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Inquiry Into the Impact of the COVID-19 Pandemic on the Tourism and Events Sectors
LC EIC Inquiry into the impact of the COVID-19 pandemic on the tourism and events sectors Submission 074 Inquiry into the Impact of the COVID-19 Pandemic on the Tourism and Events Sectors Mr Duane Swan Organisation Name: Your position or role: YOUR SUBMISSION Submission: Covid has clearly devastated events and tourism across Victoria and Australia, and the effects have been felt across the board, most acutely felt by those who make their livelihood solely from events. Having worked from the bottom up in events and hospitality over 20 years, the number of direct and ancillary workers, contractors, businesses and suppliers that are involved in running an event is enormous, and the effects from current restrictions and limitations are unsustainable for most. From all those that work at Harry the Hirer or Frontier Touring to all the sole traders and family businesses dotted around the state, without any direct and targeted solutions from the government immediately, the events and tourism industries will be damaged beyond repair, along with the livelihoods of those that create it. We do need action immediately, though in no way do I suggest the actions up till now have not been greatly appreciated and beneficial in getting Victoria into a position to be open again for events and tourism. With the current movement on vaccines and the lifting of more restrictions being positive, the next 6 months for events will be crucial for survival and then recovery. Additionally, with the lack of international travel for the foreseeable future it is imperative that we protect the events and tourism industry during this next stage. -
Prompt Pack Pa R
PROMPT PACK VCE Theatre Studies Unit 3, Outcome 3 PART B TITLE GOES HERE 02——DIRECTOR & CREATOR'S NOTE MALTHOUSE THEATRE 04——INTRODUCTION 06—— A NEW PIECE OF THEATRE FOR A NEW ACKNOWLEDGES WORLD OF THEATRE 08——CAST & CREATIVE BIOGRAPHIES THE LAND AND 18——PART B—UNIT 3, OUTCOME 3 SONGLINES OF THE 19——THEATRE STUDIES—PAST EXAMINATIONS 20——VIDEO INTERVIEWS BOON WURRUNG 24——LIGHTING DESIGN 26——CONTEXT AND WURUNDJERI 28——ELEMENTS OF THEATRE COMPOSITION 32——THEATRE STYLES PEOPLES OF THE 33——ACTING 35——THEATRE TECHNOLOGIES KULIN NATION. 36——MAJOR THEME & IDEAS Malthouse Theatre presents Because The Night. © Copyright: Malthouse Theatre, the artists, designers, photographers, collaborators and contributors. ICON KEY All rights reserved, 2021. PROMPT PACK CREATED FOR MALTHOUSE PROMPT—MALTHOUSE THEATRE’S YOUTH AND EDUCATION PROGRAM. Cover Image / Kristian Gehradte Photographer / Pia Johnson, Ray of Melbourne Design / Hours After Theatre Studies Prompt Pack written by / Robyn Kay Editor / Jacqui Bathman LINKS ACTIVITY VIDEO MORE INFO DISCUSS FROM DIRECTOR & CREATOR ‘BECAUSE THE NIGHT IS UNIQUE. MATTHEW LUTTON I’VE NEVER DIRECTED ANYTHING LIKE THIS BEFORE’ It is thrilling to witness an audience experience — Matthew Lutton (Concept, Direction & Text) Because The Night. Masked audience members follow actors through a maze of rooms, listening in as they reveal the stories of the Elsinore ‘AT THE END OF THE DAY WE ARE MAKING ART family. Other groups read letters hidden away in drawers or go through files in the security room to uncover deeper secrets of FOR THE AUDIENCE… IT’S SHARED the country itself. It is exhilarating to see theatre alive again and an audience empowered to follow their own curiosities. -
Victorian Live Music Census 2012 Incorporating NMIT ‘State of Play’ Victorian Live Music Census 2012
Victorian Live Music Census 2012 Incorporating NMIT ‘State of Play’ Victorian Live Music Census 2012 Victorian Live Music Census 2012 Table of Contents Foreword & Executive Summary Page 1 - 8 Section 1 - Census Background Page 9 - 13 Section 2 - Conduct of the Census Page 14 - 16 Section 3 - Census Night Page 17 - 22 Section 4 - Annual Data - The Big Picture Page 23 - 36 Section 5 - Consumer Survey Page 37 - 53 Section 6 - Musician Survey Page 54 - 63 Appendix A - Census Record Sheet Page 65 - 66 Appendix B - Census Venue List Page 67 - 80 Appendix C - Regional Victoria Page 81 - 83 Victorian Live Music Census 2012 Page 1 Victorian Live Music Census 2012 Executive Summary Live Music - Melboune’s REAL Passion Key Numbers • 62,000+ annual gigs • • 470 Greater Melbourne live music venues • • 14.4 million patron visits annually • • $1.04 Billion spent in small venues, concerts and festivals • • 116,000 Annual Full Time Equivalent jobs • Victorian Live Music Census 2012 Page 2 Foreword The Victorian Live Music Census was a world-first project initiated by Music Victoria and the City of Melbourne, utilising the talents and energies of music performance, sound production and music business students from Melbourne’s tertiary campuses at NMIT, RMIT, Victoria University, Box Hill Institute and JMC Academy. Sending individual collectors into as many of Melbourne’s music venues as possible on one night was seen as a unique and effective way of gaining first-hand data on the city’s vibrant live music scene. Music Victoria and the City of Melbourne - through their respective administrations, provided - vital funding support. -
Draft Events Strategy 2015 - 2017 City of Port Phillip | Events Strategy
City of Port Phillip Draft Events Strategy 2015 - 2017 City of Port Phillip | Events Strategy INTRODUCTION The City of Port Phillip municipality is historically recognised as Melbourne’s playground; a natural gathering point for the city due to its unique places, people and cultural heritage. Never has this been more true than today, when the municipality, and particularly its foreshore, is highly sought after real estate for events – be they sport, art or otherwise. Port Phillip’s assets, both natural and built - along with its proximity to the CBD and its renowned hospitality centres – make it one of Melbourne’s innate gathering places. Council’s own proud history of producing large scale, world class events with extraordinary levels of participation and engagement combine with the municipality’s popularity as an event site to bring the City of Port Phillip an enviable position within metropolitan Melbourne. AIM The City of Port Phillip aims to plan, attract and direct events to ensure our city is welcoming, healthy, safe and vibrant for all. It is commonly recognised and accepted that events bring a wealth of benefits to a community, from health and wellbeing of residents through to economic development for local businesses, cultural vibrancy and social engagement. Recognising these benefits, the City of Port Phillip events calendar must also strike a balance between a number of tensions: • High visitation and demand in summer but a winter downturn • Varying needs, character and visitation of each neighbourhood • Maintaining a mix of -
Melbourne Live Music Census 2017
Executive Summary Melbourne Live Music Census 2017 Live Music - Melbourne’s REAL Passion Contents Key Numbers 1 Melbourne Live Music Census Results 2 Live Performance: The Big Picture 3-5 Comparative Data 6 Online Survey Results: Key Figures 7 Conclusion 8 About the authors: Dobe Newton has been a professional musician for 47 years - all in the same band! He has been a music industry teacher for 25 years and consulted widely to local, state and federal government and major industry organisations and agencies. He was project manager and author of the Melbourne Live Music Census 2012 and the Victorian Regional Live Music Census 2013. Rosa Coyle-Hayward is currently completing a Bachelor of Arts degree (Music Industry) at RMIT University and works as a band manager, concert promoter and publicist. She has been active in community radio and online journalism and has a particular interest in the post-punk music scene. Above all else, she is a regular patron and advocate of many Melbourne live music venues. A quick thanks to: (for full list of acknowledgements see full report Foreword) Patrick Donovan, Laura Imbruglia and Al Parkinson at Music Victoria Hannah Brooks at City of Melbourne Jess Carroll, Katy Richards and Chrissie Vincent at Collarts Ed Montano and Music Industry Department at RMIT University Olivia Allen, Matt McCall and Brona Keenan at City of Yarra Adele Dennison at City of Port Philip Jo Perjanik at APRA AMCOS Katherine Norman at Arts Centre Melbourne Enna Giampicollo at Melbourne and Olympic Parks Trust Floodslicer, producers of the census animated video. and all the volunteers who visited venues to collect invaluable small venue data. -
Mixes – DJ Website
Mixes – http://mixcloud.com/yomafia DJ Website - http://yomafia.com.au Events // Corporate Website - http://yomafiaent.com Facebook : http://facebook.com/yoitsmafia Instagram : http://instagram.com/yoitsmafia Nike Video : https://www.facebook.com/yoitsmafia/videos/1606110489403657/ A renowned sneaker freak and hip hop junkie, YO! MAFIA has been killing them on the wheels of steel for over 17 years. Having grown up at the fruition of Hip Hop in the late ‘70s/early ‘80s, YO! MAFIA became FLUORO BREAKER after falling in love with Boogaloo Shrimp in Breakin’. After winning every B-Girl competition she entered, YO! MAFIA hung up her knee spin for the turntables after amassing a huge collection of original pressing 12-inch wax from every musical genre known to man. Relying on her acute party savvy ears, YO! MAFIA quickly began mashing up sounds from her beloved Hip Hop, mixing in RNB, electro, Commercial Bangers, Cock Rock and everything in between. She has solidified her place as one of Australia’s premier Party/Open Format DJs, possessing an incredible ability to blend and mix a variety of genres into one big party set! Her signature genre-smashing sets have seen her tour and DJ support a wide range of A-List artists – Stevie Wonder, Missy Elliott, Lady Gaga, DJ Jazzy Jeff, Salt’n’Pepa, Pharrell Williams, Big Freedia, DJ Shadow, Cut Chemist, Ca$h Money, Iggy Azalea, Tinie Tempah, TWISTA, Die Antwoord, Clipse, De La Soul, Kurtis Blow, T-Pain, Ice Cube, Waka Flocka Flame, Lupe Fiasco, DJ Craze, 100s, A$AP Ferg, Dead Prez, MYA, Dirty South Joe, -
International Student Guide Melbourne
International Student Guide | Guide Melbourne International | Student 2019 International Student Guide FREE 20192019 insiderguides.com.au insiderguides.com.au Melbourne A GUIDE BY LOCAL EXPERTS CRICOS provider: Monash University 00008C MAKE CHANGE HAPPEN AT A UNIVERSITY THAT HAS CHANGED THE WORLD. Never ordinary, we are ranked within the top tools to build a degree that suit your needs and 100* universities in the world. Why? Because encourage exploration of what’s possible. we don’t create graduates. We create agents of For over 60 years, our ideas have changed the change that shape and inspire society. world. And for the next 60 we want yours to do We believe in action and tenacity because without the same. these, the great ideas and breakthroughs of our Find out more at monash.edu time remain as words on a page. When you study at Monash you’re provided with the teachers and *Times Higher Education World University Rankings 2019 18P-0817. October 2018. Produced by Strategic Marketing and Communications, Monash University. 18P-0817 Make Change Happen Insider Guides ad.indd 1 5/11/18 12:02 pm CRICOS provider: Monash University 00008C MAKE CHANGE HAPPEN AT A UNIVERSITY THAT HAS CHANGED THE WORLD. LIVE WELL STUDY WELL. UniLodge is Australia’s leading provider of student accommodation. There are 20 lodges located across Melbourne close to universities and colleges offering a safe, secure and supportive living environment – allowing you to focus on your studies. EASE OF MIND Never ordinary, we are ranked within the top tools to build a degree that suit your needs and Safe, secure and fully furnished. -
Early Features of Melbourne and Sydney Film Festival Programmes (1952–1965)
A PPENDIX 1: EARLY FEATURES OF MELBOURNE AND SYDNEY FILM FESTIVAL PROGRAMMES (1952–1965) © The Author(s) 2016 205 K. Stevens, Australian Film Festivals, DOI 10.1057/978-1-137-58130-3 206 APPENDIX 1: EARLY FEATURES OF MELBOURNE AND SYDNEY… # Films shared between # Films shared MFF and SFF programmes lms and programme elements Sydney Film Festival Select fi Programme breakdown lms, c fi lms, lms, Berlin lms, Germania Anno Mike and Stefani (Darbon and Louisiana Story lms, documentaries lms, early Australian lms, animated fi (Flaherty, 1926); (Flaherty, lms grouped in thematic lms and programme elements (Rossellini, 1948) lm, French avant-garde fi lms from Canada (Ruttman, 1927); Zero Shorts programmes: scientifi religious fi experimental fi Discussion: Censorship, Film Criticism Select fi La Belle et la Bête Cocteau, 1946); 1948); (Flaherty, (Williams, 1951) Short fi and national programmes, including: Religious fi classroom fi fi fi Discussion forums: Film Society Problems, Censorship, Film and Making a Film Society, Moana Melbourne Film Festival lms lms Programme breakdown 8 features 79 short fi 9 features 88 short fi Year Year 1952 1953 APPENDIX 1: EARLY FEATURES OF MELBOURNE AND SYDNEY… 207 ) continued ( lms lms 9 features 13 short fi 6 features 12 short fi c, The (Dreyer, (Dreyer, (de Sica, (Heyer, (Heyer, (Rossellini, (Yutkevitch, (Yutkevitch, (Tati, 1948); (Tati, (Longford, lm programme (Schoedsack & (Kinugasa, 1953); lms Miracle in Milan Skanderbeg Jour de fête Back of Beyond Grass (Cocteau, 1950); Orphée Sentimental Bloke 1919); -
Jadida Info + Bios
About Jadida + new EP release Jadida tells the story of a world that should be celebrated. Bursting with sheer talent and sophisticated musicality, this band pulls together the strands of different cultures into a unique, accessible sound that is heavily grounded in North African, Middle Eastern and Indian influences. Jadida combines traditional and modern instruments into a rich blend of irresistible rhythms and melodies, pioneering a new platform for global fusion. Jadida is Arabic for ‘new’ and their name symbolises what this band does – create new music from our lush heritage of global influences. Evolving from their instrumental origins showcased in their debut album Gypsies in an Urban Desert over 12 years ago, Jadida further built on their follow up record World Confusion which welcomed vocalist Beulah Joseph. Their new live EP From Marrakech to Mumbai encapsulates this band’s love of world fusion. “Tastes of the World” is a modern love song, featuring sultry vocals that call for a response in a swathe of colour and flavours. Their instrumental tracKs, “Joy to the People” and “Peace”, combine the warm timbre of the oud with the call of the sax in two very different tunes that drive you from slinKy to an all out dance frenzy. “Mere Hathon Mein” is a nod to the traditional Bollywood bhangra beats, maKing it impossible to stay in your seats. All in all, a record worth waiting for. Heralding from a wealth of experience in performing in a range of contexts, Jadida has several notches to their belt including Melbourne International Jazz Festival, Melbourne Arts Centre, St Kilda Festival, Port Fairy FolK Festival, Globe to Globe World Music Festival and many others.