Selected Conversations on the Context for Leadership in Southern Malawi
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Malawi's Orphans
CHAPTER FOURTEEN MALAWI’S ORPHANS: CHILDREN’S RIGHTS IN RELATION TO HUMANITARIANISM, COMPASSION, AND CHILDCARE Andrea Freidus1 My first reaction is the feeling of helplessness, and hopelessness. Seeing so many eyes of the orphans, innocent and pure makes me feel a little over- whelmed…Poverty and HIV/AIDS, malaria, are now all over southern Africa… Without a heart of compassion and love, without a true passion in helping and offering Madonna could not do this. So I give more credit to her now than before, and I see this as a gift to Malawi rather than a tool of celebrity propaganda. —MSU undergraduate after viewing Madonna’s documentary on Malawi. As an assignment for a women’s studies undergraduate course, students viewed the film “I am Because We Are.” Produced by Madonna to raise awareness about her organization, Raising Malawi, it focuses on the situa- tion of orphans and AIDS in Malawi. Students were asked to respond to the content of the documentary including their perceptions of orphans in Malawi, their overall reaction, and the film’s impact on their desire to be connected or involved with these issues. The above quote is one of many that captures the ability of humanitarians and the organizations they sup- port to use the media to foster an emotional response. This response is based on the recognition of a common humanity and the need to address suffering. The student’s reaction highlights the power of the image of the orphan to bring about a sense of compassion drawing on the innocence of children. -
Meaning of Umunthu
MEANING OF UMUNTHU COMMUNITY SPIRIT FOR THE BUILDING OF THE HUMAN COMMUNITY ON THE EXAMPLE OF THE SOCIO –POLITICAL SITUATION OF MALAWI submitted by Mennas Vincent Mukaka for the Academic Degree of Doctor of Theology at the Karl-Franzens University of Graz Institute/Department of Catholic Theology under the Supervision of Prof. Dr. Leopold Neuhold (1. Supervisor) Prof. DDr. Reinhold Easterbauer (2. Supervisor) © 2015 Mennas Vincent Mukaka iii DECLARATION I DECLARE THAT THIS DISSERTATION IS MY OWN WORK AND ALL THE SOURCES HAVE BEEN QUOTED AND ACKNOWLEDGED BY MEANS OF COMPLETE REFERENCES AND NO PART OF THE DISSERTATION HAS BEEN SUBMITTED FOR ANY OTHER DEGREE. Mennas Vincent Mukaka…………………………………………….. Date:…………………………………………… Place:………………………………………….. iv ACKNOWLEGEMENT “I am because you are, since you are therefore I am”. This thesis is achieved with the assistance of others without whom it could not have been accomplished. There are many people who have contributed to this work and I cannot manage to mention all of them, but all should know and feel that I greatly appreciate their contribution. I would like to acknowledge my deep indebtedness and thanks to the following people in particular: Dr Leopold Neuhold, my doctorate father, and DDr Reinhold Esterbauer, my second supervisor. I have benefited, at different stages of the project, from their contributions and friendly guidance. They are crucially responsible for the actions which led to the completion of this thesis. In addition, this work could not have been completed without the support offered by the Comboni Missionaries of the German Speaking Province (DSP). In particular I thank Mag. Fr. Joseph Altenburger, once my formator in Innsbruck, the then Provincial Superior of the German speaking Province who accepted that I do my studies in Graz. -
Ubuntu: the Contribution of a Representative Indigenous African Ethics to Global Bioethics Leonard T
Duquesne University Duquesne Scholarship Collection Electronic Theses and Dissertations Fall 2012 Interpreting the Culture of Ubuntu: The Contribution of a Representative Indigenous African Ethics to Global Bioethics Leonard T. Chuwa Follow this and additional works at: https://dsc.duq.edu/etd Recommended Citation Chuwa, L. (2012). Interpreting the Culture of Ubuntu: The onC tribution of a Representative Indigenous African Ethics to Global Bioethics (Doctoral dissertation, Duquesne University). Retrieved from https://dsc.duq.edu/etd/408 This Immediate Access is brought to you for free and open access by Duquesne Scholarship Collection. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Duquesne Scholarship Collection. For more information, please contact [email protected]. INTERPRETING THE CULTURE OF UBUNTU: THE CONTRIBUTION OF A REPRESENTATIVE INDIGENOUS AFRICAN ETHICS TO GLOBAL BIOETHICS A Dissertation Submitted to the Center for Healthcare Ethics McAnulty College and Graduate School of Liberal Arts Duquesne University In partial fulfillment of the requirements for the degree of Doctor of Philosophy By Leonard Tumaini Chuwa, A.J., M. A. December, 2012 Copyright by Leonard Tumaini Chuwa, A.J., M.A. 2012 INTERPRETING THE CULTURE OF UBUNTU: THE CONTRIBUTION OF A REPRESENTATIVE INDIGENOUS AFRICAN ETHICS TO GLOBAL BIOETHICS By Leonard Tumaini Chuwa, A.J., M.A. Approved ______________________________________________________________ ___________________________________ ___________________________________ Gerard Magill, Ph.D. Henk ten Have, M.D., Ph.D. Professor of Healthcare Ethics Director, Center for Healthcare Ethics The Vernon F. Gallagher Chair of the Professor of Healthcare Ethics Integration of Science, Theology, (Committee member) Philosophy and Law (Dissertation Director) ___________________________________ ___________________________________ Aaron L. -
Provincial Co-Ordinators Mission and Evangelism Consultation Resurrection Gardens, Nairobi, Kenya 6-13 May 2002 Press Release: M
Provincial Co-ordinators Mission and Evangelism Consultation Resurrection Gardens, Nairobi, Kenya 6-13 May 2002 Press Release: Mission at the heart of the church 'Mission is at the heart of the life and calling of the Church. God's mission of love and life is universal in scope- to all people in all situations (John 3:16)' This was the central affirmation of the first-ever Consultation of Co-ordinators of Mission and Evangelism within the Anglican Communion meeting in Nairobi, Kenya from 6-13 May. Representatives from Anglican provinces in Asia, the Pacific, Australasia, the Middle East, Central, East, West and Southern Africa, North America, the Caribbean and Britain and Ireland met for the first major gathering on mission and evangelism in the Anglican Communion since the end of the Decade of Evangelism. They were joined by representatives from the world mission agencies - the Mothers Union, Church Army (Africa), CMS and USPG. (Mr.) John Clark, Chief Secretary for Mission of the Church of England, chair of the Consultation commented: 'This has been an invigorating and spiritually refreshing experience. I sense a great energy and vitality amongst those present and within the Communion, and a renewed commitment to make evangelism and mission a priority within the life of our church. The Consultation has helped us appreciate the rich variety of the Communion and to be deeply challenged by those amongst us who are seeking to forward the gospel in situations of great suffering and hardship.' The majority of those attending had never participated in an international Anglican Communion gathering before. -
South African Festivals in the United States: an Expression of Policies
South African Festivals in the United States: An Expression of Policies, Power and Networks DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Akhona Ndzuta, MA Graduate Program in Arts Administration, Education and Policy The Ohio State University 2019 Dissertation Committee: Karen E. Hutzel, Ph.D. Wayne P. Lawson, Ph.D. Margaret J. Wyszomirski, Ph.D., Advisor Copyright by Akhona Ndzuta 2019 Abstract This research is a qualitative case study of two festivals that showcased South African music in the USA: the South African Arts Festival which took place in downtown Los Angeles in 2013, and the Ubuntu Festival which was staged at Carnegie Hall in New York in 2014. At both festivals, South African government entities such as the Department of Arts and Culture (DAC), as well as the Department of International Relations and Cooperation (DIRCO) were involved. Due to the cultural, economic and other mandates of these departments, broader South African government policy interests were inadvertently represented on foreign soil. The other implication is that since South African culture was central to these events, it was also key to promoting these acultural policy interests. What this research sets out to do is to explore how these festivals promote the interests of South African musicians while furthering South African government interests, and how policy was an enabler of such an execution. ii Acknowledgements I would like to thank the Oppenheimer Memorial Trust and the National Arts Council of South Africa for their generous funding in the first two years of my studies. -
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Sacro E Profano (Filth and Wisdom)
NANNI MORETTI presenta SACRO E PROFANO (FILTH AND WISDOM) un film di MADONNA USCITA 12 GIUGNO 2009 Ufficio stampa: Valentina Guidi tel. 335.6887778 – [email protected] Mario Locurcio tel. 335.8383364 – [email protected] www.guidilocurcio.it SACRO E PROFANO (Filth and Wisdom) Un film di Madonna Scritto da Madonna & Dan Cadan Produttore esecutivo Madonna Prodotto da Nicola Doring Produttore associato Angela Becker Fotografia Tim Maurice Jones Montaggio Russell Icke Scene Gideon Ponte Costumi B. PERSONAGGI E INTERPRETI A.K. Eugene Hutz Holly Holly Weston Juliette Vicky McClure Professor Flynn Richard E. Grant Sardeep Inder Manocha Uomo d'affari Elliot Levey Francine Francesca Kingdon Chloe Clare Wilkie Harry Beechman Stephen Graham Moglie dell'uomo d'affari Hannah Walters Moglie di Sardeep Shobu Kapoor DJ Ade Lorcan O’Niell Guy Henry Nunzio Nunzio Palmara Mr Frisk Tim Wallers Padre di A.K. Olegar Fedorov Giovane A.K. Luca Surguladze Mikey Steve Allen Durata: 80’ I materiali stampa sono disponibili sul sito www.guidilocurcio.it 2 SACRO E PROFANO (Filth and Wisdom) SINOSSI A.K. (Eugene Hutz) è un musicista costretto a soddisfare i fantasmi sadomaso dei suoi clienti per poter finanziare le prove del suo gruppo punk-gitano. Juliette (Vicky McClure) lavora in farmacia ma sogna di fare la volontaria in Africa. Holly (Holly Weston) è una ballerina classica che, per pagare l'affitto, inizia una carriera inaspettatamente brillante come lap dancer. Attorno a loro una Londra colorata, multietnica, abitata da personaggi folkloristici. Un film eccentrico, ironico, che racconta storie uniche e universali attraverso la vita quotidiana - buffa, a volte tragica, ma sempre terribilmente autentica - dei suoi protagonisti. -
Universidade Do Algarve Bodybuilders: A
UNIVERSIDADE DO ALGARVE BODYBUILDERS: A CONSTRUÇÃO DO CORPO, DO SUJEITO E DA ALTERIDADE ENQUANTO OBJECTO ARTÍSTICO Rafael Alvarez Dissertação Doutoramento em Artes, Comunicação e Património (Especialidade em Comunicação, Cultura e Artes) 2016 UNIVERSIDADE DO ALGARVE BODYBUILDERS: A CONSTRUÇÃO DO CORPO, DO SUJEITO E DA ALTERIDADE ENQUANTO OBJECTO ARTÍSTICO Rafael Alvarez Dissertação Doutoramento em Artes, Comunicação e Património (Especialidade em Comunicação, Cultura e Artes) Trabalho efectuado sob a orientação de: Professora Doutora Eugénia Vasques e co-orientação de: Professor António Branco 2016 BODYBUILDERS: A CONSTRUÇÃO DO CORPO, DO SUJEITO E DA ALTERIDADE ENQUANTO OBJECTO ARTÍSTICO Rafael Alvarez RESUMO PALAVRAS-CHAVE: corpo, identidade, sujeito, self, outro, espelho, performance, género, pós-modernidade, pós-colonialismo, liberdade, pluralismo, pop. BODYBUILDERS, incide na análise e reflexão em torno de um conjunto de obras e criadores cujo discurso e prática autoral se foca no corpo enquanto matéria, forma e objecto, através da sua espectacularização/especulação. A auto- representação do corpo e a construção de identidade(s)/subjectividade(s) e do lugar do outro, surgem como problemáticas centrais desta investigação, Falamos de artistas e obras que vivem de imagens construídas, coladas, esculpidas, materializadas, subtraídas, travestidas e inscritas no corpo – o corpo do artista/criador/autor, ele mesmo, corporalizadas na primeira pessoa do singular. O corpo funciona aqui como canvas, como folha em branco, palco vazio, cenário -
A Case Study Examining the Experiences of an African-Centered Rites of Passage Program Within a Community Based Organization
Iowa State University Capstones, Theses and Graduate Theses and Dissertations Dissertations 2021 “UBUNTU” I am because we are: A case study examining the experiences of an African-centered Rites of Passage program within a community based organization Alade S. McKen Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/etd Recommended Citation McKen, Alade S., "“UBUNTU” I am because we are: A case study examining the experiences of an African- centered Rites of Passage program within a community based organization" (2021). Graduate Theses and Dissertations. 18557. https://lib.dr.iastate.edu/etd/18557 This Dissertation is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. “UBUNTU” I am because we are: A case study examining the experiences of an African- centered Rites of Passage program within a community-based organization by Alade Shola McKen A dissertation submitted to the graduate faculty in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY Major: Education Program of Study Committee: Katy Swalwell, Co-major Professor Julio Cammarota, Co-major Professor Isaac Gottesman Noreen Rodriguez Douglas Wieczorek The student author, whose presentation of the scholarship herein was approved by the program of study committee, is solely responsible for the content of this dissertation. The Graduate College will ensure this dissertation is globally accessible and will not permit alterations after a degree is conferred. -
Madonna Ile Wiesz O Królowej Popu?
Madonna Ile wiesz o królowej popu? Poziom trudności: Średni 1. W jaką trasę koncertową wyruszyła Madonna w 1990 roku? A - The Girly Show Tour B - The Blond Ambition Tour C - The Bad Tour D - The Confessions Tour 2. Ja się nazywa 2. mąż madonny? A - Guy Richie B - Tom Cruise C - Brad Pitt D - Stuart Price 3. Ile dzieci ma Madonna? A - 1 B - 2 C - 3 D - żadnego 4. Z jakim piosenkarzem nagrała singiel '4 minutes'? A - Robbie Williamsem B - Ricky Martinem C - Kanye Westem D - Justinem Timberlakem 5. W którym roku została wydana jej pierwszy album? A - 1981 B - 1983 C - 1984 D - 1986 Copyright © 1995-2021 Wirtualna Polska 6. Singiel Madonny, który zajmował pierwsze miejsce na liście Billboard 100 aż przez 7 tygodni to: A - Like a virgin B - Vogue C - Take a bow D - Hung up 7. Do którego singla nakręcono kontrowersyjny teledysk w hotelu w Paryżu? A - Express yourself B - Erotica C - Justify my love D - Sorry 8. Jaki wizerunek przybiera Madonna w teledysku do piosenki 'Don't tell me" A - Indianki B - Japonki C - Cowboyki D - Cyganki 9. Z ajkiego afrykańskiego kraju pochodzi jej adoptowany syn? A - Malawi B - Sudan C - Nigeria D - Madagaskar 10. Za rolę w jakim filmie Madonna dostała Złotego Globa? A - Godziny B - Evita C - Filadelfia D - Układ prawie idealny 11. Z jaką piosenkarką nagrał piosenkę 'Me against the music'? A - Christina Aguilerą B - Pink C - Rihanną Copyright © 1995-2021 Wirtualna Polska D - Britney Spears 12. W teledysku do której piosenki Madonna śpiewa na tle płonących krzyży? A - Live to tell B - Erotica C - Like a prayer D - Papa don't preach 13. -
The Value of Ubuntu in Social Work
_____________________________________________________________________ AJSW, Volume 3, Number 1, 2013 Mugumbate, J. & Nyanguru, A. EXPLORING AFRICAN PHILOSOPHY: THE VALUE OF UBUNTU IN SOCIAL WORK Mugumbate, Jacoba and Nyanguru, Andrewb ABSTRACT This paper looks at the concept of ubuntu, how it has been applied in different fields and lessons that can be drawn for the social work profession. Ubuntu can best be described as an African philosophy that places emphasis on ‘being self through others’. It is a form of humanism which can be expressed in the phrases ‘I am because of who we all are’ and ubuntu ngumuntu ngabantu in Zulu language. So far, it has been successfully applied in theology, management and computer science. This paper concludes that its utilisation in these disciplines makes it suitable for application in social work especially to enhance practice ethics, community work and conduct in research. the paper was based on desk research. KEY TERMS: ubuntu; African philosophy; social work; humanism a Department of Social Work, Bindura University of Science Education, Zimbabwe. Contacts: [email protected], P. Bag 1020 Bindura b School of Social Work, University of Zimbabwe, Zimbabwe. Contacts: P. Bag 66022 Kopje, Harare. African Journal of Social Work, 3(1), August 2013 82 _____________________________________________________________________ _____________________________________________________________________ AJSW, Volume 3, Number 1, 2013 Mugumbate, J. & Nyanguru, A. INTRODUCTION This paper explores ubuntu and makes an attempt -
Persona As Key Component in (Cultural) Person Branding
Persona Studies 2020, vol. 6, no. 1 PERSONA AS KEY COMPONENT IN (CULTURAL) PERSON BRANDING NICHOLAS QYLL INDEPENDENT SCHOLAR ABSTRACT This article examines the elements and processes involved in the visual construction of person brands, and their personas as key components of those brands, in pursuit of the research question: What pictorial design strategies make person brands succeed? Key findings of the empirical investigation of the iconic artist brand Madonna allow a focus on Madonna’s image and her fans’ co-creative image practice through a visual frame analysis and cultural reading of her self- brand. Madonna has created a complex ‘worldview world’ that is governed by a metanarrative and feeds on the diverse acts of referencing cultural image icons. At the same time, central strategies of her image representations are reflected in the fan artefacts investigated. This article thus focuses not only on the role of the visual in person branding and in a modern-day visual brand culture. It also considers the place and form of such cultural person branding within the persona studies field. KEY WORDS Cultural Person Branding; Persona; Visual Representation; Madonna; Prosumer Culture; Fanart INTRODUCTION: CULTURAL PERSON BRANDING Brands are pervasive phenomena of our time (Kornberger 2010; Lury 2004; Marshall 2017; Moor 2007) that comprise not just companies, products and services, but increasingly persons. The broadening of the brand concept is promoted by challenging conditions of perception when an image-dominated information society seems to say “esse est percipi”: you can’t stand out from the crowd unless you show yourself. This visibility requirement emphatically calls for construction of a public persona (Marshall 2015, p.