magicseen Lite is a digital only Dominic Reyes provides a issue is released, so if you like Either way, welcome to the edition and can be downloaded thought provoking article on this one, look out for the next on Magicseen fold! completely free! Inside you will how to prevent yourself suffering the 1st August.
    [Show full text]
  • The Underground Sessions Page 36
    MAY 2013 TONY CHANG DAN WHITE DAN HAUSS ERIC JONES BEN TRAIN THE UNDERGROUND SESSIONS PAGE 36 CHRIS MAYHEW MAY 2013 - M-U-M Magazine 3 MAGIC - UNITY - MIGHT Editor Michael Close Editor Emeritus David Goodsell Associate Editor W.S. Duncan Proofreader & Copy Editor Lindsay Smith Art Director Lisa Close Publisher Society of American Magicians, 6838 N. Alpine Dr. Parker, CO 80134 Copyright © 2012 Subscription is through membership in the Society and annual dues of $65, of which $40 is for 12 issues of M-U-M. All inquiries concerning membership, change of address, and missing or replacement issues should be addressed to: Manon Rodriguez, National Administrator P.O. Box 505, Parker, CO 80134 [email protected] Skype: manonadmin Phone: 303-362-0575 Fax: 303-362-0424 Send assembly reports to: [email protected] For advertising information, reservations, and placement contact: Mona S. Morrison, M-U-M Advertising Manager 645 Darien Court, Hoffman Estates, IL 60169 Email: [email protected] Telephone/fax: (847) 519-9201 Editorial contributions and correspondence concerning all content and advertising should be addressed to the editor: Michael Close - Email: [email protected] Phone: 317-456-7234 Submissions for the magazine will only be accepted by email or fax. VISIT THE S.A.M. WEB SITE www.magicsam.com To access “Members Only” pages: Enter your Name and Membership number exactly as it appears on your membership card. 4 M-U-M Magazine - MAY 2013 M-U-M MAY 2013 MAGAZINE Volume 102 • Number 12 26 28 36 PAGE STORY 27 COVER S.A.M. NEWS 6 From
    [Show full text]
  • The Effects of Exposure on the Ecology of the Magic Industry: Preserving Magic in the Absence of Law," Cybaris®: Vol
    Cybaris® Volume 6 | Issue 1 Article 2 2015 The ffecE ts of Exposure on the Ecology of the Magic Industry: Preserving Magic in the Absence of Law Jared R. Sherlock Follow this and additional works at: http://open.mitchellhamline.edu/cybaris Part of the Entertainment, Arts, and Sports Law Commons, and the Intellectual Property Law Commons Recommended Citation Sherlock, Jared R. (2015) "The Effects of Exposure on the Ecology of the Magic Industry: Preserving Magic in the Absence of Law," Cybaris®: Vol. 6: Iss. 1, Article 2. Available at: http://open.mitchellhamline.edu/cybaris/vol6/iss1/2 This Article is brought to you for free and open access by the Law Reviews and Journals at Mitchell Hamline Open Access. It has been accepted for inclusion in Cybaris® by an authorized administrator of Mitchell Hamline Open Access. For more information, please contact [email protected]. © Mitchell Hamline School of Law Sherlock: The Effects of Exposure on the Ecology of the Magic Industry: Pre Published by Mitchell Hamline Open Access, 2015 1 Cybaris®, Vol. 6, Iss. 1 [2015], Art. 2 THE EFFECTS OF EXPOSURE ON THE ECOLOGY OF THE MAGIC INDUSTRY: PRESERVING MAGIC IN THE ABSENCE OF LAW JARED R. SHERLOCK † I. Introduction ................................................................................. 3 II. BackGround of Intellectual Property in the Magic Industry .................................................................................... 4 A. Brief History ...................................................................... 4 B. The
    [Show full text]
  • Double Magazine 2.Pdf
    Introduction Hi all, Welcome to the 2nd Issue of Magic E – Magazine – The Double Magazine! In this issue you will find: An Interview with legend; Peter Duffie! A trick from me; Kyle MacNeill! A trick from David Devlin! A review of Blackpool Magic Convention 2011! A review of High Spots by Caleb Wiles! A Competition! Enjoy! Its jam – packed with loads of great magical goodies, including tricks, reviews, interviews, competitions, and more! Please send any feedback either on the thread on the Cafe‟, or send it to Kyle@MacNeill- family.freeserve.co.uk Please send any letters, competition entries or tricks to the same address! Thanks, Kyle MacNeill, February 2011 Interview with Peter Duffie In this issue, we catch up with magic Spirit Level; Peter Duffie‟s legend Peter Duffie. Enjoy! marketed trick. 1. Now we all have some sort of moment of astonishment, or some sort of event or happening, which gets us magicians into the art of magic. Roy Walton. Roy is one of the most intelligent people I know. When and why did you start? When I first met Alex Elmsley in the early 1970's - I immediately realised why he and Roy were close friends. They are/were both great thinkers without an ego. Roy enthuses at I first became fascinated by magic at the other people's achievements and his generosity towards age of eight after my uncle showed me others is remarkable. some magic tricks using cards, coins, matches and chalk. But it was the cards Other people who I met and had a profound influence on me, that held my deepest interest.
    [Show full text]
  • Title Subtitle Featuring 1 World Renowned Magic of Paul Potassy
    # Title Subtitle Featuring 1 World Renowned Magic of Paul Potassy World Renowned Magic of Paul Potassy Potassy; Paul 2 T & R Tissue T & R Tissue White; Bob 3 Card Magic A Practical Approach White; Bob 4 Classic Six Card Repeat Greater Magic Video Library Various 5 Banachek's Psi Series Mentalism for the casual performer; part 1 Banachek 6 Banachek's Psi Series Mentalism for the casual performer; part 2 Banachek 7 Banachek's Psi Series Psychophysiological Thought (muscle) Reading Banachek 8 Banachek's Psi Series Psychokinesis Banachek 9 Masters of Mental Magic Falkenstein & Willard Falkenstein & Willard 10 Masters of Mental Magic Falkenstein & Willard Falkenstein & Willard 11 Masters of Mental Magic Falkenstein & Willard Falkenstein & Willard 12 In Action Gregory Wilson Wilson 13 In Action Gregory Wilson Wilson 14 In Action Gregory Wilson Wilson 15 Here I Go Again Bill Malone Malone 16 Here I Go Again Bill Malone Malone 17 Here I Go Again Bill Malone Malone 18 Educating Archer John Archer Archer; John 19 Magic You Can Make Magic Makers Presents Grams; Martin 20 Strengthening Your Magic Mike Powers Lecture CD Powers; Mike 21 Professional Rope Routines World's Greatest Magic Various 22 Cups & Balls Magic Makers Presents Ray; Eddie 23 Card Trick Magic Expert Insight Vanel; Stephane 24 Outstanding Magic Magic for Stand-up Performers Colombini; Aldo 25 Roped In Rope routines Colombini; Aldo 26 Card Capers Easy Card Routines Colombini; Aldo 27 All Hands on Deck Ten Card Routines Colombini; Aldo 28 Learn Magic w/ Timothy Noonan Novelty Magic Noonan;
    [Show full text]
  • My Magic Ebook Collection
    Magician books Aaron Fisher The Paper Engine FISM 2003 The Graduate Genii article 2009 Aaron Shields Dribble Block Pass Al Koran Legacy Professonal Presentations Alex Elmsley Collected works vol 1-2 Allan Ackerman Las Vegas Kardma 2004 lecture notes classic handlings here's my card the cardjuror 2012 notes Andi Gladwin The Cheetah's Handbook1-2 Andrew Wimhurst Down Under Deal Andy Nyman Bulletproof Annemann Practical Mental Magic The Jinx the life and times of a legend Anthony black Acaan Emote OOBE Resurrection dreams The sight of madness Antinomy 2005, 2006 Arthur Buckley Card control Improved and original card problems Asi Wind Chapter One Arturo de Ascano The magic of Ascanio vol 1-3 Atlas Brooking The prodigal the crusade Banachek Pyschological Subleties 1-3 Psychological Thought Reading Benjamin Earl Past midnight Bonus Booklet Dr Strangehand How to fool a Physicist Gambit 1&2 Bert Allerton The Close Up Magician Bill Cushman The Dr's Billet Tear Bill Dekel direct Mindcrafts psionics, visions Air Writer Digit Bill Goodwin Penumbra 1-11 lecture 1988 notes from the batcave the ancient empty street (1997) Evolution(2011) At the expense of grey matter Mini Lecture SAM 1994 Picking the carcas clean Theatricks Bill Montana psychic motherfucker Bill Simon Effective Card Magic bobo Modern Coin Magic Boris Wild ACAAB Brandon Queen Phatom Bruce Cervon Lecture notes 1995 card secrets Hard boiled mysteries Ultra Cervon Bryn reynolds the logar scrolls bullfrog issue 0-2 Caleb Wiles High Spots Cameron Francis Aberrations Convergence Everywhere
    [Show full text]
  • By Joshua Jay Dr
    In September 2014, I received an email from After the show, I shared my doubts with By Joshua Jay Dr. Lisa Grimm, who asked me to perform Dr. Grimm about some of the fundamental magic and speak in her college classroom. Dr. “truths” in magic that I had become skeptical Grimm is a researcher and Professor of Psy- about. How much do people care about the chology at The College of New Jersey, where secrets? What makes for strong magic? Are she also conducts research on human cognition. people really as fooled as we think they are? I As magicians, we deceive our She wanted an insider’s perspective from a had dozens of questions. While she didn’t know audiences. But are we deceiving magician. She believes — correctly, I think — the answers, she had a path to finding them: ourselves? Are there things — big that magicians have a lot to offer the field of statistics, experimentation, and analysis. things — that we get wrong about psychology, and vice versa. It sounded like a Our collaboration began in January 2015 our craft? And more importantly, are fun gig, so I booked it. and continues today. In partnership with Dr. there things our audiences can tell I opened with some magic, then spoke to Grimm and The College of New Jersey, we us that we aren’t asking? the group. I always use the same talking points have designed experiments to gather quan- The answers, it turns out, are for speaking engagements: the basics of misdi- titative and qualitative data on the topics of “yes” and “hell yes.” rection, and why magic is important.
    [Show full text]