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Dustin M. Schroeder
Dustin M. Schroeder Assistant Professor of Geophysics Department of Geophysics, School of Earth, Energy, and Environmental Sciences 397 Panama Mall, Mitchell Building 361, Stanford University, Stanford, CA 94305 [email protected], 440.567.8343 EDUCATION 2014 Jackson School of Geosciences, University of Texas, Austin, TX Doctor of Philosophy (Ph.D.) in Geophysics 2007 Bucknell University, Lewisburg, PA Bachelor of Science in Electrical Engineering (B.S.E.E.), departmental honors, magna cum laude Bachelor of Arts (B.A.) in Physics, magna cum laude, minors in Mathematics and Philosophy PROFESSIONAL EXPERIENCE 2016 – present Assistant Professor of Geophysics, Stanford University 2017 – present Assistant Professor (by courtesy) of Electrical Engineering, Stanford University 2020 – present Center Fellow (by courtesy), Stanford Woods Institute for the Environment 2020 – present Faculty Affiliate, Stanford Institute for Human-Centered Artificial Intelligence 2021 – present Senior Member, Kavli Institute for Particle Astrophysics and Cosmology 2016 – 2020 Faculty Affiliate, Stanford Woods Institute for the Environment 2014 – 2016 Radar Systems Engineer, Jet Propulsion Laboratory, California Institute of Technology 2012 Graduate Researcher, Applied Physics Laboratory, Johns Hopkins University 2008 – 2014 Graduate Researcher, University of Texas Institute for Geophysics 2007 – 2008 Platform Hardware Engineer, Freescale Semiconductor SELECTED AWARDS 2021 Symposium Prize Paper Award, IEEE Geoscience and Remote Sensing Society 2020 Excellence in Teaching Award, Stanford School of Earth, Energy, and Environmental Sciences 2019 Senior Member, Institute of Electrical and Electronics Engineers 2018 CAREER Award, National Science Foundation 2018 LInC Fellow, Woods Institute, Stanford University 2016 Frederick E. Terman Fellow, Stanford University 2015 JPL Team Award, Europa Mission Instrument Proposal 2014 Best Graduate Student Paper, Jackson School of Geosciences 2014 National Science Olympiad Heart of Gold Award for Service to Science Education 2013 Best Ph.D. -
Discovering the Lost Race Story: Writing Science Fiction, Writing Temporality
Discovering the Lost Race Story: Writing Science Fiction, Writing Temporality This thesis is presented for the degree of Doctor of Philosophy of The University of Western Australia 2008 Karen Peta Hall Bachelor of Arts (Honours) Discipline of English and Cultural Studies School of Social and Cultural Studies ii Abstract Genres are constituted, implicitly and explicitly, through their construction of the past. Genres continually reconstitute themselves, as authors, producers and, most importantly, readers situate texts in relation to one another; each text implies a reader who will locate the text on a spectrum of previously developed generic characteristics. Though science fiction appears to be a genre concerned with the future, I argue that the persistent presence of lost race stories – where the contemporary world and groups of people thought to exist only in the past intersect – in science fiction demonstrates that the past is crucial in the operation of the genre. By tracing the origins and evolution of the lost race story from late nineteenth-century novels through the early twentieth-century American pulp science fiction magazines to novel-length narratives, and narrative series, at the end of the twentieth century, this thesis shows how the consistent presence, and varied uses, of lost race stories in science fiction complicates previous critical narratives of the history and definitions of science fiction. In examining the implicit and explicit aspects of temporality and genre, this thesis works through close readings of exemplar texts as well as historicist, structural and theoretically informed readings. It focuses particularly on women writers, thus extending previous accounts of women’s participation in science fiction and demonstrating that gender inflects constructions of authority, genre and temporality. -
Madeline Plays Mendelssohn
Madeline Plays Mendelssohn TIMPANOGOS SYMPHONY ORCHESTRA JOHN PEW MUSIC DIRECTOR CELEBRATING Mendelssohn, Violin Concerto 10 YEARS Schubert, Unfinished Symphony February 12 & 13, 2021 7:30 pm Timberline Middle School Concert Program Donna Diana Overture (1894) Emil von Reznicek (1860-1945) Symphony No. 8 “Unfinished” (1822) Franz Schubert (1797-1828) Violin Concerto in E minor, Op. 64 (1845) Felix Mendelssohn (1809-1847) 1. Allegro molto appassionato 2. Andante 3. Allegretto non troppo – Allegro molto vivace Madeline Adkins, violin 1 Violinist Madeline Adkins joined the Utah Symphony as Concertmaster in 2016. Prior to this appointment, she was a member of the Baltimore Symphony Orchestra, performing as Associate Concertmaster for 11 seasons. She was also Concertmaster of the Baltimore Chamber Orchestra from 2008-2016. Adkins performs on the "ex-Chardon" Guadagnini of 1782, graciously loaned by Gabrielle Israelievitch to perpetuate the legacy of her late husband, former Toronto Symphony concertmaster, Jacques Israeliev- itch. She has served as Guest Concertmaster of the Pittsburgh Symphony, the Cincinnati Symphony, the Houston Symphony, the Hong Kong Philharmonic, the Indianapolis Symphony Orchestra, the Grand Teton Music Festival Orchestra, and the Grant Park Symphony Orchestra in Chicago. Adkins has also been a guest artist at numer- ous festivals including the Stellenbosch International Chamber Music Festival in South Africa, the Sarasota Music Festival, Jackson Hole Chamber Music, Music in the Mountains, and the Sewanee Summer Music Festival, as well as a clinician at the National Orchestral Institute, the National Youth Orchestra at Carnegie Hall, and the Haitian Orchestra Institute. In addition, she has served as the Music Director of the NOVA Chamber Music Series in Salt Lake City. -
Britten Connections a Guide for Performers and Programmers
Britten Connections A guide for performers and programmers by Paul Kildea Britten –Pears Foundation Telephone 01728 451 700 The Red House, Golf Lane, [email protected] Aldeburgh, Suffolk, IP15 5PZ www.brittenpears.org Britten Connections A guide for performers and programmers by Paul Kildea Contents The twentieth century’s Programming tips for 03 consummate musician 07 13 selected Britten works Britten connected 20 26 Timeline CD sampler tracks The Britten-Pears Foundation is grateful to Orchestra, Naxos, Nimbus Records, NMC the following for permission to use the Recordings, Onyx Classics. EMI recordings recordings featured on the CD sampler: BBC, are licensed courtesy of EMI Classics, Decca Classics, EMI Classics, Hyperion Records, www.emiclassics.com For full track details, 28 Lammas Records, London Philharmonic and all label websites, see pages 26-27. Index of featured works Front cover : Britten in 1938. Photo: Howard Coster © National Portrait Gallery, London. Above: Britten in his composition studio at The Red House, c1958. Photo: Kurt Hutton . 29 Further information Opposite left : Conducting a rehearsal, early 1950s. Opposite right : Demonstrating how to make 'slung mugs' sound like raindrops for Noye's Fludde , 1958. Photo: Kurt Hutton. Britten Connections A guide for performers and programmers 03 The twentieth century's consummate musician In his tweed jackets and woollen ties, and When asked as a boy what he planned to be He had, of course, a great guide and mentor. with his plummy accent, country houses and when he grew up, Britten confidently The English composer Frank Bridge began royal connections, Benjamin Britten looked replied: ‘A composer.’ ‘But what else ?’ was the teaching composition to the teenage Britten every inch the English gentleman. -
Curriculum Vitae
Curriculum Vitae Lowell E. Graham 1058 Eagle Ridge El Paso, Texas 79912 Residence Work Home e-mail (915) 581-9741 (915) 747-7825 [email protected] Education Doctor of Musical Arts, Catholic University of America, 1977, Orchestral Conducting Graduate Studies in Music, University of Missouri at Kansas City, summers 1972 and 1973 Master of Arts, University of Northern Colorado, 1971, Clarinet Performance Bachelor of Arts, University of Northern Colorado, 1970, Music Education Military Professional Education Air War College, 1996 Air Command and Staff College, 1983 Squadron Officer School, 1977 Work Experience 2009 to Present Director of Orchestral Activities Music Director, UTEP Symphony Orchestra University of Texas at El Paso El Paso, Texas As the Director or Orchestral Activities I am responsible for the training and development of major orchestral ensembles at the university. I began a tradition of featuring faculty soloists as well as winners of the annual student Concerto Competition, now with an award offered by Olivas Music, providing the orchestra the opportunity to perform significant concerto literature as well as learning the art of accompanying. In 2012, I developed a new chamber orchestra called the “UTEP Virtuosi” focusing on significant string orchestra repertoire. I initiated a concert featuring music in movies and for stage in which that music is presented and integrated via multimedia with lectures and video. It has become the capstone event for the year featuring the artistry of faculty soloists and comments per classical music used in movies and music composed exclusively for that medium. Each year six performances are scheduled. Repertoire for each year covers all eras and styles. -
Picturing France
Picturing France Classroom Guide VISUAL ARTS PHOTOGRAPHY ORIENTATION ART APPRECIATION STUDIO Traveling around France SOCIAL STUDIES Seeing Time and Pl ace Introduction to Color CULTURE / HISTORY PARIS GEOGRAPHY PaintingStyles GOVERNMENT / CIVICS Paris by Night Private Inve stigation LITERATURELANGUAGE / CRITICISM ARTS Casual and Formal Composition Modernizing Paris SPEAKING / WRITING Department Stores FRENCH LANGUAGE Haute Couture FONTAINEBLEAU Focus and Mo vement Painters, Politics, an d Parks MUSIC / DANCENATURAL / DRAMA SCIENCE I y Fontainebleau MATH Into the Forest ATreebyAnyOther Nam e Photograph or Painting, M. Pa scal? ÎLE-DE-FRANCE A Fore st Outing Think L ike a Salon Juror Form Your Own Ava nt-Garde The Flo ating Studio AUVERGNE/ On the River FRANCHE-COMTÉ Stream of Con sciousness Cheese! Mountains of Fra nce Volcanoes in France? NORMANDY “I Cannot Pain tan Angel” Writing en Plein Air Culture Clash Do-It-Yourself Pointillist Painting BRITTANY Comparing Two Studie s Wish You W ere Here Synthétisme Creating a Moo d Celtic Culture PROVENCE Dressing the Part Regional Still Life Color and Emo tion Expressive Marks Color Collectio n Japanese Prin ts Legend o f the Château Noir The Mistral REVIEW Winds Worldwide Poster Puzzle Travelby Clue Picturing France Classroom Guide NATIONAL GALLERY OF ART, WASHINGTON page ii This Classroom Guide is a component of the Picturing France teaching packet. © 2008 Board of Trustees of the National Gallery of Art, Washington Prepared by the Division of Education, with contributions by Robyn Asleson, Elsa Bénard, Carla Brenner, Sarah Diallo, Rachel Goldberg, Leo Kasun, Amy Lewis, Donna Mann, Marjorie McMahon, Lisa Meyerowitz, Barbara Moore, Rachel Richards, Jennifer Riddell, and Paige Simpson. -
CLASSICAL MANDOLIN SOCIETY of AMERICA PRESENTS Dorina Frati, Mandolin and Daniele Roi, Harpsichord Gravenstein Mandolin Ensemble Mazurka Madness
CLASSICAL MANDOLIN SOCIETY OF AMERICA PRESENTS Dorina Frati, mandolin and Daniele Roi, harpsichord Gravenstein Mandolin Ensemble Mazurka Madness Thursday, November 15, 2018, 7:30 pm Ballroom, Flamingo Resort & Spa, Santa Rosa CA PROGRAM GRAVENSTEIN MANDOLIN ENSEMBLE Gus Garelick, Music Director El Zopilote Mojado Mexican Mariachi tune Tres Piezas Luis Gianneo (1942) Violin solo: Gus Garelick Vidala - Cancion Incaica - Chacarera Cadiz Isaac Albeniz (1886) Klezmer Medley: Grey Eyes/ Bulgar Jalousie (tango) Jacob Gade (1926) Presto! Franz Joseph Haydn (ca.1780) La Partida Trad. Venezuelan waltz Brejeiro (choro) Ernest Nazareth (1893) Flute and pandeira: Sandy Feldhorn MAZURKA MADNESS Bruce Zweig, piano; Julie Smolin, violin; Gus Garelick and Matt Vuksenich, mandolins; David Wise, bouzouki Alma Andaluza Flamenco paso doble (trad) Tra Veglia e Sonno (mazurka) L.Canoro/P.Denza (1913) Medley of Polkas: Nancy’s Polka Italian Trad. Il Pensiero Giovanni Biondi (1902) Las Perlitas Mexican Trad. Mazurka per Caterina Matteo Casserino (1975) Mandolira Andrini Brothers (ca.1950) La Zingana (Hungarian Mazurka) Carl Bohm (1895) Dengoso Ernesto Nazareth (1917) ― INTERMISSION ― DORINA FRATI & DANIELE ROI Dorina Frati, mandolino; Daniele Roi, clavicembalo Divertimento per camera I in A major Giuseppe Gaetano Boni (ca.1650 – 1732) Preludio(largo) - Corrente(allegro) - Sarabanda - Allegro Divertimento per camera IX in D major Giuseppe Gaetano Boni (ca.1650 – 1732) Allegro – Adagio – Allegro Sonata V in e minor Roberto Valentini (1680–1759) Adagio – Allegro- Largo – Allegro - 2 - Program (cont.) Concerto in C major RV 425 Antonio Vivaldi (1678 –1741) Allegro – Largo – Allegro Sonata in d minor K89 Domenico Scarlatti (1685 –1757) Allegro – Grave - Allegro PERFORMERS Now considered one of the greatest contemporary virtuosos of the mandolin, Dorina Frati began studying the instrument at the age of six under the guidance of various mandolin teachers in Brescia. -
Ernest Guiraud: a Biography and Catalogue of Works
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1990 Ernest Guiraud: A Biography and Catalogue of Works. Daniel O. Weilbaecher Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Weilbaecher, Daniel O., "Ernest Guiraud: A Biography and Catalogue of Works." (1990). LSU Historical Dissertations and Theses. 4959. https://digitalcommons.lsu.edu/gradschool_disstheses/4959 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. INFORMATION TO USERS The most advanced technology has been used to photograph and reproduce this manuscript from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. -
Numerical Listing
SEQ DISC NO LABEL CDN PRICE PERFORMER DESCRIPTION a a THREE FOR TWO! ON ALL ITEMS PRICED AT £5.00, ONE- THIRD (1/3) OFF ALL ORDERS FOR 3 OR MORE a a 23776 0 10 1441-3 Supraphon, blue m A1 £10.00 Talich, Vaclav Vol. 1. Suk: Serenade for Strings; Asrael; Ripening. Czech PO c 22047 1 11 1106 Supraphon s A1 £5.00 Vlach SQ Beethoven: Quartets, Opp.18-1; 18-6 bb 22524 1 11 1755 Supraphon s A1 £5.00 Prague SQ Lubomir Zelezny: Clt. Quintet; Wind Quintet; Piano Trio. Prague Wind Quintet, Smetana Trio bb 23786 10 Penzance, USA m A1 £8.00 Callas, Maria, s Wagner: Parsifal, Act 2. Baldelli, Modesti, Pagliughi, -Gui. Live, 20.xi.50. In Italian a 22789 1007831 VdsM, References m A1 £7.00 Kreisler, Fritz, vn Beethoven; Sonatas 5, "Spring"; 9, "Kreutzer". F. Rupp, pf bb 23610 101 Rara Avis, lacquer m A-1- £10.00 Ginsburg, Grigory, pf Liszt: Bells of Geneva, Campanella, Rigoletto, Spanish Rhapsody / Weber: Rondo brillante / Chopin: Etudes, Op.25, 1-3. From 78s, semi-private issue b 22800 12T 160 Topic m A1 £7.00 Folk Songs of Britain, 1 Child Ballads 1. Various artists (field recordings) e 22707 13029 AP DGG, Archiv, Ger., m A1 £40.00 Schneiderhan, Wolfgang, vn Bach: Partita 2, D minor, for solo violin. Sleeve: buff, gatefold 10" bb 22928 133 004 SLPE DGG, Ger., tulip, 10" s A1 £12.00 Bolechowska, Alina, s Chopin: Lieder. S. Nadgrizowski, pf a 22724 133 122 SLP DGG, Ger., red, tulip, s A1 £12.00 Markevitch, Igor, dir Mozart: Coronation Mass. -
Meeting Program
A A S MEETING PROGRAM 211TH MEETING OF THE AMERICAN ASTRONOMICAL SOCIETY WITH THE HIGH ENERGY ASTROPHYSICS DIVISION (HEAD) AND THE HISTORICAL ASTRONOMY DIVISION (HAD) 7-11 JANUARY 2008 AUSTIN, TX All scientific session will be held at the: Austin Convention Center COUNCIL .......................... 2 500 East Cesar Chavez St. Austin, TX 78701 EXHIBITS ........................... 4 FURTHER IN GRATITUDE INFORMATION ............... 6 AAS Paper Sorters SCHEDULE ....................... 7 Rachel Akeson, David Bartlett, Elizabeth Barton, SUNDAY ........................17 Joan Centrella, Jun Cui, Susana Deustua, Tapasi Ghosh, Jennifer Grier, Joe Hahn, Hugh Harris, MONDAY .......................21 Chryssa Kouveliotou, John Martin, Kevin Marvel, Kristen Menou, Brian Patten, Robert Quimby, Chris Springob, Joe Tenn, Dirk Terrell, Dave TUESDAY .......................25 Thompson, Liese van Zee, and Amy Winebarger WEDNESDAY ................77 We would like to thank the THURSDAY ................. 143 following sponsors: FRIDAY ......................... 203 Elsevier Northrop Grumman SATURDAY .................. 241 Lockheed Martin The TABASGO Foundation AUTHOR INDEX ........ 242 AAS COUNCIL J. Craig Wheeler Univ. of Texas President (6/2006-6/2008) John P. Huchra Harvard-Smithsonian, President-Elect CfA (6/2007-6/2008) Paul Vanden Bout NRAO Vice-President (6/2005-6/2008) Robert W. O’Connell Univ. of Virginia Vice-President (6/2006-6/2009) Lee W. Hartman Univ. of Michigan Vice-President (6/2007-6/2010) John Graham CIW Secretary (6/2004-6/2010) OFFICERS Hervey (Peter) STScI Treasurer Stockman (6/2005-6/2008) Timothy F. Slater Univ. of Arizona Education Officer (6/2006-6/2009) Mike A’Hearn Univ. of Maryland Pub. Board Chair (6/2005-6/2008) Kevin Marvel AAS Executive Officer (6/2006-Present) Gary J. Ferland Univ. of Kentucky (6/2007-6/2008) Suzanne Hawley Univ. -
Eugene Ormandy Commercial Sound Recordings Ms
Eugene Ormandy commercial sound recordings Ms. Coll. 410 Last updated on October 31, 2018. University of Pennsylvania, Kislak Center for Special Collections, Rare Books and Manuscripts 2018 October 31 Eugene Ormandy commercial sound recordings Table of Contents Summary Information....................................................................................................................................3 Biography/History..........................................................................................................................................4 Scope and Contents....................................................................................................................................... 4 Administrative Information........................................................................................................................... 5 Related Materials........................................................................................................................................... 5 Controlled Access Headings..........................................................................................................................6 Collection Inventory...................................................................................................................................... 7 - Page 2 - Eugene Ormandy commercial sound recordings Summary Information Repository University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts Creator Ormandy, Eugene, 1899-1985 -
Concerts with the London Philharmonic Orchestra for Seasons 1946-47 to 2006-07 Last Updated April 2007
Artistic Director NEVILLE CREED President SIR ROGER NORRINGTON Patron HRH PRINCESS ALEXANDRA Concerts with the London Philharmonic Orchestra For Seasons 1946-47 To 2006-07 Last updated April 2007 From 1946-47 until April 1951, unless stated otherwise, all concerts were given in the Royal Albert Hall. From May 1951 onwards, unless stated otherwise, all concerts were given in The Royal Festival Hall. 1946-47 May 15 Victor De Sabata, The London Philharmonic Orchestra (First Appearance), Isobel Baillie, Eugenia Zareska, Parry Jones, Harold Williams, Beethoven: Symphony 8 ; Symphony 9 (Choral) May 29 Karl Rankl, Members Of The London Philharmonic Orchestra, Kirsten Flagstad, Joan Cross, Norman Walker Wagner: The Valkyrie Act 3 - Complete; Funeral March And Closing Scene - Gotterdammerung 1947-48 October 12 (Royal Opera House) Ernest Ansermet, The London Philharmonic Orchestra, Clara Haskil Haydn: Symphony 92 (Oxford); Mozart: Piano Concerto 9; Vaughan Williams: Fantasia On A Theme Of Thomas Tallis; Stravinsky: Symphony Of Psalms November 13 Bruno Walter, The London Philharmonic Orchestra, Isobel Baillie, Kathleen Ferrier, Heddle Nash, William Parsons Bruckner: Te Deum; Beethoven: Symphony 9 (Choral) December 11 Frederic Jackson, The London Philharmonic Orchestra, Ceinwen Rowlands, Mary Jarred, Henry Wendon, William Parsons, Handel: Messiah Jackson Conducted Messiah Annually From 1947 To 1964. His Other Performances Have Been Omitted. February 5 Sir Adrian Boult, The London Philharmonic Orchestra, Joan Hammond, Mary Chafer, Eugenia Zareska,