ICH Ectd Specification
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Format Guide
FORMAT GUIDE OVERVIEW 139 GENERAL GUIDELINES 134 ELECTRONIC RÉSUMÉ GUIDELINES 140 STANDARDS OF MAILABILITY 140 FAIR USE GUIDELINES FOR EDUCATIONAL USE 141 AGENDA 142 ITINERARY 143 LABEL/ENVELOPE 144 BUSINESS LETTER 144 PERSONAL LETTER 145 LETTER WITH ADVANCED FEATURES 146 LETTER & MEMO SECOND PAGE 146 EMAIL 147 MEMORANDUM 148 NEWS RELEASE 149 MINUTES 150 OUTLINE 151 REPORT 152 REPORT CONTINUED 153 ENDNOTE PAGE 153 CITATIONS 154 REFERENCE PAGE 155 TABLES 156 ELECTRONIC RÉSUMÉ 157 TABLE OF CONTENTS 158 Revised 2014 Copyright FBLA-PBL 2014. All Rights Reserved. Designed by: FBLA-PBL, Inc CHAPTER MANAGEMENT HANDBOOK | 137 138 | FBLA-PBL.ORG OVERVIEW In today’s business world, communication is consistently expressed through writing. Successful businesses require a consistent message throughout the organization. A foundation of this strategy is the use of a format guide, which enables a corporation to maintain a uniform image through all its communications. Use this guide to prepare for Computer Applications and Word Processing skill events. GENERAL GUIDELINES Font Size: 11 or 12 Font Style: Times New Roman, Arial, Calibri, or Cambria Spacing: 1 space after punctuation ending a sentence (stay consistent within the document) 1 space after a semicolon 1 space after a comma 1 space after a colon (stay consistent within the document) 1 space between state abbreviation and zip code Letters: Block Style with Open Punctuation Top Margin: 2 inches Side and Bottom Margins: 1 inch Bulleted Lists: Single space individual items; double space between items -
The Transformation of Calligraphy from Spirituality to Materialism in Contemporary Saudi Arabian Mosques
The Transformation of Calligraphy from Spirituality to Materialism in Contemporary Saudi Arabian Mosques A dissertation submitted to Birmingham City University in fulfilment of the requirement for the degree of Doctor of Philosophy in Art and Design By: Ahmad Saleh A. Almontasheri Director of the study: Professor Mohsen Aboutorabi 2017 1 Dedication My great mother, your constant wishes and prayers were accepted. Sadly, you will not hear of this success. Happily, you are always in the scene; in the depth of my heart. May Allah have mercy on your soul. Your faithful son: Ahmad 2 Acknowledgments I especially would like to express my appreciation of my supervisors, the director of this study, Professor Mohsen Aboutorabi, and the second supervisor Dr. Mohsen Keiany. As mentors, you have been invaluable to me. I would like to extend my gratitude to you all for encouraging me to conduct this research and give your valuable time, recommendations and support. The advice you have given me, both in my research and personal life, has been priceless. I am also thankful to the external and internal examiners for their acceptance and for their feedback, which made my defence a truly enjoyable moment, and also for their comments and suggestions. Prayers and wishes would go to the soul of my great mother, Fatimah Almontasheri, and my brother, Abdul Rahman, who were the first supporters from the outset of my study. May Allah have mercy on them. I would like to extend my thanks to my teachers Saad Saleh Almontasheri and Sulaiman Yahya Alhifdhi who supported me financially and emotionally during the research. -
Instructions for Authors
INSTRUCTIONS FOR AUTHORS MANUSCRIPT SUBMISSION Manuscript Submission Submission of a manuscript implies: that the work described has not been published before; that it is not under consideration for publication anywhere else; that its publication has been approved by all co-authors, if any, as well as by the responsible authorities – tacitly or explicitly – at the institute where the work has been carried out. The publisher will not be held legally responsible should there be any claims for compensation. Permissions Authors wishing to include figures, tables, or text passages that have already been published elsewhere are required to obtain permission from the copyright owner(s) for both the print and online format and to include evidence that such permission has been granted when submitting their papers. Any material received without such evidence will be assumed to originate from the authors. Online Submission Authors should submit their manuscripts online. Electronic submission substantially reduces the editorial processing and reviewing times and shortens overall publication times. Please follow the hyperlink “Submit online” on the right and upload all of your manuscript files following the instructions given on the screen. If the link is not activated, please mail your submission to [email protected]. TITLE PAGE The title page should include: The name(s) of the author(s) A concise and informative title The affiliation(s) and address(es) of the author(s) The e-mail address, telephone and fax numbers of the corresponding author Abstract Please provide an abstract of 150 to 200 words. The abstract should not contain any undefined abbreviations or unspecified references. -
Guide to Formatting and Filing Theses, Dissertations, and DMA Supporting Documents
2018-19 Guide to Formatting and Filing Theses, Dissertations, and DMA Supporting Documents 1 A Message from the Dean of the Graduate Division 2 Table of Contents Pages Chapter I Academic Senate Policy and Student Responsibility for Dissertations, 1 DMA Supporting Documents, and Theses 2 Chapter II Specifications of the Document 2 English Required in Text 2 Font and Font Sizes 2 Minimum Margins 3 Page Numbers and Pagination 3 Double Spacing of Text Required 4 Chapter III Organization of the Document 4 Preliminary Pages 4 Title Page (Required, double-spaced) 5 Signature Page (Required, double-spaced) 5 Copyright Notice (Optional, double-spaced) 5 Dedication and/or Acknowledgements (Optional, single spacing allowed) 5 Vita (Required ONLY for doctoral students, single spacing allowed) 6 Abstract (Required, double-spaced) 7 6 Table of Contents (Optional, single spacing allowed) 6 The Main Body of the Manuscript (Required, double-spaced) 6 Notes (Optional, single spacing allowed) 6 Bibliography (Optional, single spacing allowed) 6 Appendices (Optional, single spacing allowed) 7 Chapter IV Special Handling for Oversize, Illustrative, and Special Materials 7 Handling Oversize Materials 7 Color in Maps and Illustrations 7 Submission of Supplementary Material 7 Music Compositions 8 Chapter V Fair Use, Permissions, Co-authorship, Copyright, and Embargo/Delayed Release 8 Fair Use 8 Copyright Graduate Council Thesis & Dissertation Policies: Co-authorship, Previously Published Material, 8 Copyright, and Acknowledgements 9 Embargo/Delayed Release 10 -
Text for a Professional Look
SUBMITTING PRESS -READY PAGES ® For Paperback Books with Perfect Binding, Plastic Comb, and Plastic Coil Binding Accepted Page Material Free Proof All pages must be furnished pres s- ready, which are • You will receive a FREE proof to review and approve. pages already formatted and typeset, with no addi - Production continues when we receive ALL proofs tional typesetting or alterations needed. Pages are (even those not approved), sig n- off letters, and Copyright © 2009 (Revised 5-17) Morris Publishing ® • All Rights Reserved. ready to print and will print the way they appear on the second payment. No part of this document, in whole or in part, your computer. Printing quality is determined by the • Your proof is NOT the time to proofread pages. Do may be copied, transferred, or reproduced. quality of the pres s- ready material. this before submitting your book to us. The proof represents how the production file will print and Acceptable pres s- ready material includes: ensures that all pages are in the correct order and to Get Started! 1. a digital file converted into a PDF (p. 7) in the your specifications. Do not assume anything. If some - proper format (p. 2). This is the preferred thing isn’t quite right, make a note of it or call us. Formatting Pages ......................2 material. If you need assistance, call us. • If any pages require changes, you must resubmit them; Pages to Include ......................3 2. a hard copy (p. 8) in the proper format (p. 2) we do not make corrections to your pages. Instructions How to Number a Book ...............4 that we can scan. -
The Selnolig Package: Selective Suppression of Typographic Ligatures*
The selnolig package: Selective suppression of typographic ligatures* Mico Loretan† 2015/10/26 Abstract The selnolig package suppresses typographic ligatures selectively, i.e., based on predefined search patterns. The search patterns focus on ligatures deemed inappropriate because they span morpheme boundaries. For example, the word shelfful, which is mentioned in the TEXbook as a word for which the ff ligature might be inappropriate, is automatically typeset as shelfful rather than as shelfful. For English and German language documents, the selnolig package provides extensive rules for the selective suppression of so-called “common” ligatures. These comprise the ff, fi, fl, ffi, and ffl ligatures as well as the ft and fft ligatures. Other f-ligatures, such as fb, fh, fj and fk, are suppressed globally, while making exceptions for names and words of non-English/German origin, such as Kafka and fjord. For English language documents, the package further provides ligature suppression rules for a number of so-called “discretionary” or “rare” ligatures, such as ct, st, and sp. The selnolig package requires use of the LuaLATEX format provided by a recent TEX distribution, e.g., TEXLive 2013 and MiKTEX 2.9. Contents 1 Introduction ........................................... 1 2 I’m in a hurry! How do I start using this package? . 3 2.1 How do I load the selnolig package? . 3 2.2 Any hints on how to get started with LuaLATEX?...................... 4 2.3 Anything else I need to do or know? . 5 3 The selnolig package’s approach to breaking up ligatures . 6 3.1 Free, derivational, and inflectional morphemes . -
Manuscripts Form Explanatory Notes.Pdf
1 Explanatory notes:1 Form for additions or corrections to PhiloBiblon MANUSCRIPTS Information related to manuscript description is available on any PhiloBiblon HELP page: http://bancroft.berkeley.edu/philobiblon/help_es.html (BETA) http://bancroft.berkeley.edu/philobiblon/help_po.html (BITAGAP) http://bancroft.berkeley.edu/philobiblon/help_ga.html (BITAGAP) http://bancroft.berkeley.edu/philobiblon/help_ca.html (BITECA) For codicological terminology, see Denis Muzerelle’s site (http://codicologia.irht.cnrs.fr ). For terminology in Portuguese, consult Maria Isabel Faria and Maria da Graça Pericão’s Dicionário do Livro. Da escrita ao livro electrónico, Coimbra: Almedina, 2008. (BITAGAP bibid 12314). Links to many databases relevant to manuscript description (bindings, codicology, paleography, ruling, watermarks, seals, etc.) appear in PhiloBiblon online, in RESOURCES. Bookmark this page in all of your browsers to facilitate quick consultation of useful resources. For the purposes of filling out this form, the term “manuscript” refers to the physical object in which a text is written, whether a book/codex or a loose piece of parchment. A manuscript might consist of hundreds of bound leaves, five gatherings, or a single sheet of paper. The term “manuscript” is used here for all of these. A factitious manuscript is comprised of several parts or sections of different provenance. It can include codicologically distinct quires (parchment and paper), leaves or gatherings copied in different eras, printed texts, etc. A separate form with a detailed description must be prepared for each part of the manuscript that contains an appropriate text for the relevant bibliography. Information for the entire manuscript is included only in the record for the first part, which has a manid. -
Guidelines for Preparing FHWA Publications
GUIDELINES FOR PREPARING ITS JPO REPORTS Format for Research Reports Standard research reports must follow the guidance in this document regarding formatting and font, type size, symbols, margins, page numbering, bullets, columns, and other elements as the preferred style. The report must be consistent throughout in format and style. All reports are to be submitted as a 508-compliant, PDF file. Order of Elements in Reports This section lists the various components of a report in the order in which they should appear. However, please note that it is not necessary to use all elements in all reports. (For example, if a report does not contain references, there would be no need for a reference section in the report.) Covers Front Cover Inside Front Cover (R&D Foreword and Disclaimer Notice) Front Matter Technical Report Documentation Page (Form DOT F 1700.7) Acknowledgements (if any) Metric Conversion Chart Table of Contents List of Figures (including equations) List of Tables List of Abbreviations and Symbols Body of Executive Summary Report Main text separated into chapters Conclusions Recommendations Back Matter Appendices (Use consecutive pagination, do not use A-1, etc.) Glossary References Bibliography Index Back Cover Cover Note: Contractors' names may not appear in the report, except in block 9 of the Technical Report Documentation Page (form DOT F 1700.7). Contractor logos may not appear at all. Paid consultants should not be acknowledged anywhere else in FHWA publications. 5-2017 1 ITS JPO Report Guidelines If an acknowledgement page must be used, it should not contain contractor, author, or company names. -
Cyberlaw Clinic Style Guide
TABLE OF CONTENTS 1. Introduction ............................................................................................... 5 2. General Tips................................................................................................ 6 2.1. Be consistent ....................................................................................... 6 2.2. Use the templates and the Styles feature ........................................... 6 2.3. Consider your audience ...................................................................... 7 2.4. Strive for clarity ................................................................................... 7 2.5. Get right to the point .......................................................................... 7 2.6. Begin by overdrafting .......................................................................... 7 2.7. Always run spell checK – but don’t stop there ................................... 8 3. The Editing and Proofreading Process ...................................................... 9 4. Further Reading......................................................................................... 10 5. Style Rules................................................................................................... 11 5.1. Document-level ................................................................................... 11 5.1.1. Cyberlaw Clinic logo .................................................................... 11 5.1.2. Confidentiality notice ................................................................. -
Building Other Custom Screens
Building Other Custom Screens Overview Advanced Custom Forms Overview Advanced Custom Forms provide you more control over the look and layout of the form that users will be accessing to enter data. You can access Advanced Custom Forms by expanding the Custom Form from the Custom Form main screen. Advanced Custom Forms To begin building an Advanced Custom Forms screen, click the Add Advanced Form link. The Advanced Custom Form Maintenance screen will display. Enter a Name for the screen and begin adding content to the form. We will now review one section at a time, as well as the buttons/options on the Advanced Custom Form Maintenance screen. System: This field cannot be edited. It is based on the type of Custom Form you are working in. Name: This is the name of the Advanced Custom Form and is the name that users will see when trying to access the information. Layout: Click this button to toggle the orientation of the form between Portrait (the default) or Landscape. This effects how the form will print when sent to a printer. Table: The options under here are to be used if using a table on the form. You would want your cursor placed in the row you wish to work with, and then you can select to Clone a Row, Delete a Row, or Delete to Last Row which will remove the row with your cursor, and all rows of the table below it. Fields: This is where you can access all of the available Skyward fields and Custom Fields created for the form and choose to add them to your form. -
The Deer Scroll by Kōetsu and Sōtatsu
The Deer Scroll by Kōetsu and Sōtatsu Reappraised Golden Week Lecture Series— Four Masterpieces of Japanese Painting: A Symposium Miyeko Murase, Former Consultant for Japanese Art, Metropolitan Museum of Art and the Takeo and Itsuko Atsumi Professor Emerita, Columbia University Poem Scroll with Deer (part), Hon’ami Kōestu and Tawaraya Sōtatsu, early 17th century, handscroll, ink, gold and silver on paper, 13 3/8 x 372 in., Gift of Mrs. E. Frederick, 51.127 It has been quite some years since I last spoke here at this museum, so many in fact that I have lost count. It is really wonderful to be back, and I want to thank director Mimi Gates and curator Yukiko Shirahara, who invited me to speak today on the world-famous Deer Scroll by Sōtatsu and Kōetsu. This proud possession of the Seattle Art Museum is one of the most beautiful paintings ever created by Japanese artists.1 The scroll just came back from Japan after extensive restorative work. Although the handscroll itself does not bear any title, it is generally known as the Deer Scroll because the entire scroll is filled with images of deer, which are shown either singly, in couples, or in large herds. The animals are painted only in gold and/or silver ink, as is the very simple setting of sky, mist, and ground. As you may have noticed, these beautiful pictures of deer are really a background for the equally exquisite writings of waka poems in black ink. Here we have a symphony of three arts - poetry, painting, and calligraphy - as a testimonial to the ancient credo of Asia that these three arts occupy an equally important place in life and culture. -
GAMUT Editor Aids
GAMUT Editor Aids // 1 // SYMBOLS OF THE UPPER TOOLBAR // WITH THESE SYMBOLS . YOU TRIGGER THESE ACTIONS » Font Size » Use the dropdown to select the font size » Text Color » Change the color of the selected text » Background Color » Change the background color (highlight) of the selected text » Bold » Apply bold formatting to the selected text » Italic » Apply italic formatting to the selected text » Underline » Apply underline formatting to the selected text » Strikethrough » Apply strikethrough formatting to the selected text » Subscript » Make text or numbers appear as subscript » Superscript » Make text or numbers appear as superscript continued // 2 // SYMBOLS OF THE UPPER TOOLBAR // WITH THESE SYMBOLS . YOU TRIGGER THESE ACTIONS » Copy Formatting » Copy the formatting from one area of text and apply it to another » Remove Format » Remove the formatting from the selected area of tex » The starting number of the list can also be changed here. » Numbered List » Select this button to begin a numbered list. » Bulleted List » Select this button to begin a bulleted list. » To change the numbered list properties, right click in the list and make a selection from the following: » The starting number of the list can also be changed here. continued // 3 // SYMBOLS OF THE UPPER TOOLBAR // WITH THESE SYMBOLS . YOU TRIGGER THESE ACTIONS » Bulleted List, continued » To change the bulleted list properties, right click in the list and make a selection from the following: » Decrease Indent » Decrease the paragraph indent to the left » Increase