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The Origin of the Peculiarities of the Vietnamese Alphabet André-Georges Haudricourt
The origin of the peculiarities of the Vietnamese alphabet André-Georges Haudricourt To cite this version: André-Georges Haudricourt. The origin of the peculiarities of the Vietnamese alphabet. Mon-Khmer Studies, 2010, 39, pp.89-104. halshs-00918824v2 HAL Id: halshs-00918824 https://halshs.archives-ouvertes.fr/halshs-00918824v2 Submitted on 17 Dec 2013 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Published in Mon-Khmer Studies 39. 89–104 (2010). The origin of the peculiarities of the Vietnamese alphabet by André-Georges Haudricourt Translated by Alexis Michaud, LACITO-CNRS, France Originally published as: L’origine des particularités de l’alphabet vietnamien, Dân Việt Nam 3:61-68, 1949. Translator’s foreword André-Georges Haudricourt’s contribution to Southeast Asian studies is internationally acknowledged, witness the Haudricourt Festschrift (Suriya, Thomas and Suwilai 1985). However, many of Haudricourt’s works are not yet available to the English-reading public. A volume of the most important papers by André-Georges Haudricourt, translated by an international team of specialists, is currently in preparation. Its aim is to share with the English- speaking academic community Haudricourt’s seminal publications, many of which address issues in Southeast Asian languages, linguistics and social anthropology. -
Evaluating the Impact of the Long-S Upon 18Th-Century Encyclopedia Britannica Automatic Subject Metadata Generation Results Sam Grabus
ARTICLES Evaluating the Impact of the Long-S upon 18th-Century Encyclopedia Britannica Automatic Subject Metadata Generation Results Sam Grabus ABSTRACT This research compares automatic subject metadata generation when the pre-1800s Long-S character is corrected to a standard < s >. The test environment includes entries from the third edition of the Encyclopedia Britannica, and the HIVE automatic subject indexing tool. A comparative study of metadata generated before and after correction of the Long-S demonstrated an average of 26.51 percent potentially relevant terms per entry omitted from results if the Long-S is not corrected. Results confirm that correcting the Long-S increases the availability of terms that can be used for creating quality metadata records. A relationship is also demonstrated between shorter entries and an increase in omitted terms when the Long-S is not corrected. INTRODUCTION The creation of subject metadata for individual documents is long known to support standardized resource discovery and analysis by identifying and connecting resources with similar aboutness.1 In order to address the challenges of scale, automatic or semi-automatic indexing is frequently employed for the generation of subject metadata, particularly for academic articles, where the abstract and title can be used as surrogates in place of indexing the full text. When automatically generating subject metadata for historical humanities full texts that do not have an abstract, anachronistic typographical challenges may arise. One key challenge is that presented by the historical “Long-S” < ſ >. In order to account for these idiosyncrasies, there is a need to understand the impact that they have upon the automatic subject indexing output. -
Ligature Modeling for Recognition of Characters Written in 3D Space Dae Hwan Kim, Jin Hyung Kim
Ligature Modeling for Recognition of Characters Written in 3D Space Dae Hwan Kim, Jin Hyung Kim To cite this version: Dae Hwan Kim, Jin Hyung Kim. Ligature Modeling for Recognition of Characters Written in 3D Space. Tenth International Workshop on Frontiers in Handwriting Recognition, Université de Rennes 1, Oct 2006, La Baule (France). inria-00105116 HAL Id: inria-00105116 https://hal.inria.fr/inria-00105116 Submitted on 10 Oct 2006 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Ligature Modeling for Recognition of Characters Written in 3D Space Dae Hwan Kim Jin Hyung Kim Artificial Intelligence and Artificial Intelligence and Pattern Recognition Lab. Pattern Recognition Lab. KAIST, Daejeon, KAIST, Daejeon, South Korea South Korea [email protected] [email protected] Abstract defined shape of character while it showed high recognition performance. Moreover when a user writes In this work, we propose a 3D space handwriting multiple stroke character such as ‘4’, the user has to recognition system by combining 2D space handwriting write a new shape which is predefined in a uni-stroke models and 3D space ligature models based on that the and which he/she has never seen. -
Whenever There Is a Line Or Tilde Over a Vowel, It Is an Abbreviation for the Letters M Or N. in This Case, the Full Word Is Quadam
Whenever there is a line or tilde over a vowel, it is an abbreviation for the letters m or n. In this case, the full word is quadam. In this instance, the line over the e represents an omission of the letter n, giving the word debent when written in full. Whenever a word in Latin had an instance of the letter i in succession, the second i was always written as a j. This applies to all words wherein ii is present and also to the Roman numeral ii, which was written as ij. Therefore, cambij = cambii, negotijs = negotiis. The e with a cedilla was an abbreviation for the letters ae. This word spelled out is quae. Following the letter q, a period or semicolon was used as an abbreviation for the letters ue. The first example reads denique, the second one is quacunque. In the seventeenth century, the letter u and v were interchangeable and not yet viewed as two distinct letters. While not universal, a general rule is that if u or v began a word, it was written as a v; if a u or v occurred in the middle or end of a word, it was written as a u. In the 17th century, a lowercase s had two forms- one long and one short. As a general rule, when a lowercase s occurred as the first letter of the word or in any other place in the word except as the final letter, it was written with a long s, which resembles the letter f. -
A Collection of Mildly Interesting Facts About the Little Symbols We Communicate With
Ty p o g raph i c Factettes A collection of mildly interesting facts about the little symbols we communicate with. Helvetica The horizontal bars of a letter are almost always thinner than the vertical bars. Minion The font size is approximately the measurement from the lowest appearance of any letter to the highest. Most of the time. Seventy-two points equals one inch. Fridge256 point Cochin most of 50the point Zaphino time Letters with rounded bottoms don’t sit on the baseline, but slightly below it. Visually, they would appear too high if they rested on the same base as the squared letters. liceAdobe Caslon Bold UNITED KINGDOM UNITED STATES LOLITA LOLITA In Ancient Rome, scribes would abbreviate et (the latin word for and) into one letter. We still use that abbreviation, called the ampersand. The et is still very visible in some italic ampersands. The word ampersand comes from and-per-se-and. Strange. Adobe Garamond Regular Adobe Garamond Italic Trump Mediaval Italic Helvetica Light hat two letters ss w it cam gue e f can rom u . I Yo t h d. as n b ha e rt en ho a s ro n u e n t d it r fo w r s h a u n w ) d r e e m d a s n o r f e y t e t a e r b s , a b s u d t e d e e n m t i a ( n l d o b s o m a y r S e - d t w A i e t h h t t , h d e n a a s d r v e e p n t m a o f e e h m t e a k i i l . -
The Selnolig Package: Selective Suppression of Typographic Ligatures*
The selnolig package: Selective suppression of typographic ligatures* Mico Loretan† 2015/10/26 Abstract The selnolig package suppresses typographic ligatures selectively, i.e., based on predefined search patterns. The search patterns focus on ligatures deemed inappropriate because they span morpheme boundaries. For example, the word shelfful, which is mentioned in the TEXbook as a word for which the ff ligature might be inappropriate, is automatically typeset as shelfful rather than as shelfful. For English and German language documents, the selnolig package provides extensive rules for the selective suppression of so-called “common” ligatures. These comprise the ff, fi, fl, ffi, and ffl ligatures as well as the ft and fft ligatures. Other f-ligatures, such as fb, fh, fj and fk, are suppressed globally, while making exceptions for names and words of non-English/German origin, such as Kafka and fjord. For English language documents, the package further provides ligature suppression rules for a number of so-called “discretionary” or “rare” ligatures, such as ct, st, and sp. The selnolig package requires use of the LuaLATEX format provided by a recent TEX distribution, e.g., TEXLive 2013 and MiKTEX 2.9. Contents 1 Introduction ........................................... 1 2 I’m in a hurry! How do I start using this package? . 3 2.1 How do I load the selnolig package? . 3 2.2 Any hints on how to get started with LuaLATEX?...................... 4 2.3 Anything else I need to do or know? . 5 3 The selnolig package’s approach to breaking up ligatures . 6 3.1 Free, derivational, and inflectional morphemes . -
The English Renaissance in Context: Looking at Older Books
The English Renaissance in Context: Looking at Older Books The History of the Book Books from the 16th and 17th centuries are both quite similar to and different from books today. The similarities include such things as use of the Codex format, general page layouts, use of title pages, etc. The codex book has been around for a long time. Its roots go back to the age of Cicero, though it only comes into more general use with the spread of Christianity throughout the later Roman Empire in the 4th and 5th centuries CE. Since then, the codex book has undergone a long and gradual evolution during which time the book, its properties, and characteristics became firmly embedded in Western consciousness. Roughly speaking, the general layout of the page that we use today came into existence in the 13th century, with the rise of the universities and the creation of books for study. It is possible, for example, to look at a page in a medieval manuscript and experience a general orientation to it, even if you cannot actually read the text. The evolution of the book, we emphasize, was slow. Such conventions as pagination, title pages, foot or endnotes, tables of contents, indices, et alia are by and large relatively recent additions. We take these features for granted; but prior to the age of Gutenberg, they are hard to find. University of Pennsylvania Libraries - 1 - Furness Shakespeare Collection The English Renaissance in Context: Looking at Older Books Renaissance books can certainly look very different from books today. They exhibit a variety and diversity that have long since been standardized and homogenized. -
Lexia Lessons Digraph Ch
® LEVEL 6 | Phonics Lexia Lessons Digraph ch Description This lesson is designed to reinforce letter-sound correspondence for the consonant digraph ch, where the two letters, c-h, represent one sound, /ch/. Knowledge of consonant digraphs will improve students’ ability to apply phonic word attack strategies for reading and spelling. TEACHER TIPS The following steps show a lesson in which students identify the sound /ch/ at the beginning of words and match the sound to the letters c-h. For students who have difficulty distinguishing the stop sound /ch/ from the continuant sound /sh/, place emphasis on the stop sound of /ch/ by repeating it while making an abrupt chopping motion with your arm: /ch/ /ch/ /ch/. PREPARATION/MATERIALS • For each student, a card or sticky note • A copy of the ch Keyword Image Card and with the digraph ch printed on it 9 pictures at the end of the lesson • Blank sticky notes Primary Standard: CCSS.ELA-Literacy.RF.1.3a - Know the spelling-sound - Know Standard: CCSS.ELA-Literacy.RF.1.3a Primary correspondences for common consonant digraphs. Warm-up Use a phonemic awareness activity to review how to isolate the initial sound /ch/. ListenasIsayawordintwoparts:/ch/op.Thefirstsoundis/ch/.Theendingsoundsareop.WhenI putthemtogether,Igetthewordchop.Whatisthefirstsoundinchop?(/ch/) Make a single chopping motion with one arm. Thesound/ch/isthesoundwehearatthebeginningofthewordchop.Let’sallsay/ch/together:/ ch//ch//ch/.I’mgoingtosayaword.Ifthewordbeginswith/ch/,chopwithyourhandlikethisand say/ch/.Iftheworddoesnotbeginwith/ch/,keepyourhanddownandmakenosound. Suggested words: chill, chest, time, jump, chain, treasure, gentle, chocolate. Direct Instruction Reading. ® Display the Keyword Image Card of the cheese with the ch on it. -
Long Directed (S, T)-Path: FPT Algorithm
Long Directed (s; t)-Path: FPT Algorithm Fedor V. Fomin∗ Daniel Lokshtanovy Fahad Panolanz Saket Saurabhx Meirav Zehavi{ December 13, 2017 Abstract Given a digraph G, two vertices s; t 2 V (G) and a non-negative integer k, the Long Directed (s; t)-Path problem asks whether G has a path of length at least k from s to t. We present a simple algorithm that solves Long Directed (s; t)-Path in time O?(4:884k). This results also in an improvement upon the previous fastest algorithm for Long Directed Cycle. 1 Introduction Given a digraph (directed graph) G, two vertices s; t 2 V (G) and a non-negative integer k, the Long (Directed) (s; t)-Path problem asks whether G has an (s; t)-path (i.e. a path from s to t) of length at least k. Here, the term length refers to the number of vertices on the path, and paths are assumed to be directed simple paths. Observe that Long (s; t)-Path and k-(s; t)-Path are not equivalent problems, where that latter problem asks whether G has an (s; t)-path of length exactly k. Indeed, G may not have any (s; t)-path of length exactly k, or more generally, it may not even have any (s; t)-path of \short" length, but it may have an (s; t)-path of \long" length. For example, the only (s; t)-path of length at least k in G might be a Hamiltonian path. Both Long (s; t)-Path and k-(s; t)-Path are generalizations of the classic k-Path problem, whose objective is to determine whether G has a path of length at least k. -
Chapter 5. Characters: Typology and Page Encoding 1
Chapter 5. Characters: typology and page encoding 1 Chapter 5. Characters: typology and encoding Version 2.0 (16 May 2008) 5.1 Introduction PDF of chapter 5. The basic characters a-z / A-Z in the Latin alphabet can be encoded in virtually any electronic system and transferred from one system to another without loss of information. Any other characters may cause problems, even well established ones such as Modern Scandinavian ‘æ’, ‘ø’ and ‘å’. In v. 1 of The Menota handbook we therefore recommended that all characters outside a-z / A-Z should be encoded as entities, i.e. given an appropriate description and placed between the delimiters ‘&’ and ‘;’. In the last years, however, all major operating systems have implemented full Unicode support and a growing number of applications, including most web browsers, also support Unicode. We therefore believe that encoders should take full advantage of the Unicode Standard, as recommended in ch. 2.2.2 above. As of version 2.0, the character encoding recommended in The Menota handbook has been synchronised with the recommendations by the Medieval Unicode Font Initiative . The character recommendations by MUFI contain more than 1,300 characters in the Latin alphabet of potential use for the encoding of Medieval Nordic texts. As a consequence of the synchronisation, the list of entities which is part of the Menota scheme is identical to the one by MUFI. In other words, if a character is encoded with a code point or an entity in the MUFI character recommendation, it will be a valid character encoding also in a Menota text. -
An Introduction to Indic Scripts
An Introduction to Indic Scripts Richard Ishida W3C [email protected] HTML version: http://www.w3.org/2002/Talks/09-ri-indic/indic-paper.html PDF version: http://www.w3.org/2002/Talks/09-ri-indic/indic-paper.pdf Introduction This paper provides an introduction to the major Indic scripts used on the Indian mainland. Those addressed in this paper include specifically Bengali, Devanagari, Gujarati, Gurmukhi, Kannada, Malayalam, Oriya, Tamil, and Telugu. I have used XHTML encoded in UTF-8 for the base version of this paper. Most of the XHTML file can be viewed if you are running Windows XP with all associated Indic font and rendering support, and the Arial Unicode MS font. For examples that require complex rendering in scripts not yet supported by this configuration, such as Bengali, Oriya, and Malayalam, I have used non- Unicode fonts supplied with Gamma's Unitype. To view all fonts as intended without the above you can view the PDF file whose URL is given above. Although the Indic scripts are often described as similar, there is a large amount of variation at the detailed implementation level. To provide a detailed account of how each Indic script implements particular features on a letter by letter basis would require too much time and space for the task at hand. Nevertheless, despite the detail variations, the basic mechanisms are to a large extent the same, and at the general level there is a great deal of similarity between these scripts. It is certainly possible to structure a discussion of the relevant features along the same lines for each of the scripts in the set. -
Organometallic CH Bond Activation
C-H Bond Activation: An Introduction 1 Goldman and Goldberg Organometallic C-H Bond Activation: An Introduction Alan S. Goldman1 and Karen I. Goldberg2 1Department of Chemistry and Chemical Biology Rutgers, the State University of New Jersey New Brunswick, NJ 08903, USA 2Department of Chemistry, University of Washington, Seattle, WA 98195, USA Abstract An introduction to the field of activation and functionalization of C-H bonds by solution-phase transition- metal-based systems is presented, with an emphasis on the activation of aliphatic C-H bonds. The focus of this chapter is on stoichiometric and catalytic reactions that operate via organometallic mechanisms, i.e., those in which a bond is formed between the metal center and the carbon undergoing reaction The carbon-hydrogen bond is the un-functional group. Its unique position in organic chemistry is well illustrated by the standard representation of organic molecules: the presence of C-H bonds is indicated simply by the absence of any other bond. This “invisibility” of C-H bonds reflects both their ubiquitous nature and their lack of reactivity. With these characteristics in mind it is clear that if the ability to selectively functionalize C-H bonds were well developed, it could potentially constitute the most broadly applicable and powerful class of transformations in organic synthesis. Realization of such potential could revolutionize the synthesis of organic molecules ranging in complexity from methanol to the most elaborate natural or unnatural products. The following chapters in this volume offer a view of many of the current leading research efforts in this field, in particular those focused on the activation ACS Symposium Series 885, Activation and Functionalization of C-H Bonds, 2004, 1-43 C-H Bond Activation: An Introduction 2 Goldman and Goldberg of C-H bonds by “organometallic routes” (i.e., those involving the formation of a bond between carbon and a metal center).