Justin Huntly Mac Carthy If I Were King
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American Composers: 4-H Songs and Others Extension Service State College
South Dakota State University Open PRAIRIE: Open Public Research Access Institutional Repository and Information Exchange Cooperative Extension Circulars: 1917-1950 SDSU Extension 10-1936 American Composers: 4-H Songs and Others Extension Service State College Follow this and additional works at: http://openprairie.sdstate.edu/extension_circ Recommended Citation State College, Extension Service, "American Composers: 4-H Songs and Others" (1936). Cooperative Extension Circulars: 1917-1950. Paper 359. http://openprairie.sdstate.edu/extension_circ/359 This Circular is brought to you for free and open access by the SDSU Extension at Open PRAIRIE: Open Public Research Access Institutional Repository and Information Exchange. It has been accepted for inclusion in Cooperative Extension Circulars: 1917-1950 by an authorized administrator of Open PRAIRIE: Open Public Research Access Institutional Repository and Information Exchange. For more information, please contact [email protected]. EXT ENS I ON Cl RCULAR 360 OCTOBER 1936 om POSERS 4-H SONGSam.(OTHERS American Composers The music numbers for the 1936-37 South Dakota music achievement program have been selected from the 1937 national 4-H music program. The songs are being grouped in historical episodes and it is hoped that at the close of the year's work the episodes may be combined in a musical and historical pageant to be used at achievement days or community festivals. Some of the songs used in programs of previous years have been re peated, but good songs like good thoughts and -
SHSU Video Archive Basic Inventory List Department of Library Science
SHSU Video Archive Basic Inventory List Department of Library Science A & E: The Songmakers Collection, Volume One – Hitmakers: The Teens Who Stole Pop Music. c2001. A & E: The Songmakers Collection, Volume One – Dionne Warwick: Don’t Make Me Over. c2001. A & E: The Songmakers Collection, Volume Two – Bobby Darin. c2001. A & E: The Songmakers Collection, Volume Two – [1] Leiber & Stoller; [2] Burt Bacharach. c2001. A & E Top 10. Show #109 – Fads, with commercial blacks. Broadcast 11/18/99. (Weller Grossman Productions) A & E, USA, Channel 13-Houston Segments. Sally Cruikshank cartoon, Jukeboxes, Popular Culture Collection – Jesse Jones Library Abbott & Costello In Hollywood. c1945. ABC News Nightline: John Lennon Murdered; Tuesday, December 9, 1980. (MPI Home Video) ABC News Nightline: Porn Rock; September 14, 1985. Interview with Frank Zappa and Donny Osmond. Abe Lincoln In Illinois. 1939. Raymond Massey, Gene Lockhart, Ruth Gordon. John Ford, director. (Nostalgia Merchant) The Abominable Dr. Phibes. 1971. Vincent Price, Joseph Cotton. Above The Rim. 1994. Duane Martin, Tupac Shakur, Leon. (New Line) Abraham Lincoln. 1930. Walter Huston, Una Merkel. D.W. Griffith, director. (KVC Entertaiment) Absolute Power. 1996. Clint Eastwood, Gene Hackman, Laura Linney. (Castle Rock Entertainment) The Abyss, Part 1 [Wide Screen Edition]. 1989. Ed Harris. (20th Century Fox) The Abyss, Part 2 [Wide Screen Edition]. 1989. Ed Harris. (20th Century Fox) The Abyss. 1989. (20th Century Fox) Includes: [1] documentary; [2] scripts. The Abyss. 1989. (20th Century Fox) Includes: scripts; special materials. The Abyss. 1989. (20th Century Fox) Includes: special features – I. The Abyss. 1989. (20th Century Fox) Includes: special features – II. Academy Award Winners: Animated Short Films. -
Theater Playbills and Programs Collection, 1875-1972
Guide to the Brooklyn Theater Playbills and Programs Collection, 1875-1972 Brooklyn Public Library Grand Army Plaza Brooklyn, NY 11238 Contact: Brooklyn Collection Phone: 718.230.2762 Fax: 718.857.2245 Email: [email protected] www.brooklynpubliclibrary.org Processed by Lisa DeBoer, Lisa Castrogiovanni and Lisa Studier. Finding aid created in 2006. Revised and expanded in 2008. Copyright © 2006-2008 Brooklyn Public Library. All rights reserved. Descriptive Summary Creator: Various Title: Brooklyn Theater Playbills and Programs Collection Date Span: 1875-1972 Abstract: The Brooklyn Theater Playbills and Programs Collection consists of 800 playbills and programs for motion pictures, musical concerts, high school commencement exercises, lectures, photoplays, vaudeville, and burlesque, as well as the more traditional offerings such as plays and operas, all from Brooklyn theaters. Quantity: 2.25 linear feet Location: Brooklyn Collection Map Room, cabinet 11 Repository: Brooklyn Public Library – Brooklyn Collection Reference Code: BC0071 Scope and Content Note The 800 items in the Brooklyn Theater Playbills and Programs Collection, which occupies 2.25 cubic feet, easily refute the stereotypes of Brooklyn as provincial and insular. From the late 1880s until the 1940s, the period covered by the bulk of these materials, the performing arts thrived in Brooklyn and were available to residents right at their doorsteps. At one point, there were over 200 theaters in Brooklyn. Frequented by the rich, the middle class and the working poor, they enjoyed mass popularity. With materials from 115 different theaters, the collection spans almost a century, from 1875 to 1972. The highest concentration is in the years 1890 to 1909, with approximately 450 items. -
Hollywood and France, 1914-1945 Louise G
Louisiana State University LSU Digital Commons LSU Master's Theses Graduate School 2011 Vive la Différence: Hollywood and France, 1914-1945 Louise G. Hilton Louisiana State University and Agricultural and Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_theses Part of the Arts and Humanities Commons Recommended Citation Hilton, Louise G., "Vive la Différence: Hollywood and France, 1914-1945" (2011). LSU Master's Theses. 1206. https://digitalcommons.lsu.edu/gradschool_theses/1206 This Thesis is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Master's Theses by an authorized graduate school editor of LSU Digital Commons. For more information, please contact [email protected]. VIVE LA DIFFÉRENCE: HOLLYWOOD AND FRANCE, 1914-1945 A Thesis Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Master of Arts in Liberal Arts in The Interdepartmental Program in Liberal Arts by Louise G. Hilton B. A., Louisiana State University, 2004 May 2011 ACKNOWLEDGEMENTS I wish, first of all, to thank my thesis advisor, Dr. Charles Shindo, for his counsel and infinite patience during the time I spent working on this project. Dr. Karl Roider also deserves heartfelt thanks for his unflagging support throughout my studies at LSU and for his agreeing to be a member of my thesis committee. I extend my appreciation to Dr. William Clark for giving of his valuable time to be a part of my committee. -
Download the 2013 UCLA Festival of Preservation Catalog
UCLA FestivAL OF 1603.01.13 – 03.30.13 PreservAtion UCLA FestivAL OF 1603.01.13 – 03.30.13 PreservAtion iv 1 FROM THE DIRECTOR After last year’s herculean effort to put together the landmark program L.A. Independent cinema also continues to be a major focus of the Archive’s pres- Rebellion: Creating a New Black Cinema, now touring North America, the ervation efforts. After premiering our restoration of Robert Altman’s Come Archive has not rested on its laurels, but has put together a new UCLA Festi- Back to the Five & Dime, Jimmy Dean, Jimmy Dean (1982) in 2011, preservationist val of Preservation for 2013. It is my great pleasure, as director of UCLA Film Jere Guldin this year introduces Altman’s first major feature, That Cold Day in & Television Archive, to introduce the 2013 “FOP,” which again reflects the the Park (1969). Preservationist Ross Lipman contributes restorations of fur- broad and deep efforts of UCLA Film & Television Archive to preserve and ther independent films, such as Eadweard Muybridge, Zoopraxographer (1975) restore our national moving image heritage. Even in an era of tightening bud- directed by Thom Andersen with Fay Andersen and Morgan Fisher, and Shir- gets and ever decreasing University-State funding, the Archive is committed to ley Clarke’s Ornette: Made in America (1985). And the independents continue protecting and celebrating our film and television assets. with a special program of films from the L.A. Rebellion, which were discovered or preserved after last year’s monumental program on the Rebellion. Our Festival opens with the restoration of Gun Crazy (1950), directed by Joseph H. -
By T. H. White Contents
The Once and Future King by T. H. White Contents THE SWORD IN THE STONE THE QUEEN OF AIR AND DARKNESS THE ILL-MADE KNIGHT THE CANDLE IN THE WIND The critics on T. H. White's THE ONCE AND FUTURE KING "A gay, warm, sad, glinting, rich, mystical, true and beautiful tapestry of human history and human spirit. Read it and laugh. Read it and learn. Read it and be glad you are human." —Minneapolis Tribune "Intensely contemporary and pungent . not only better . and richer for being a retelling, it is also more original ... In fact, there is everything in this great book." —Saturday Review "... should be enormously popular and become one of the curious classics of English literature." —David Garnett Other Books by T. H. White THE BOOK OF MERLYN ENGLAND HAVE MY BONES LETTERS TO A FRIEND THE MAHARAJAH AND OTHER STORIES MISTRESS MASHAM'S REPOSE Incipit Liber Primus THE SWORD IN THE STONE She is not any common earth Water or wood or air, But Merlin's Isle of Gramarye Where you and I will fare. 1 On Mondays, Wednesdays and Fridays it was Court Hand and Summulae Logicales, while the rest of the week it was the Organon, Repetition and Astrology. The governess was always getting muddled with her astrolabe, and when she got specially muddled she would take it out of the Wart by rapping his knuckles. She did not rap Kay's knuckles, because when Kay grew older he would be Sir Kay, the master of the estate. The Wart was called the Wart because it more or less rhymed with Art, which was short for his real name. -
Cinecon Film List: Alphabetical
CINECON FILM LIST: ALPHABETICAL Updated September 6, 2019 RELEASE TITLES DATE COMPANY CINECON YEAR SUMMARY / NOTES $20 A Week 1924 Distinctive-Selznick 50 2014 $64,000 Challenge - Sonny Fox Kinecon At Cinecon 55 2019 A Salute To Game Shows 100 To 1 Shot, The 1906 Vitagraph 31 1995 15 Maiden Lane 1936 20th Century-Fox 48 2012 21st Academy Awards 1949 30 1994 3-D Hollywood 38 2002 NOTE: slide show 36 Hours To Kill 1936 20th Century Fox 43 2007 365 Nights In Hollywood 1934 Fox 28 1992 49th Parallel, The 1941 Ortus General 25 1989 50 Miles From Broadway 1929 Pathé 47 2011 Short Subject 7 Faces Of Dr. Lao, The 1964 M-G-M 11 1975 70,000 Witnesses 1932 Paramount 16 1980 Abie Kabibble Outwitted His Rival 1917 International 44 2008 Academy Awards, 22nd Annual 1949 31 1995 Accusing Finger, The 1936 Paramount Pictures 53 2017 Ache In Every Stake, An 1941 Columbia Pictures 51 2015 Acquitted 1929 Columbia 44 2008 Act Of Violence 1949 M-G-M 31 1995 Active Life of Dolly Of The Dailies, The Short Subject Chapter 5: The Chinese Fan 1914 Edison 47 2011 Actress, The 1953 M-G-M 39 2003 Adam's Apple 1928 38 2002 Adam's Rib 1923 Paramount 34 1998 Advance Base 1945 41 2005 Adventure In Sahara 1938 Columbia 45 2009 Adventurer, The 1917 Lone Star-Mutual 50 2014 Short Subject Adventures Of Captain Marvel 1940 Republic 26 1990 Adventures Of Trazan, The - Great Western-Numa Pictures-Weiss Short Subject Chapter 11: The Hidden Foe 1921 Brothers Artclass 51 2015 Adventures With D.W. -
François Villon - Poems
Classic Poetry Series François Villon - poems - Publication Date: 2012 Publisher: Poemhunter.com - The World's Poetry Archive François Villon(c. 1431 – after 5 January 1463) François Villon was a French poet, thief, and vagabond. He is perhaps best known for his Testaments and his Ballade des Pendus, written while in prison. The question "Mais où sont les neiges d'antan?", taken from the Ballade des dames du temps jadis and translated by Dante Gabriel Rossetti as "Where are the snows of yesteryear?", is one of the most famous lines of translated secular poetry in the English-speaking world. <b>Life</b> Villon's real surname has been a matter of dispute; he has been called François de Montcorbier and François Des Loges and other names, though in literature Villon is the sole name used. Villon was born in 1431, almost certainly in Paris. The singular poems called Testaments, which form his chief if not his only certain work, are largely autobiographical. It appears that he was born in poverty and that his father died in his youth, but that his mother was still living when her son was thirty years old. The name "Villon" was stated by the sixteenth-century historian Claude Fauchet to be merely a common noun, signifying "cheat" or "rascal," but this seems to be a mistake. It is, however, certain that Villon was a person of loose life, and that he continued, throughout his recorded life, a reckless way of living common among the wilder youth of the University of Paris. It is possible that he derived his surname from his uncle, a close friend and benefactor named Guillaume de Villon, chaplain in the collegiate church of Saint-Benoît-le-Bestourne, and a professor of canon law, who took Villon into his house. -
Miscellaneous Material
Belknap Collection for the Performing Arts Cinema Miscellaneous Material MISCELLANEOUS MATERIAL The Belknap PHOTOGRAPH collection preserves thousands of shimmering PUBLICITY and PRODUCTION images dating back to the age of Victorian theatre and spanning 20th century vaudeville, Broadway, radio and television. The photos are filed alphabetically by performer name or show title. Performer Production Stills A treasure trove of eclectic information is available in the FLORIDA PERFORMING ARTS VERTICAL FILE highlighting the STATE OF FLORIDA ("Dance Associations", 'Story Tellers", "Theatre Conference", etc), individual CITIES AND TOWNS (from the Panhandle to the Keys in an alphabetical listing), and the city of GAINESVILLE (including the University of Florida) performing arts scene. Florida Vertical File Cities and Towns Vertical File Gainesville Vertical File Trevor "Tommy" Bale epitomized the versatile "circus man" who "did it all" in the center ring and behind the scenes. Noted as one of the world's greatest tiger trainers, Bale was also known as a gifted clown, acrobat, trick bicyclist, vaudevillian and ringmaster. Bale's unpublished and unedited autobiographical manuscript ( written under the guidance of famed ghostwriter and editor Walter B. Gibson - creator of THE SHADOW), paints an exciting picture of the early 20th century European vaudeville and circus circuits. Bale vividly describes the triumphs, glory, pain and agony of life on the road, culminating in Bale's headlining contract with the Ringling Brothers and Barnum and Bailey Circus in the mid 1950s. The TREVOR "TOMMY" BALE COLLECTION promises three rings (and more) full of circus lore. The John W. Lindell Collection includes cartoon, comic strip and animation art anthologies and histories collected by John W. -
Cinecon Films
Updated September 6, 2019 RELEASE TITLES DATE COMPANY CINECON YEAR SUMMARY / NOTES Charlie on the Ocean 1921 ? 1 1965 NOTE: [Charlie Chaplin newsreel] Conquest of the North Pole 1912 G. Méliès 1 1965 Feathered Nest, The 1916 Keystone 1 1965 Lure of the Circus, The 1918 Universal 1 1965 NOTE: [excerpts] Max the Pickpocket 1 1965 Primitive Lover, The 1922 First National 1 1965 Road to Yesterday, The 1925 DeMille/PDC 1 1965 Screen Snapshots Columbia 1 1965 Show People 1928 M-G-M 1 1965 Spanish Dancer, The 1923 Paramount 1 1965 Square Deal Sanderson 1919 Ince/Paramount 1 1965 Uncensored Movies 1923 Hal Roach/Pathe 1 1965 Winsor McKay Explains Cartoons to John Bunny 1911 Vitagraph 1 1965 Coward, The 1915 Ince - KayBee 2 1966 Eyes of Youth 1919 Garson 2 1966 Hands Up! 1925 Paramount 2 1966 Hazards of Helen, The 1914 Kalem 2 1966 Invaders, The 1912 KayBee 2 1966 Iron Claw, The 1916 Pathé 2 1966 Lizzies of the Field 1924 Sennett/Pathe 2 1966 Man With the Punch, The 1920 Universal 2 1966 Beauty and theBump 1927 Skylark - Bray 3 1967 Don Juan 1926 Warner Bros. 3 1967 Fatty and Mabel Adrift 1916 Keystone - Triangle 3 1967 Irene 1926 First National 3 1967 Iron Horse, The 1924 Fox 3 1967 Judith of Bethulia 1913 Biograph 3 1967 Kismet 1920 Robertson-Cole 3 1967 Last Command, The 1928 Paramount 3 1967 Updated September 6, 2019 Navigator, The 1924 Keaton/Metro 3 1967 Richard the Lion Hearted 1923 Allied Producers 3 1967 Sherlock, Jr. 1924 Keaton/Metro 3 1967 Silent Clips 3 1967 Silent Movie as a Communicator, The 3 1967 Sons Of The Desert 1933 Roach/M-G-M 3 1967 Steel Shod Evidence 1923 Pathé 3 1967 Big Boy Short Educational 4 1968 NOTE: [title not known] Crackerjack, The 1925 C.C. -
If I Were King
IF I WERE KING BY JUSTIN HUNTLY McCARTHY NEW YORK GROSSET & DUNLAP Copyright, 1901, by Robert Howard Russell DEDICATION To Her Through Whom and For Whom This Book was Written “The Loveliest Lady this side of Heaven.” XXI. XII. MCMI. If I were king—ah love, if I were king! What tributary nations would I bring To stoop before your sceptre and to swear Allegiance to your lips and eyes and hair. Beneath your feet what treasures I would fling:— The stars should be your pearls upon a string, The world a ruby for your finger ring, And you should have the sun and moon to wear If I were king. Let these wild dreams and wilder words take wing, Deep in the woods I hear a shepherd sing A simple ballad to a sylvan air, Of love that ever finds your face more fair. I could not give you any godlier thing If I were king. IF I WERE KING CHAPTER I IN THE FIRCONE TAVERN IN the dark main room of the Fircone Tavern the warm June air seemed to have lost all its delicacy, like a degraded angel. It was sodden through and through, as with the lees of wine; it was stained and shamed with the smells of hams and cheeses; it was thick and heavy as if with the breaths of all the rogues and all the vagabonds that had haunted the hostelry from its evil dawn. Such guttering lights and glimmering flames as lit the place—for there was a small fire on the wide hearth in spite of the fine weather—peopled the gloom with fantastic quivering shadows as of lean fingers that un- folded themselves to filch, or clenched themselves to stab in the back. -
Deew.Ieye • State of the Gay Bar •Oneweek, I4bars Promiscuity In
OLDBARREL r THe BIG GaY Bar crawL issue FeaTurinG: •Deew.ieye • STaTe OF THe Gay Bar •oneweeK, i4Bars promiscuiTY in coLumBus • OUT & aBOUT •marKroTHKO feb 2013 • vo I 17 i s sue 9 •orDinarYDaYS 0 2> • eaT IT! FOOD TRICKS • Dave Franco 0 ll74470ll25134 ' 7 & OUTLOOK BLOGGerS Tou Are Not Alone' Documentary Examines Depression Among Black Day Men by DA. Steward Clay packages it in a way that offers hope to soundtrack, titled Father and Son. the country, because we have so many young peo those who feel hopeless. ple who are just coming to terms with their sexu When Tyler Clementi jumped off New York's "Doing the documentary was my own form of ality and are committing suicide just for bein George Washington Bridge in 2010, he quickly be "No one's talking about the intense stigma and therapy. This film is a beacon of light and I hope who they are." came the face of the a nti-gay bullying epidemic. homophobia a black gay man has to deal with it shows people that even though I dealt with all But that sa me year, it was the suicide of Joseph that's getting him to the point where he no longer of those hardships. I overcame it. and they can You Are Not Alone \s set to hit the film-festival cir Jefferson, a 26-year-old African-American gay cares about himself and too often getting to the too." cuit this year, with appearances already sched rights activist, that deeply affected award-win point where he wants to die," Craigwell said.