Queering the Ethiopian Eunuch
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Eunuchs in the East, Men in the West? 147
Eunuchs in the East, Men in the West? 147 Chapter 8 Eunuchs in the East, Men in the West? Dis/unity, Gender and Orientalism in the Fourth Century Shaun Tougher Introduction In the narrative of relations between East and West in the Roman Empire in the fourth century AD, the tensions between the eastern and western imperial courts at the end of the century loom large. The decision of Theodosius I to “split” the empire between his young sons Arcadius and Honorius (the teenage Arcadius in the east and the ten-year-old Honorius in the west) ushered in a period of intense hostility and competition between the courts, famously fo- cused on the figure of Stilicho.1 Stilicho, half-Vandal general and son-in-law of Theodosius I (Stilicho was married to Serena, Theodosius’ niece and adopted daughter), had been left as guardian of Honorius, but claimed guardianship of Arcadius too and concomitant authority over the east. In the political manoeu- vrings which followed the death of Theodosius I in 395, Stilicho was branded a public enemy by the eastern court. In the war of words between east and west a key figure was the (probably Alexandrian) poet Claudian, who acted as a ‘pro- pagandist’ (through panegyric and invective) for the western court, or rather Stilicho. Famously, Claudian wrote invectives on leading officials at the eastern court, namely Rufinus the praetorian prefect and Eutropius, the grand cham- berlain (praepositus sacri cubiculi), who was a eunuch. It is Claudian’s two at- tacks on Eutropius that are the inspiration and central focus of this paper which will examine the significance of the figure of the eunuch for the topic of the end of unity between east and west in the Roman Empire. -
Baldassare Castiglione's Love and Ideal Conduct
Chapter 1 Baldassare Castiglione’s B OOK OF THE COURTIER: Love and Ideal Conduct Baldassare Castiglione’s Book of the Courtier was quite possibly the single most popular secular book in sixteenth century Europe, pub- lished in dozens of editions in all major European languages. The Courtier is a complex text that has many reasons for its vast popular- ity. Over the years it has been read as a guide to courtly conduct, a meditation on the nature of service, a celebration of an elite com- munity, a reflection on power and subjection, a manual on self- fashioning, and much else besides. But The Courtier must also be seen as a book about love. The debates about love in The Courtier are not tangential to the main concerns of the text; they are funda- mental to it. To understand the impact of The Courtier on discourses of love, one must place the text’s debates about love in the context of the Platonic ideas promulgated by Ficino, Bembo, and others, as well as the practical realities of sexual and identity politics in early modern European society. Castiglione’s dialogue attempts to define the perfect Courtier, but this ideal figure of masculine self-control is threatened by the instability of romantic love. Castiglione has Pietro Bembo end the book’s debates with a praise of Platonic love that attempts to redefine love as empowering rather than debasing, a practice of self-fulfillment rather than subjection. Castiglione’s Bembo defines love as a solitary pursuit, and rejects the social in favor of the individual. -
Raphael's Portrait of Baldassare Castiglione (1514-16) in the Context of Il Cortegiano
Virginia Commonwealth University VCU Scholars Compass Theses and Dissertations Graduate School 2005 Paragon/Paragone: Raphael's Portrait of Baldassare Castiglione (1514-16) in the Context of Il Cortegiano Margaret Ann Southwick Virginia Commonwealth University Follow this and additional works at: https://scholarscompass.vcu.edu/etd Part of the Arts and Humanities Commons © The Author Downloaded from https://scholarscompass.vcu.edu/etd/1547 This Thesis is brought to you for free and open access by the Graduate School at VCU Scholars Compass. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of VCU Scholars Compass. For more information, please contact [email protected]. O Margaret Ann Southwick 2005 All Rights Reserved PARAGONIPARAGONE: RAPHAEL'S PORTRAIT OF BALDASSARE CASTIGLIONE (1 5 14-16) IN THE CONTEXT OF IL CORTEGIANO A Thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts at Virginia Cornmonwealtli University. MARGARET ANN SOUTHWICK M.S.L.S., The Catholic University of America, 1974 B.A., Caldwell College, 1968 Director: Dr. Fredrika Jacobs Professor, Department of Art History Virginia Commonwealth University Richmond, Virginia December 2005 Acknowledgenients I would like to thank the faculty of the Department of Art History for their encouragement in pursuit of my dream, especially: Dr. Fredrika Jacobs, Director of my thesis, who helped to clarify both my thoughts and my writing; Dr. Michael Schreffler, my reader, in whose classroom I first learned to "do" art history; and, Dr. Eric Garberson, Director of Graduate Studies, who talked me out of writer's block and into action. -
Paul MAGDALINO Domaines De Recherche Adresse Personnelle
Paul MAGDALINO Professeur émérite de l’Université de St Andrews (Ecosse) Distinguished Research Professor, Koç University, Istanbul Membre de l’Académie Britannique Domaines de recherche Culture littéraire et religieuse de Constantinople Mentalités et représentation du pouvoir Urbanisme métropolitain et provincial Adresse personnelle 2 route de Volage, 01420, Corbonod, France Tél. 04 57 05 10 54 Curriculum vitae Né le 10 mai 1948 Etudes à Oxford, 1967-1977 Doctorat (DPhil) 1977 Enseignant (Maître de conférences, professeur associé, professeur), University of Saint Andrews, 1977-2009 Professeur à l’Université Koç d’Istanbul, 2004-2008 et 2010-2014 Fellow à Dumbarton Oaks, 1974-1975, 1994, 2013, 2015 Andrew Mellon Fellow, Catholic University of America, 1976-1977 A. v. Humboldt- Stipendiat, Frankfurt (1980-1981), Munich (1983), Berlin (2013) Professeur invité, Harvard University, 1995-1996 Directeur d’études invité, EPHE (1997, 2007), EHESS (2005) Chercheur invité à Dumbarton Oaks, 2006 Membre de l’Académie britannique depuis 2002 Membre correspondant de l’Institut de recherches byzantines de l’Université de Thessalonique (depuis 2010) Comités scientifiques et éditoriaux 1992 –Collection 'The Medieval Mediterranean', Brill 1993– Committee for the British Academy project on the Prosopography of the Byzantine Empire. 2001–7 Senior Fellows Committee, Dumbarton Oaks, Program in Byzantine Studies 2002 – Collection ‘Oxford Studies in Byzantium', Oxford University Press. 2006- La Pomme d’or, Geneva, chief editor 2007 – Comoité editorial de la revue Byzantinische Zeitschrift 2013-2014 – Editorial board of Koç University Press Publications Ouvrages 1976 (en collaboration avec Clive Foss) Rome and Byzantium (Oxford, 1976) 1991 Tradition and Transformation in Medieval Byzantium (Aldershot 1992) 1993 The Empire of Manuel I Komnenos, 1143-1180 (Cambridge, 1993). -
The Uses of Melancholy Among Military Nobles in Late Elizabethan England
10.6094/helden.heroes.heros./2014/QM/04 36 Andreas Schlüter Humouring the Hero: The Uses of Melancholy among Military Nobles in Late Elizabethan England The interest of this article is twofold: fi rst, to aggressive foreign policy against Spain that establish and explore the intricate connection involved England with military on the continent between two key concepts in the fashioning of from the mid-1570s (“Leicester-Walsing ham English military nobles: the hero and melan- alliance”, Adams 25 and passim). The queen choly; and second, to explain their usages and herself referred to Sidney once as “le plus ac- usefulness in the last decades of the sixteenth compli gentilhomme de l’Europe” (Sidney, Cor- century, when both terms were used a lot more respondence II 999). He travelled Europe exten- frequently than ever before in the English lan- sively and brought many ideas and practices of guage (see, for hero, Simpson et al. 171 and the Mediterranean Renaissance and of the Euro- Low 23–24, and for melancholy, Babb 73). It is pean republic of letters into the practical life and possible to link this increase at least partially to behaviour of his generation of fellow court hope- the advance ment of one particular social fi gura- fuls, such as Walter Raleigh, Robert Devereux, tion1: the generation of young courtiers of Queen the 2nd Earl of Essex, and Fulke Greville. In this Elizabeth I who were born around 1560 and climate of “intellectual bombardment” by human- stepped into the courtly sphere in the 1580s and ist ideas as well as by Calvinist beliefs (Waller 1590s. -
1 the Best of the Macedonians
The Best of the Macedonians: Alexander as Achilles in Curtius’ History of Alexander Traditionally, Quintus Curtius Rufus’ History of Alexander, the main Latin source for the reign of Alexander the Great, has been studied primarily from a historical perspective, with the majority of scholarship being devoted to the historian’s date and sources (e.g., Dosson 1887, Tarn 1948, Atkinson 1980, Hammond 1983). More recently, however, scholars have become increasingly aware that Curtius’ work, like all ancient historiography, contains a marked literary dimension as well, and, as a result, have begun to study the work from a more literary perspective (e.g., Currie 1990, Baynham 1998, Spencer 2002). Following in this growing tradition of literary scholarship on Curtius, I seek in this paper to shed light on one particular aspect of Curtius’ complex, but underappreciated, literary design: his portrayal of Alexander as a second Achilles. While based on historical fact, Curtius’ depiction of Alexander as Achilles serves, I argue, a particular literary purpose, namely, to highlight the dark side of Alexander’s character—his ira and his vis—and, thereby, to reinforce the central moralizing theme of the work as a whole. In the first section, I present the case for Curtius’ depiction of Alexander as Achilles. To begin with, I consider the passages where Curtius makes the Alexander-Achilles connection explicit: (i.) Alexander at the siege of Gaza, where Curtius compares Alexander’ act of dragging Betis’ body around Gaza to Achilles’ act of dragging Hector’s body around Troy (Curt. 4.6.29); (ii.) Alexander’s marriage to Roxane, where Curtius depicts Alexander as justifying his marriage to a barbarian wife by reference to Achilles’ quasi-marriage to Briseis (Curt. -
Diplomacy Between Emperors and Caliphs in the Tenth Century
86 »The messenger is the place of a man’s judgment«: Diplomacy between Emperors and Caliphs in the Tenth Century Courtney Luckhardt* Travel and communication in the early medieval period were fundamental parts of people’s conceptions about temporal and spiritual power, which in turn demonstrated a ruler’s legit imacy. Examining the role of messengers and diplomatic envoys between the first Umayyad caliph of alAndalus, ‘Abd alRahman III, and his fellow tenthcentury rulers in Christian kingdoms, including the Byzantine emperor Constantine VII Porphyrogennetos and the first Holy Roman emperor, Otto I, illuminates internal and external negotiations that defined the pluralistic Iberian society in the early Middle Ages. Formal religious and ethnic differences among Muslim rulers and nonMuslim messengers enhanced the articulation of political le gitimacy by the caliph. Diplomatic correspondence with foreign rulers using the multiplicity of talents and ethnoreligious identities of their subjects was part of the social order provided by the Andalusi rulers and produced by those they ruled, demonstrating the political autho rity of the Umayyad caliphate. Keywords: diplomacy, messengers, al-Andalus, political authority, ‘Abd al-Rahman III, Muslim- Christian relations »The wise sages have said… the messenger is the place of a man’s judgment, and his letter is the place of his intellect.« So related Ibn alFarra’ in the Rasul al-muluk, a treatise on diplomacy commissioned by the caliph of alAndalus in the second half of the tenth century.1 Political and diplomatic connections between elite groups and protostates happened at the personal and individual level in the early medieval period. -
The Bare Necessities: Ascetic Indian Sages in Philostratus' 'Life of Apollonius'
W&M ScholarWorks Undergraduate Honors Theses Theses, Dissertations, & Master Projects 5-2011 The Bare Necessities: Ascetic Indian Sages in Philostratus' 'Life of Apollonius' Samuel McVane College of William and Mary Follow this and additional works at: https://scholarworks.wm.edu/honorstheses Part of the Classical Literature and Philology Commons Recommended Citation McVane, Samuel, "The Bare Necessities: Ascetic Indian Sages in Philostratus' 'Life of Apollonius'" (2011). Undergraduate Honors Theses. Paper 362. https://scholarworks.wm.edu/honorstheses/362 This Honors Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Undergraduate Honors Theses by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. 1 Introduction One might not think that much direct contact occurred between the cultures of ancient Greece and Rome and ancient India. The civilizations lay thousands of miles apart, a vast distance for men who traveled by foot or horse. But in fact, we have much evidence, both material and literary, for rather extensive contact – economic, military, and cultural – between the ancient East and West. One of the most interesting interactions, in my opinion, was the intellectual exchange between the West and ancient Indian philosophers, sages, and religious thinkers. Fortunately, we have a great body of extant ancient Western literature – primarily in Greek – that provide numerous accounts and descriptions, historic, pseudo- historic, and fictional, of Indian wise men and their interactions with the West. This body of literature particularly focuses on portrayals of Indian ascetics who lived a very frugal lifestyle, scorning most material needs, in the pursuit of knowledge. -
“Just Rage”: Causes of the Rise in Violence in the Eastern Campaigns of Alexander the Great
CORE Metadata, citation and similar papers at core.ac.uk Provided by University of Missouri: MOspace “Just Rage”: Causes of the Rise in Violence in the Eastern Campaigns of Alexander the Great _______________________________________ A Thesis presented to the Faculty of the Graduate School at the University of Missouri-Columbia _____________________________________________________ In Partial Fulfillment of the Requirements for the Degree Master of Arts _____________________________________________________ by Jenna Rice MAY 2014 The undersigned, appointed by the dean of the Graduate School, have examined the thesis entitled “JUST RAGE”: CAUSES OF THE RISE IN VIOLENCE IN THE EASTERN CAMPAIGNS OF ALEXANDER THE GREAT presented by Jenna Rice, a candidate for the degree of master of history, and hereby certify that, in their opinion, it is worthy of acceptance. Professor Ian Worthington Professor Lawrence Okamura Professor LeeAnn Whites Professor Michael Barnes τῷ πατρί, ὅς ἐμοί τ'ἐπίστευε καὶ ἐπεκέλευε ACKNOWLEDGEMENTS I would like to thank the members of my committee, Professors Worthington, Okamura, Whites, and Barnes, for the time they spent reading and considering my thesis during such a busy part of the semester. I received a number of thoughtful questions and suggestions of new methodologies which will prompt further research of my topic in the future. I am especially grateful to my advisor, Professor Worthington, for reading through and assessing many drafts of many chapters and for his willingness to discuss and debate the topic at length. I know that the advice I received throughout the editing process will serve me well in future research endeavors. ii TABLE OF CONTENTS LIST OF ABBREVIATIONS ............................................................................................ iv INTRODUCTION ...............................................................................................................1 Chapter 1. -
Tudors to Windsors: British Royal Portraits 16 March – 14 July
Tudors to Windsors: British Royal Portraits 16 March – 14 July Chris Levine, Queen Elizabeth II (Lightness of being), 2007 National Portrait Gallery, London • Founded in 1856, the National Portrait Gallery was the first gallery established exclusively for displaying portraiture. The Gallery’s collection includes a wide variety of works such as painting, sculpture, photography, prints and caricatures. Tudors to Windsors is the first time the NPG has toured their outstanding collection of royal portraiture. Bendigo Art Gallery has collaborated with the National Portrait Gallery on several occasions but this is by far the most extensive exhibition the NPG has ever sent to Australia and Bendigo Art Gallery is one of only two venues in the world, the other being Houston, Texas. The exhibition traces many of the major events in British history, examining the ways in which royal portraits were impacted by both the personalities of individual monarchs and wider historical change. The exhibition explores five royal dynasties, from the Tudors to the Windsors, and includes works by many of the most important artists to have worked in Britain. • Alongside the works of art from the National Portrait Gallery, Bendigo Art Gallery has secured some additional loans to further explain the lives of these fascinating characters. Special loans from the Royal Armouries and Historic Royal Palaces add a further dimension to this exhibition. 1483-1603 Above after Titian, Philip II, king of Spain 1555, oil on panel Right after Hans Holbein the younger King Henry VIII, c.1540s, oil on wood panel Art Gallery of South Australia, Adelaide • The Tudors are one of the most famous royal dynasties in the world. -
From Château Fort to Renaissance Palace Overcoming the Odds: An
2 From Château Fort to Renaissance Palace Jennifer Rothwell 8 Overcoming the Odds: An Easy Interdisciplinary Activity Tedd Levy 10 In From the Cold: People with Disablities in Juvenile Literature Jane Manaster 13 Asia In the Classroom Mary Hammond Bernson Photograph by Jennifer Photograph Rothwell by Jennifer Supplement to Social Education, April/May 1998 ● Issue 2 the official journal of National Council for the Social Studies Jennifer Truran Rothwell his deathbed, Renaissance Pope Nicholas V offered this advice on Onhow to keep the common people loyal to Rome: ...the mass of the population is ignorant of literary matters and lacking in any culture. It still needs to be struck by grandiose spectacles because otherwise its faith...will end in due time by declining to nothing. With magnificent buildings, on the other hand... the popular conviction may be strengthened and confirmed...1 What was good for the church might also be good for the state... or so thought kings of the Renaissance. At the Field of Cloth of Gold in 1520, Henry VIII of England and Francis (François) I of France joined in a spectacle to end all spec- tacles. In tents decked with precious gold cloth, they carried on a small matter of diplomacy–whether to join forces against the new Hapsburg emperor, Charles V. More publicly, they vied in serving up a costly round of tournaments, balls, and feasts aimed at showing who was superior at the heady new game of Renaissance monarch. One way Henry VIII made a lasting impression on his subjects was by increasing the number of royal residences in England to more 2 Statue of King Louis XII at Blois than sixty. -
Middle Byzantine Aesthetics and the Incomparability of Islamic
Bryn Mawr College Scholarship, Research, and Creative Work at Bryn Mawr College History of Art Faculty Research and Scholarship History of Art 2010 Middle Byzantine Aesthetics and the Incomparability of Islamic Art: The Architectural Ekphraseis of Nikolaos Mesarites Alicia Walker Bryn Mawr College, [email protected] Let us know how access to this document benefits ouy . Follow this and additional works at: http://repository.brynmawr.edu/hart_pubs Custom Citation Alicia Walker, "Middle Byzantine Aesthetics and the Incomparability of Islamic Art: The Architectural Ekphraseis of Nikolaos Mesarites," Muqarnas 27 (2010): 79-101. This paper is posted at Scholarship, Research, and Creative Work at Bryn Mawr College. http://repository.brynmawr.edu/hart_pubs/57 For more information, please contact [email protected]. ALICIA WALKER MIDDLE BYZANTINE AESTHETICS OF POWER AND THE INCOMPARABILITY OF ISLAMIC ART: THE ARCHITECTURAL EKPHRASEIS OF NIKOLAOS MESARITES An early thirteenth-century historical treatise, The between churches and this building, or between sacred Palace Revolt of John Komnenos by Nikolaos Mesa and imperial icons and the images on the ceiling ofthe rites, an author of the middle Byzantine period (ca. Mouchroutas. Rather, these juxtapositions were con 843-1204), contains a passage that briefly describes an structed by Mesarites and indicate his reception of, not Islamic-style building, the Mouchroutas, which was part the original intentions behind, the Islamicizing work of of the imperial palace complex in Constantinople (see art. Appendix).l The author emphatically states that the Nikolaos Mesarites (d. ca. 1214) was a Byzantine structure was the work of "a Persian hand," that is to courtier from a prominent family.