Monthly Review Press Catalog, 2011
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Weather Underground Rises from the Ashes: They're Baack!
Weather Underground Rises from the Ashes: They're Baack! I attended part of a January 20, 2006, "day workshop of interventions" — aka "a day of dialogic interventions" — at Columbia University on "Radical Politics and the Ethics of Life."[1] The event aimed "to stage a series of encounters . to bring to light . the political aporias [sic] erected by the praxis of urban guerrilla groups" in Europe and the United States from the 1960s to the 80s.[2] Hosted by Columbia's Anthropology Department, workshop speakers included veterans and leaders of the Weather Underground Bernardine Dohrn and Bill Ayers, historian Jeremy Varon, poststructuralist theorist Gayatri Chakravorty Spivak and a dozen others. The panel I sat through was just awful.[3] Veterans of Weather (as well as some fans) seem to be on a drive to rehabilitate, cleanse, and perhaps revive it — not necessarily as a new organization, but rather as an ideological component of present and future movements. There have been signs of such a sanitization and romanticization for some time. A landmark in this rehabilitation is Bill Ayers, Fugitive Days: A Memoir (Beacon Press 2001; Penguin Books 2003). This is a dubious account, full of anachronisms, inaccuracies, unacknowledged borrowings from unnamed sources (such as the documentary, Atomic Cafe, 17-19), adding up to an attempt to cover over the fact that Ayers was there only for a part of the things he describes in a volume that nonetheless presents itself as a memoir. It's also faux literary and soft core ("warm and wet and welcoming"(68)), "ruby mouth"(38), "she felt warm and moist"(81)), full of archaic sexism, littered with boasts of Ayers's sexual achievements, utterly untouched by feminism. -
The Politics of Revolutionary Anti-Imperialism
FIRE THE POLITICS OF REVOLUTIONARY ANTI-IMPERIALISM ---- - ... POLITICAL STATEMENT OF THE UND£ $1.50 Prairie Fire Distributing Lo,rnrrntte:e This edition ofPrairie Fire is published and copyrighted by Communications Co. in response to a written request from the authors of the contents. 'rVe have attempted to produce a readable pocket size book at a re'ls(m,tbl.e cost. Weare printing as many as fast as limited resources allow. We hope that people interested in Revolutionary ideas and events will morc and better editions possible in the future. (And that this edition at least some extent the request made by its authors.) PO Box 411 Communications Co. Times Plaza Sta. PO Box 40614, Sta. C Brooklyn, New York San FrancisQ:O, Ca. 11217 94110 Quantity rates upon request to Peoples' Bookstores and Community organiza- tlOBS. PRAIRIE FIRE THE POLITICS OF REVOLUTIONARY ANTI-IMPERIALISM POLITICAL STATEMENT , OF THE WEATHER Copyright © 1974 by Communications Co. UNDERGROUND All rights reserved The pUblisher's copyright is not intended to discourage the use ofmaterial from this book for political debate and study. It is intended to prevent false and distorted reproduction and profiteering. Aside from those limits, people are free to utilize the material. This edition is a copy of the original which was Printed Underground In the US For The People Published by Communications Co. 1974 +h(~ of OlJr(1)mYl\Q~S tJ,o ~Q.Ve., ~·Ir tllJ€~ it) #i s\-~~\~ 'Yt)l1(ch ~, \~ 10 ~~\ d~~~ee.' l1~rJ 1I'bw~· reU'w) ~it· e\rrp- f'0nit'l)o yralt· ~YZlpmu>I')' ca~-\e.v"C2lmp· ~~ ~[\.ll10' ~li~ ~n. -
Telling the Truth About Class
TELLING THE TRUTH ABOUT CLASS G. M. TAMÁS ne of the central questions of social theory has been the relationship Obetween class and knowledge, and this has also been a crucial question in the history of socialism. Differences between people – acting and knowing subjects – may influence our view of the chances of valid cognition. If there are irreconcilable discrepancies between people’s positions, going perhaps as far as incommensurability, then unified and rational knowledge resulting from a reasoned dialogue among persons is patently impossible. The Humean notion of ‘passions’, the Nietzschean notions of ‘resentment’ and ‘genealogy’, allude to the possible influence of such an incommensurability upon our ability to discover truth. Class may be regarded as a problem either in epistemology or in the philosophy of history, but I think that this separation is unwarranted, since if we separate epistemology and the philosophy of history (which is parallel to other such separations characteristic of bourgeois society itself) we cannot possibly avoid the rigidly-posed conundrum known as relativism. In speak- ing about class (and truth, and class and truth) we are the heirs of two socialist intellectual traditions, profoundly at variance with one another, although often intertwined politically and emotionally. I hope to show that, up to a point, such fusion and confusion is inevitable. All versions of socialist endeavour can and should be classified into two principal kinds, one inaugurated by Rousseau, the other by Marx. The two have opposite visions of the social subject in need of liberation, and these visions have determined everything from rarefied epistemological posi- tions concerning language and consciousness to social and political attitudes concerning wealth, culture, equality, sexuality and much else. -
Streeten's Major Writings Paul Marlor SWEEZY
.... 642 Paul Marlor SWEEZY Paul Marlor SWEEZY 643 I out agreeing with the late David McCord Wright, who once said, 'When It was under these circumstances that acquired a mission in life, not all at once and self-consciously, but gradually and through a practice that had a logic of its people tell me I am fuzzy, I reply, "life is fuzzy'", the heterodox dis�enters own. That mission was to do what I could to make Marxism an integral and prefer, I think, to be accused of fuzziness. They prefer to be vaguely nght to respected part of the intellectual life of the country, or, put in other terms, to take being precisely wrong. It is a matter of taste. The orthodox may say, part in establishing a serious and authentic North American brand of Marxism. 'Reductionism is not the occupational disease of economists, it is their occu pation.' But if in the process they throw out the baby instead of the bathwater, In pursuing these interests at Harvard, Sweezy received encouragement the reduction surely loses its point. from the great conservative economist Joseph Schumpeter, whose analysis of the origins, development and impending decline of capitalism revealed a Streeten's Major Writings complex and critical appreciation of Marxist analysis. 17 (1949), 'The Theory of Profit', The Manchester School, (3), September. Obtaining his Ph.D. in 1937, Sweezy took a job as an instructor at Harvard (1950a), 'Mangel des Preismechanismus', Vo//beschdftigung, Cologne: Bundverlag. (l 950b), 'The Inappropriateness of Simple "Elasticity" Concepts m the Analysis of Interna until 1939 when he rose to the rank of assistant professor. -
Developmentalism, Modernity, and Dependency Theory in Latin America
Developmentalism, Modernity, and Dependency Theory in Latin America Ramón Grosfoguel The Latin American dependentistas produced a knowledge that criticized the Eurocentric assumptions of the cepalistas,includingtheorthodoxMarxistandtheNorthAmericanmodern- ization theories. The dependentista school critique of stagism and develop- mentalism was an important intervention that transformed the imaginary of intellectual debates in many parts of the world. However, I will argue that many dependentistas were still caught in the developmentalism, and in some cases even the stagism, that they were trying to overcome. Moreover, although the dependentistas’ critique of stagism was important in denying the “denial of coevalness” that Johannes Fabian (1983) describes as central to Eurocentric constructions of “otherness,” some dependentistas replaced it with new forms of denial of coevalness. The first part of this article dis- cusses developmentalist ideology and what I call “feudalmania” as part of the longue durée of modernity in Latin America. The second part discusses the dependentistas’ developmentalism. The third part is a critical discussion of Fernando Henrique Cardoso’s version of dependency theory. Finally, the fourth part discusses the dependentistas’ concept of culture. Developmentalist Ideology and Feudalmania as Part of the Ideology of Modernity in Latin America There is a tendency to present the post-1945 development debates in Latin America as unprecedented. In order to distinguish continuity from dis- continuity, we must place the 1945–90 development debates in the context of the longue durée of Latin American history. The 1945–90 development Nepantla: Views from South 1:2 Copyright 2000 by Duke University Press 347 348 Nepantla debates in Latin America, although seemingly radical, in fact form part of the longue durée of the geoculture of modernity that has dominated the modern world-system since the French Revolution in the late eighteenth century. -
Consciousness & Consent: Gramsci's Historical
CONSCIOUSNESS & CONSENT: GRAMSCI’S HISTORICAL MATERIALISM AND ITS ONTOLOGICAL CONSEQUENCES. A THESIS SUBMITTED TO THE BOARD OF GRADUATE PROGRAMS OF MIDDLE EAST TECHNICAL UNIVERSITY, NORTHERN CYPRUS CAMPUS BY ASWAD NYASHA TARAMBWA IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF SCIENCE IN THE POLITICAL SCIENCE AND INTERNATIONAL RELATIONS PROGRAM SEPTEMBER 2019 Approval of the Board of Graduate Programs Prof. Dr Gürkan KARAKAŞ Chairperson I certify that this thesis satisfies all the requirements as a thesis for the degree of Master of Science Assoc. Prof. Dr Oğuz SOLYALI Program Coordinator This is to certify that we have read this thesis and that in our opinion it is fully adequate, in scope and quality, as a thesis for the degree of Master of Science. Assoc. Prof. Dr Luciano BARACCO Supervisor Examining Committee Members Assist. Prof. Dr Yonca ÖZDEMİR Political Science & International Relations METU Northern Cyprus Campus Assoc. Prof. Dr Luciano BARACCO Political Sciences and International Relations METU Northern Cyprus Campus Assoc. Prof. Dr Sait AKŞİT International Relations Near East University ETHICAL DECLARATION I hereby declare that all information in this document has been obtained and presented in accordance with academic rules and ethical conduct. I also declare that, as required by these rules and conduct, I have fully cited and referenced all material and results that are not original to this work. Name, Last name: ASWAD NYASHA TARAMBWA SIGNATURE iii ABSTRACT CONSCIOUSNESS AND CONSENT: GRAMSCI’S STATE THEORY AND ITS ONTOLOGICAL CONSEQUENCES Tarambwa, Aswad Nyasha MS., Department of Political Science and International Relations Supervisor: Assoc. Prof Dr Luciano Baracco September 2019, 92 pages This thesis investigated whether the elaboration of the role of ideas as a source of power in Gramsci’s state theory to secure the historical bloc constitutes the basis of a paradigm shift from the main premises of historical materialism to a more deontological, contingent logic of politics and revolution. -
Nicolai Ivanovich Bukharin 1 888- 1938"
NICOLAI IVANOVICH BUKHARIN 1 888- 1938" Ken Coates 1978 marks a macabre anniversary. Forty years ago, in March 19 38, there took place in Moscow the last of the great show ~rials.' Previously there had already been two earlier public trials of former Bolshevik leaders, mowing down among others, Zinoviev, Kamenev, Piatakov and ~adek.~ A closed court-martial involving foremost Red Army commanders like Tukhachevsky, Yakir and Kork had also preceded this last trial,3 which was to involve Bukharin, Rykov, Krestinsky, Yagoda, Rakovsky and sixteen others. The third great trial was in one sense the keystone in a horrendous arch: all the charges which were brought in its forerunners were calculated to prove that Trotsky, from exile, was organizing with a selection of foreign powers to bring about the downfall of the Soviet Government, and that the internal opposition was not only disloyal, but criminally implicated in a vast terrorist conspiracy. By extending the web of this plot to implicate Bukharin and Rykov, a final amalgamation was thus charged against former oppositions of both Right and Left, and the effect was to establish that henceforth no "loyal" opposition was in fact possible. The Soviet political structure still manifestly suffers the ill-effects of this tragic decision, which would have been baleful even if the absurdly implausible charges in the trials had all been true, and was simply paralysing in the actual event, that they were all deliberately fabricated. Ryltov was, after all, a former prime minister, and Bukharin had been not only editor of Isvestia, and long-standing politbureau member, but, from 1926 onwards, chairman of the Communist International. -
Bernardine Dohrn
Bernardine Dorhn: Never the Good Girl, Not Then, not Now: An Interview By Jonah Raskin Who doesn’t have a reaction to the name and the reputation of Bernadine Dohrn? Is there anyone over the age of 60 who doesn’t remember her role at the outrageous Days of Rage demonstrations, her picture on FBI “wanted posters,” or her dramatic surrender to law enforcement officials in Chicago after a decade as a fugitive? To former members of SDS, anti-war activists, Yippies, Black Panthers, White Panthers, women’s liberationists, along with students and scholars of Weatherman and the Weather Underground, she probably needs no introduction. Sam Green featured her in his award-winning 2002 film, The Weather Underground. Todd Gitlin added to her iconic stature in his benchmark cultural history, The Sixties, though he was never on her side of the ideological splits or she on his. Dozens of books about the long decade of defiance have documented and mythologized Dohrn’s role as an American radical. Of course, her flamboyant husband and long-time partner, Bill Ayers, has been at her side for decades, aiding and abetting her much of the time, and adding to her legendary renown and notoriety. Born in 1942, and a diligent student at the University of Chicago, she attended law school there and in the late 1960s “stepped out of the role of the good girl," as she once put it. She has never really stepped back into it again, though she’s been a wife, a mother, and a professional woman for more years than she was a street fighting woman. -
A PDF of All the Tables of Contents for 1933
IHE COMNUIlISI A Magazine of the Theory and Practice of Marxism-Leninism Published Monthly by the Communist Party of the United States of America Entered as second class matter November 2, 1927, at the Post Office at New York, N. Y., under the act of March 3, 1879. ~ VOL. XII JANUARY, 1933 No.1 CONTENTS FORWARD IN: THE LINE OF THE TWELFTH PLENUM OF THE E. C. C. I. ................................... , . 3 EDITORIAL STRUGGLE FOR ELEMENTARY NEEDS-THE MAIN LINK L.'l WINNING THE MASSES . 18 By JACK STACHEL THE END OF CAPITALIST STABILIZATION AND THE BASIC TASKS OF THE BRITISH AND AMERICAN SECTIONS OF 'I1IE C. I. ............................................. 33 By T. GUSEV UNMASKING AN AMERICAN REVISIONIST OF MARXISM. 50 By V. J. JEROME STALIN DEVELOPS THE TEACHINGS OF MARX AND LENIN.. 83 SPINOZA AND MARXISM. 85 By M. MITTIN BOOK REVIEWS 89 . A Bourgeois Critic Attacks Philosophic Idealism A Review by MILTON HOWARD Class Culture-A Review by W. PHELPS Make all checks, money orders, and correspondence to: THE COMMUNIST. P. O. Box 148, Station D, (50 East 13th Street), New York. Subscription rates $2.00 a year; $1.00 for six months; foreign and Canada $2.50 a year. Sm,le copies 20 cents. 1·111 CONNIIIIISf A Magazi.e of the Theory and Practice of Marxism-Leninism Publuhet/. M onthl, b, the Communist Party of the United States of America Kateftd at eecond class matter November 2, 1927, at the Post Office at New York, N. Y., under the act of March 3, 1179. ~ Vol. XII FEBRUARY, 1933 No.2 CONTENTS A NEW VICTORY OF THE PEACEFUL POLICY OF THE U. -
Even Long After the Latter's Willingness to Act As a Party of Capital Was Plain To
Reviews 185 Dennis Dworkin, Cultural Mamism in Postwar Britain: History, the New Left, and the Origins of Cultural Studies (Durham: Duke University Press, 1997). Ellen Meiksins Wood and John Bellamy Foster, Editors. In Defense of History: Marxism and the Postmodern Agenda (New York: Monthly Review Press, 1997). "[Bly contrast to earlier Marxisms," declares Fredric Jameson in his contribution to In Defense of History, "[tlhe Marxisms .. that emerge from the present system of late capitalism .. [will] appear to be more cultural in character." (181) What might this mean? Is it a helpful assessment? To comprehend the significance of an evolving "cultural Marxism" requires examination of two intertwined issues: The history and current character of Marxism's intellectual engagement with cultural theory, and the changing status of "cultural" practice within the capitalist political economy. The two books under review allow us to take up the first of these critical questions. Demis Dworkin provides a careful and relatively comprehensive assessment of cultural Marxism's emergence as a postwar British intellectual and political project, which developed around both history-writing and what came to be called cultural studies. Readings of texts by historians such as Edward Thompson, Eric Hobsbawm, Catherine Hall and Sheila Rowbotham, and by cultural analysts including Raymond Williams, Stuart Hall, and Angela McRobbie, are effectively interwoven with exegeses of environing political trends. The far-reaching theoretical debates about culture and society, -
An Experiment in Decolonial Method Bruce Mckenna
Inhabiting Contemporary Upper Canada: An Experiment in Decolonial Method Bruce McKenna Submitted in partial fulfillment of the requirements for the degree of MA in Political Science School of Political Studies University of Ottawa Supervised by Dr. Dalie Giroux April 2018 1 Introduction The following is an effort to sketch a background for emancipatory political action in the suburbs of Southern Ontario. It is an effort to engage seriously with indigenous voices and integrate insights from decolonial literature into theory about political emancipation in mainstream Canadian society. At meetings with socialist activists in Ottawa, standard practice involves acknowledging that we are working on the unceded and unsurrendered territory of the Algonquin people, and that we should bear in mind the need to decolonize as we go about our work. However the encounter between these two projects—decolonization and mainstream emancipation—often does not feel fully thought through. What does it mean to take decolonization into account on an everyday basis? What ethical imperatives exist vis-à-vis indigenous peoples when we contemplate political action in a major Canadian city? I cannot fully answer these questions. What I am trying to do in this paper is think through the implications of the decolonial literature emerging from indigenous people for how non-indigenous people can understand their place in the world—the context and horizons of their citizenship and political action. To a large extent, I will argue that these implications necessitate a work of positioning, both politically and geographically. I will argue that a useful place to start is by reconsidering our relationship to the land we inhabit in a critical light. -
Drums • Bobby Bradford - Trumpet • James Newton - Flute • David Murray - Tenor Sax • Roberto Miranda - Bass
1975 May 17 - Stanley Crouch Black Music Infinity Outdoors, afternoon, color snapshots. • Stanley Crouch - drums • Bobby Bradford - trumpet • James Newton - flute • David Murray - tenor sax • Roberto Miranda - bass June or July - John Carter Ensemble at Rudolph's Fine Arts Center (owner Rudolph Porter)Rudolph's Fine Art Center, 3320 West 50th Street (50th at Crenshaw) • John Carter — soprano sax & clarinet • Stanley Carter — bass • William Jeffrey — drums 1976 June 1 - John Fahey at The Lighthouse December 15 - WARNE MARSH PHOTO Shoot in his studio (a detached garage converted to a music studio) 1490 N. Mar Vista, Pasadena CA afternoon December 23 - Dexter Gordon at The Lighthouse 1976 June 21 – John Carter Ensemble at the Speakeasy, Santa Monica Blvd (just west of LaCienega) (first jazz photos with my new Fujica ST701 SLR camera) • John Carter — clarinet & soprano sax • Roberto Miranda — bass • Stanley Carter — bass • William Jeffrey — drums • Melba Joyce — vocals (Bobby Bradford's first wife) June 26 - Art Ensemble of Chicago Studio Z, on Slauson in South Central L.A. (in those days we called the area Watts) 2nd-floor artists studio. AEC + John Carter, clarinet sat in (I recorded this on cassette) Rassul Siddik, trumpet June 24 - AEC played 3 nights June 24-26 artist David Hammond's Studio Z shots of visitors (didn't play) Bobby Bradford, Tylon Barea (drummer, graphic artist), Rudolph Porter July 2 - Frank Lowe Quartet Century City Playhouse. • Frank Lowe — tenor sax • Butch Morris - drums; bass? • James Newton — cornet, violin; • Tylon Barea -- flute, sitting in (guest) July 7 - John Lee Hooker Calif State University Fullerton • w/Ron Thompson, guitar August 7 - James Newton Quartet w/guest John Carter Century City Playhouse September 5 - opening show at The Little Big Horn, 34 N.