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Continue Metal Hearts Wallpaper Program (1024 x 768 ) Created by: Leandro de Oliveira (Roadie Crew Magazine) Advertising logo format program No.png (To download the logo, you will need to have a winrar program installed ... To download it, click here. Download all metal heart compilations: OBS: WHEN SOUTH FOR MEGA, CLICK DOWNLOAD THROUGH YOUR BROWSER Love Metal - Volume 1 0ZcnFJLb!0_y9lMgdhd4JVyQ6vGtWfIwVQ0Xy4AKMziKmPMUWVE0 Love Metal - Volume 2 tU1SyaAB!HZ_7NhZme5E4hu0gHPmHsNVvUja0bPCAiE9QKOP7Z8U Love Metal - Volume 3 8YFggBQL!vMKAXaWfW1SlaWngaR6aKDhnvTnWcZx0GF-MGLx1d34 Love Metal - Volume 4 hRNCHSJD!QrsJ2R0uaKls3gkAmA5fix8scgiwemCa9ewi6_O6mh8 Let's Rock 'n' Roll - Volume 1 8F8xWb7K!jIn7SfEMYV4Uv-DXL-QH3iKmS6D3FVYKa28OnitcVHQ Blues Forever - Volume 1 NJ9RgARZ!6H1nqCMOSQohKF1-x5QyjiGCWuUh0OLiE8bGcocq5LQ Hard Rock Power - Volume 1 4EkDESiZ!SHV4lJ0bri4qUTbXcU3ab6Bo_udGgSOnpctQypjPsTE Hard Rock Power - Volume 2 sVFykDCb!rECs-23VcF9CPEFuOuHCQo1KY1kpdtv0OBVk7Y7CerU Hard Rock Power - Volume 3 sVFykDCb!rECs- 23VcF9CPEFuOuHCQo1KY1kpdtv0OBVk7Y7CerU Hard Rock Power - Volume 3 sVFykDCb!rECs-23VcF9CPEFuOuHCQo1KY1kpdtv0OBVk7Y7CerU Hard Rock Power - Volume 3 sVFykDCb!rECs-23VcF9CPEFuOuHCQo1KY1kpdtv0OBVk7Y7CerU Hard Rock Power - Volume 3 sVFykDCb!rECs- 23VcF9CPEFuOuHCQo1KY1kpdtv0OBVk7Y7CerU Hard Rock Power - Volume 3 sVFykDCb!rECs-23VcF9CPEFuOuHCQo1KY1kpdtv0OBVk7Y7CerU Hard Rock Power - Volume 3 sVFykDCb!rECs-23VcF9CPEFuOuHCQo1KY1kpdtv0OBVk7Y7CerU Hard Rock Power - Volume 3 sVFykDCb!rECs- 23VcF9CPEFuOuHCQo1KY1kpdtv0OBVk7Y7CerU Hard Rock Power - Volume 3 sVFykDCb!rECs-23VcF9CPEFuOuHCQo1KY1kpdtv0OBVk7Y7CerU Hard Rock Power - Volume 3 sVFykDCb!rECs-23VcF9CPEFuOuHCQo1KY1kpdtv0OBVk7Y7CerU Hard Rock Power - Volume 3 sVFykDCb!rECs- 23VcF9CPEFuOuHCQo1KY1kpdtv0OBVk7Y7CerU Hard Rock Power - Volume 3 sVFykDCb!rECs-23VcF9CPEFuOuHCQo1KY1kpdtv0OBVk7Y7CerU Hard Rock Power - Volume 3 sVFykDCb!rECs-23VcF9CPEFuOuHCQo1KY1kpdtv0OBVk7Y7CerU Hard Rock Power - Volume 3 sVFykDCb!rECs- 23VcF9CPEFuOuHCQo1KY1kpdtv0OBVk7Y7CerU Hard Rock Power - Volume 3 sVFykDCb!rECs-23VcF9CPEFuOuHCQo1KY1kpdtv0OBVk7Y7CerU Hard Rock Power - Volume 3 sVFykDCb!rECs-23VcF9CPEFuOuHCQo1KY1kpdtv0OBVk7Y7CerU Hard Rock Power - Volume 3 sVFykDCb!rECs- 23VcF9CPEFuOuHCQo1KY1kpdtv0OBVk7Y7CerU Hard Rock Power - Volume 3 sVFykDCb!rECs-23VcF9CPEFuOuHCQo1KY1kpdtv0OBVk7Y7CerU Hard Rock Power - Volume 3 xA8CjZZa!aAclDqxBykmCcjzQuMV4oLu4pS0qPepEfdaUGJIoVfU sVFykDCb!rECs-23VcF9CPEFuOuHCQo1KY1kpdtv0OBVk7Y7CerU Hard Rock Power - Volume The Traditional Collection of Heavy Metals - Volume 1 RNk0hQbY!LFnwAFFSv0wNnh5VB-sS-tJKdSiNpY6YA7AxNSQzxHs Traditional Heavy Metal Collection - Volume 2 MNFghYgA!Pu7jS6QiS8j39n3xOM10LgiOX6HNjLNyuME33bqFUxk Traditional Heavy Metal Collection - Volume 3 oV1mkYqZ!YOgCOhaIvRD9oWiGFDF-85VJQjOhvSFy9RDNz1NRXYY Traditional Heavy Metal Collection - Volume 4 pJ1AmBSS!cgg4-0iGaDFr50_EnLxuKMXqZC5Zcitzo_8GAYyFptw Traditional Heavy Metal Collection - Volume 5 BV1GyAxA!zot6jX2-EUDRTevYAMD3fyUAyhaaf5YsRT1JTtNVjEo Traditional Heavy Metal Collection - Volume 6 tIVGAA5I!6X7LVaaIWrjF-ZdVEtCB9_tPMcdRRUrpHpP7EgF0wFo Traditional Heavy Metal Collection (NWOF...... BHM ) - Volume 7 AQcn0ACL!-u12C5aCmzrntljokjlXgWxhDfnr8onc1AYC0Tg_VxQ Speed (Fast) Power Metal - Volume 1 gc0VmIYD!L_lW6l_Np6wG3EESEeS21sDIGaFLg225y24u0PMbo5o Melodic Power Metal - Volume 1 (Elaine Lopez) sdM13R4Z!hIsqfxWmlOQ9oNZn05f7pk9BmX6o9dDs4fUqFnxq960 Melodic Power Metal - Volume 2 (Elaine Lopez) tZs00agR!F-r8t43oaKI1aW1QMxrdpo-8_obHi6ixLCwWhWOJ8Qk Pagan/Folk/Viking Metal - Volume 1 (Elaine Lopez) QJtCUJ4S!z3XhXxVheC67-oEX1s9Kw4wEbYGx6IctgCdc6hMlTa4 Pagan/People's/Viking Metal - Volume 2 (Elaine Lopez) 5Zt1iZAQ!owsSHMCV0QivwdTcjv-BwDkgyN-51Np_-q_j1DqBem0 Darkness Doom Metal - Volume 1 (Elaine Lopez) IAVzUZTT!gSm4cyXS9L8OR4byLg- MPfqR0r4TZS3g3tm3mMpIxe8 Darkness Doom Metal - Volume 2 (Elaine Lopez) Thrush Metal Explosion - Volume 1 (By Elaine Lopez) UY0x0aSA!Fw7qjxFdywryNcK5US3pD6URNmnUreTyvwu1OcyZzK4 Thrash Metal Explosion - Volume 2 (By Elaine Lopez) oIUxnbpT!1p2JSUdCnXPK4jhaIIP4sE9irWuVj1o89FtDinm0Hk0 Thrash Metal Explosion - Volume 3 (By Elaine Lopez) BBky3ZgB!SIj-alvox9mnCuFzl0VcU2YmsChGmq8BPycIJWAIOn8 Extreme Series - Death Metal - Volume 1 (Miguel Karam) 9Y03zbbZ!xyLMFczLg30TyMNySEjngKSoOiDCEgkhzCFUdA8JHdk Extreme Series - Death Metal - Volume 2 (Elaine Lopez) hIE1zRDB!Gndfx38eI9zlF9P5PBOkZAToNcK1Cn7IHC0limSA_Fc Extreme Series - Death Metal - Volume 3 (Elaine Lopez) dckHRChZ!c5C6evqjT0wiM3KpuNv-bazMmuYtEVi77UTWIGg8gRU Extreme Series - Death Metal - Volume 4 (Elaine Lopez) tQVkjCTA!- jBnNObgY1BNpIGBUUk_ZrEmDW8JZFa1M6Q3tAPxIRs Hellish Black Metal - Volume 1 (Elaine Lopez) hAsWGaSZ!kgqs0pGaf4vn5ZguUePTCgbt-skgr7CBYJ3rkcAq4BQ Helly C Metal - Volume 2 (Elaine Lopez) RIE3mZaC!rSvn1HL7fPOBdcAQ275MXu0AUUAUJzW76KQE_aO-TGg Live Attack (Traditional Metal) Volume 1 FZd0jRiA!T7lcU2st-JWzhS4Cn9cdu29Ids5BkS7HEQxtyjqatSM Live Attack (Hard Rock) Volume 2 xAsx3CAQ!R2gjn0peakwCqcye4dFz2tdR_6fYJYllpK4k-eaFZCY Live Attack (Thrash Metal) Volume 3 (Elaine Lopez) hEcEhRwL!1BtCRO1AuSS3BIS9WehmFtrwyvOzcxSJx6WOcbM3VPg Amazing Fuckin' Covers - Volume 1 MEtQQaqQ!89_02UKk5pWWhtrLz_0n_m5uv80zqbfXQhuEklzVIPk Perpetual classic rock - Volume 1 8AVyFRrJ!_FMoXdxxXGIlVY5v6CmLNtAukq9P-doJByQd8RqKGK4 Eternal Classic Rock - Volume 2 gJsQkSDB!9JN4D5dLwLXdc7-uBb55FhB-QEsE5qSfyIALUUQkBoo Women in Metal - Volume 1 5J1CERzT!m2901LY8OkEUSM6LM_JvMIQ9yh8Rx6tIb3ZBVZEOG2Y ansehenSeitentransparenzFacebook liefert Informationen, mit denen du Intention die von Seiten besser verstehst. Ier erfuurst du mere zu den Personin, die die Seiten verwalten and Beinriage Darin Posten. When I was a teenager, I lived in a world where the media had much more limitations than these days. It had no Internet, and it was also very difficult (and expensive!) to import materials from other countries. It's not like that these days. Today, if I want to buy a gringa magazine, I go to one of these great bookstores here in Sao Paulo and buy the same magazine sold in your country of origin (I pay a much more expensive price for it, it's true). And that's what I've done since the May 2017 issue of Metal Hammer magazine (MAIDEN - This Time It's War), which featured a fantastic cover that would attract an fan like me just to illustrate. As for Virgo, the magazine came up with an interview Steve Harris, made by journalist Dom Lawson, and a joke made by the magazine's production team, ranked the band's 50 greatest songs. Life usually lasted until early July 2017, when Rolf published on WhatsApp Roadie Crew in June, whose cover was IRON MAIDEN - the band's 50 most current songs. Rolf, bring this magazine to work, let's compare it. When you open magazines, it's clear that lists 50 plus are completely different. However, the interview with Steve Harris is a pure translation of Metal Hammer, and the credits of Dom Lawson for the interview are presented in a Brazilian magazine. Roadie Crew on the left and Metal Hammer on the right: House Lawson in the credits and the full translation of the interview in the magazine tupiniquim Roadie Crew, in my opinion, is the main means of communication on paper for the heavy metals public here in Brazil. And my questions are still up in the air... Did you really have to wait for the Metal Hammer edition to come out to have hey, let's make a list of Virgo's 50 greatest songs? Wouldn't this question be approved internally if it had not been placed in the gringa journal? Where is the novelty that the Brazilian media should have? Did you really need to buy the rights to Don Lawson instead of getting some other interview with Maiden? Wasn't it enough just a list needed to follow the same interview format and list (even if it was worth the question, how does it cover)? And just to kill curiosity, here are some figures that I have drawn in comparison to the two lists made by the editorial of relevant magazines and guests. Let's be clear, I didn't find any criterion in either of the two magazines that followed for the editing rating, but neither stopped being considered. It follows the top 50 of each magazine: Song Distribution into an album: two songs had the same locations throughout the top 50: Hallowed to be your name, first, and aces high in fifth place. And among the top 50 in both lists appeared 41 songs. Let's see which 9 tracks that each editorial gave exclusivity: Metal Hammer: These colors don't work; No more lies; When the wild wind blows; If you go home; The longest day; Tailgunner; Montsegur; The Man on the Edge and the Empire of the Clouds. Roadie Crew: Reincarnation of Benjamin Brig; The Book of Souls; Caught somewhere in time; Brave new world; Total eclipse; The prisoner; Satellite 15 ... The last frontier; Spend love for the good of God; Everyone who has discussed the list (and here at HM Minute is permanence) knows that it is very hard to surpass the lists, even more involving the ranking. I'm sure everyone who has read this post will put some and create your own list after all. And the roadie crew, the following: if I find a metal hammer with English history about the interview of you with some or Angra life, I will come back here and criticize the Metal Hammer, closed?! I even do a post in English... Kelsey, Kelsey. (NOTE BY EDUARDO dutecnic: it's worth remembering that we saw a movie like this here featuring the same vehicles on ... Categories: Angra, Curiosity, Discography, Interview, Iron Maiden, Reviews In the 70s, England, the birthplace of rock, already hold two major rock festivals, Reading and Glastonbury, but in 1980, of course, trying to explore a good moment of hard rock, and catching the wave of NWOBHM, was held the first edition of . Instead of distributing dozens of groups of different genres on different stages during the two or three days of the event, the new festival kept things simple: one day, stage, genre. The festival took place every year, in mid-August, at (which even hosted the Formula One race in 1993) and attracted a large audience, gaining fame among musicians and fans, the world's largest and best heavy metal festival. This format has served well for many years, especially in 1984 (the year ac/dc, , , Gary Moore, Y'T, Accept and a new, almost unknown band called Mytli Crew) and 1988 (which included Iron Maiden as headliner, Kiss, David Lee Roth, , Guns N'Roses and Helloween). However, with the passage of time and change in the music world, it became harder to maintain the old hit Monsters Of Rock, and its last edition was in 1996. The absence of mor was symbolic in those years of lean cows for the world of metal, especially in England, where Britpop gained a lot of space in the second half of the 90s, but the festival left many people homesick. Anyway, Metal has not lost its fans and the genre began to gain new strength in the late 90's through a new generation of fans, inspiring promoters to revive the idea of the festival for legions of fans. In 2003 was born Download Festival, which will be held in his spiritual home, donington chain. Some changes have taken place with the new format: the event will initially be two days (to be up to three since 2005); it will no longer be a celebration of just one scene (there were up to six scattered around the arena); finally, it will no longer be a festival only for Hard Rock and heavy metal bands like Punk, Hardcore, Indie Rock and even rap and electronic music have been gradually introduced. Over the years Download has managed to conquer rockers and today has a huge audience. In 2011, Download introduced The System Down, and as the main attractions, but lost financially and morally to their new rival, Sonisphere, which put on the stage big 4 and Slipknot. England is a relatively small country with 55 million inhabitants, and far from continental Europe, making it difficult for fans from other countries to arrive - and does not support two major metal festivals. However, the stiff competition between Download and Sonisphere is ultimately considered something very positive for the public. In 2012, the promoter of Download wanted his festival to return as the main event of its kind. Thus, in October 2011, the first name was revealed, which will play Black Album. But it was on 11/11/11 at 11:11 a.m. that Download 2012 was sure, even with the news that the original Black Saturday line-up would come back and play together at the festival. Sonisphere tried to react, but, not going to be able to compete with sabbath and eventually cancel its edition this year. The anxious wait for seven months began... Where is it? Donington Castle is located about the centre of the country, 200 kilometres from London. It is a green and very picturesque place in the interior of England. Today, the Boot Festival is no longer in the racetrack, but next to you, on the wavy fields of the farm. Despite this, you can divide and even walk on sections of the track. The place is far from the train stations and the structure leaves much to be desired, since signage, for example, is not always effective - the bus driver who took us to the place grumbled at one point, after driving for almost an hour looking for the right place to drop off their passengers: I've never seen so many people driving traffic without having any idea of what they're doing... Download 2012 Download offers many ticket options: a customer can only purchase a one-day ticket for 80 pounds (about R$275) or for three days (165 pounds, about R$565). In the latter case, another 35 pounds (R$120) could secure a place at one of the festival's official campsites, being responsible for the public to take their trailer or tent to spend three or five nights in a venue more or less close to the arena where the shows were held. The main campsite is very simple even, but has as support the Village, an area consisting of dozens of trailers and tents that sell food (there is even a mini market inside the tent) and items needed for camping. All this would be quite comfortable for the tenants, if it were not for the rain ... A few days before the holiday is not sunny nor day, but rain was present. It is no stranger to England, famous for bad weather almost all year round, but spring high rain speed. And this year was no different. Most fans arrive at the campsite on Thursday to settle in before the show starts, which takes place the next day, and it's been only two days that rained the most, turning campsites and support areas into a sea of mud 10 to 15 centimetres deep. Under the threat of a landslide on Thursday night had to evacuate the whole camping. To watch the show, most of the natives, already accustomed to the heat of English time, have already interfered with the boots. And those who do not carry a pair in luggage, will have to run to the sellers, who had a huge stock of rubber boots. The arena where the show will take place was due to open by noon Friday, but to try to make the recordings safer, the organisers decided to postpone for two hours - a horror for the creators of British punctuality. This safety concern may have been due to the deaths of two fans during Monsters Of Rock in 1988, when mud was a factor in the tragedy that occurred during the Guns N'Roses performance. The two-hour delay served for organizers to spread straw around the site, trying to reduce the mud associated with the disorder, and dismantle some information boards that may fall due to strong winds that were also present. Although many skated, slipped and even fell into the mud, there were no reports of serious incidents, and the show began to roll around 2:30 p.m. with a factory of fear on the main stage (named Jim Marshall Stage after the recently deceased creator of legendary amplifiers). By 3 p.m., the green lawn had almost completely disappeared, and the arena resembled a battlefield of World War I. The structure of No Download 2012 had three small scenes inside the tents scattered on the periphery of the arena, which offered performances by medium and small bands, and in addition to the two large stages in which the main attractions presented the show an average duration of one hour. The distance between the two stages is about 800 meters, but the mud makes - and very much - the transfer of fans who would like to watch a bit of each show. It was wiser to choose a group and be calm in one place. What about the sound that came in the audience? In the old days of Monsters Of Rock, the PA was controlled by technicians headlining and sabotaging what it provided became legendary. Because today, who commands the sound is exactly the organization of the event, it no longer happens. Despite this, some serious problems have been tested, such as the low volume with which the sound arrived at the bottom of the main arena stage and even the sound leaking between the two stages, depending on the place you chose Stay. Friday, June 8 The first day of Download is usually the most diverse in terms of lineup and in previous months has caused a lot of controversy in fan forums on the Internet. As well as , in Download promoters mixed rock attractions with several other genres, which caused great irritation of fans of Metal and Hard Rock. Don't the first-class think there are enough rock goulers to sell all the tickets and satisfactorily stuff your pockets? The headliner on the main stage on the first day was Prodigy, a dance music/electronic band, while the subtitle was Chase and Status (Drum'n'Bass, electronic music). In the afternoon on the same stage was NOFX, which has a combination of punk, reggae and a lot of fun bad jokes that made the audience forget a little rain and conditions below their feet. Later he had more punk with . Obviously, the festival's policy is to use the main stage that day for alternative bands, but for some reason it is impossible to understand between Punk and electronic music rose Machine Head in the same space in the afternoon. The band has many fans in England - there was even a movement online that contributed to the idea of Machine Head being one of the festival's headliners - and fans take up the entire space in front of a huge stage to watch the band. For the rock and metal crowd, the menu of the second scene (Sippo stage) that day ended up being, in general, much more interesting, especially for the older crowd that enjoyed the Rock of the 80s and 90s. The Kierboys performed in 1990's Monsters Of Rock when he was in his most successful phase, and played the set just like that day. Looks like they're wearing the same clothes, too - singer Spike, as usual, with a bandana on his head. Even switching members more often than most band swap strings, queerboys have always played the classic and well-executed Rock'n'Roll, but what makes their sound special is Spike's raucous vocals. Singing to fans on just one side of the stage because the other side was forbidden because it was more like a swamp, the band greeted the audience, especially when the rain stopped during their performance. There was a large crowd wanting to see Europe, but with almost all the equipment already collected on the stage, there was a warning that the band was late to the airport and would not arrive in time to do the show. Organizers took advantage of the unexpected break to spread more straw in the mud and shortly after the exclusion zone was reopened to give more space to fans. The mud still prevailed and interfered a lot, especially if it was necessary to walk there, and the areas closest to the toilets were just disgusting. Miss that large area of asphalt that was in the SWU, in Paulina, or the luxury that synthetic lawn (and toilets are just home) from Rock In Rio 2011. The , which he separated in 1994, was reformed precisely to play at the festival and to miss fans who remember the band's six-year success between 1988 and 1994, when surfing the same wave as Skid Row. Vocalist , who in 1996 was tested to enter Van Halen, sings a lot, cheering up an audience that is in the rain again. In addition to instruments traditionally associated with rock, Little Angels also has an interesting participation of a trumpeter and a saxophonist, which gives the sound a very different taste. The band dedicated the song to Michael Lee, their former drummer, who died in 2008, and promised a new album with a new and new tour. The opet, who came next, could not hold the mood of joy and fun generated by the Little Angels. His long, structurally complex songs drove card fans into delirium, but fed up with most of the audience. However, as with almost all festival shows, the crowd looks good without throwing bottles, which in the days of Monsters Of Rock were the most common way to send a message. Here's a song I wrote in the '80s and Guns N'Roses stole it, frontman Mike Akerfeldt joked before playing an excerpt from Welcome to the Jungle. This is the most memorable moment in the presentation, during which many people looked at the clock, searched for more beer in the bar or strolled through the tents around the arena, where not only the official products of the festival were sold, but also thousands of hats, clothing, accessories, etc. was the next attraction to go on the second stage and was much better, both musically and visually, and not just the presence of Swedish Annette Olzon. The band created an impressive scene - Tuomas Holopainen's keyboard seemed to come out of Tim Burton's film - and there was so much pyrotechnics (such as flamethrowers, for example) that even the devil felt at home... The band consists of excellent musicians, and well-composed and impeccably performed songs animated by the audience - even the younger ones, in a more popular metal style, received more than a favorable reaction. Dedicating the song to the recently deceased was one of the themes of the day and Nightwish plays their cover hit Over The Hills And Far Away to the song's author, Gary Moore, a Briton and an idol of local rockers. Guaranteed success. Then the movement Intense on the edge of the second stage to see with Miles Kennedy, the show may also have been performed on the main stage. The good news was that now that Slash is playing for a wider audience with his new band, the fork finally falls on old Guns N'Roses fans, as while Axl carries in his luggage today only the band's name, Slash carries the soul of the song. In Miley Kennedy Slash found a fantastic singer whose voice hovers over riffs and the guitarist's solo. Unlike Axl, Miles is much more of a singer than a frontman, and it fits well into a show like this slash that gets the attention of a stew in front of the stage. It is also worth mentioning other members of the band who are excellent musicians and whose sound complements Slash and Myles to perfection. Songs from the new album, Apocalyptic Love, were presented and approved. Aside from that, the set list was very similar to CD/DVD Made in Stoke, and it's pleasing, especially the classics of Guns Night Train, Rocket queen, Sweet Child O'Mine, Mr. Brownstone and Paradise City, who with this education have found a new life. Guns N'Roses was a sensational band, but often live performances, even at 87-93, were always coveted from a musical point of view. In the last Rock In Rio, for example, the audience waited for hours in the rain because of the arrogance of Axl, who lingered, as always, many times leaving the stage (leaving his musicians to do mediocre solos) and even sang the other half with the voice of Mickey Mouse. At Download, fans also waited a long time in the rain to see Slash and his band, but were presented with a show that started on time and was simply impressive for the brilliance of the artists, the frankness of their Rock'n'Roll and the richness of the repertoire. Saturday, June 9, there was little traffic in the campsite Saturday morning - most of them certainly treating hangovers and recovering physically - but those who stood celebrated the fact that the rain stopped. Better than that, just after the breakfast show started at 11:00 a.m. Those who went to Rock In Rio or SWU 2011 will remember that the performances began much later. Watching heavy metal bands live before lunch is a unique download experience. And to start the day off on my right foot, it was like I was lying dying on the main stage with his combination of riffs and well comeout tunes. Seth, just half an hour, was short, but a group led by Tim Lambez made a good impression and could have had a bigger impact had they played later. It's really nice to see so many people here already at lunchtime, says , lead singer of Saxon. And he had a crowd even, mostly people in their 40s and 50s who have enjoyed the band since its inception in In the luggage, a set list of true heavy metal anthems: , Wheels of Steel, Princess of the Night and 747, with Biff singing poems and audiences screaming choruses. Saxon offers nothing new, but has the perfect recipe for such a festival, giving strength to the argument that bands should limit the promotion of new for their own tours by choosing to play only classics at festivals. Anyone who decided to throw the Black Veil of the Brides right after Saxon on the main stage joked. Until the sound of the band is bad, but for those who woke up to see Saxon and will stay in place until Metallica finished their set eleven hours later, did not please much, and, for the first time at the festival, some bottles were thrown towards the painted faces on stage. I know you guys are playing shit because you think we're gay, said vocalist and Andy Biersack. But Rock'n'Roll isn't that fun and we like to do it. If you don't like it, you can turn your back. A few bottles later, he eventually shows his audience. It was embarrassing to see that, but the biggest fault of the organizers. What people really wanted, by the way, was Trivium, and the mosh pits started to happen activated already in the first song. Although it is an American band, Trivium is a kind of silver house download since it was released for success after the game's 2005 edition. It was the first country to recognize Trivium as a legitimate band, and so we will always love this festival, said vocalist and guitarist Matt Hifi. According to the reaction of the audience, the band could return every year. In the middle of the day, even about five hours left for the heavyweights of the day, Metallica to enter the stage, the arena begins to crowd the area around the main stage. So it seems that the second group in public preference is the . For those who don't know, the band is a musical and visual parody of glam/hair metal bands from the late 80s. Formed by highly competent musicians and recounting excellent frontman Michael Starr (crosses David Lee Roth with Vince Neil), the band plays, tells anecdotes, encourages women in the audience to show their breasts, and plays tracks from their two albums, Balls Out (2001) and the excellent Feel The Steel (2009). There are heavy riffs, irreverent and funny lyrics, and a climate of pure fun. In Death To All Metal, (Slipknot, ) took to the stage to share his vocals with Starr. That day, it was twelve hours of music on download and the memorable Show of the Steel Panthers was the perfect way to split the day into two halves. Do you like comedy? Well, there were more! Half an hour later, on the same stage, it was a tenacious turn self-centered musical project of actor Jack Black. Well, the movie that spawned the band was cool and a lot of people enjoyed Rock School. Besides, Jack Black is a cool, funny actor and all that. But the show, which abuses useless songs on the guitar, floated between unbearable and pathetic. It was more or less a duo of Black Jack and his bald friend, Kyle Gass, re-introducing a live feature film. Jack has to stay in the movies and leave a rock show for the musicians who live music and for the fans who live because of the music. If the show was boring, was just bored. At this time the festival needed a group to raise the audience while waiting to see the owners of the party, but that was not what happened. If there was a good point about this Scottish band at the festival, it's time to go to the bathroom, buy something to eat and drink and even take a nap. Saturday was the first day to be sold out, and the vast majority of the 100,000 viewers were there to watch Metallica play Black Album in full. It was still clear when, at 9pm, the band appeared on stage: all in black and Hatfield wearing a vest with spots from the bands that influenced Metallica. The discovery was in fulminant fashion with Hit The Lights and then a powerful master of dolls. But the focus of the show was the legendary 1991 album, which is preceded by a presentation on the big screen with an image of the time. Since the biggest hits are at the beginning of the album, it is presented in the opposite direction and forces the audience to travel back in time. The highlights are nothing else's issues that featured thousands of backing vocals and moved, Wherever I was, wherever I can wander, which shook the place, as well as the unforgiven, garden but true and Enter Sandman. It is known and recognized that Metallica does not make bad shows, but it was historic, because it is in the House of Metal, Donington where the band played for the seventh time since 1985. The problem with playing the record in its entirety is that many classics end up left out - and have you ever imagined a show band without creeping death? That's all... It happens in this show and the music is missing. But not all classics have been forgotten: they're still rolled for who's ringing the bell, battery, one and the usual end with Seek And Destroy, leaving 100,000 people a freak. Sunday, June 10 Finally, the sun decided to take part in the Download Festival and Sunday Dawn is completely without the chance of rain. It made the conditions under our feet much better. It was a day for headbangers to cheer up even more, and to make it easier, DevilDriver took to the main stage before noon to play for an already large audience. The group has a clearly defined style and doesn't shy away from it much - who still didn't like it as the set was short and brutal. Highlights include clouds over California, during which he opened a huge wheel in the middle of the audience. Then there was the turn of Lives (partially reformed Couse), who plays more ordinary and less aggressive rock, but which does not attract the attention of many. Anthrax appeared on the Jim Marshall stage shortly before 2 p.m., and the movement intensified. She has been 25 since the band first appeared at the festival and was warmly welcomed. The band's performance was criminally short - they only played seven songs - but they did so with great enthusiasm and their excitement took over the audience. Of course, a more appropriate time and with a set of at least an hour instead of forty minutes that were intended for them would be quite fair. But anyway, it was long enough to rave throughout the show, especially at first, with Caught In A Mosh, and eventually, with Madhouse and the Indians, during which vocalist Joey Belladonna wore an American Indian hein that borrowed from a fan. To close the set, I'm the law. The next attraction was at least in line with what came before: the , which showed that size, yes, is a document and arrived with a giant back line of Marshall amps. It could be a homage to the late creator, Jim Marshall, or maybe he even makes as much noise as possible, because, in a sense, BLS is much more noise than music. The glut of distorted guitars makes all the songs sound equally good, and zakk, as always, exaggerates the solo that he doesn't need to do; everyone already knows their credentials. Meanwhile, in the second stage, it's time for to take the stage. The singer, who was recently in Brazil, is living the best moment of his career with the height of Skid Row and his happiness is evident. The voice may no longer be all that it was in the 80s and 90s, but it continues with great force, and during these poignant notes it is always providential support for guitarist Nick Sterling, who, like other members of the band, create a solid platform for Tiao to unleash the cries of old hits such as Monkey Business, 18 And Life, I Remember You and The Young Wild Gone. The second stage is in line for Joe's Ugly Kid to give his message. His presence in the festival smelled like sausage stuffing, and his set was mostly tired of the regurgitation of castings, with the possible exception of pop hits that make room for the band on radio and MTV. Most fans already knew that would be something long and gathered again in front of the main stage to watch the top-musical Lamb of God show. Subtlety is not with them, and with Walk With Me In Hell the band started a genuine hour-long musical beating. It was intense. After Lamb Of God Megadeth is almost an easy metal, but they, and especially Dave Mustin, are revered wherever they go, and of course in Donington it won't be any different. Playing a set list just like the one featured last year by SWU, the band leaves the stage oovated and returns to play Crack Tout Le Monde, Angry Again and Holy Wars. Old and new songs combine in very well and the show megadeth looks better every time you see a band. Just that Black Saturday is yet to come, and many fans want to get a seat next to the main stage already squeeze before the placo even missing two and a half hours and the band playing earlier: . It's a very good band and it made a great show, but Download's policy is to put groups of different styles on the same stage and on the same day, at least, questionable. He sure is dealing with raising money - encouraging fans to buy a three-day ticket, not just one. If this guarantees the financial result of the festival and means that it will continue for another ten or twenty years, that is fine. But in this case, the vast majority of the hundred thousand people present on the last day of Download 2012 bought a ticket to see the great-grandfathers of heavy metal. Anyway, and Cia. gave a message with class and competence, proving that Soundgarden fired the best band that came out of this movement, which was called Grunge. However, the madness set when, preceded by the video, Black Sabbath stepped in and started working with Black Sabbath, the song that gave birth to a new genre of music (and then a few subgenres as well). These three chords, almost hypnotizing the 100,000 present, made everyone forget about the novel game without game with Bill Ward. After all, having on stage three of the four legends is not at all evil and although it is not the original part of the factory, Tony Clufetos is more than capable of replacing the drums. Ozzy, as always, commands the show, but it's Tony Iommi (real iron man, as Ozzy said before giving the guitarist a kiss) who gets tremendous love from the audience. Smiling and showing to be very good both physically and musically, the guitarist was literally revered three times once Ozzy introduced him. The singer proved that he can't even make a long show. Everything was going well until the third song, ever since the voice started working and the settings said goodbye. When he made the introduction of the Wizard on the harmonica it was obvious that he was completely breathless, looking like he should sit down to get As one of the greatest frontmen in rock history, Ozzy takes it out of print and makes up for him with a much more intense drive stage than he usually does. Meanwhile, other musicians show true perfection in their instruments. The show followed with a wall of sleep and, after a quick bass solo, Geezer fingered the first NIB notes leading the entire arena to a kind of collective ecstasy. Into The Void and Under The Sun are next, and it was obvious that this performance was the best of the nearly 150 shows that took place during the three days of the festival. And it was the same as it should have been, because without Black Sabbath there would be neither Metal nor bands that performed in front of the masters. Snow White, War Pigs, Sweet Leaf, Symptom of the Universe, Iron Man (with another standing ovation from Iommi), Fairies wearing boots, Tomorrow's Dream and Dirty Women get as if they were gems. It's amazing that fans, of all ages, have for these three musicians, already elderly and physically worn out over 60 years of life and a 40-something career. But even as the main characters age, the music they have created is eternal, both on their part and from the thousands of bands that have drawn inspiration from Black Sabbath. The quartet is also back for an encore: the introduction of Sabbath Bloody Sabbath goes straight to another anthem - perhaps the greatest of all - Paranoid. And soon the show will be over. The festival said goodbye to traditional fireworks and, back on stage, members of Black Sabbath embraced and thanked a huge audience - only it was the audience that should bow to them. pictures (Download Festival 2012): Danny North, Andrew Whitton, Jessica Gilbert, Derek Bremner, Giles Smith. Related: revista roadie crew download pdf

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