Belknap Collection for the Performing Arts Cinema Programs and Promotional Material

Total Page:16

File Type:pdf, Size:1020Kb

Belknap Collection for the Performing Arts Cinema Programs and Promotional Material Belknap Collection for the Performing Arts Cinema Programs and Promotional Material CINEMA MISCELLANEOUS MATERIAL FILM TITLE ITEM(S) BOX 1 Academy Awards Programs, Ephemera Architectural Digest, April Academy Awards 1990 Allen, Woody Ephemera American Film Institute Programs, Ephemera American Film Theatre Programs, Ephemera Anthology Film Archives Pamphlets Antonioni, Michelangelo Handbill Bergman, Ingmar Programs, Ephemera Blacklistings (1950's Communist Witch Hunt) Ephemera Capra, Frank Ephemera Cartoons - Bugs Bunny Magazine Castings - Motion Picture Ephemera Chaplin, Charles Ephemera Cinema Ephemera Cinemascope Ephemera Cinerama #1 Ephemera Circlorama Ephemera Cinerama #1 Ephemera Cocteau, Jean Handbill Collector Cards Ephemera Columbia Pictures # 1 (Martin Eden) Ephemera Columbia Pictures # 2 (Martin Eden) Ephemera Columbia Pictures # 3 (Martin Eden) Ephemera Columbia Pictures # 4 (Martin Eden) Ephemera https://www.library.ufl.edu/spec/belknap/cinema/CinemaMisc.htm[2/1/2021 4:10:04 PM] Belknap Collection for the Performing Arts Cinema Programs and Promotional Material Columbia Pictures # 5 (Martin Eden) Ephemera Columbia Pictures # 6 (Martin Eden) Ephemera BOX 2 Combat Films Book, Ephemera Directors - Men Who Made The Movies Ephemera Directors - Misc. Ephemera Documentary Film Ephemera Downey, Sr, Robert (Film Director) Ephemera Eisenstein, Sergei Ephemera Experimental Cinema Ephemera Fair Competition - 1933 Book Fan Magazines Magazines (3) Fellini, Frederico Ephemera Film Festivals - Misc. Ephemera Film Preservation Ephemera Film Society - Univ. Of The Witwatersrand Ephemera France - Film Industry Ephemera Freed, Arthur Ephemera Gance, Abel Ephemera Germany - Film Industry Ephemera Godard, Jean Luc Handbills (2) "Guerilla" Movies Ephemera Hammer Films Ephemera Hitchcock, Alfred Ephemera Holding The Vision: Essays In Film Book Hollywood - Misc. Ephemera Hollywood Hall Of Fame Ephemera IMAX Ephemera Imperial Singing Pictures Ephemera India - Film Industry Ephemera Japan - Film Industry Ephemera James Bond - 007 Ephemera Keaton, Buster Ephemera Kubrick,Stanley Ephemera Labor Films Magazines https://www.library.ufl.edu/spec/belknap/cinema/CinemaMisc.htm[2/1/2021 4:10:04 PM] Belknap Collection for the Performing Arts Cinema Programs and Promotional Material Look Achievement Awards Ephemera Lumiere, Louis & Auguste Ephemera Magic Lantern - Film Projection Ephemera March Of Time - Newsreel - Documentary Ephemera Mary Pickford Theatre Ephemera Metro Goldwyn Mayer Ephemera Minnelli, Vincent Ephemera Monogram Pictures Ephemera Motion Picture Association Of America (June 1968) Pamphlet Motion Picture Quiz Book - 1938 Pamphlet Movie Party & International Show Of Amateur Motion Pictures Ephemera (1939) Museum Of Modern Art Film Library Ephemera Musicals - Motion Picture Ephemera BOX 3 Native American on Film Ephemera New York City Ephemera New York Film Festivals Ephemera Nickelodeon - Film Ephemera Omnimax Ephemera Paramount Pictures Ephemera Players Directory # 1 (1940) Book Players Directory # 2 (1940) Book Players Directory # 3 (1941) Book Players Directory # 4 (1941) Book Posters Ephemera Pressbooks Ephemera Production Code (1930's) Ephemera RKO Radio Pictures Ephemera Renoir, Jean Ephemera Roach, Hal Ephemera San Francisco International Film Festival Ephemera Silent Film Stars Ephemera Sound - Talking Pictures Ephemera Still Photographs Ephemera https://www.library.ufl.edu/spec/belknap/cinema/CinemaMisc.htm[2/1/2021 4:10:04 PM] Belknap Collection for the Performing Arts Cinema Programs and Promotional Material Sturges, Preston Ephemera Sundance Film Festival Ephemera Sweden - Film Industry Pamphlet 3-D Handbill Theatre vs Cinema Ephemera Theatres - Film Ephemera Three Motion Picture Directors Book Titles - Graphics Ephemera Todd, Mike Ephemera Truffaut, Francois Ephemera Twentieth-Century Fox Ephemera U.S.A. Film Festival (1976) Ephemera Universal Studios Ephemera Vista Vision Handbill Vitaphone Ephemera Warner Brothers Ephemera Waters, John Ephemera Welles, Orson Ephemera Wilder, Billy Ephemera Wisconsin Center For Film & Theatre Research Ephemera Women In Film Ephemera Wood, Ed Ephemera Zinnemann, Fred Ephemera For more information on the Belknap Collection for the Performing Arts contact: Jim Liversidge University of Florida George A. Smathers Libraries Department of Special and Area Studies Collections PO Box 117007 Gainesville, FL 32611-7007 (352) 273-2759 email: jimlive@uflib.ufl.edu Copyright © 2003- University of Florida George A. Smathers Libraries. Department of Special Collections P. O. Box 117007 Gainesville, FL 32611-7007 (352) 273-2755 https://www.library.ufl.edu/spec/belknap/cinema/CinemaMisc.htm[2/1/2021 4:10:04 PM].
Recommended publications
  • In the Same Breath
    IN THE SAME BREATH A film by Nanfu Wang #InTheSameBreathHBO DEBUTS 2021 ON HBO SUNDANCE FILM FESTIVAL SCREENING SCHEDULE Thursday, January 28 at 5:00 PM PT / 6:00 PM MT – Online (WORLD PREMIERE) For press materials, please visit: ftp://ftp.homeboxoffice.com username: documr password: qq3DjpQ4 Running Time: 95 min Press Contact Press Contact HBO Documentary Films Cinetic Marketing Asheba Edghill / Hayley Hanson Rachel Allen / Ryan Werner Asheba cell: 347-721-1539 Rachel cell: 937-241-9737 Hayley cell: 201-207-7853 Ryan cell: 917-254-7653 Asheba.Edghill@hbo.com rachel@cineticmedia.com Hayley.Hanson@hbo.com ryan@cineticmedia.com LOGLINE Nanfu Wang's deeply personal IN THE SAME BREATH recounts the origin and spread of the novel coronavirus from the earliest days of the outbreak in Wuhan to its rampage across the United States. SHORT SYNOPSIS IN THE SAME BREATH, directed by Nanfu Wang (“One Child Nation”), recounts the origin and spread of the novel coronavirus from the earliest days of the outbreak in Wuhan to its rampage across the United States. In a deeply personal approach, Wang, who was born in China and now lives in the United States, explores the parallel campaigns of misinformation waged by leadership and the devastating impact on citizens of both countries. Emotional first-hand accounts and startling, on-the-ground footage weave a revelatory picture of cover-ups and misinformation while also highlighting the strength and resilience of the healthcare workers, activists and family members who risked everything to communicate the truth. DIRECTOR’S STATEMENT I spent a lot of my childhood in hospitals taking care of my father, who had rheumatic heart disease.
    [Show full text]
  • Co-Optation of the American Dream: a History of the Failed Independent Experiment
    Cinesthesia Volume 10 Issue 1 Dynamics of Power: Corruption, Co- Article 3 optation, and the Collective December 2019 Co-optation of the American Dream: A History of the Failed Independent Experiment Kyle Macciomei Grand Valley State University, noonang@mail.gvsu.edu Follow this and additional works at: https://scholarworks.gvsu.edu/cine Recommended Citation Macciomei, Kyle (2019) "Co-optation of the American Dream: A History of the Failed Independent Experiment," Cinesthesia: Vol. 10 : Iss. 1 , Article 3. Available at: https://scholarworks.gvsu.edu/cine/vol10/iss1/3 This Article is brought to you for free and open access by ScholarWorks@GVSU. It has been accepted for inclusion in Cinesthesia by an authorized editor of ScholarWorks@GVSU. For more information, please contact scholarworks@gvsu.edu. Macciomei: Co-optation of the American Dream Independent cinema has been an aspect of the American film industry since the inception of the art form itself. The aspects and perceptions of independent film have altered drastically over the years, but in general it can be used to describe American films produced and distributed outside of the Hollywood major studio system. But as American film history has revealed time and time again, independent studios always struggle to maintain their freedom from the Hollywood industrial complex. American independent cinema has been heavily integrated with major Hollywood studios who have attempted to tap into the niche markets present in filmgoers searching for theatrical experiences outside of the mainstream. From this, we can say that the American independent film industry has a long history of co-optation, acquisition, and the stifling of competition from the major film studios present in Hollywood, all of whom pose a threat to the autonomy that is sought after in these markets by filmmakers and film audiences.
    [Show full text]
  • Motion Picture Posters, 1924-1996 (Bulk 1952-1996)
    http://oac.cdlib.org/findaid/ark:/13030/kt187034n6 No online items Finding Aid for the Collection of Motion picture posters, 1924-1996 (bulk 1952-1996) Processed Arts Special Collections staff; machine-readable finding aid created by Elizabeth Graney and Julie Graham. UCLA Library Special Collections Performing Arts Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 spec-coll@library.ucla.edu URL: http://www2.library.ucla.edu/specialcollections/performingarts/index.cfm The Regents of the University of California. All rights reserved. Finding Aid for the Collection of 200 1 Motion picture posters, 1924-1996 (bulk 1952-1996) Descriptive Summary Title: Motion picture posters, Date (inclusive): 1924-1996 Date (bulk): (bulk 1952-1996) Collection number: 200 Extent: 58 map folders Abstract: Motion picture posters have been used to publicize movies almost since the beginning of the film industry. The collection consists of primarily American film posters for films produced by various studios including Columbia Pictures, 20th Century Fox, MGM, Paramount, Universal, United Artists, and Warner Brothers, among others. Language: Finding aid is written in English. Repository: University of California, Los Angeles. Library. Performing Arts Special Collections. Los Angeles, California 90095-1575 Physical location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact the UCLA Library, Performing Arts Special Collections Reference Desk for paging information. Restrictions on Access COLLECTION STORED OFF-SITE AT SRLF: Open for research. Advance notice required for access. Contact the UCLA Library, Performing Arts Special Collections Reference Desk for paging information. Restrictions on Use and Reproduction Property rights to the physical object belong to the UCLA Library, Performing Arts Special Collections.
    [Show full text]
  • Glenn-Garland-Editor-Credits.Pdf
    GLENN GARLAND, ACE Editor Television PROJECT DIRECTOR STUDIO / PRODUCTION CO. WELCOME TO THE BLUMHOUSE: BLACK BOX Emmanuel Osei-Kuffour Amazon / Blumhouse Productions EP: Jay Ellis, Jason Blum, Aaron Bergman PARADISE CITY*** (series) Ash Avildsen Sumerian Films EP: Lorenzo Antonucci PREACHER (season 3) Various AMC / Sony Pictures Television EP: Sam Catlin, Seth Rogen, Evan Goldberg ALTERED CARBON** (series) Various Netflix / Skydance EP: Laeta Kalogridis, James Middleton, Steve Blackman STAN AGAINST EVIL (series) Various IFC / Radical Media EP: Dana Gould, Frank Scherma, Tom Lassally BANSHEE (series) Ole Christian Madsen HBO / Cinemax Magnus Martens EP: Alan Ball THE VAMPIRE DIARIES (series) Various CW / Warner Bros. Television EP: Julie Plec, Kevin Williamson Feature Films PROJECT DIRECTOR STUDIO / PRODUCTION CO. BROKE Carlyle Eubank Wild West Entertainment Prod: Wyatt Russell, Alex Hertzberg, Peter Billingsley THE TURNING Floria Sigismondi Amblin Partners 3 FROM HELL Rob Zombie Lionsgate FAMILY Laura Steinel Sony Pictures / Annapurna Pictures Official Selection: SXSW Film Festival Prod: Kit Giordano, Sue Naegle, Jeremy Garelick SILENCIO Lorena Villarreal 5100 Films / Prod: Beau Genot 31 Rob Zombie Lionsgate / Saban Films Official Selection: Sundance Film Festival Prod: Mike Elliot, Andy Gould THE QUIET ONES John Pogue Lionsgate / Exclusive Media LORDS OF SALEM Rob Zombie Blumhouse / Anchor Bay Entertainment LOVE & HONOR Danny Mooney IFC Films / Red 56 HALLOWEEN 2 Rob Zombie Dimension Films BUNRAKU* Guy Moshe Snoot Entertainment Official
    [Show full text]
  • Valerio Bonelli Editor
    VALERIO BONELLI EDITOR FILM & TELEVISION CYRANO Director: Joe Wright Production Company: Working Title Films SANPA: SINS OF THE SAVIOR Director: Cosima Spender Production Company: Netflix THE WOMAN IN THE WINDOW Director: Joe Wright Production Company: Netflix THE BOY WHO HARNESSED THE WIND Director: Chiwetel Ejiofor Production Company: Potboiler Productions & Netflix Nominated, Best Debut Director and Best Supporting Actor, BIFA Awards (2019) Official Selection, Sundance Film Festival (2019) Official Selection, Berlin Film Festival (2019) DARKEST HOUR Director: Joe Wright Production Company: Working Title Films Nominated, Best Picture & Best Actor, Academy Awards (2018) Winner, Best Leading Actor, BAFTA Awards (2018) Official Selection, Toronto Film Festival (2017) BLACK MIRROR: NOSE DIVE Director: Joe Wright Production Company: Netflix Official Selection, Toronto Film Festival (2016) Official Selection, London Film Festival (2016) LUX ARTISTS | 1 FLORENCE FOSTER JENKINS Director: Stephen Frears Production Company: Pathe THE MARTIAN (Co-editor) Director: Ridley Scott Production Company: 20th Century Fox Official Selection, Toronto Film Festival (2015) THE PROGRAM Director: Stephen Frears Production Company: Working Title Films Official Selection, Toronto Film Festival (2015) Official Selection, London Film Festival (2015) PALIO Director: Cosima Spender Production Company: Playmaker Films Winner, Best Documentary Editing, Tribeca Film Festival (2015) Nominated, Best Documentary, BIFA Awards (2015) Nominated, Best Documentary, Tribeca Film
    [Show full text]
  • Index to Academy Oral Histories Leo C. Popkin
    Index to Academy Oral Histories Leo C. Popkin Leo C. Popkin (Producer, Director, Exhibitor) Call number: OH142 Academy Award Theater (Los Angeles), 343–344, 354 Academy Awards, 26, 198, 255–256, 329 accounting, 110-111, 371 ACE IN THE HOLE, 326–327 acting, 93, 97, 102, 120–123, 126–130, 138–139, 161, 167–169, 173, 191, 231–234, 249–254, 260–261, 295–297, 337–342, 361–362, 367–368, 374-378, 381–383 Adler, Luther, 260–261, 284 advertising, 102-103, 140–142, 150–151, 194, 223–224 African-Americans and film, 186–190, 195–198, 388-392 African-Americans, depiction of, 111–112, 120–122, 126–130, 142–144, 156–158, 165- 173, 186–189, 199–200, 203, 206–211, 325, 338–351, 357, 388–392 African-American films, 70-214, 390-394 African-Americans in the film industry, 34–36, 43–45, 71–214, 339–341, 351–352, 388- 392 agents, 305-306, 361–362 Ahn, Philip, 251 alcoholism in films, 378 Aliso Theater (Los Angeles), 66 Allied Artists, 89 American Automobile Association (AAA), 315 American Federation of Musicians (Local 47 and Local 767, AFL), 34, 267, 274 American Legion Stadium (Hollywood), 55–56 Anaheim Drive-in Theater (Anaheim), 28, 69 AND THEN THERE WERE NONE, 11-12, 54, 114–120, 166, 224–236, 276, 278, 283, 302–304, 317–318 Anderson, Ernest, 339–341 Anderson, Judith, 226 Anderson, Richard, 382–383 Andriot, Lucien, 226, 230 Angel's Flight railway (Los Angeles), 50 animation, 222 anti-Semitism, 107 Apollo Theater (New York City), 45, 178–179, 352 architecture and film, 366–367 Armstrong, Louis, 133 art direction, 138, 162, 199, 221–222, 226, 264, 269,
    [Show full text]
  • ABSTRACT Title of Document: COMMUNICATING FEAR in FILM
    ABSTRACT Title of Document: COMMUNICATING FEAR IN FILM MUSIC: A SOCIOPHOBIC ANALYSIS OF ZOMBIE FILM SOUNDTRACKS Pedro Gonzalez-Fernandez Master of Arts, 2014 Directed By: Dr. Patrick Warfield, Musicology The horror film soundtrack is a complex web of narratological, ethnographic, and semiological factors all related to the social tensions intimated by a film. This study examines four major periods in the zombie’s film career—the Voodoo zombie of the 1930s and 1940s, the invasion narratives of the late 1960s, the post-apocalyptic survivalist fantasies of the 1970s and 1980s, and the modern post-9/11 zombie—to track how certain musical sounds and styles are indexed with the content of zombie films. Two main musical threads link the individual films’ characterization of the zombie and the setting: Othering via different types of musical exoticism, and the use of sonic excess to pronounce sociophobic themes. COMMUNICATING FEAR IN FILM MUSIC: A SOCIOPHOBIC ANALYSIS OF ZOMBIE FILM SOUNDTRACKS by Pedro Gonzalez-Fernandez Thesis submitted to the Faculty of the Graduate School of the University of Maryland, College Park in partial fulfillment of the requirements for the degree of Master of Arts 2014 Advisory Committee: Professor Patrick Warfield, Chair Professor Richard King Professor John Lawrence Witzleben ©Copyright by Pedro Gonzalez-Fernandez 2014 Table of Contents TABLE OF CONTENTS II INTRODUCTION AND LITERATURE REVIEW 1 Introduction 1 Why Zombies? 2 Zombie Taxonomy 6 Literature Review 8 Film Music Scholarship 8 Horror Film Music Scholarship
    [Show full text]
  • Our Festival Partners
    Our Festival Partners... A Night of Horror, Accolade Competition, AFI Dallas, AFI FEST, AFM, Almost Famous, Angelus Awards, Ann Arbor Film Festival, Appalachian Film Festival, Ashland Independent, Austin Film Festival, Babelgum, Beloit International, Bend Film Festival Big Bear Lake International Film Festival, Big Apple Film Festival, Big Island Film Festival, Big Sky Documentary Film Festival, Black Maria Film Festival, California Independent, California Film & Video Festival, Cine Gear Expo, Cine Las Americas, Cinequest, Coney Island Film Festival, Cucalorus, Crossroads Film Festival, DC Shorts Film Festival, DV Expo, Duke City Shootout, East Lansing Children’s Film Festival, Elevate Film Festival, Estes Park Film Festival, Fantastic Fest, Filmstock, FirstGlance, Flatland Film Festival, Flint Film Festival, Florida ART, Ft. Lauderdale International Film Festival, 48 Hour Film Project, FTX West Expo, Fusion Film Festival, Fylmz, George Lindsey UNA Festival, Hamptons International Film Festival, Haydenfilms, Hardacre Film Fest, HD Expo, HD Fest, Heart of Gold, Heartland, Indie Memphis, IP Schmoozefest, Jackson Hole Film Festival, Jackson Hole Wildlife, Long Island Film Festival, Los Angeles Film Festival, HP Lovecraft Film Festival, Indie Memphis, Indie Short Films, International Family Film Festival, International Horror & Sci-Fi Film Festival, MacWorld, Magnolia Independent, The Method Fest, Miami International Film Festival, Miami Underground Film Festival, Milwaukee International Film Festival, Moondance, NAB, NAB Post+ Production
    [Show full text]
  • I Am Not Your Negro
    Magnolia Pictures and Amazon Studios Velvet Film, Inc., Velvet Film, Artémis Productions, Close Up Films In coproduction with ARTE France, Independent Television Service (ITVS) with funding provided by Corporation for Public Broadcasting (CPB), RTS Radio Télévision Suisse, RTBF (Télévision belge), Shelter Prod With the support of Centre National du Cinéma et de l’Image Animée, MEDIA Programme of the European Union, Sundance Institute Documentary Film Program, National Black Programming Consortium (NBPC), Cinereach, PROCIREP – Société des Producteurs, ANGOA, Taxshelter.be, ING, Tax Shelter Incentive of the Federal Government of Belgium, Cinéforom, Loterie Romande Presents I AM NOT YOUR NEGRO A film by Raoul Peck From the writings of James Baldwin Cast: Samuel L. Jackson 93 minutes Winner Best Documentary – Los Angeles Film Critics Association Winner Best Writing - IDA Creative Recognition Award Four Festival Audience Awards – Toronto, Hamptons, Philadelphia, Chicago Two IDA Documentary Awards Nominations – Including Best Feature Five Cinema Eye Honors Award Nominations – Including Outstanding Achievement in Nonfiction Feature Filmmaking and Direction Best Documentary Nomination – Film Independent Spirit Awards Best Documentary Nomination – Gotham Awards Distributor Contact: Press Contact NY/Nat’l: Press Contact LA/Nat’l: Arianne Ayers Ryan Werner Rene Ridinger George Nicholis Emilie Spiegel Shelby Kimlick Magnolia Pictures Cinetic Media MPRM Communications (212) 924-6701 phone ryan@cineticmedia.com rridinger@mprm.com publicity@magpictures.com Emilie@cineticmedia.com skimlick@mprm.com 49 west 27th street 7th floor new york, ny 10001 tel 212 924 6701 fax 212 924 6742 www.magpictures.com SYNOPSIS In 1979, James Baldwin wrote a letter to his literary agent describing his next project, Remember This House.
    [Show full text]
  • Library of Congress Collection Overviews: Motion Pictures
    COLLECTION OVERVIEWS MOTION PICTURES I. SCOPE This overview of the Library's collections deals with motion pictures, while television and video are covered separately. There is some overlap because many early television broadcasts were recorded on motion picture film. II. SIZE The collections of the Motion Picture, Broadcasting and Recorded Sound Division include approximately 700,000 motion picture reels and 500,000 videotapes, with about 30,000 individual elements added each year. III. GENERAL RESEARCH STRENGTHS The Library of Congress has the largest collection of American created motion picture, television, and video and digitally produced moving image materials in the world. Due to the deposit requirements of U.S. copyright law, MBRS is particularly strong in American moving image items commercially produced for news, entertainment and public information purposes. MBRS has the world’s largest collection of films produced and distributed in America in the silent era (1893-1929), and is particularly strong in American films produced prior to 1915. Because the Library did not demand copies of motion pictures registered for copyright between 1912 and 1946, in the past forty years MBRS has aggressively pursued acquisitions of nitrate film to cover this gap. Today, MBRS houses (and preserves) more than 140 million feet of nitrate film, one of the largest collections in the world. IV. AREAS OF DISTINCTION The Copyright Collection: The Copyright Collection comprises the largest of MBRS holdings, and is the most used materials. The Division’s earliest and most important collection is the Paper Print Collection, which began in 1894. Because at that time there was no provision in the copyright law for registering motion pictures, films were deposited as photographs printed on strips of photographic contact paper.
    [Show full text]
  • 2020 Sundance Film Festival: 118 Feature Films Announced
    FOR IMMEDIATE RELEASE Media Contact: December 4, 2019 Spencer Alcorn 310.360.1981 spencer_alcorn@sundance.org 2020 SUNDANCE FILM FESTIVAL: 118 FEATURE FILMS ANNOUNCED Drawn From a Record High of 15,100 Submissions Across The Program, Including 3,853 Features, Selected Films Represent 27 Countries Once Upon A Time in Venezuela, photo by John Marquez; The Mountains Are a Dream That Call to Me, photo by Jake Magee; Bloody ​ ​ ​ ​ Nose, Empty Pockets, courtesy of Sundance Institute; Beast Beast, photo by Kristian Zuniga; I Carry You With Me, photo by Alejandro ​ ​ ​ ​ ​ López; Ema, courtesy of Sundance Institute. ​ ​ Park City, UT — The nonprofit Sundance Institute announced today the showcase of new independent feature ​ films selected across all categories for the 2020 Sundance Film Festival. The Festival hosts screenings in Park ​ ​ City, Salt Lake City and at Sundance Mountain Resort, from January 23–February 2, 2020. The Sundance Film Festival is Sundance Institute’s flagship public program, widely regarded as the largest American independent film festival and attended by more than 120,000 people and 1,300 accredited press, and powered by more than 2,000 volunteers last year. Sundance Institute also presents public programs throughout the year and around the world, including Festivals in Hong Kong and London, an international short film tour, an indigenous shorts program, a free summer screening series in Utah, and more. Alongside these public programs, the majority of the nonprofit Institute's resources ​ support independent artists around the world as they make and develop new work, via Labs, direct grants, fellowships, residencies and other strategic and tactical interventions.
    [Show full text]
  • Media Arts Resource List
    Last updated 3/12/20 Media Arts Resource List A Non-Comprehensive Guide for Artist & Organizations Compiled by the National Endowment for the Arts Service Organizations & Professional Networks A-Doc A-Doc is a national network that works to increase the visibility and support of Asian Americans in the documentary field. The network is committed to sharing ideas and resources, providing mutual support and mentorship, and advocating for equity and diversity in the production and distribution of non-fiction storytelling. Alliance for Media Arts + Culture Committed to facilitating innovation, collaboration, strategic growth and cultural impact for the media arts field in the US and around the world. Through a suite of forward-thinking and inclusive programs, The Alliance holds space for a dynamic network of artists and organizations committed to powerful creative storytelling as an engine for transformation and the collective imagination. Alliance of Artist Communities An international association of artist residencies that offer time and space to develop new or ongoing works. With 70% of residencies serving visual artists, writers, composers, filmmakers, choreographers, and others, the filmmakers and media artists should regularly consider artist residencies as a way to work on projects. Additionally, organizations with residency programs for filmmakers or media artists should consider engaging with this network to stay on top of best practices in the contemporary arts field and beyond. Art House Convergence The Art House Convergence began in 2006 when the Sundance Institute invited 14 Art House theaters to the Sundance Film Festival. By 2008, the theaters decided to meet annually in Utah. Since then, the annual conference has grown to over 500 attendees and expanded to include regional seminars, industry events, and other programs throughout the year.
    [Show full text]