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V&A Research Report 2005

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2005 V& Message froM the Director a A core purpose of the V&A is ‘to enrich people’s Besides supporting the Museum’s Contemporary lives and contribute to Britain’s success as Programme with its focus on present cultures a creative nation’. Research on the Museum’s and the creative industries, research also provides holdings plays a central role in our endeavours a critical underpinning for broader strategic – RESEARCH to fulfill that mission, building on the V&A’s initiatives, ensuring that major exhibition and reputation as the founding collection of the gallery re-developments are built on authoritative 2006 decorative arts in Britain and one of the world’s scholarship. leading resources for expertise in the field. This year, for the second year running we provide The V&A strives to foster an active research culture, a fuller commentary on the processes and developing authoritative and accessible outcomes developing ideas that accompany research activity through its galleries, exhibition and publication at the V&A through the publication of the V&A programmes and its website. It also encourages Research Bulletin, which is designed to complement its staff to contribute to all areas of research, the more quantitative approach of the Reports. theoretical and practical, at the highest level. We are also planning to launch a new on-line Research Journal, providing an innovative space This Report, the ninth in a series stretching back for the posting of articles and reviews by V&A to 1990, captures the scope of such activity and staff and others, focusing on the Museum’s demonstrates the V&A’s continuing commitment history, collections and activities to lead in object-focused research in the histories of art, design and the decorative arts; to stimulate In a return to the annual format, the next Report debate about its subject areas; and to encourage (2007), will be published in Summer 2008. new approaches. Readers will see that research is undertaken by almost all members of the Collections, Conservation and Learning and Mark Jones Interpretation Departments, often in collaboration RE with external partners from other museums and with peers in the University sector. P The Museum has pioneered partnerships with Higher Education Institutions through its: ORT Exchange programmes with Sussex University and the Yale Centre for British Art; Long-standing shared postgraduate courses with the RCA; Participation in the AHRC-funded Collaborative Doctoral Scheme and other major research projects; Its joint fellowship schemes (with, for example, the University of Brighton, the University of the Arts London, Buckinghamshire Chilterns University College and the University of the West of England). TO B 3 r OOKS euroPe WilliaMson, Paul. D Catalogue entries 378–87. In: Christoph B Stiegemann and Matthias Wemhoff, eds. Canossa 1077: Erschütterung der Welt: Geschichte, Kunst to to und Kultur am Aufgang der Romanik. Munich: OOKS Hirmer, 2006. pp.273–80. , , 14 CONTRI th th AN c D enturies B ARTICLES UTIONS 15 issue 5, Nov. 2006. Oxford: Blackwells, 2006. Evans, Mark. euroPe pp.623–716. (Co-editor with Thomas Kren). A masterpiece Ajmar-WollheiM, Marta. reconstructed: the Hours of Louis XII. Los Angeles: th to to th (With Flora Dennis and Ann Matchette). Dennis, flora. J.Paul Getty Museum; London: British Library, Approaching the Italian Renaissance interior: (Co-editor with Marta Ajmar-Wollheim). 2005. 98 p., ill. (chiefly col.), ports. sources, methodologies, debates. At home in Renaissance Italy. London: V&A ISBN 9780892368297. In: Marta Ajmar-Wollheim, Flora Dennis and Publications, 2006. 420 p., col. ill. ISBN 1851774882. Ann Matchette, eds. Approaching the Italian Evans, Mark. Renaissance interior: sources, methodologies, Dennis, flora. Le miniature del Rinascimento a Firenze: il contesto debates. Special issue of ‘Renaissance Studies’, Introduction (with Marta Ajmar-Wollheim); dell Bibbia Urbinate. In: Ambrogio M. Piazzoni, ed. vol.20, issue 5, Nov. 2006. Oxford: Blackwells, Music. In: Marta Ajmar-Wollheim and Flora Dennis, La Bibbia de Federico da Montefeltro, commentario 2006. pp.623–628. eds. At home in Renaissance Italy. London: V&A al codice. Vol.1. Modena: Panini, 2005. pp.61–92. Publications, 2006. pp.10–31 & 228–243. ISBN 888290220x. Ajmar-WollheiM, Marta. ISBN 1851774882. (Co-editor with Flora Dennis and Ann Matchette). Evans, Mark. Approaching the Italian Renaissance interior: Dennis, flora. The pedigree of the portrait miniature: European 16 sources, methodologies, debates. Special issue Representing the domestic interior in fifteenth sources of an English genre. In: Bodo Brinkmann of ‘Renaissance Studies’, vol.20, issue 5, Nov. 2006. and sixteenth century Italy: from the birth of the and Wolfgang Schmid, eds. Hans Holbein und der Oxford: Blackwells, 2006. pp.623–716. Virgin to palaces of cheese. In: Jeremy Aynsley Wandel in der Kunst des Frühen 16. Jahrhunderts. and Charlotte Grant, eds. Imagined interiors: Turnhout: Brepols, 2005. pp.229–252. th th Ajmar-WollheiM, Marta. representing the domestic interior since the ISBN 9782503516042. (Co-editor with Flora Dennis). At home in Renaissance. London: V&A Publications, 2006. Renaissance Italy. London: V&A Publications, pp.22–45. ISBN 1851774920. Evans, Mark. 2006. 420 p., col. ill. ISBN 1851774882. The politicised page: the Sforza succession and Dennis, flora. humanist book decoration in Milan. In: Brigitte Ajmar-WollheiM, Marta. (Co-author with Marta Ajmar-Wollheim). Dekeyzer and Jan Van der Stock, eds. Manuscripts c Domestic life: instructing on the art of living La vie domestique dans l’Italie de la Renaissance, in transition: recycling, manuscripts, texts and well. In: Jeremy Aynsley and Charlotte Grant, exposition du V&A Museum. Dossier de l’Art, images. Paris: Uitgeverij Peeters, 2005. pp.347– enturies eds. Imagined interiors: representing the no.134, 2006, pp.76–81. 355. ISBN 9042915625. domestic interior since the Renaissance. London: V&A Publications, 2006. pp.68–69. DerByshire, alan. Evans, Mark. ISBN 1851774920. (With Lois Oliver, Victoria Button, Nick Frayling The rediscovery of a royal manuscript. and Rob Withnall). New evidence towards In: Thomas Kren with Mark Evans, eds. A masterpiece Ajmar-WollheiM, Marta. an attribution to Holbein of a drawing in the reconstructed: the Hours of Louis XII. Los Angeles: Introduction (with Flora Dennis); Housework; Victoria and Albert Museum. Burlington Magazine, J.Paul Getty Museum; London: British Library, Sociability. In: Marta Ajmar-Wollheim and Flora vol.148, no.1236, Mar. 2006, pp.168–172. 2005. pp.81–89. ISBN 9780892368297. Dennis, eds. At home in Renaissance Italy. London: V&A Publications, 2006. pp.10–31; 152–163 Dietrich-englanD, flaVia. liefkes, reino. & 206–221. ISBN 1851774882. Die Sockelzone der Stanza di Eliodoro – ein Tableware. In: Marta Ajmar-Wollheim and Entwurf Raffaels. Weimar: VDG, 2006. 417 p., Flora Dennis, eds. At home in Renaissance Italy. Ajmar-WollheiM, Marta. ill.(some col.). ISBN 3897395339. London: V&A Publications, 2006. pp.254–265. (Co-author with Flora Dennis). La vie domestique ISBN 9783897395336. ISBN 1851774882. dans l’Italie de la Renaissance, exposition du V&A Museum. Dossier de l’Art, no.134, 2006, pp.76–81. Evans, Mark. Matchette, ann. The afterlife of St. Jerome: Giovanni Bilivert’s (With Marta Ajmar-Wollheim and Flora Dennis). Dennis, flora. ‘Portrait of Neri Corsini’. In: Jeffrey F. Hamburger Approaching the Italian Renaissance interior: (With Marta Ajmar-Wollheim and Ann Matchette). and Anne S. Korteweg, Tributes in honor of James sources, methodologies, debates. In: Marta Approaching the Italian Renaissance interior: H. Marrow: studies in painting and manuscript Ajmar-Wollheim, Flora Dennis and Ann Matchette, sources, methodologies, debates. In: Marta illumination of the late Middle Ages and northern eds. Approaching the Italian Renaissance interior: Ajmar-Wollheim, Flora Dennis and Ann Matchette, Renaissance. London: Harvey Miller, 2006. sources, methodologies, debates. Special issue eds. Approaching the Italian Renaissance interior: pp.189–196. ISBN 9781905375080. of ‘Renaissance Studies’, vol.20, issue 5, Nov. 2006. sources, methodologies, debates. Special issue Oxford: Blackwells, 2006. pp.623–716. of ‘Renaissance Studies’, vol.20, issue 5, Nov. 2006. Evans, Mark. Oxford: Blackwells, 2006. pp.623–628. Un capolavoro ricomposto: le ore di Luigi XII. Matchette, ann. Alumina: Pagine Miniate, vol.4, no.14, (Co-editor with Marta Ajmar-Wollheim and Dennis, flora. Apr./June 2006, pp.20–27. Flora Dennis). Approaching the Italian Renaissance (Co-editor with Marta Ajmar-Wollheim and Ann interior: sources, methodologies, debates. Special Matchette). Approaching the Italian Renaissance Evans, Mark. issue of ‘Renaissance Studies’, vol.20, issue 5, Nov. interior: sources, methodologies, debates. Special Un gioiello principesco: le ore Sforza. Alumina: 2006. Oxford: Blackwells, 2006. pp.623–628. issue of the journal ‘Renaissance Studies’, vol.20, Pagine Miniate, vol.3, no.11, Oct. – Dec. 2005, pp.40–47. Matchette, ann. oliVer, lois. north, susan. Dismembering the home in Renaissance Italy. (With Victoria Button, Alan Derbyshire, Nick (Catalogue entries nos. 32, 37–41). In: Tarnya In: Jeremy Aynsley and Charlotte Grant, eds. Frayling and Rob Withnall). New evidence towards Cooper, Searching for Shakespeare. London: Imagined interiors: representing the domestic an attribution to Holbein of a drawing in the National Portrait Gallery, 2006. pp.108 & 116–120. interior since the Renaissance. London: V&A
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  • Vincent Van Gogh Niko Pirosmani

    Vincent Van Gogh Niko Pirosmani

    PRESS RELEASE / January 2019 Communication and press relations: PIERRE COLLET | IMAGINE T +33 1 40 26 35 26 M +33 6 80 84 87 71 [email protected] ALICE PROUVÉ | IMAGINE M +06 71 47 16 33 [email protected] EXHIBITIONS from 02.03.2019 Press preview: Friday 1st March 2019 at 1pm NIKO PIROSMANI VINCENT WANDERER VAN GOGH BETWEEN WORLDS SPEED WITH TRIBUTES BY TADAO ANDO, CHRISTINA FORRER, & APLOMB ADRIAN GHENIE, RAPHAELA VOGEL, SHIRANA SHAHBAZI, YOSHITOMO NARA, ANDRO WEKUA, GEORG BASELITZ & PABLO PICASSO Niko Pirosmani, Giraffe Vincent van Gogh, L’Arlésienne (Madame Ginoux), Oil on wax cloth, 138 x 112 cm Saint-Rémy-de-Provence, February 1890 Georgian National Museum, Shalva Amiranashvili Oil on canvas, 60 × 50 cm Museum of Fine Arts, Tbilisi Galleria nazionale d’Arte moderna e contemporanea, Rome © Infinitart Foundation Vienna / photo: Roberto Bigano FONDATION VINCENT VAN GOGH ARLES – PRESS RELEASE NIKO PIROSMANI – WANDERER BETWEEN WORLDS VINCENT VAN GOGH: SPEED & APLOMB The exhibition Niko Pirosmani – Wanderer between Worlds brings together almost thirty paintings by the Georgian artist (1862–1918) presenting a real and fantastical panorama, suffused with great calm, of an epoch in the midst of transition. Pirosmani’s imposing figures and motifs, with their powerful graphic quality, are wide-ranging: a train steaming through the countryside at night, a woman with a mug of beer, a monumental boar and, sometimes, animals such as a giraffe or lion from imagined lands. Rarely dated, his paintings on wax cloth are largely composed in black and white, enlivened by the presence of blue or red.
  • VILHELM HAMMERSHØI the Poetry of Silence

    VILHELM HAMMERSHØI the Poetry of Silence

    This guide is given out free to teachers and full-time students with an exhibition ticket and ID at the Education Desk and is available to other visitors from the RA Shop at a cost of £3.95 (while stocks last). VILHELM HAMMERSHØI the poetry of silence iii ‘For some time now Vilhelm Hammershöi (b.1864) has had his VILHELM admirers in England. His art is well known nearly all over the world. Last summer in the great International Exhibition at Rome he was one of the HAMMERSHØI few artists who obtained the highest prize of the exhibition. Hammershöi’s discreet choice of colours harmonises well with the old-fashioned type the poetry of silence of room which he usually paints.’ Hammershøi’s entry in the catalogue for an Exhibition of Work by sackler wing of galleries Modern Danish Artists, Public Art Galleries, Brighton, April–July 1912 28 june ‒ 7 september 2008 introduction An Introduction to the Exhibition The exhibition of Danish art at the Brighton Public Art Galleries in 1912 for Teachers and Students was one of a series at this progressive gallery showing modern art from all over Europe. The glowing praise heaped on Vilhelm Hammershøi Written by Helena Bonett (1864–1916) – as an artist ‘well known nearly all over the world’ – may Education Department come as a surprise to us now, when his name is hardly known. This is © Royal Academy of Arts the paradox of Hammershøi. While his work may appear now to be gentle and calm, a lyrical ‘poetry of silence’, for his contemporaries this very silence was provocative and even controversial.