Ideazione E Coordinamento Della Programmazione a Cura Di Massimo Di Pinto

Total Page:16

File Type:pdf, Size:1020Kb

Ideazione E Coordinamento Della Programmazione a Cura Di Massimo Di Pinto Ideazione e coordinamento della programmazione a cura di Massimo Di Pinto gli orari indicati possono variare nell'ambito di 4 minuti per eccesso o difetto Giovedì 30 aprile 2015 00:00 - 02:00 euroclassic notturno tchaikovsky, peter ilyich (1840-1893) wojewode ballata sinfonica op. 78 oslo philharm orch dir. jukka-pekka saraste durata: 12.03 NRK radiodiffusione nazionale norvegese liszt, franz (1811-1886) "abschied" per pf su un tema popolare russo jos van immerseel, pf (strumento erard del 1897) (reg. herne, germany 11/12/2007) durata: 3.24 WDR radio della germania occidentale a la chapelle sixtine per pf fantasia sul miserere di allegri e l'ave verum corpus di mozart durata: 9.24 WDR radio della germania occidentale ravel, maurice (1875-1937) introduzione e allegro per arpa fl cl e quartetto d'archi tinka muradori, fl; josip nochta, cl; paula uršic, arpa; zagreb string quartet: josip klima e ivan kuzmic, vl; ante zivkovic, vla; josip stojanovic, vcl durata: 10.57 HRT radiotelevisione croata alfvén, hugo (1872-1960) una barca con fiori op. 44 per bar e orch peter mattei, bar; swedish radio symphony orch dir. manfred honeck (reg. stoccolma 07/11/2001) durata: 10.02 SR radio svedese schubert, franz (1797-1828) auf dem wasser zu singen D 774 edith wiens, sopr; rudolf sanse, pf durata: 3.51 CBC canadian broadcasting corporation fischerweise D 881 durata: 3.32 CBC canadian broadcasting corporation fux, johann joseph (1660-1741) "turcaria" eine musikalische beschreibung der belagerung wiens durch die türken 1 janitschara - 2 preparation: il libertino, contretens - 3 die schlacht, posta turcica, les combattans - 4 klage, rondeau - 5 frieden, rondeau - 6 parade, marche des ecurieus. armonico tributo austria dir. lorenz duftschmid (reg. herne, germany 14/11/1999) durata: 12.08 WDR radio della germania occidentale gounod, charles (1818-1893) valzer dall'opera faust danish radio concert orch dir. børge wagner durata: 5.26 DR radiotelevisione di stato danese contant, (joseph pierre) alexis (1858-1918) trio n. 1 per vl vcl e pf allegretto avec beaucoup d'expression - andantino, avec beaucoup d'expression - presto. the hertz trio: yaela hertz, vl; talmon hertz, vcl; dale bartlett, pf (reg. calgary 1992) durata: 18.31 CBC canadian broadcasting corporation bruch, max (1838-1920) concerto per vl n. 2 in re min op. 44 adagio ma non troppo - recitativo: allegro moderato - finale: allegro molto. james ehnes, vl; orch symphonique de montréal dir. mario bernardi (reg. quebec 05/2002) durata: 25.09 CBC canadian broadcasting corporation 02:00 - 02:40 monografie: gabriel castagna alberto ginastera pampeana n. 3, pastorale sinfonica op. 24 adagio contemplativo-poco più mosso-tempo i; impetuosamente-intermezzo quasi trio-un poco meno mosso-tempo I; largo con poetica esaltazione-pochissimo più lento durata: 21.45 chandos chan 10152 danze dal balletto "estancia" op. 8 los trabajadores agricolas (tempo giusto), danza del trigo (tranquillo), los peones de hacienda (mosso e ruvido), danza final (allegro-tempo di malambo) berliner symphoniker dir. gabriel castagna durata: 13.16 chandos chan 10152 fuori programma: frédéric chopin valzer in fa mag op. 34 claudio arrau, pf durata: 2.49 philips 400-025-2 f 1 tr 4 02:40 - 03:00 vocalità barocca francesco bartolomeo conti "lontananza dell'amato", cantata prima a voce sola, chalumeaux, flûte allemande ou hautbois, vl sordini, leuti francesi e basso bernarda fink, msopr; ars antiqua austria dir. gunar letzbor durata: 17.14 arcana a 309 fuori programma: robert schumann von fremden landern und meschen, da kinderszenen ( 13 pezzi per pf ) op 15 ( scene infantili ) vladimir horowitz pf durata: 1.30 cbs mk-42409 f 1 tr 2 03:00 - 04:30 protagonisti: ofra harnoy antonio vivaldi sonata in si bem mag per vcl e cont op. 14 n. 6 (RV 46) 1/9 - 1/12 ofra harnoy, vcl; continuo: colin tilney, org; mihai tetel, vcl durata: 10.08 rca 09026-60430-2 f 1 tr 9 franz schubert sonata in la min per vcl e pf "arpeggione" D 821 allegro moderato 1/1 12'28". adagio 1/2 4'02". allegretto 1/3 9'29". con michael dussek, pf durata: 26.00 rca rd87845 f 1 tr 1 frédéric chopin sonata in sol min per vcl e pf op. 65 allegro moderato. scherzo (allegro con brio). largo. finale (allegro) con cyprien katsaris, pf durata: 27.40 rca 09026-61818-2 f 1 tr 1 alfredo piatti capriccio in do mag per vcl solo durata: 2.53 rca rd60697 f 1 tr 8 david popper rapsodia ungherese per vcl e pf op. 68 durata: 7.18 rca rd60697 f 1 tr 1 ernest bloch la preghiera, n. 1 da "from a jewish life" , 3 sketches per vcl e pf durata: 3.46 rca rd60697 f 1 tr 5 lukas foss capriccio per vcl e pf con michael dussek, pf durata: 6.40 rca rd60697 f 1 tr 10 fuori programma: robert schumann von fremden landern und meschen, da kinderszenen ( 13 pezzi per pf ) op 15 ( scene infantili ) vladimir horowitz, pf durata: 1.30 cbs mk-42409 f 1 tr 2 04:30 - 05:00 su l'ali del canto gioachino rossini sette ariette per voce e pf, da "soirées musicales" la promessa 1/1 3'51". il rimprovero 1/2 3'32". la partenza 1/3 4'14". l'orgia 1/4 3'51". l'invito 1/5 4'06". la pastorella delle alpi 1/6 2'47". la danza 1/8 3'15" eva mei, sopr; fabio bisini, pf durata: 25.36 rca 09026-68025-2 f 1 tr 1 fuori programma: johann sebastian bach sarabande, dall'ouverture ( suite ) in si min n 2 per orch ( fl archi e basso continuo ) bwv 1067 stephen preston fl solista orch the english concert dir trevor pinnock durata: 2.53 archiv 423-495-2 f 3 tr 3 05:00 - 06:00 chiara banchini e l'ensemble 415 arcangelo corelli concerto grosso in fa mag op. 6 n. 6 adagio - allegro 2/9 4'40". largo 2/10 4'21". vivace 2/11 2'18". allegro 2/12 3'07" durata: 14.38 harmonia mundi hmc-901407 f 2 tr 9 georg muffat concerto grosso n. 5 in sol mag (da "armonico tributo") allemanda (grave) 1/29 3'23". adagio 1/30 2'09". fuga 1/31 1'50". adagio - allegro - adagio 1/32 3'30". passacaglia (grave) 1/33 10'38" chiara banchini ed enrico gatti, vl; gaetano nasillo, vcl durata: 21.30 harmonia mundi hmc-901581 f 1 tr 29 henrico albicastro coelestes angelici chori, mottetto per ten orch e cont coelestes angelici chori 1/1 5'25". ah mi dilecte amantissime jesu 1/2 0'48". sum beata fortunata 1/3 6'59" guy de mey, ten durata: 13.22 harmonia mundi hmc-905208 f 1 tr 1 wolfgang amadeus mozart allegro, frammento del I movimento dal concerto in sol mag per corno di bassetto e orch K 621b frammento antecedente alla versione definitiva in la mag per cl e orch K 622 gilles thomè, corno di bassetto; ensemble 415 dir. chiara banchini durata: 6.52 zig-zag territo zzt-990701-2 f 2 tr 1 06:00 - 07:00 piccola antologia arcangelo corelli sonata in la mag per vl e b. c. op. 5 n. 6 grave 1/26 3'16". allegro 1/27 2'07". allegro 1/28 0'55". adagio 1/29 2'17". allegro 1/30 2'08" elem del compl strum "accademia bizantina": stefano montanari, vl; mauro valli, vcl; nicola dal maso, violone; tiziano bagnati, arciliuto e chit; romano valentini, org; ottavio dantone, cemb durata: 10.43 arts music 47725-8 f 1 tr 26 domenico cimarosa il ritorno di don calandrino: sinfonia dall'intermezzo orch nicolaus esterhazy sinfonia dir. alessandro amoretti durata: 9.13 marco polo 8-225181 f 1 tr 6 francesco geminiani concerto n. 1 in re mag, dalla pantomima "la foresta incantata" andante, presto 1/18 2'42". siciliana (affettuoso) 1/19 2'42". allegro, affettuoso, allegro 1/20 2'08" orch barocca italiana dir. ryo terakado durata: 7.34 stradivarius str-33630 f 1 tr 18 mario castelnuovo tedesco toccata per vcl e pf op. 8 introduzione, aria e finale. paola mosca, vcl; maria consolata quaglino, pf durata: 11.44 ddt 19302 f 1 tr 1 elias parish alvars serenata per arpa thelma owen, arpa durata: 8.00 imp pcd-835 f 1 tr 12 richard wagner das liebesverbot (il divieto d'amare), ouverture dall'opera philhadelphia orch dir. wolfgang sawallisch durata: 8.33 emi 5-56165-2 f 1 tr 1 07:00 - 08:00 almanacco in musica françois d'agincourt (rouen, 1684 - 30 aprile 1758) ciaccona in fa mag per cemb dalla raccolta: pieces de clavecin (libro I) rinaldo alessandrini, cemb durata: 5.18 naive op-30468 f 1 tr 11 franz schubert messa n. 2 in sol mag per soli coro e orch D 167 kyrie 1/1 3'36". gloria 1/2 2'54". credo 1/3 6'07". sanctus 1/4 1'32". benedictus 1/5 4'16". agnus dei 1/6 5'46" dawn upshaw, sopr; david gordon, ten; william stone, br; orch e coro da camera atlanta symphony dir. robert shaw (red bluff, 30 aprile 1916 - new haven, 25 gennaio 1999) durata: 24.11 telarc cd-80212 f 1 tr 1 günter raphael (berlino, 30 aprile 1903 - herford, 19 ottobre 1960) sonata in mi mag per vl solo op. 46 n. 2 sehr langsam 1/4 3'28". scherzo 1/5 2'34". gemessen 1/6 5'19" christine raphael, vl durata: 11.21 cpo cpo-777-564-2-1 f 1 tr 4 franz lehár (komárom, 30 aprile 1870 - bad ischl, 24 ottobre 1948) das land des lächelns (il paese del sorriso), brani scelti dall'operetta dein ist mein ganzes herz 1/8 3'24".
Recommended publications
  • “Do Deutsch!” German Campus Week (Oct. 10 – 14, 2011)
    SPECIAL PROGRAMMING DURING “do Deutsch!” German Campus Week (Oct. 10 – 14, 2011) http://dodeutsch.utk.edu/ MORNING CONCERT (9a-12p) hosted by Melony Maness Pieces playing during THE 11 A.M. HOUR: Monday, October 10 JOHANN STRAUSS: Symphonic Fantasy from "Die Frau ohne Schatten" Vienna Philharmonic; Christian Thielemann, conductor *German composer Tuesday, October 11 ANTON BRUCKNER: Mass No.2 in E minor Pamela Coburn, soprano; Ingeborg Danz, alto; Christian Elsner, tenor; Franz-Josef Selig, bass; Gachinger Kantorei Stuttgart; Bach-Collegium Stuttgart; Helmuth Rilling *German Orchestra & German conductor Wednesday, October 12 ROBERT SCHUMANN: Davidsbündlertänze, Op.6 Maurizio Pollini, piano *German composer Thursday, October 13 FRANZ SCHUBERT: Selections from "Die schöne Müllerin", D 795 Dietrich Fischer-Dieskau, baritone; Gerald Moore, piano *German performer and songs set to German poetry Friday, October 14 DVORAK: Violin Concerto in A minor, Op.53 Christian Tetzlaff, violin; Czech Philharmonic Orchestra; Libor Pesek, conductor *German performer (violinist) AFTERNOON CONCERT (1-3p) hosted by Allan Ellstrom Pieces playing during the times listed: Tuesday, October 11: 3:00 GEORG FRIEDRICH HÄNDEL: Sonata for Two Oboes No. 5, G Burkhard Glaetzner, Ingo Goritzki, oboes; Siegfried Pank, viola da gamba; Achim Beyer, violone; Walter Heinz Bernstein, harpsichord 3:10 CLAUDE DEBUSSY: Children’s Corner Werner Haas, piano 3:29 CARL PHILIPP EMANUEL BACH: Viola da gamba Sonata, C, Wq. 136 Siegfried Pank, viola da gamba; Christiane Jaccottet, harpsichord 3:46 RICHARD WAGNER: Die Götterdämmerung: Siegfried’s Rhine Journey Berlin State Opera Orchestra/Hans Knappertsbusch Wednesday, October 12 3:00 RICHARD WAGNER (arr. Seidel): Siegfried-Fantasie United States Marine Band/John Bourgeois 3:23 JOHANN SEBASTIAN BACH: Flute Sonata, g, BWV 1029 Maxence Larrieu, flute; Wieland Kuijken, viola da gamba; Rafael Puyana, harpsichord 3:41 OTTORINO RESPIGHI: The Fountains of Rome Berlin Philharmonic Orchestra/Herbert von Karajan Thursday, October 13 3:00 JOHANNES BRAHMS: String Quintet No.
    [Show full text]
  • Vendredi 17 Octobre Intégrale Des Sonates De Beethoven IX in Té G Ra
    Roch-Olivier Maistre, Président du Conseil d’administration Laurent Bayle, Directeur général Vendredi 17 octobre Intégrale des sonates de Beethoven IX Dans le cadre du cycle Beethoven/Debussy Du vendredi 10 octobre au vendredi 17 octobre 2008 Vendredi 17 octobreVendredi 17 | Vous avez la possibilité de consulter les notes de programme en ligne, 2 jours avant chaque concert, à l’adresse suivante : www.citedelamusique.fr Intégrale des sonates de Beethoven IX Cycle Beethoven/Debussy DU vendRedi 10 AU vendRedi 17 OCTOBRE Deux mondes sonores composés l’un et l’autre de nous éblouir. Voici une belle manière d’illustrer ce à la charnière d’un siècle finissant et d’un autre qui fut la devise favorite du jeune Debussy, « Toujours qui commence. Deux compositeurs témoins des plus haut », et que Beethoven aurait tout aussi bien pu bouleversements qui traversent l’Europe : Beethoven prendre à son compte. les observe de Vienne où il s’installe en 1792 et meurt en 1827, Debussy de Paris où il vit jusqu’à son Faire entendre une œuvre dans son intégralité, décès en 1918. Une Europe en proie aux guerres c’est jalonner les différentes étapes de la pensée du napoléoniennes qui allaient conduire au déclin de compositeur : les séduisantes pièces de jeunesse, Vienne, brillante capitale culturelle, puis un siècle par exemple l’éclat de la Sonate n° 3 de Beethoven, plus tard, Paris, ville lumière, qui subira le choc si juvénile et concertante, ou le charme verlainien de de la Première Guerre mondiale. Deux œuvres la Suite bergamasque de Debussy ; les œuvres de
    [Show full text]
  • Ravel's Miroirs
    Ravel’s Miroirs : Text and Context Héloïse Marie Murdoch Research report submitted to the Faculty of Humanities, University of the Witwatersrand, Johannesburg, in partial fulfilment of the requirements for the degree of Master of Music. Johannesburg, February, 2007 Abstract This research report examines Maurice Ravel’s piano pieces, Miroirs (1905), as texts. These five piano pieces draw on a wide range of sources and conventions across nearly two centuries and yet are utterly integrated in their expression. In the Miroirs, Ravel exhibits a fascinating meshing of historical and contemporary influences that range from Mozart to Chabrier and Fauré. The pieces are also interestingly and very personally related to their cultural and social contexts, in that each individual piece was dedicated to a member of the Apaches , a group of young artists and intellectuals residing in Paris of whom Ravel was himself one. The research examines the significance of the Miroirs both within Ravel’s own and the broader twentieth-century piano repertoire. ii Declaration I declare that this research report is my own unaided work. It is submitted for the degree of Master of Music in the University of the Witwatersrand, Johannesburg. It has not been submitted before for any other degree or examination in any other university. ____________________ 12 Day of February 2007. iii Preface and Acknowledgements Maurice Ravel is an intriguing composer; sometimes categorised as an Impressionist, sometimes a Neo-classicist and perhaps more often uncategorised. Although his older contemporary, Claude Debussy, is generally assessed as more important to the development of twentieth-century music and certainly the leader of French music at the turn of the century, Ravel nevertheless made a unique contribution.
    [Show full text]
  • Tracklist E Crediti 1
    playlist online Tracklist e crediti 1. Johann Sebastian Bach Philharmonia Orchestra • Pierre Dervaux Suite per orchestra n. 2 in Si minore, BWV 1067 - VII: Badinerie Capitol – SP-8537 Recorded in EMI Studio No. 1, Abbey Road, London, 1960 May 23-24 STEREO • Klaus Pohlers, Flute First USA release in December 1960 Radio-Sinfonie-Orchester Frankfurt • Carl Schuricht Recorded in Frankfurt, Funkhaus, 14 October 1960 10. Maurice Ravel Guilde Internationale du Disque – SMS 2231, First European released in May 1961 Ma mère l’oye, III: «Laideronnette, Imperatrice delle pagode» 2. Modest Petrovicˇ Musorgskij (orchestrazione di Maurice Ravel) STEREO • Czech Philharmonic Orchestra • Antonio Pedrotti Supraphon – SUA-ST 10494 Quadri di un’esposizione: Balletto dei pulcini nei loro gusci Recorded at the Rudolfinium, Prague, 1962 November 24-27 & December 1 STEREO • Royal Philharmonic Orchestra • René Leibowitz First Europa release on March 1963 Recorded at Kingsway Hall, London, 6 February 1962 RCA Victor Red Seal – VCS-2659 11. Claude Debussy First USA release in March 1963 Children’s Corner, VI «Golliwog’s Cake Walk» 3. Georges Bizet STEREO • Werner Haas, piano Philips – 836 807 DSY Carmen. Atto I: Avec la garde montante (Coro dei monelli) Recorded at Salle Alcazar, Monte-Carlo, 1960 December 13-14 STEREO • Maîtrise de la Radiodiffusion française First European release on 1961 Petits Chanteurs de Versailles Orchestre National de la Radiodiffusion Française • Thomas Beecham 12. Edvard Grieg HMV – ASD331/3 Pezzi lirici, Op. 54, n. 3: «Marcia dei troll» Recorded at Salle Wagram, Paris – 1958 June 4-10 & 1959 September 1-6 & October 11 STEREO • Royal Philharmonic Orchestra • George Weldon First USA release in September 1960 HMV – SXLP 20025 Recorded at the EMI Studio No.
    [Show full text]
  • H Dur C HAHAH DOOR C (Key of B Major, German Designation) H Moll
    H dur C HAHAH DOOR C (key of B major, German designation) H moll C h moll C HAHAH MAWL C (key of b minor, German designation) Ha fortune C Ha, fortune C ah, fawr-tün C (anonymous composition) Ha lachma anya C Ha Lachma Anya C hah lahh-MAHAH-nee-ah C (a song sung in Aramaic [a-ruh-MAY-ick] at Passover) Ha wie will ich triumphieren C Ha! Wie will ich triumphieren C HAH! VEE vill ihh tree-ôôm- FEE-runn C (aria from the opera Die Entführung aus dem Serail [dee ennt-FÜ-rôông ahoowss daym zay-RAHIHL] — The Abduction from the Harem; music by Wolfgang Amadeus Mozart [VAWLF-gahng ah-mah-DAY-ôôss MO-tsart]; libretto by Johann Gottlieb Stephanie [YO- hahn GAWT-leep SHTEH-fah-nee] after Christoph Friedrich Bretzner [KRIH-stawf FREET- rihh BRETTSS-nur]) Haage C Peter Haage C PAY-tur HAHAH-guh Haan C Willem de Haan C WILL-lumm duh HAHAHN Haanshus C Arne Haanshus C AR-nuh HAWNSS-hewss Haapanen C Toivo Haapanen C TAWIH-vaw HAHAH-pah-nenn C (known also as Toivo Elias [EH-lih-ahss] Haapanen) Haar C James Haar C JAYMZ HAR Haarklou C Johannes Haarklou C yoo-HAHN-nuss HAWR-klo Haas C Joseph Haas C YOHOH-zeff HAHAHSS Haas C Karl Haas C KARL HAHAHSS C (known also as Karl Wilhelm Jacob [VILL-hellm YAHAH-kawp] Haas) Haas C Monique Haas C maw-neek hahss Haas C Pavel Haas C PAH-vell HAHAHSS Haas C Robert Haas C ROHOH-bert HAHAHSS C (known also as Robert Maria [mah-REE- ah] Haas) Haas C Werner Haas C VEHR-nur HAHAHSS Haase C Hans Haase C HAHNSS HAHAH-zuh Haaser C Hans Richter-Haaser C HAHNSS RIHH-tur-HAHAH-zur Haba C Alois Hába C AH-law-iss HAHAH-bah Haba C Karel
    [Show full text]
  • Hybrid Multichannel
    HYBRID MULTICHANNEL Aperghis PentaTone Music B.V. is founded in 2001 by three former executives of Philips Classics to- gether with Polyhymnia International (the former recording centre of Philips Classics). 2 SA-CD The founders of PentaTone believe that surround sound will gradually replace today’s stereo set sound in the same way as mono has taken over from stereo in the past. PentaTone releases all its recordings on hybrid Super Audio CD (SA-CD). PentaTone is creating a new classical catalogue which has been superbly recorded (by Polyhymnia International) in 5-channel surround sound with performances by top classical artists. Current artist roster includes (a.o.): Julia Fischer, Martin Helmchen, Mari Kodama, PTC 5186 156 DSD remastered PTC 5186 072 Original DSD recording PTC 5186 127 DSD remastered Andrew Marriner, Gordan Nikoli´c, Storioni Trio, Philippe Herreweghe, Marek Janowski, “East Meets West” Johann Sebastian Bach Johann Sebastian Bach Paavo Järvi, Vladimir Jurowski, Yakov Kreizberg, Sir Neville Marriner, Kent Nagano, Francis Miroglio Sonatas and Partitas for Solo Violin Toccata & Fuga BWV 565 Mikhail Pletnev, Alexander Vederikov, the New Dutch Academy, the Netherlands Philharmon- Alain Louvier Sonata No.1 in G minor, BWV 1001 Passacaglia, BWV 582 ic Orchestra, the Netherlands Chamber Orchestra, the Concertgebouw Chamber Orchestra, Georges Aperghis Partita No.1 in B minor, BWV 1002 Preludium & Fugue the Russian National Orchestra, the Wiener Symphoniker, the Deutsche Kammerphilharmo- Les Percussions de Strasbourg Sonata No.2 in A minor, BWV 1003 BWV 532 & 543 nie Bremen, the Bolshoi Opera, the Pittsburgh Symphony Orchestra and many others. Partita No.2 in D minor, BWV 1004 Franz Liszt Sonata No.3 in C, BWV 1005 Variations on Bach’s PentaTone has licensed from Universal Music the quadraphonic recordings which were Partita No.3 in E, BWV 1006 “Weinen, Klagen, Sorgen, Zagen” made back in the seventies by Philips Classics.
    [Show full text]
  • TICKETS on SALE NOW! NOVEMBER 11 @ 1PM & 4:30Pm Cadillac Palace Theatre Ticketmaster.Com | 800.745.3000 | Broadway in Chicago Box Offices
    Air Check The Guide Dear Member, The Member Magazine for Greetings! At the beginning of last month, I was honored to take on the role of President and CEO WTTW and WFMT Renée Crown Public Media Center for WTTW and WFMT. It is a great privilege to be joining this organization at such an exciting time of 5400 North Saint Louis Avenue innovation and possibility. Like so many of you, I am a longtime fan and supporter of public media Chicago, Illinois 60625 and classical music, and I’m looking forward to collaborating with you and our community to serve the Chicago area and beyond with the most trusted and exceptional content across all platforms. I will Main Switchboard (773) 583-5000 be in touch in a variety of ways in the coming year! Member and Viewer Services In June on WTTW11 and wttw.com/watch, we bring you music specials from across the genres – from (773) 509-1111 x 6 Frank Sinatra to Fleetwood Mac, Leonard Cohen to tenor Pasquale Esposito, and Foreigner to Perry WFMT Radio Networks (773) 279-2000 Como. We celebrate LGBT Pride Month with Coming Out: A 50 Year History and Man in an Orange Shirt Chicago Production Center starring Vanessa Redgrave. (See page 7 for the full list of related programming.) Also, Nature takes us (773) 583-5000 inside the mysterious minds of our pets; the legendary political talk show Firing Line returns with a new host; NOVA looks into the causes of epic hurricanes; the three-part series In Plain Sight tells the Websites wttw.com gripping true story of a serial killer in 1950s Scotland and the intrepid policeman determined to get wfmt.com his man; a new documentary recalls a Chicago advertising firm (and its visionary leader Tom Burrell) who broke the industry’s African American color barrier in the 1960s; and we conclude the month Publisher Anne Gleason with a star-studded adaptation of Agatha Christie’s And Then There Were None, featuring Aidan Turner Art Director (Poldark).
    [Show full text]
  • Mercredi 15 Octobre Intégrale Des Sonates De Beethoven VII in Té G
    Roch-Olivier Maistre, Président du Conseil d’administration Laurent Bayle, Directeur général Mercredi 15 octobre Intégrale des sonates de Beethoven VII Dans le cadre du cycle Beethoven/Debussy Du vendredi 10 octobre au vendredi 17 octobre 2008 Mercredi octobre 15 | Vous avez la possibilité de consulter les notes de programme en ligne, 2 jours avant chaque concert, à l’adresse suivante : www.citedelamusique.fr Intégrale des sonates de Beethoven VII Cycle Beethoven/Debussy DU vendRedi 10 AU vendRedi 17 OCTOBRE Deux mondes sonores composés l’un et l’autre de nous éblouir. Voici une belle manière d’illustrer ce à la charnière d’un siècle finissant et d’un autre qui fut la devise favorite du jeune Debussy, « Toujours qui commence. Deux compositeurs témoins des plus haut », et que Beethoven aurait tout aussi bien pu bouleversements qui traversent l’Europe : Beethoven prendre à son compte. les observe de Vienne où il s’installe en 1792 et meurt en 1827, Debussy de Paris où il vit jusqu’à son Faire entendre une œuvre dans son intégralité, décès en 1918. Une Europe en proie aux guerres c’est jalonner les différentes étapes de la pensée du napoléoniennes qui allaient conduire au déclin de compositeur : les séduisantes pièces de jeunesse, Vienne, brillante capitale culturelle, puis un siècle par exemple l’éclat de la Sonate n° 3 de Beethoven, plus tard, Paris, ville lumière, qui subira le choc si juvénile et concertante, ou le charme verlainien de de la Première Guerre mondiale. Deux œuvres la Suite bergamasque de Debussy ; les œuvres de la monumentales
    [Show full text]
  • Classaktuell
    aktuell CLASS AKTUELL 2007/4 CLASS Association of Classical Independents in Germany „Pianistische Brillanz und orchestrale Klanggestaltung” Christian Zacharias und das Orchestre de Chambre de Lausanne auf Tournee Christian Poltéra portraitiert Schweizer Komponisten In adäquater Schlichtheit Mozartdokumente mit Werner Haas Béla Bartók im Focus von Hungaroton VOLKSLIEDER Musik mit Bettina Pahn und zum Verschenken Joachim Held Empfehlungen von CLASS in Germ ts an en y d n e p e d n I l a c i s s A a l s C s f o c o aktuell i a n t o CLASSi CLASS aktuell 4/2007 Ein Wort zuvor Inhalt 4 „Das Singen bringt große Freud” Komisch ist es schon, da ist endlich eine Zeitung fast fertig – was fehlt? Das Vorwort. Bettina Pahn und Joachim Held Dabei sollte ein Vorwort doch vorher fertig sein, andernfalls es ein Nachwort wäre, musizieren was aber wiederum den Sinn nicht treffen würde und allenfalls aktuell den Pavarottis 6 Musikalische Schätze für lange oder Hamanns gelten könnte. Winterabende Nun sitze ich also hier nach wie vor einer Tastatur, die mich wie eine ungekochte Endeckungsreise mit Hyperion Buchstabensuppe anschaut, und blicke ins Leere. 7 Mit adäquater Schlichtheit Draußen ist es nebelig verhangen, ein Schirmträger mit einer Gitarre stiefelt vorüber – Mozartdokumente von Werner Haas ob es ein Straßenmusiker ist, der demnächst erst mal einen Eignungstest zu absolvieren 8 Pianistische Brillanz und orchestrale Klanggestaltung hätte, zumindest, wenn es nach einem Ratsherren in Hannover ginge? Eigentlich keine Christian Zacharias und das Orchestra schlechte Idee, die Fußgänger zukünftig vor musikalischen Nichtskönnern zu schützen. de Chambre de Lausanne auf Tournee Jetzt kommt ein Hund mit einer langen Leine… Manchmal sehne ich mich in die 10 Neues vom Kammerchor Zeiten zurück, wo man noch mit dem Bleistift schreiben durfte: Er hatte ja einen uner- der Marien-Kantorei aus Lemgo messlich wertvollen Zusatznutzen, denn man konnte daran kauen.
    [Show full text]