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List of Empanelled Artist
INDIAN COUNCIL FOR CULTURAL RELATIONS EMPANELMENT ARTISTS S.No. Name of Artist/Group State Date of Genre Contact Details Year of Current Last Cooling off Social Media Presence Birth Empanelment Category/ Sponsorsred Over Level by ICCR Yes/No 1 Ananda Shankar Jayant Telangana 27-09-1961 Bharatanatyam Tel: +91-40-23548384 2007 Outstanding Yes https://www.youtube.com/watch?v=vwH8YJH4iVY Cell: +91-9848016039 September 2004- https://www.youtube.com/watch?v=Vrts4yX0NOQ [email protected] San Jose, Panama, https://www.youtube.com/watch?v=YDwKHb4F4tk [email protected] Tegucigalpa, https://www.youtube.com/watch?v=SIh4lOqFa7o Guatemala City, https://www.youtube.com/watch?v=MiOhl5brqYc Quito & Argentina https://www.youtube.com/watch?v=COv7medCkW8 2 Bali Vyjayantimala Tamilnadu 13-08-1936 Bharatanatyam Tel: +91-44-24993433 Outstanding No Yes https://www.youtube.com/watch?v=wbT7vkbpkx4 +91-44-24992667 https://www.youtube.com/watch?v=zKvILzX5mX4 [email protected] https://www.youtube.com/watch?v=kyQAisJKlVs https://www.youtube.com/watch?v=q6S7GLiZtYQ https://www.youtube.com/watch?v=WBPKiWdEtHI 3 Sucheta Bhide Maharashtra 06-12-1948 Bharatanatyam Cell: +91-8605953615 Outstanding 24 June – 18 July, Yes https://www.youtube.com/watch?v=WTj_D-q-oGM suchetachapekar@hotmail 2015 Brazil (TG) https://www.youtube.com/watch?v=UOhzx_npilY .com https://www.youtube.com/watch?v=SgXsRIOFIQ0 https://www.youtube.com/watch?v=lSepFLNVelI 4 C.V.Chandershekar Tamilnadu 12-05-1935 Bharatanatyam Tel: +91-44- 24522797 1998 Outstanding 13 – 17 July 2017- No https://www.youtube.com/watch?v=Ec4OrzIwnWQ -
851 DATA for 250 LOTTERY Kurahua 03-02-2021.Xlsx
List of 851 Eligible Beneficiaries For Lottery Mobile Gende Father / Mother Vertical Priority Horizontal Sl. No. 2077 Excel No Name Aadhar Number Permanent Address Number r /Husband Name Name Priority Name KRISHNA MOHAN A 38/299 I C KONIYA SATTI 1 12 LAKSHMI DEVI 848274123798 9415617578 female General 0 UPADHYAY VARANASI N 6/39 Indira Nagar Chitaipur Sri Radha Raman 2 13 Dhananjay Mishra 464553220920 9336969739 male General 0 Sunderpur Hindu Mishra Vishwavidyalaya Varanasi Durgesh Kumar Devendra Kumar B 22/226-A-1 Khojawa 3 15 388789431866 8009043399 male General 0 Srivastava Srivastava Varanasi CHNDRAKALA LATE PREM SINGH N 2/199 A SUNDERPUR 4 16 720020008918 9451268902 female General 0 RAWAT RAWAT VARANASI PIN 221005 5 17 satya prakash jha 362224357389 9305587096 male sri ravindra jha General 0 Bihar PRATAP PUR PURANPUR yogendra pratap 6 20 mithilesh shukla 303485751241 8726116408 female General 0 POST LAWAIYA PRATAP shukla PUR DIST. S.5/48-L-1-C Taigore Colony 7 22 Ranjeeta Raj Singh 356600521188 7376309812 female raj kumar singh General 0 Orderly Bazar Varanasi- 221002 Rajesh Kumar D 6/12 Rani Bhawani Gali 8 27 Pankaj Mishra 364302957748 9889808631 female General 0 Mishra Varanasi 221010 VINOD KUMAR K29/43 GANESH DIXIT LANE 9 29 RAJ MISHRA 383705295777 9956230311 male General 0 MISHRA MAIDAGIN VARANASI 221001 MANISHA K 16/1 HATHI GALI VIKAS 10 30 DHARMA 563013628443 9307872043 female General 0 VISHESHWARGANJ DHARMADHIKARI DHIKARI VARANASI CHANDERASHEKHAR SHYAM NARAYAN 11 31 SUJATA SINGH 331682088149 7905496412 female General 0 NAGAR COLONY RAUZA SINGH GHAZIPUR UP 233001 Hari Sharan B3/32 Mint House Colony 12 33 833637011203 9598643162 male Laljee Sahai General 0 Srivastava Nadesar Varanasi 221002 Mobile Gende Father / Mother Vertical Priority Horizontal Sl. -
Classification of Indian Musical Instruments with the General
Classification of Indian Musical Instruments With the general background and perspective of the entire field of Indian Instrumental Music as explained in previous chapters, this study will now proceed towards a brief description of Indian Musical Instruments. Musical Instruments of all kinds and categories were invented by the exponents of the different times and places, but for the technical purposes a systematic-classification of these instruments was deemed necessary from the ancient time. The classification prevalent those days was formulated in India at least two thousands years ago. The first reference is in the Natyashastra of Bharata. He classified them as ‘Ghana Vadya’, ‘Avanaddha Vadya’, ‘Sushira Vadya’ and ‘Tata Vadya’.1 Bharata used word ‘Atodhya Vadya’ for musical instruments. The term Atodhya is explained earlier than in Amarkosa and Bharata might have adopted it. References: Some references with respect to classification of Indian Musical Instruments are listed below: 1. Bharata refers Musical Instrument as ‘Atodhya Vadya’. Vishnudharmotta Purana describes Atodhya (Ch. XIX) of four types – Tata, Avnaddha, Ghana and Sushira. Later, the term ‘Vitata’ began to be used by some writers in place of Avnaddha. 2. According to Sangita Damodara, Tata Vadyas are favorite of the God, Sushira Vadyas favourite of the Gandharvas, whereas Avnaddha Vadyas of the Rakshasas, while Ghana Vadyas are played by Kinnars. 3. Bharata, Sarangdeva (Ch. VI) and others have classified the musical instruments under four heads: 1 Fundamentals of Indian Music, Dr. Swatantra Sharma , p-86 53 i. Tata (String Instruments) ii. Avanaddha (Instruments covered with membrane) iii. Sushira (Wind Instruments) iv. Ghana (Solid, or the Musical Instruments which are stuck against one another, such as Cymbals). -
Component-I (A) – Personal Details
Component-I (A) – Personal details: Prof. P. Bhaskar Reddy Sri Venkateswara University, Tirupati. Prof. R Thiagarajan Presidency College, Chennai. Prof. Suneera Kasliwal Vyas Delhi University, New Delhi Prof. Anjali Mittal Delhi University, New Delhi. 1 Component-I (B) – Description of module: Subject Name Indian Culture Paper Name Indian Aesthetics and Fine Arts Module Name/Title Musical Instruments of North India Module Id IC / IAFA / 22 Pre requisites An interest to know about the instruments used in Hindustani classical music Objectives To trace the origin and evolution of different musical instruments, differentiate the sound of various musical instruments, to draw the structure of enlisted musical instruments, to explain about the application of the musical instruments, to write about the important parts of the musical instruments, to state the name of renowned players of enlisted musical instruments, to briefly introduce the readers about the making of the instruments. Keywords Vadya, tata, avanaddha, ghana, sushir, rudra veena, sitar, sarod, santoor, sarangi, sarangi,tanpura,tabla, pakhawaj, bansuri,shehnai,harmonium,violin,guitar, dand,tumba,baj ka taar,khunti. E-text (Quadrant-I) Introduction A musical instrument is called “Vadya”, derived from the word “Vad”, which means “to speak”. The word “Vadan” literally means the act of making the musical instrument “speak” or to sound. In this lesson we shall learn about some prominent musical instruments of north Indian classical music. These are mainly used in the concerts. Classification Of Musical Instruments From the ancient texts on music and dance, we get to know that musical instruments can be classified into four main categories namely: Tata Vadya, Avanaddha Vadya, Ghana Vadya and Sushir Vadya. -
George Harrison Visit 12/13/74” of the Sheila Weidenfeld Files at the Gerald R
The original documents are located in Box 40, folder “Ford, John - Events - George Harrison Visit 12/13/74” of the Sheila Weidenfeld Files at the Gerald R. Ford Presidential Library. Copyright Notice The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Gerald Ford donated to the United States of America his copyrights in all of his unpublished writings in National Archives collections. Works prepared by U.S. Government employees as part of their official duties are in the public domain. The copyrights to materials written by other individuals or organizations are presumed to remain with them. If you think any of the information displayed in the PDF is subject to a valid copyright claim, please contact the Gerald R. Ford Presidential Library. Some items in this folder were not digitized because it contains copyrighted materials. Please contact the Gerald R. Ford Presidential Library for access to these materials. Digitized from Box 40 of the Sheila Weidenfeld Files at the Gerald R. Ford Presidential Library ROGERS & COWAN1 INC. 598 MADISON AVENUE NEW YORK, N. Y. 10022 PUBLIC RELATIONS (212) 759-6272 CABLE ADDRESS ROCOPUB NEW YORK ,NEW YORK December 20, 1974 Ms. Sheila Widenfeld East Wing Press Off ice The White House Washington, D.c. 20500 Dear Sheila: Once again I extend many thanks for your assistance regarding George Harrison's visit to the White House. It was a superb day. Best regards, terling ._.."l.r..,...,...iainment Division , MS/aes 250 NORTH CANON DRIVE, BEVERLY HILLS, CALIFORNIA 90210 CRESTVIEW 5-4581 CABLE ADDRESS: ROCOPUB BEVERLY HILLS, CALIFORNIA -- I . -
Glow of Benares
Glow of Benares Aarhus Jazz Orchestra The Danish Sinfonietta (Randers Kammerorkester) Kala Ramnath, violin & vocals Abhijit Banerjee, tabla & pakhawaj Lars Møller, composer & conductor Glow of Benares (Lars Møller) 11:23 AARHUS JAZZ ORCHESTRA Solos: Kala Ramnath (violin), Abhijit Banerjee (tabla), Jonas Johansen (drums) Saxes & reeds Michael Bladt (lead alto, soprano), Johan Toftegaard Knudsen (alto), Hans Ulrik (tenor), Cesar Joaniquet (tenor), Ole Visby (baritone, bass clarinet) Indian Skies (Lars Møller) 6:44 Trumpets & flugelhorns Adam Rapa (lead), Jan Lynggaard Sørensen, Lars Vissing, Jakob Solos: Kala Ramnath (vocals), Adam Rapa (trumpet) Buchanan Trombones Nikolai Bøgelund, Stefan Friis Ringive, Ebbe Ringblom, Henrik Resen (bass trombone) Mads Bærentzen (piano), Thor Madsen (guitar), Thomas Funky Jog (Lars Møller) 11:34 Rhythm section Ovesen (bass), Jonas Johansen (drums, cajón) Solos: Abhijit Banerjee (pakhawaj), Kala Ramnath (vocals), Jakob Buchanan (flugelhorn) Indian Train Ride (Lars Møller) ������������������������������������������������������������������������������������������������ 9:22 THE DANISH SINFONIETTA (Randers Kammerorkester) Solos: Kala Ramnath (violin), Abhijit Banerjee (tabla), Hans Ulrik (tenor sax) Strings Clara Richter-Bæk, Joaquín Páll Palomares (1st violin), Bjarne Stange Nielsen, Jakob Rosendahl Povlsen (2nd violin), Esben Kjær, Olga Goija (viola), -
Indian Council for Cultural Relations Empanelment of Artistes
INDIAN COUNCIL FOR CULTURAL RELATIONS EMPANELMENT OF ARTISTES REVISED REFERENCE LIST AS ON 26/09/2012 I N D E X S.NO. CATEGORY PAGE NO 1. DANCE 02 2. FOLK 38 3. THEATRE & PUPPETRY 79 4. CARNATIC MUSIC 105 5. HINDUSTANI MUSIC 131 6. MODERN DANCE & MUSIC 172 1 INDIAN COUNCIL FOR CULTURAL RELATIONS EMPANELMEMT SECTION REVISED REFERENCE LIST FOR DANCE - AS ON 26/09/2012 S.NO. CATEGORY PAGE NO 1. BHARATANATYAM 3 – 11 2. CHHAU 12 – 13 3. KATHAK 14 – 19 4. KATHAKALI 20 – 21 5. KRISHNANATTAM 22 6. KUCHIPUDI 23 – 25 7. KUDIYATTAM 26 8. MANIPURI 27 – 28 9. MOHINIATTAM 29 – 30 10. ODISSI 31 – 35 11. SATTRIYA 36 12. YAKSHAGANA 37 2 REVISED REFERENCE LIST FOR DANCE AS ON 26/09/2012 BHARATANATYAM OUTSTANDING 1. Ananda Shankar Jayant (Also Kuchipudi) 2. Bali Vyjayantimala 3. Bhide Sucheta 4. Chandershekar C.V. 5. Chandran Geeta (NCR) 6. Devi Rita 7. Dhananjayan V.P. & Shanta 8. Eshwar Jayalakshmi 9. Govind (Gopalan) Priyadarshini 10. Kamala (Migrated) 11. Krishnamurthy Yamini 12. Malini Hema 13. Mansingh Sonal (Also Odissi) 14. Narasimhachari & Vasanthalakshmi 15. Narayanan Kalanidhi 16. Pratibha Prahlad (Approved by D.G March 2004) Bangaluru 17. Raghupathy Sudharani 18. Samson Leela 19. Sarabhai Mallika 20. Sarabhai Mrinalini 21. Saroja M K 22. Sarukkai Malavika 23. Sathyanarayanan Urmila (Chennai) 24. Sehgal Kiran (Also Odissi) 25. Srinivasan Kanaka 26. Subramanyam Padma 27. Vaidyanathan Rama (NCR) 28. Valli Alarmel (Spe.) 29. Viswanathan Lakshmi 30. Visweswaran Chitra 3 BHARATANATYAM ESTABLISHED 1. Anjana Anand (Chennai) 2. Ashok Purnima (Bangaluru) 3. Arekar Vaibhav S. (Mumbai) 4. Balasubramaniam Ramesh Uma (Chennai) 5. -
Indian Art,Culture & Heritage-Gktoday
Civil Services Examination 2013 Conventional General Studies-39 www.gktoday.in Target 2013 Indian Culture- Comepndium of Basics 1 1. Religions Religion has been an important part of India’s culture throughout its history. Religious diversity and religious tolerance are both established in the country by law and custom. A vast majority of Indians (over 93%) associate themselves with a religion. Four of the world's major religious traditions; Hinduism, Buddhism, Jainism and Sikhism are originated at India. These religions are also called as ‘Eastern Religions’. 1. Hinduism The word Hindu is derived from the Sanskrit name Sindhu for the Indus River. With around 1 billion followers, Hinduism is the third largest religion in the world after Christianity and Islam. Hinduism is considered as the oldest religion of the World originating around 5000 years ago. It is the predominant spiritual following of the Indian subcontinent, and one of its indigenous faiths. Hinduism is a conglomeration of distinct intellectual or philosophical points of view, rather than a rigid common set of beliefs. Hinduism was spread through parts of South-eastern Asia, China, Korea, and Japan. Hindus worship a god with different forms. Evolution The origin of Hinduism dates back to prehistoric times. Some of the important evidences of prehistoric times: • Mesolithic rock paintings depicting dances and rituals gives evidence attesting to prehistoric religion in the Indian "subcontinent". • Neolithic pastoralists inhabiting the Indus River Valley buried their dead in a manner suggestive of spiritual practices that incorporated notions of an afterlife and belief in magic. • Other Stone Age sites, such as the Bhimbetka rock shelters in central Madhya Pradesh and the Kupgal petroglyphs of eastern Karnataka, contain rock art portraying religious rites and evidence of possible ritualised music. -
24Th & 25Th March 2015 Stein Auditorium, India Habitat
24TH & 25TH MARCH 2015 STEIN AUDITORIUM, INDIA HABITAT CENTRE, LODHI ROAD, NEW DELHI & 27TH & 28TH MARCH 2015 WORLD INTEGRITY CENTRE INDIA, RAJPUR ROAD, DEHRADUN SUppOrteD IN assOCIatION EVENT PARTNERS SUppOrteD BY IN assOCIatION WITH EVENT PARTNERS President’s Message Ah! Today’s mundane life. Only the nectar of music can save it… “Adyaamye, Sangeetaha! Sarvabhootaye’ Siddhaye…!!” As says the Rig Veda, music is the essence of life and it provides totality of survival. Therefore this humble effort. To bring forth the nuances and niceties of life, we decided somehow or the other to contribute to the uplift the society by Rhythmgiving our bit. Music cleanses miasma, it also cleanses society. …is a society formed to promote Indian Music and culture all over India. This festival is an effort to convey nee to you the d of music in this hour of disunion and strife. To bring relief, the concert. Melodies to enrich your soul, dances to titillate your senses. It is essential and important to mention that this evening is in memory of Late Dr. Madhukar Anand, a renowned name in the field of Kathak. With the good wishes of the music lover of New Delhi & Dehradun, we wish to express the message of peace through this festival and expect your encouragement and support. Shashi With warm Kant Rai regards, President, Rhythm Society. 4 R BIRJU MAHARAJ Kathak Maestro, Guru, Author, Painter, Choreographer Padma Vibhushan Sangeet Natak Akademi Awardee Kalidas Samman BLESSINGS I am very happy to know that RHYTHM, a Dehradun based organization for performing arts founded by Kathak Dancer Ms. -
SNAP Gk Refresher
(&/&3"-,/08-&%(& CHAPTERS AWARDS National Civilian Awards: Sr. Award Significance No 1 Bharat Ratna • Bharat Ratna is the highest civilian award given in India for service to the nation. • The various fields are scientific achievements, literary scientific accomplishment, as well as the gratitude of community service of the highest category. • This was first given to C. Rajagopalachari, Sarvapalli Radhakrishnan & C. V. Raman in 1954. • Khan Abdul Gaffar Khan (Pakistan) in 1987 and Nelson Mandela (South Africa) in 1990 are the only non Indian citizens who have received the Bharat Ratna. • Sachin Tendulkar is the first Sportsperson to get the Bharat Ratna. 2 Padma Vibhushan • Rankwise, the second award in the Indian replic is the Padma Vibhushan. It is awarded to people from various fields including government service to distinguish extraordinary service for the country. • It was firstly awarded to Satyendra Nath Bose, Zakir Hussain, Balasaheb Gangadhar Kher, Jigme Dorji Wangchuk, Nand Lal Bose, V. K. Krishna Menon in 1954. 3 Padma Bhushan The Padma Bhushan is the highest civilian award third in • rank in the Indian Republic,and comes after the Bharat Ratna and the Padma Vibhushan. The President of India launched this award on 2nd January 1954. • In 1954, 23 people were given Padma Bhushan. 4 Padma Shri • Padma Shri or Padmashree is the fourth award high in order in the Indian Republic, after the Bharat Ratna, the Padma Vibhushan and the Padma Bhushan. • It is awarded to citizens of India for their distinguished contribution in several fields including Education, Literature, Arts, Science, Industry, Social Service, Medicine, Sports and Public Affairs. -
Tradition and Innovation in the Bānsurī Performance Style of Pannalal Ghosh
Tradition and Innovation in the Bānsurī Performance Style of Pannalal Ghosh Carl Clements he twentieth century in India was a time of dramatic change, and Indian classical music T reflected this on many levels. Socio-economic transformations, the growth of mass media, independence from British rule, and many other factors contributed to a major restructuring of the Indian musical landscape. An important outcome was the introduction onto the classical stage of musical instruments not previously featured as prominent solo voices, such as bānsurī, sārangī, shahnāī, and santūr. Nonetheless, audiences retained a certain level of conservatism, and continued to demand that classical music remain firmly rooted in tradition. Thus, exponents of these instruments looked to established vocal and instrumental models of performance, while simultaneously creating styles suited to their particular instruments. The music of Pannalal Ghosh (1911–1960), who is generally credited with the popularization of the bamboo flute, or bānsurī, in modern Hindustani classical music, exemplifies this balance of tradition and originality. While the transverse flute had a long history in the music of India and had been revived in South Indian classical music in the late nineteenth century, there does not seem to have been any extant tradition of Hindustani classical bānsurī playing in the 1930s and 1940s when Ghosh was adapting the instrument for the North Indian classical stage. While he ultimately came to be affiliated with the Maihar gharānā, an important school of Hindustani classical musicians, through the teaching of its founder, Allauddin Khan, Ghosh drew from a variety of sources to create a style suitable for bānsurī. -
Ravi Shankar Sukanya
RAVI SHANKAR SUKANYA DAVID MURPHY conductor LONDON PHILHARMONIC ORCHESTRA RAVI SHANKAR SUKANYA Anoushka Shankar says she laughed when her 90-year- tempt her away from her new husband by making him old father Ravi Shankar said he was going to write identical to them; the gods ask Sukanya to choose the an opera. Everything about this great Indian maestro one who is her real husband, and she chooses correctly. was extraordinary, but one of the most extraordinary Thus was the idea of the opera born in Ravi’s mind. things was his ground-breaking determination to bring the musical traditions of East and West into an We in the West don’t need telling about the beauties organic fusion. West Meets East, the LP that he released of our classical tradition, but Yehudi Menuhin became with Yehudi Menuhin in 1967, marked the first time the cheerleader for the music of the East: ‘The most leading classical musicians from different cultures moving and exciting quality of Indian music is the had collaborated on an equal footing. Following that innocence of its rapture,’ he said, ‘the ecstatic and record came three concertos for sitar and orchestra spontaneous delight that binds performers and plus a symphony, but Sukanya – the opera he left audience alike’. David Murphy, who studied with uncompleted, and which the British violinist-conductor Yehudi, says: ‘I became fascinated by the whole idea of David Murphy, with help from Shankar’s wife Sukanya Indian music, and its holistic philosophy of life. and daughter Anoushka, has now completed – reflects I was also seized with the idea that as the world gets Ravi’s boldest stroke of all.