2013-2014 Mostly Music: Beethoven
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All Strings Considered a Subjective List of Classical Works
All Strings Considered A Subjective List of Classical Works & Recordings All Recordings are available from the Lake Oswego Public Library These are my faves, your mileage may vary. Bill Baars, Director Composer / Title Performer(s) Comments Middle Ages and Renaissance Sequentia We carry a lot of plainsong and chant; HILDEGARD OF BINGEN recordings by the Anonymous 4 are also Antiphons highly recommended. Various, Renaissance vocal and King’s Consort, Folger Consort instrumental collections. or Baltimore Consort Baroque Era Biondi/Europa Galante or Vivaldi wrote several hundred concerti; try VIVALDI Loveday/Marriner. the concerti for multiple instruments, and The Four Seasons the Mandolin concerti. Also, Corelli's op. 6 and Tartini (my fave is his op.96). HANDEL Asch/Scholars Baroque For more Baroque vocal, Bach’s cantatas - Messiah Ensemble, Shaw/Atlanta start with 80 & 140, and his Bach B Minor Symphony Orch. or Mass with John Gardiner conducting. And for Jacobs/Freiberg Baroque fun, Bach's “Coffee” cantata. orch. HANDEL Lamon/Tafelmusik For an encore, Handel's “Music for the Royal Water Music Suites Fireworks.” J.S. BACH Akademie für Alte Musik Also, the Suites for Orchestra; the Violin and Brandenburg Concertos Berlin or Koopman, Pinnock, Harpsicord Concerti are delightful, too. or Tafelmusik J.S. BACH Walter Gerwig More lute - anything by Paul O'Dette, Ronn Works for Lute McFarlane & Jakob Lindberg. Also interesting, the Lute-Harpsichord. J.S. BACH Bylsma on period cellos, Cello Suites Fournier on a modern instrument; Casals' recording was the standard Classical Era DuPre/Barenboim/ECO & HAYDN Barbirolli/LSO Cello Concerti HAYDN Fischer, Davis or Kuijiken "London" Symphonies (93-101) HAYDN Mosaiques or Kodaly quartets Or start with opus 9, and take it from there. -
Everything Essential
Everythi ng Essen tial HOW A SMALL CONSERVATORY BECAME AN INCUBATOR FOR GREAT AMERICAN QUARTET PLAYERS BY MATTHEW BARKER 10 OVer tONeS Fall 2014 “There’s something about the quartet form. albert einstein once Felix Galimir “had the best said, ‘everything should be as simple as possible, but not simpler.’ that’s the essence of the string quartet,” says arnold Steinhardt, longtime first violinist of the Guarneri Quartet. ears I’ve been around and “It has everything that is essential for great music.” the best way to get students From Haydn, Mozart, Beethoven, and Schubert through the romantics, the Second Viennese School, Debussy, ravel, Bartók, the avant-garde, and up to the present, the leading so immersed in the act of composers of each generation reserved their most intimate expression and genius for that basic ensemble of two violins, a viola, and a cello. music making,” says Steven Over the past century america’s great music schools have placed an increasing emphasis tenenbom. “He was old on the highly specialized and rigorous discipline of quartet playing. among them, Curtis holds a special place despite its small size. In the last several decades alone, among the world and new world.” majority of important touring quartets in america at least one chair—and in some cases four—has been filled by a Curtis-trained musician. (Mr. Steinhardt, also a longtime member of the Curtis faculty, is one.) looking back, the current golden age of string quartets can be traced to a mission statement issued almost 90 years ago by early Curtis director Josef Hofmann: “to hand down through contemporary masters the great traditions of the past; to teach students to build on this heritage for the future.” Mary louise Curtis Bok created a haven for both teachers and students to immerse themselves in music at the highest levels without financial burden. -
Touring Biz Awaits Rap Boom
Y2,500 (JAPAN) $6.95 (U.S.), $8.95 (CAN.), £5.50 (U.K.), 8.95 (EUROPE), II1I11 111111111111 IIIIILlll I !Lull #BXNCCVR 3 -DIGIT 908 #90807GEE374EM002# BLBD 863 A06 B0116 001 MAR 04 2 MONTY GREENLY 3740 ELM AVE # A LONG BEACH CA 90807 -3402 HOME ENTERTAINMENT THE INTERNATIONAL NEWSWEEKLY OF MUSIC, VIDEO, AND Labels Hitching Stars To Clive Greeted As New RCA Chief Global Consumer Brands Artists, Managers Heap Praise On Davis, But Some Just Want Stability given five -year contracts, according BY MELINDA NEWMAN BY BRIAN GARRITY Goldstuck had been pres- While managers of acts signed to to Davis. NEW YORK -In the latest sign of J Records. Richard RCA Records are quick to praise out- ident/C00 that the marketing of music is will continue as executive going RCA Music Group (RMG) Sanders undergoing a sea change, the RCA Records. chairman Bob Jamieson, they are also VP /GM of major labels are forging closer ties "We absolutely loved and have heralding the news that J Records with global consumer brands in with Bob Jamieson head Clive Davis will now control enjoyed working an effort to gain exposure for their and hope our paths will cross with him both the J label and RCA Records. acts. As the deals become more says artist manager Irving BMG announced Nov. 19 that it is again," pervasive, they raise questions for whose client Christina Aguilera buying out Davis' 50 %, stake in J Azoff, artists, who have typically cut on RCA Oct. 29. "I've Records -the label he formed in released Stripped their own sponsorship deals. -
110988 Bk Menuhin 19/07/2004 11:42Am Page 4
110988 bk Menuhin 19/07/2004 11:42am Page 4 Ward Marston ADD In 1997 Ward Marston was nominated for the Best Historical Album Grammy Award for his production work on Great Violinists • Menuhin 8.110988 BMG’s Fritz Kreisler collection. According to the Chicago Tribune, Marston’s name is ‘synonymous with tender loving care to collectors of historical CDs’. Opera News calls his work ‘revelatory’, and Fanfare deems him ‘miraculous’. In 1996 Ward Marston received the Gramophone award for Historical Vocal Recording of the Year, honouring his production and engineering work on Romophone’s complete recordings of Lucrezia Bori. He also served as re-recording engineer for the Franklin Mint’s Arturo Toscanini issue and BMG’s Sergey Rachmaninov recordings, both winners of the Best Historical Album Grammy. Born blind in 1952, Ward Marston has amassed tens of thousands of opera classical records over the past four MOZART decades. Following a stint in radio while a student at Williams College, he became well-known as a reissue producer in 1979, when he restored the earliest known stereo recording made by the Bell Telephone Laboratories in 1932. Violin Sonatas In the past, Ward Marston has produced records for a number of major and specialist record companies. Now he is bringing his distinctive sonic vision to bear on works released on the Naxos Historical label. Ultimately his goal is to make the music he remasters sound as natural as possible and true to life by ‘lifting the voices’ off his old 78 rpm K. 376 and K. 526 recordings. His aim is to promote the importance of preserving old recordings and make available the works of great musicians who need to be heard. -
Program Notes | January 25/26
PROGRAM NOTES | JANUARY 25/26 George Walker in musical composition turned serious after LYRIC FOR STRINGS graduating from Curtis. He went to Europe and Born in Washington, D.C., June 27, 1922 studied with Nadia Boulanger. Upon returning Died in Montclair, New Jersey, to the States, he earned his Doctoral degree in August 23, 2018 composition from the Eastman School of Music. Last performed by the Wichita Symphony Teaching was the third component of Walker’s December 10/11, 1994 life in music. He enjoyed positions at Smith College, the University of Colorado, and most Most people in the audience this weekend may importantly at Rutgers University in New be encountering the music of George Walker Jersey, where he taught for twenty-three years for the first time. The Lyric for Strings, Walker’s until his retirement in 1992. most performed work is an appropriate introduction as it makes a long overdue Walker’s list of compositions includes over 100 appearance on a Wichita Symphony program. works covering a wide range of genres, from sonatas, quartets, art songs, choral works, Described by one writer as “an under-heard to symphonic works. He received numerous American Master,” George Walker’s was a awards including the Pulitzer Prize for Music in “trailblazer” in a career full of firsts for an 1996 for Lilacs, a work for voice and orchestra African-American musician: one of the first based on poetry by Walt Whitman. Many to graduate from the Curtis Institute of Music leading orchestras and organizations including (1945), first to give a Town Hall debut recital the Boston Symphony, Cleveland Orchestra, on piano (1945), perform as a soloist with New York Philharmonic, the John F. -
A Listening Guide for the Indispensable Composers by Anthony Tommasini
A Listening Guide for The Indispensable Composers by Anthony Tommasini 1 The Indispensable Composers: A Personal Guide Anthony Tommasini A listening guide INTRODUCTION: The Greatness Complex Bach, Mass in B Minor I: Kyrie I begin the book with my recollection of being about thirteen and putting on a recording of Bach’s Mass in B Minor for the first time. I remember being immediately struck by the austere intensity of the opening choral singing of the word “Kyrie.” But I also remember feeling surprised by a melodic/harmonic shift in the opening moments that didn’t do what I thought it would. I guess I was already a musician wanting to know more, to know why the music was the way it was. Here’s the grave, stirring performance of the Kyrie from the 1952 recording I listened to, with Herbert von Karajan conducting the Vienna Philharmonic. Though, as I grew to realize, it’s a very old-school approach to Bach. Herbert von Karajan, conductor; Vienna Philharmonic (12:17) Today I much prefer more vibrant and transparent accounts, like this great performance from Philippe Herreweghe’s 1996 recording with the chorus and orchestra of the Collegium Vocale, which is almost three minutes shorter. Philippe Herreweghe, conductor; Collegium Vocale Gent (9:29) Grieg, “Shepherd Boy” Arthur Rubinstein, piano Album: “Rubinstein Plays Grieg” (3:26) As a child I loved “Rubinstein Plays Grieg,” an album featuring the great pianist Arthur Rubinstein playing piano works by Grieg, including several selections from the composer’s volumes of short, imaginative “Lyrical Pieces.” My favorite was “The Shepherd Boy,” a wistful piece with an intense middle section. -
Apple Hill String Quartet
Apple Hill String Quartet The Apple Hill String Quartet has earned accolades from around the world for their interpretive mastery of such traditional repertoire as Haydn, Mozart, Schubert, Schumann, Beethoven, and Ravel — along with their special dedication to seldom heard masterworks and contemporary music. They have performed concerts extensively throughout the United States, Europe, the Middle East, and Asia as part of Apple Hill’s innovative Playing for Peace™ program. Education is an integral part of the quartet’s mission — therefore they have conducted mini- residencies in embassies, communities, schools and universities locally in the Monadnock region, nationally in the major U.S. cities, and throughout the world in such faraway places as Lebanon, Syria, Jordan, Israel, Palestine, Algiers, Cyprus, Ireland, England, Burma, Vietnam, Malaysia, Azerbaijan, Armenia, Georgia, and Russia. They also spend countless hours as dedicated teacher-performers at Apple Hill’s renowned Summer Chamber Music Workshop, held each summer on the 100-acre Apple Hill campus. As 21st-century musicians, the quartet is deeply committed to the commissioning of new works. Their recent commission by composer and long-time “Apple Hiller” Daniel Sedgwick was premiered at Apple Hill in 2009 and performed to critical acclaim throughout the U.S., Europe, and the Middle East. Their project, “Around the World with Playing for Peace™", features the rich multicultural repertoire of works and compositions associated with countries visited through the Playing for Peace™ program, as seen through the lens of the string quartet. Featured composers have included Victor Ullman (String Quartet #3, written in the Theresienstadt Concentration Camp), Turkish composer Ekrem Zeki Ün, Armenian composers Alan Hovhaness and A. -
View PDF Online
MARLBORO MUSIC 60th AnniversAry reflections on MA rlboro Music 85316_Watkins.indd 1 6/24/11 12:45 PM 60th ANNIVERSARY 2011 MARLBORO MUSIC Richard Goode & Mitsuko Uchida, Artistic Directors 85316_Watkins.indd 2 6/23/11 10:24 AM 60th AnniversA ry 2011 MARLBORO MUSIC richard Goode & Mitsuko uchida, Artistic Directors 85316_Watkins.indd 3 6/23/11 9:48 AM On a VermOnt HilltOp, a Dream is BOrn Audience outside Dining Hall, 1950s. It was his dream to create a summer musical community where artists—the established and the aspiring— could come together, away from the pressures of their normal professional lives, to exchange ideas, explore iolinist Adolf Busch, who had a thriving music together, and share meals and life experiences as career in Europe as a soloist and chamber music a large musical family. Busch died the following year, Vartist, was one of the few non-Jewish musicians but Serkin, who served as Artistic Director and guiding who spoke out against Hitler. He had left his native spirit until his death in 1991, realized that dream and Germany for Switzerland in 1927, and later, with the created the standards, structure, and environment that outbreak of World War II, moved to the United States. remain his legacy. He eventually settled in Vermont where, together with his son-in-law Rudolf Serkin, his brother Herman Marlboro continues to thrive under the leadership Busch, and the great French flutist Marcel Moyse— of Mitsuko Uchida and Richard Goode, Co-Artistic and Moyse’s son Louis, and daughter-in-law Blanche— Directors for the last 12 years, remaining true to Busch founded the Marlboro Music School & Festival its core ideals while incorporating their fresh ideas in 1951. -
Scott Ballantyne
present Discover The Birthday Boys Live on the Radio with Maestro George Marriner Maull Friday, May 7, 2021 8:00 PM - 10:00 PM The Birthdayy Boys Tchaikovskyik and Brahms, born onon May 7th, seven years and 2,000 miles apart, developed very different approaches to writing music. These differences will be explored by Maestro Maull and The Discovery Orchestra Quartet in this special live radio broadcast of Inside Music produced in conjunction with WWFM, The Classical Network. The producer of Inside Music is David Osenberg. The Discovery Orchestra Quartet Discovery Orchestra members violinist Rebekah Johnson, cellist Scott Ballantyne, pianist Hiroko Sasaki and violist Arturo Delmoni along with Maestro Maull will explore the fourth movement, Rondo alla Zingarese: presto from the Brahms G Minor Piano Quartet No. 1, Opus 25. Pianist Hiroko Sasaki will also share the Tchaikovsky Romance in F Minor: Andante cantabile, Opus 5. Click here for the Listening Guide. Stream from anywhere at wwfm.org or listen on 89.1 in the Trenton, NJ/Philadelphia area. Rebekah Johnson Discovery Orchestra assistant concertmaster Rebekah Johnson began violin studies in Iowa at age three and at six gave her first public performance on a CBS television special. Later that year she was awarded first prize in the Minneapolis Young Artist Competition for her performance of Mozart's Fourth Violin Concerto. After graduating high school she moved to New York City to study with Ivan Galamian and Sally Thomas receiving Bachelor and Master of Music degrees from The Juilliard School. Her chamber music coaches included Joseph Gingold, Leonard Rose, Felix Galimir and the Juilliard Quartet. -
The Dallas Symphony Orchestra Presents: the Nature of Music May, 2021 Dear Fellow Educators
The Dallas Symphony Orchestra Presents: The Nature of Music May, 2021 Dear Fellow Educators, As spring arrives each year, I am reminded of the powerful relationship between nature and music. Both start as a single seed (or note!) and go on to blossom into something beautiful. Each plant, like each piece of music, is both a continuation of what came before and the start of something new. With Earth Day just a few weeks before our May concert, we wanted to use this Youth Concert as a way to explore and honor our planet through the lens of classical music. During our program, The Nature of Music, you and your students will hear music inspired by rivers, wildflowers, birds, and a busy bumblebee! Musicians have often used the earth’s natural beauty as inspiration for their music, and they try to use musical sounds to paint a picture for our ears, much like an artist would use different colors to paint a picture for our eyes. Each lesson will help your students explore and experience this connection. This concert will be offered virtually (available May 16 – June 4) but we are also accepting reservations for in-person viewing! Our two back-to-back concerts will be on Wednesday, May 5 at 10am and 11:30am. Please contact me or email my colleague in sales, Sabrina Siggers (contact information below), to reserve your classes reservation. You can see up-to-date Meyerson safety protocol below. We humans have a responsibility to respect and care for animals, plants, and the earth’s natural resources. -
The Boston Symphony Orchestra Seiji Ozawa, Music Director & Conductor Peter Serkin, Piano
PETER LIEBERSON New World Records 80325 Piano Concerto The Boston Symphony Orchestra Seiji Ozawa, music director & conductor Peter Serkin, piano Peter Lieberson was born in New York City on October 25, 1946; he lives in Newton Center, Massachusetts, and is currently teaching at Harvard. His Piano Concerto is one of twelve works commissioned by the Boston Symphony Orchestra for its centennial in 1981. From the beginning the piano solo part was intended for Peter Serkin, who gave the first performance with Seiji Ozawa and the Boston Symphony Orchestra on April 21, 1983, in Symphony Hall, Boston. The youngest of the 12 composers commissioned by the Boston Symphony Orchestra for its centennial, Peter Lieberson grew up in a family where music was ubiquitous. Both his parents were important figures in the artistic world. His father, Goddard Lieberson, himself a trained composer, was perhaps best known as the most influential record-company executive in the artistic world. Peter's mother, under the stage name Vera Zorina, was a ballerina with the Ballets Russes de Monte Carlo and later with George Balanchine, before she became known as a specialist in spoken narration. Through a job at New York's classical music radio station WNCN, Lieberson came to know Aaron Copland and Virgil Thomson. But the crucial connection came when Copland invited Milton Babbitt to do a program. Until that time the major influence on Lieberson's music was Stravinsky. Now he began to study informally with Babbitt. At Babbitt's suggestion Lieberson chose Columbia when he decided to pursue graduate studies; there he worked with Charles Wuorinen (the third of his three principal teachers would be Donald Martino, with whom he studied at Brandeis University). -
2018-2019 Mostly Music: Franz Schubert
Mostly Music Franz Schubert (1797-1828) Mostly Music Franz Schubert Thursday, March 14th at 7:30 p.m. Amarnick-Goldstein Concert Hall Dr. Thomas L. McKinley, Host Sonata in a minor D. 821 “Arpeggione” I. Allegro moderato II. Adagio III. Allegretto Eric Varner, bassoon Lisa Leonard, piano Fantasy in f minor, Op. 103, D. 940 for piano four-hands I. Allegro Molto moderato II. Largo III. Scherzo: Allegro vivace IV. Finale: Allegro molto moderato Roberta Rust & Sheng-Yuan Kuan, pianists Intermission Trio No. 2 in E-flat Major Op. 100, D. 929 I. Allegro II. Andante con moto III. Scherzando- allegro moderato IV. Allegro moderato Carol Cole, violin David Cole, cello Sheng-Yuan Kuan, piano Please silence or turn off all electronic devices, including cell phones, beepers, and watch alarms. Unauthorized recording or photography is strictly prohibited Carol Cole’s appearances in the United States, Canada, South America, North Africa, China, and throughout Europe have brought unanimous critical praise for her musical artistry, flawless technique and beautiful tone. “She knows how to capture the hearts of her listeners,” writes the Messaggero of Venice, Italy; “Passionate violin playing, carefully sculpted and crafted,” notes The Pocono Record in Pennsylvania. From Saratoga, New York, the Post Star described her playing as “brilliant, focused and impassioned – exceptional.” The Philadelphia Inquirer reviewed Ms. Cole’s performance at the Mozart- on-the-Square Chamber Music Series as “providing firm, accurate and spirited leadership – her sense of timing and sound (are) musical indeed.” Equally at home as a soloist, chamber musician and orchestra leader, Cole has appeared at major music centers in more than 22 countries and 25 U.S.