FATIMAH TUGGAR OCAD University,Toronto Canada ✆ +1-917-386-7943 New York ✆ +1-674-964-9559 Toronto Email: [email protected]

EDUCATION

Whitney Museum of American Art, Independent Study Program, New York, US Post Grad. Studies, 1995–1996 Yale University, School of Art, New Haven, Connecticut, US Master of Fine Arts, 1992–1995 Skowhegan School of Painting & Sculpture, Skowhegan, Maine, US Summer Program, 1992 Kansas City Art Institute, Kansas City, Missouri, US Bachelor of Fine Arts, 1987–1992 Blackheath School of Art, London, UK Foundation Studies, 1984–1986

SELECTED TEACHING EXPERIENCE

OCAD University – Assistant Professor of Contemporary Issues of Representation 2013–Present Undergraduate Faculty of Art in Drawing & Painting, Photography and Cross-Disciplinary Studies Graduate Faculty of Interdisciplinary Master’s, Media & Design, Contemporary Art, Design & New Media Art Histories. • Teaching: Issues of Representation, Contemporary Collage Methodologies, Fourth Year Digital Studio, Advance Drawing Studio, Second Year Drawing Workshop, Graduate Studies Advising and Supervision,Advising Under Graduate Students Upon Requests • Committees: Member, Board of Directors of Faculty Association, Faculty Union Affiliation Committee, Faculty Equity Advisory Committee, Graduate Program Committee for Interdisciplinary Master’s in Art, Media & Design Committee, Faculty Representative Drawing & Painting, Issues of Representation Curriculum Development, Photography’s Digital Review Committee, Sexual Violence Prevention Working Group, Photo Program IQAPO: SWOC • Service: Graduates Studies Notepad Session, Students Admissions Interviews, Graduate Studies Medal Adjudication, Open Discussion Forum: Disability and the Duty to Accommodate, Volunteer Photo & The Big Draw Silent Auctions, Guest Speaker for Graduate Seminar, Visiting Artist, Local Global Mashup, Art & Social Change Course, Sustainability Forum: On Campus and In Our Communities, Look Inside, Hazleton Lanes Art Festival, Cross-Faculty Book Launch

University of Memphis, Memphis, Tennessee – Visiting Professor 2011–2013 Department of Art • Teaching Foundations Studio, Drawing, Digital Photography and Digital Media for Fine Artists’ Course, Advising Undergraduate and Graduate Students through Independent Studies • Committee: Foundations Curriculum Committee: Using New Courses Developed By Me to Make Program Ideas Driven, Inclusive & Grounded in Contemporary Discourses • Service: Curated and Organized Foundations Exhibition: “Semiotics Simulacra,” Classroom Visits – Artist Talks & Special Topics, Consultation on Developing Online Art History Courses

Duke University, Durham, North Carolina – Visiting Assistant Professor 2009–2011 Department of African & African American Studies • Teaching: Taught Interdisciplinary courses: cross-listed in Women Studies, Art, Art History &Visual Studies and Information Science & Information Studies, Graduate Seminar Contributor, Art History: “Global Views & Previews” • Committee: New Graduate Studies Programs Committee, New Graduate Studies Program in Arts of the Moving Image • Service: Women’s Studies Program Annual Feminist Theory Workshop, (ISIS) Information Science + Information Studies; Tech Tuesday Presentation, Workshop for Cater Community School Teachers on Teaching & Learning with Technology, Education Partnership Office of Community Affairs – Interactive Learning Tool Development • Research: Collaborations to Produce New Artworks with: (RENCI) Renaissance Computing Institute, (HASTAC) Humanities, Arts, Science & Technology, (DiVE) Duke Immersive Virtual Environment, Visual Art Initiative & Franklin Humanities Institute • Awards: Artist in Residence in the Office of the Vice Provosts; W. A. Mellon Research Fellowship, The John Hope Franklin Humanities Institute

Wake Technical Community Collage, Raleigh, North Carolina – Adjunct Professor of Fine Arts 2010 Teaching: Created course content and taught painting and drawing courses

University of NC, Winston Salem State University, US – Assistant Professor of Fine Arts 2007–2008 College of Art & Science: Department of Fine Arts • Teaching: Vector Graphics, Digital Imaging, Drawing, Typography & Contextual Art History • Committee: New Paradigms for Graphic Design & 3D Animation • Research: Exploratory Research with (CDI) Center for Design & Innovation on New Public Art Projects. • Awards: Twice Awarded the WSSU Faculty Profession Development Grant

Page 1of 10 Indiana University Purdue University, Indianapolis, Indian, US – Assistant Professor of Fine Arts 2003–2005 Herron School of Art & Design • Teaching: Multi-Media Installation, Video, Sculpture, Digital Photography, Art Theory & Criticism • Committee: Chair Trans-Arts Program: Curriculum & Syllabi Development and Authoring & Test Teaching Multidisciplinary Ideas Based on Approaches to Art Making, Visiting Artist, Scholars and Global Leaders Forum • Service: Center for Teaching & Learning - Brainstorming Sessions “Nature of Creativity” Guest Researches University of Surrey in the UK, Center for Teaching & Learning - Teaching in Support of Student Success” Program, Curated Work for Exhibition at Office for Women’s “Annual Celebration of Women’s Achievements,” Presentation at Annual Faculty of Color’s Research & Achievements Symposium, Research Participant in Indiana State University’s Anthony Grasha Teaching Style Research • Awards: Recipient of Jumpstart Award, Online Course Development Grant; used to research strategies for teaching Visual Art in an online environment using best practices teaching & learning theories, Awarded Addison Locke Roache Memorial Lectureship Fund.

SELECTED PROFESSIONAL EXPERIENCES - VISITING ARTIST/SCHOLAR & PANELIST

Journal of Literature and Art Studies, Los Angeles, California, US – Reviewer 2014–Present ISSN 2159-5836, David Publishing Company

Wilfrid Laurier University, Waterloo, Ontario, Canada – Participant 2016 “ERACER:” Summit on Race & Racism on Canadian Campuses Canadian Association of University Teachers, Ottowa, Ontario, Canada – Participant Harry Crowe Foundation Academic Freedom Conference Articule, Montréal Québec, Canada – Workshop Facilitator Montreal Monochrome: Study Hall,“Discursive Formations Workshop”

Ontario Confederation of University Faculty Associations, Toronto, Ontario, CA – Committee Member 2015–Present OCUFA Status of Women Committee

Rabun Gap Nacoochee School, Rabun Gap, Georgia, US – Artist Talk & Class Visits March 2015 Reviewed students artworks and offer feedback,discussed impact of art on life. The Bascom Center for Visual Arts, Highlands, North Carolina, US, – Artist Talk “Struggle to Define & Explore Meaning within the Cultures Artwork Inhabits” The Bascom Center for Visual Arts, Highlands, North Carolina, US, – Panelist "Appropriation Art: Finding Meaning in Found-Image Collage"

Royal Ontario Museum, Toronto, Canada – Presenter 2014 Of Africa Symposium, Lecture: “Refocusing Perceptions & Shifting Viewpoints through Art Making”

University Museums, Mechanical Hall Gallery, University of Delaware, Newark, US – Visiting Artist 2013 Artist Lecture, Distinguished Artist Lecture Series, Smith Hall, “Ideas, Process & Strategies in the Work” Exhibition Walk Through for International Relations & Political Science Students & Faculty Exhibition Walk Through for Art History & Anthropology Students & Faculty Critiques with Visual Art Graduate Students

Rutgers University Institute for Women and Art, New Jersey, US – Panelist 2012 The Fertile Crescent: Gender, Art and Society in the Middle East Diaspora Rutgers University Women's & Gender Studies, New Jersey, US – Visiting Artist Exhibition Walk Through: Art & Activism Lecture: African Women & Autobiography New York University, Tisch School of the Arts, US – Visiting Artist Department of Photography & Imaging Memphis Brooks Museum of Art, Memphis, Tennessee, US – Jury Member Mid-South Scholastic Art Awards Memphis College of Art, Tennessee, US – Visiting Artist Individual Critiques with Graduate Students

Duke University, Durham, North Carolina – Artist in Residence in the Office of the Provost 2009–2010 Conducting Presentation and Critiques in Visual Studies Attending weekly Faculty Rendez-Vous Meetings Participate in Arts Engagement in collaboration with Duke Community Affairs & Arts Communications & Outreach Collaborating with Duke Engineering's Visualization Technology Group to produce new works and exhibitions at the (DiVE) Duke Immersive Virtual Environment and Link Media Wall

Page 2 of 10 Festivaletteratura in Mantua, Italy – Panelist 2010 lettera27 session on AfroFantasy Center for Visual Artists, Greensboro – Awards & Exhibition Assessor Hampshire Collage, Amherst, Massachusetts, US – Visiting Artist School of Humanities Art & Cultural Studies Kansas City Art Institute, Kansas City, Missouri, US – Visiting Artist Art Space Visiting Artist Lecture Series: Alumni Lecture for the 125th Anniversary of Institution & Video Department Critiques Transient Transfer Greensboro, North Carolina US: Community Art Project Gave Photo/Audio Workshops to Participants at Canterbury School, Guilford Middle School, Doris Henderson Newcomers School & Smith High School at Special Event at Hemphill Library

Duke University, John Hope Franklin Humanities Institute, Durham, NC, US – Research Fellow 2008–2009 Participated in Women’s Studies Program Annual Feminist Theory Workshop. Presentation at (ISIS) Information Science + Information Studies; Tech Tuesdays. Conducted Workshop for Cater Community School Teachers on Teaching & Learning with Technology. Collaborating with Education Partnership Office of Community Affairs to develop Interactive Learning Tool. Working with (RENCI) Renaissance Computing Institute, (HASTAC) Humanities, Arts, Science & Technology Served on committee to create new graduate program and program in Arts of the Moving Image Collaborated, (DiVE) Duke Immersive Virtual Environment, Visual Art Initiative & Franklin Humanities Institute to produce new work and exhibitions. Seminar contributor to Art History Graduate Class: “Global Views & Previews” with Professor Richard Powell which included my work as part of the curriculum Teaching cross-listed courses in the Department of African & African American Studies, Art, Art History & Visuals Studies and Women Studies

University of Lethbridge, Alberta, Canada – Visiting Artist 2009 Speaker at Art Now:Visiting Artist Lecture Series Fordham University, New York, US – Visiting Scholar Department of African & African American Studies Guest Speaker, African Immigration to the Bronx Lecture Series University of Florida, US – Symposium Participant School of Art & Art History and Center for African Studies “RECYCLING in African Art: Necessity, Metaphor, and Creative Expression” Carolina Friends School, Durham, North Carolina Summer Program:Taught Videography Course for Ages 7 - 9

University of Canterbury, Christchurch, New Zealand – Visiting Artist 2008 Lecture at School of Fine Arts Museum of Modern Art, New York, US – Session Participant “Contemporary African Art: History, Theory & Practice.” Otis College of Art & Design, Los Angeles, California, US – Visiting Artist Lecture & Studio Visits with Graduate Students. Claremont Graduate University, Claremont, California, US – Visiting Artist Lecture & Studio Visits with Graduate Students. California State University, Long Beach, California, US – Visiting Artist Lecture & Studio Visits with Graduate Students. California State University, Fullerton, California, US – Visiting Scholar Main Art Gallery, Grand Central Art Center & Graduate Studies, Public Lecture University of North Carolina’s Teaching & Learning with Technology, US – Conference Participant Demonstration – “Methods & Meaning: Creative Thinking within Learning Technologies” California State University, Sacramento, California, US – Visiting Scholar Department of Art, Center for Teaching & Learning, Pan African Studies, Multi-Cultural Center, Lecture & Studio Visits with Graduate Students. California State University, Sacramento, California, US – Conference Participant The Center for African Peace & Conflict Resolution Lecture at Annual African/Diaspora Conference: “Channeling Intercultural Experience into Creative Expression”

New School, New York, US – Jury Member 2007 Department of Media Studies & Film: Media Awards “Mixed Messages” Purchase Collage, State University of New York, Purchase, New York – Visiting Scholar Neuberger Museum, Media Society & the Arts, Anthropology, Gender Studies & New Media Public Lecture: “Various Realities, Variant Impacts New School, New York, US – Visiting Scholar Department of Media Studies, Communication Design & Graduate Program in International Affairs Public Lecture: “Various Realities, Variant Impacts

Page 3 of 10 Stanford University, Stanford, California, US – Visiting Artist Department of Art & Art History; Lecture & Studio Visits with Graduate Students.

Cultures France, Paris, France – Conference Participant 2006 Roundtable Discussion: “Creative Competitive Forces in Arts Production” Wellesley College, Wellesley, Massachusetts, US – Symposium Participant Public Lecture at “Afro Futurism Symposium” Conservatorire des Arts et Métiers Multimédia, Bamako, Mali – Visiting Artist Public Lecture: “How Technology Impacts Local & Global Realities Rencontres de la Photographie Africaine, Bamako, Mali – Juror Served as Exhibition Juror - Selected Artists to receive Grants, Residencies & Educational Scholarships

Concordia University, Montréal, Canada – Visiting Artist 2005 Faculty of Fine Arts, Presentation: “Art, Technology, Power Relations” University of California at Davis, US – Visiting Artist Department of Art, Art History & Technocultural Studies; Lecture & Studio Visits with Graduate Students.

Prodesco, Gie Cour de Langue, Bamako, Mali – Visiting Scholar 2003 Lecture: “Transit & Cultural Perceptions” and mentorship interviews with students planing to study abroad.

Rutgers University, Newark, New Jersey, US – Substitute Teaching 2002 Visual & Performing Arts Department, Taught Perspective drawing to Architecture Students Montclair State University, Upper Montclair, New Jersey, US –Visiting Artist Department of Art & Design, Workshop: Utilizing digital imaging & Photoshops Layers University of Long Island, Southampton, New York, US –Visiting Artist Southampton College, Video screening & Public Lecture The Studio Museum in Harlem, New York, US – Panelist Panel Discussion: “African Female Body in Popular Imagery” Rutgers University, Newark New Jersey, US – Visiting Artist Visual & Performing Arts Department, Lecture: Media, Technology & Culture in Relationship to my Production

Cleveland Center for Contemporary Art, Cleveland Ohio, US – Panelist 2001 Panel: “The New Look of Feminism” & Exhibition Walk Through” Cleveland School for the Arts, Cleveland, Ohio, US – Visiting Artist Lecture “From Black & White Prints to Digital Photography” New Museum of Contemporary Art, New York, US –Visiting Artist Exhibition Walk through Presentation of my Work

Florida State University, Tampa, Florida, US – Visiting Artist 2000 School of Visual Arts & Dance, Workshops: Multi-Disciplinary Art Practice & Studio Critiques Bard College, Annandale–on–Hudson, New York, US – Visiting Artist Walking Tour of my Installation & Lecture on “Conceptual Ideas within my Art Practice” The Kitchen, New York, New York, US – Artist in Residence Two-day Dinner Discussions on my Work and Practice: “TV Dinner No. 9, Fatimah Tuggar” Le Musee Chateau, Annecy, France – Visiting Artist Screening & lecture on a retrospective of my video collage works to date New York Studio Program, New York, US – Mentor Mentored Intern Student for Media Project at the Kitchen & Lectured on “Media as tool for Fine Art Production

SELECTED SOLO EXHIBITIONS

University Museums, Mechanical Hall Gallery, University of Delaware, Newark, Delaware, US 2013 'Fatimah Tuggar: In/Visible Seams'

Institute for Women & Art, Mary Hana Women Artist Series Galleries, Rutgers University, New Jersey, US 2012

Green Hill Center for North Carolina Art, Greensboro, North Carolina, US 2011 “Dream Team, Works from 1995 – 2011” Perkins Library, Link Media Wall, Duke University, Durham, North Carolina, US 2010 “One Blithe Day”

Duke University, Franklin Humanities Center, Durham, North Carolina, US 2009 “Tell Me Again: A Concise Retrospective” Duke University, Duke Immersive Virtual Environment, Durham, North Carolina, US “Desired Dwellings: Project for an Immersive Environment”

Page 4 of 10 Bamako Binnale, Bamako, Mail “Meditation on Vacation“ & “Conveyance” Screenings 2005

Art Production Fund, New York, New York, US, Web Project, “Changing Space” 2002 Art & Public, Geneva, Switzerland, “Video Room” The Avram Gallery, Southampton Collage, Long Island University, US

Galeria Joao Graça, Lisboa, Portugal, “Celebrations” 2001

Greene Nafali Gallery, New York, US “At the Water Tap” 2000 Le Musee Chateau, Annecy, France, “Fusion Cuisine”, Screening The Kitchen, New York, US, “ Fusion Cuisine & Tell Me Again” Art & Public, Geneva, Switzerland plexus.org, New York, web-based project, “Village Spells” 1998

The Founders Gallery, Kansas City, US “Revolving Room” 1992 Leedy-Volkus Art Center, Kansas City US “Between Space and Light”

SELECTED GROUP EXHIBITIONS

The Bascom Center for Visual Art, Highlands, North Carolina, US 2015 "Appropriation Art: Finding Meaning in Found-Image Collage"

Photography, History, Difference, Dartmouth College Press, Tanya Sheehan, Pages 84-85, 98 2014

Simons Center for Geometry & Physics, “Nowhere Differentiable” Stony Brook, University, US, 2013

Henry Art Gallery, Seattle, US “The Record” (traveling exhibition) 2012 Miami Art Museum, Florida, US, “The Record” (traveling exhibition) Studio Museum in Harlem, New York, US, “Harlem Postcards” The Root Magazine,"Young, Fabulous & Female Event," New York, New York, US

Institute of Contemporary Art, Boston, Massachusetts, US, “The Record” (traveling exhibition) 2011 H&R Block Artspace, Kansas City Art Institute, Kansas City, Missouri, US, Bermuda National Gallery, Hamilton, Bermuda, “On Screen: Global Intimacy” (traveling exhibition) “On Screen: Global Intimacy” (traveling exhibition)

Nasher Museum of Art at Duke University, Durham, North Carolina, US 2010 “The Record” (traveling exhibition)

Krannert Art Museum, University of Illinois, Champaign, Illinois, US, 2009 “On Screen: Global Intimacy” (traveling exhibition)

Bronx Museum of the Arts, New York, New York, US, "Street Art, Street Life" 2008 Kinz, Tillou + Feigen Gallery, New York, New York,“By Invitation Only 2, Invited by Pamela Auchincloss Main Art Gallery, University of California at Fullerton, California, US, “A New Cosmopolitanism

Roebling Hall, New York, New York, US, “Late Empire” 2007 Oi Futuro, Rio de Janeiro, Brazil, “Video Atlas Americas” Fundación Museo de Bellas Artes de Bilbao, Bilbao, Spain, “Kiss Kiss Bang Bang” World Social Forum, Nairobi, Kenya, Moving People: Africa-Asia Interface on Migration/Refugee/Exile/Diaspora Hyde Park Art Center, Chicago, US, “Interstellar Low Ways

Moderna Museet, Stockholm, Sweden, “Africa Remix” (traveling exhibition) 2006 Mori Art Museum, Tokyo, “Africa Remix” (traveling exhibition) NIFCA, Nordic Institute for Contemporary Art, Veturitalli, Rovaniemi, Finland, “Rethinking Nordic Colonialism”

Moscow Biennale of Contemporary Art, Moscow, Russian Federation, “Dialectics of Hope” 2005 Hayward Gallery, London, England “Africa Remix” (traveling exhibition) Centre Georges Pompidou, Paris, France “Africa Remix” (traveling exhibition) BildMuseet, Umeå, Sweden “Staged Realities” (traveling exhibition) Rose–Hulman Institute of Technology, Terre Haute, Indiana, US, “World Views”

Kunsthalle Krems, Krems, Austria, "Paravent" 2004 Galerie SAW Gallery, Ottawa (Ontario), Canada, “International Geographic” Brooklyn Museum of Art, New York, New York, US, “Open House” Michael Stevenson Contemporary, Cape Town, South Africa, “Staged Realities” (traveling exhibition) Page 5 of 10 Museum Kunst-Palast, Dusseldorf, Germany “Africa Remix” (traveling exhibition) Deutsches Hygiene-Museum, Dresden, Germany, “10 Commandments”

Bamako Biennal 2003, Bamako, Mali, “Ves Rencontres” 2003 Palais des Beaux-Arts, Brussels, Belgium, “Transferts” UNESCO, BSP's Section for Women and Gender Equality, Paris, France “UNESCO Salutes Women Artists" Espai d´Art Contemporani de Castelló, Spain

Museo a’Arte della Città-Laggetta Lombardesca, Ravenna, Italy, “No Border” 2002 University of South Florida, Contemporary Art Museum, Tampa, Florida, US, “The Fields Edge Busan Biennale, Busan, Korea, “City & Urbanity” Museum of Modern Art, New York, New York, US, “Tempo” Whitney Museum of American Art, New York, Curatorial Studies Program, “Empire/State: Artist Engaging Globalization” The V Salón CANTV Jovenes (FIA), Caracas, Venezuela City Gallery East, Atlanta, Georgia, US, “Flash” Deste Foundation, Athens, Greece, “Fusion Cuisine” Galeria Giancarla Zanutti, Milan, Italy, “VideoROM” The National Museum L.Pigorini, Lazzaretto", Cagliari, Italy, "God's transistor radio: IbridAAfricA" The Studio Museum in Harlem, New York, New York, US “Africaine

East Wing Collection No. 05, London, England, “Looking With/Out” 2001 Centro de Fotografía, Islas Canarias, Spain, “Mujeres que Hablan de Mujeres” (Women Talk About Women) New Museum of Contemporary Art, New York, New York, US, “A Work in Progress” Cleveland Center for Contemporary Art, Cleveland, US, "Poetics and Power" Queens Museum of Art, New York, New York, US, “Crossing the Line” 24th Biennial of Graphic Art, Ljubljana, Slovenia, “Print World” Bienal de Valencia, Valencia, Spain, “The New World, The Vices and Virtues” Bienal da Maia, Porto, Portugal Arte Continua, San Gimignano, Italy, “Post Production”

Argosfestival 2002, “Pitch – Mutating Turntables” Ive Stevenheydens, Argos, Brusels 2000 Volker Diehl Gallery, Berlin, Germany, “Tell It Like It Is” Contemporary Arts Center, New Orleans US, “Photography Now” Kwangju Biennale Korea 2000, “EuroAfrica” Center for Curatorial Studies Museum, Bard College, Annandale on Hudson, “Translations” Museum of Contemporary Art, Sidney, Australia “Veronica’s Revenge”

6th International Istanbul Biennial, Istanbul, “The Pasion and The Wave” 1999 Brooklyn Museum of Art, New York, US, “Beyond Technology” Galerie Lelong, New York, US, “ Domestic Pleasures” Audiello Fine Arts, New York, US, “Lost & Found” P.S. 1 Institute for Contemporary Art, New York, US, “Generation Z” Roebling Hall, Brooklyn, New York, US, “Alternative: Alternative” 303 Gallery, New York, US “No Place Rather then Here” Galerie Lelong, New York, US, “Alter Body” Art in General, New York, US, “Space Ship Earth”

New Museum of Contemporary Art, New York, US, “Keeping Track of the Jones’s” 1998 Jack Tilton Gallery, New York, US, “Esperanto’98”

The 2nd Johannesburg Biennale, Capetown, South Africa, “Life’s Little Necessities” 1997 Rush Arts, New York, US, “Rising Tides”

Via Farini Gallery, Milano, Italy, “Interplace Access” 1996 IRADAC,Institute for Research on African Diaspora in the Americas & Caribbean ,City University, New York, US “Act/Language: Power and Display” Spot Gallery, New York, US, “Substituting Rasquachimo for Mimesis”

Galerie Die Werstatt, Copenhagen, Denmark “City Flowers of the World” 1995 Black and Greenberg Gallery, New York, US 1994

SELECTED BIBLIOGRAPHY

Carolina Arts, A Publication Covering the Visual Arts in the Carolinas 2015 “The Bascom in Highlands, NC, Goes Postmodern for Spring 2015” Vol. 19, Number 4, April

Page 6 of 10 Obsidian Journal: Literature in the African Diaspora, “The Work of Black Literature in the Age of Digital Reproducibility,” John Keene, Issue41, Page 288

Critical Interventions: Journal of African Art History and Visual Culture, “Obsolescing Analog Africa,” 2014 Delinda Collier, Volume 8, Issue 3, Fall 2014, Routledge, Taylor & Francis Group OCAD’s Site-Specific Guest Blog Series, Interview with Fatimah Tuggar, September 2014; Olya Levina, student & Shamina Chherawala, Coordinator Diversity & Equity Initiatives Dreaming Red: Creating ArtPace, Linda Pace, Jan Jarboe Russell, Eleanor Heartney, Kathryn Kanjo, Trinity University Press, 297

72 Assignments: The Foundation Course in Art and Design Today, A Practical Source Book for Teachers 2013 Students, & Anyone Curious to Try, Edited by Chloe Briggs, Section – “Semiotics: A Visual Exploration of Signifiers, Meaning, Processes & Materials,” Fatimah Tuggar, Published by Paris College of Art Press, France Nka, Journal of Contemporary African Art: Analog Girls in a Digital World; Fatimah Tuggar’s Afrofuturist Intervention in the Politics of “Traditional” African Art, Elizabeth Hamilton Duke University Press, Issue Number 33, Fall 2013, Page 71 - 79 Leadership Newspaper, Nigeria: Cognoscenti Leadership Weekend Issue “Pace Setter Fatimah Tuggar, Tech Media Artist,” Boboye Onduku, Page 31, November 23, 2013, Visual Communications Journal: “The Ethics of Images,” edited by Bolette Blaagaard & Carey Jewit “Montage as a Tool of Political Visual Realignment,” Fatimah Tuggar, page 375 – 392, University of London, UK Institute of Education; Culture, Communication & Media Department, SAGE Publications, Special Issue, August 2013, Journal of Commonwealth & Postcolonial Studies: “African Writing in the Twenty-First Century” Edited by Lindsey Green-Simms and Simon Lewis, Published by Department of Literature & Philosophy, Georgia Southern University, US, Special Issue, Spring 2013, Volume 1, Number 1

Fertile Crescent: Gender, Art & Society, Judith K. Broosky & Ferris Olin 2012 The Rutgers University Institute for Women & Art, US Signs: Journal of Women in Culture and Society: Online “Virtual Issue”

Troubling Vision: Performance, Visuality, and Blackness, Nicole R. Fleetwood, 2011 The University of Chicago Press, “Visible Seams: The Media Art of Fatimah Tuggar” Chapter 5, Page 177 Body and Soul: The Black Panther Party and the Fight Against Medical Discrimination, Alondra Nelson, University of Minnesota Press, Chicago: Minneapolis, 2011.

The Record: Contemporary Art and Vinyl, Trevor Schoonmaker, Duke University Press Books,US 2010 Gendered Bodies and New Technologies: Rethinking Embodiment in a Cyber-era, Amanda du Preez Cambridge Scholars Publishing,Edition1 Difference: A Journal of Feminist Cultural Studies, “Unbelonging: In Motion”, Ranjana Khanna Volume 21, Number 1, Page 109

Encyclopedia of African American Artists: Artists of the American Mosaic 2009 Dele Jegede, Wesport, Greenwood Press

Africa and the Americas: Culture, Politics, and History: A Multidisciplinary Encyclopedia 2008 Richard M.Juang & Noelle Morrissette, ABC-CLIO, Santa Barbara, California, Page 73 Exit, Edition #32, "Exodus", November 2008 New York Times, "Concourse Collages," Carol Vogel, October 17, 2008 Bloomberg TV, Program: Muse, October 6, 2008 Art News, "How Street Is It", Peter C. Powlis, September 2008 The Village Voice, " The Forbidden City: Street Art , Street Life, Ben Davis, September 30, 2008 New York Times, "Finding Art in the Asphalt", Holland Cotter, September 11, 2008 Black Music Research Journal, “The Robot Voodoo Power: Afrofuturism and Anti-AntiEssentialism from Sun Ra to Kool Keith,” J. Griffith Rollefson, Spring 2008, Issue 28, Number 1, Pages 83-109.

A New Cosmopolitanism, Rachel Chaney & Michel Oren, California State University Fullerton 2007 Video Atlas Americas, Paulo Herkenhoff Oi Futuro, Rio de Janeiro Black Inc., (Text Book), Editor Professor E. Stefania Tiberini, University of Rome "La Sapienza" Artworks the Progressive Collection, Essays by Dan Cameron, Peter Lewis, Toby Lewis & Toni Morrison Kiss Kiss Bang Bang, 45 Years of Art & Feminism, Museo de Bellas Artes de Bilbao Code Z: Black Visual Culture Now, “Feminist Fervor in Spain” Marval, Dans La Ville Et Au-Delà. Paris, Simon, Njami Cinema Journal, “Articles on Film and TV in Nonscreen/Media Journals,” Terri Ginsberg, March 2007, Issue 46 Page163, Page 7 of 10 Beyond Boundaries & Unframed: Subverting Constructions in the work of Fatimah Tuggar” – 2006 CD-Rom, Michael Lightsmith, Edited by Elvira S. Tiberini, University of Rome "La Sapienza”,Italy Vitamin Ph: New Perspectives in Photography, text by Isolde Brielmaier, Phidon Press Limited, London Visual Anthropology “The Politics of the Plane: On Fatimah Tuggar’s Working Woman”, Yates McKee Page 417, Volume 19, Number.5, 417, October-December 2006 Visual Anthropology, Introduction, Jean-François Werner, Issue 19, Page 409 No Border, Maria R. Bentini, Serena Simoni, & Claudio Spadoni, 22 Ottobre 2005-22 Gennaio 2006, Santa Maria Delle Croci, Ravenna. S.l.: s.n., 2006 Rethinking Nordic Colonialism, A Postcolonial Exhibition Projects in Five Acts, Frederikke Hansen & Tone Olaf Nielsen Thought Through My Eyes: Writings on Art, 1977-2005, Klaus Ottmann, Putnam, Conn: Spring Publications, 2006. Encyclopedia of African-American Culture and History: The Black Experience in the Americas, Colin A. Palmer, Detroit: Macmillan Reference USA, 2006 October, Art I Theory I Criticism I Politics “Suspicious Packages,” Yates McKee, Summer 2006, Issue 117, Pages 99-121

Vies Rencontres de la Photographie, Africaine Memories” Simon Njami 2005 Photographie, Bamako, 2005. Paris: E. Koehler, 2005 Africa Remix: L'art Contemporain D'un Continent : Exposition Présentée Au Centre Pompidou, Galerie 1, Du 25 Mai Au 8 Août 2005, Marie-Laure Bernadac,Simon Njami, & Julie Cortella,. Paris: Editions du Centre Pompidou Postproduction: Culture As Screenplay : How Art Reprograms the World, Nicolas Bourriaud, Jeanine Herman & Caroline Schneider, New York: Lukas & Sternberg, 2005 Works from Collezione Sandretto Re Rebaudengo, Francesco Bonami, Turin: Fondazione Sandretto Re Rebaudengo Per L’Arte, SKIRA Publishing Miradas Y Conceptos en la Colección Helga de Alvear, Helga de Alvear & Werner Kruger, Madrid, pages 438 -441 Un Autre Monde = Another World : Vies Rencontres Africaines De La Photographie, Bamako, 2005 Art Papers, Digital Trafficking, Fatimah Tuggar’s Imag(in)ing of Contemporary Africa, Sylvie Fortin, Feature Article: March/April 2005, Page 24 –29 Arte, “Made in Italy: oltreconfine,” Nicoletta C. Gigli, Issue Number 380, Pages 138-142 Signs, Journal of Women in Culture and Society, “Film Feminisms, “Visible Seams: Gender, Race, Technology, and the Media Art of Fatimah Tuggar,” Nicole R. Fleetwood, Volume 30, Number 1, Autumn 2004 Rethinking History Journal, “An Afrofuturist Reading of Ralph Ellison's Invisible Man,”Lisa Yaszek, Issue 9, Number 2-3, Pages 297-313

Afrika Remix, Museum Kunst Palast, Düsseldorf, Simon Njami 2004 10 Years 100 Artists: Art in a Democratic South Africa, Emma Bedford & Sophie Perryer, Bell-Roberts Publishers, in Association with Struik Publishers, Cape Town, South Africa Post Production, “Post Production, Sampling Programming Displaying”, Nicolas Bourriaud, Gli Ori Publishing Die Zehn Gebote, (Thee Ten Commandments), Deutsches Hygiene-Museum, Dresden, Klaus Biesenbach The African American Experience in Cyberspace: A Resource Guide to the Best Websites on Black Culture and History,Gerald A. McWorter, Pluto, London: Sterling, 2004 Open House Working in Brooklyn, “Money & Matter –Assets & Anxiety” Charlotta Kotik and Tumelo Mosaka Kunstforum International, “Afrika Remix: Erkundigungen Auf Dem Kontinent Der Anderen Bilder,” Jocks Heinz- NorbertIssue 172, September-October 2004 Art in America, The Luminous Continent”, Richard Vine, October 2004, Pages 69 – 73 The Wall Street Journal, “Perhaps some of these artist should quit”, Karen Wilkin, August 4, 2004, Page D4 Le Monde Diplomatique, Deutsche Ausgabe, Juli 2004, “Fatimah Tuggar” Marie Luise Knott, Pages 1, 2, 3, 8, 10, 11 Signs Journal, “Theorizing the Bachelorette: Waves of Feminist Media Studies,” Lynn Spiegel, Issue 30, Number 1, Pages 1209-1221

Ves Rencontres de la Photographie Africaine, Simon Njami, 2003 Cream 3, Contemporary Art in Culture, “Fatimah Tuggar”, Nancy Spector, Phidon Press Limited, London How Latitudes Become Forms: Art in a Global Age, Vasif Kortun, et al. Minneapolis: Walker Art Center, Alla Galleria Continua, San Gimignano UNESCO, “On this Side of the Sky, UNESCO Salutes Women Artists", Hans D’Orville Transferts, “Fusion Cuisine,” Toma Muteba Luntumbue, Africalia Luthansa Magazin, Die Kunst der Zukunft (Curator’s Choice), Angelika Janßen, August 2003, Page 48-56 De Morgan, “De Morderne Stem van Afrika”, Catherine Vuylsteke, Page 6, July 8 La Tribune de Bruxelles, “Art African au Bozar, Sigrid Descamps, Page 12 VA, July 3 De Standaard, “Kunts met Africaanse Roots”, Lars Kwakkenbos, June 28 Auxi Press, “Tentoonstelling, Transferts”, Page 70, June 25 De Financieel Economische TIDJ, “Gestileerde Proteskunst uit Afrika”, Bert Popelier, Page 8, June 25 Kunstbeeld Magazine, “Afrika in de Artis-Tieke Maalstroom”, Christine Vuegen, Page 15, June 22 Page 8 of 10 No Border, “No Border”, Serena Simoni, Museo a’Arte della Città-Laggetta Lombardesca, Ravenna 2002 Fusion Cuisine, “What’s Cooking” Katerina Gregos, Deste Foundation, Athens MoMA QNS Boxed Set,Terence Riley, Kynaston McShine, & Anne Umland, Museum of Modern Art, New York Tempo, Paulo Herkenhoff, Roxana Marcoci & Miriam Basilio, The Museum of Modern Art, New York Black Romantic: The Figurative Impulse in Contemporary African-American Art, New York: Studio Museum in Harlem Frieze Magazine, “Fusion Cuisine,” Sue Murray, Issue 70, Page 102-103 Jahresring, “Fatimah Tuggar” Issue 49, Pages 149-154 Ohne Titel, Edited by Clara Himmelheber, Fatimah Tuggar, Der Hund is Für Die Hyä. Neine Kolanuss: Zeitgenössische Kunst und Kultur aus Afrika, Cologne: Oktagon, 2002. Empire/State: Artist Engaging Globalization, “On Counterglobal Aesthetics”, Yates McKee, Whitney Museum, New York The Brooklyn Rail, Critical Perspective on Arts, Politics & Culture, Empire/State: Artists Engaging Globalization, Mariana Lefas-Tetenes, August 2002 IbridAAfricA, “Concrete Jangle”, Cristiana Perrella, The National Museum L.Pigorini, Lazzaretto" in Cagliari V Salón cantv Jóvennes con FIA Intimo Universal, Juan Carlos López Quintero Jahresring, “Zeitgenössische Kunst und Kultur aus Afrika” Clara Himmelheber, Marjorie Jongbloed & Marcel Odenbach, Issue 49 Social Text, A Special Issue “Afrofuturism” Alondra Nelson, Issue 71, Summer 2002 Contemporary, “Athens: Deste Foundation, Fusion Cuisine”, Andrea Gilbert, September, Page 88 International Herald Tribune - English Edition, “ Through the Eyes of Women”, Alexandra Koroxenidis, July 29, Frieze, “Fusion Cuisine” , Sue Cramer, October, Issue 70, Page 102-103

Mujeres que Hablan de Mujeres, Alicia Murria, Centro de Fotografía, Islas Canarias 2001 International Biennial of Graphic Arts, “Print World”, Breda Slrjanec & Fatimah Tuggar, Page 24, Mednarodni Graificni Bienale Black Venus, They Called Her Hottentot, Deborah Willis, Temple University Press, Philadelphia, 2010 Tokyo Book 2, “What is the Artist’s Role Today?” Fatimah Tuggar, Palais de Tokyo Threads of Vision: Toward A New Feminine Poetics, “Loose Threads” Kristin Chambers, “Artist Interview” Roxana Marcoci, Cleveland Center for Contemporary Art, Page 7 Displacement & Difference: Contemporary Arab Visual Culture in the Diaspora, Fran Lloyd & Sajid Rizvi, London, Saffron, 2001. Art in America, “Fatimah Tuggar at Greene Nafaali”, Carol Kino, September, Page 155-156 Artforum, “Geneva, Fatimah Tuggar, Art & Public”, Elizabeth Janus, January, Page 147 Beaux Arts, “La Recette de Fatimah Tuggar. Masa: Mix and Match”, Laurence Hazout-Dreyfus, No. 205, June Lapiz, “Fatimah Tuggar,” David Barro, Issue 177, Page 71 EyeMinded: Living and Writing Contemporary Art, Kellie Jones, Duke University Press

Trans> arts.culture.media, “The Passion and the Wave” Paolo Colombo & “6th Istanbul Biennial” Cristina Perrlla, 2000 No. 7, Page 18-24 Sculpture, “Globalization's Undertow: An Interview with Paolo Colombo in Istanbul,” Thea Carolee, Issue 19, Number 3, Page 32 Time Out New York, “Fatimah Tuggar”, Franklin Sirmans, December 28- January 4, Page 63 2000 New York Times, “Fatimah Tuggar”, Ken Johnson, December 22 The Village Voice, “Shortlist: Fatimah Tuggar at Greene Nafatali” December 26 NY Arts, International Edition, “Fatimah Tuggar”, October, Vol. 5, #10, Page 47 Photography in the Year 2000, “Fact or Fiction”, David S. Rubin The Village Voice, “Voice Choice: Fusion Cuisine”, Levin, October 24 Photography Now: An International Survey of Contemporary Photography, Contemporary Arts Center New Orleans Art Papers, “Istanbul”, Ricardo Bloch, Pairs, January/February, Page 58-59 Art Journal, “Beyond Boundaries: Rethinking Contemporary Art Exhibitions,” Zabel & Valerie Cassel, Issue 59, Number 1, Page 4-21 Springeerin, “Istanbul Biennale”, Sabine Schmidt, Dezember 1999-February 2000, Page 64-65 Arte, “La Grande Illusione,” “La Grande Illusione,” Cristina Perrlla, August 2000, Issue 324, Page 134-141 ARTnews, “Kwangju Biennale 2000,” Klaus Ottmann, June 2000, Issue 99, Number 6 Art Monthly, “6th Istanbul Biennial,” Gilda Williams, Number December-January 2000, Page 232

Bienial 6, “Fatimah Tuggar” Giovanna Amadasi, 6th International Istanbul Biennial 1999 Bienial 6+, “Tutku ve Dalga: The Passion and the Wave”, Paolo Colombo, 6th International Istanbul Biennial Photography in the Year 2000, “Fact or Fiction,” David S. Rubin Beyond Technology: Rico Gatson, Perry Hoberman, Roxy Paine, Fatimah Tuggar, Janet Zweig, The Museum Art Monthly, “ 6th Istanbul Biennial”, Gilda Williams, Dec.99.Jan. 00, No.232 Page 9 of 10 NY Arts, “Istanbul and the Biennial Paradigm”, Robert C.M., Vol. 4, No. 12, Page 14-15 El Periodico Del Arte, “La Pasion Segun Colombo”, No. 19, Febrero de 1999, Page 1A Casa Vogue, “Istambul e Santa Fe”, Adriano Pedrosa, Page 74 - 75 Africulturers, “Art africain et novelles technologies”, Oliver Barlet, Page 95-96 New York Times, “Lost and Found” Holland Cotter, July 16, Page E37 New Observations, “Of Hermes and History”, Guest Editor Todd Ayoung, Issue # 122 NY Arts Magazine, “Spaceship Earth” Meg Blackburn, March, Vol.. 4 No. 3, Page 41 The Tribeca Tribune, ‘Spaceship Earth’ Files in the Face of the Status Quo, Jeanne C. Wilkinson, March , Page 39 The Village Voice, “Art Review by Kim Levine Unless Otherwise Noted, Spaceship Earth” February 10 - 16 1, Page 103 New York Times, “Changes Aside, Soho Is Still Very Much Soho”, Art in General, Holland Cotter, Friday, Feb. 12, ARTnews, Art Talk, “Brite Lites, Pink Bubbles”, February, Page 30 The International Review of African American Art, "Two Views of Contemporary Africa", January, Page 12 NY Arts, “Istanbul and the Biennial Paradigm,” C. M. Robert, Issue 12, Page 14-15

Opening, “La cittå dei musei contemporanei” Luigi Billi, Anno XII Primavera, Page 39 Gathering of the Tribes, double issue #8 Spring/Summer 1998 Plexus.org, “Reading Tuggar’s Village Spells” Gary Sullivan, Summer Art Journal, “Interview with Okwui Enwezor” Carol Becker, Summer, Page 87-107 Art Byte, The Magazine of Digital Arts “Fatimah Tuggar Picture In Progress” Rose Arthur, June - July Artbyte, “Digital prints gallery,” Adam Lowe, Rose Arthur, Barbara Einzig, Bill Jones, July 1998, Issue 1, Number 2, Page 6-15 NY Arts Magazine, “Mob Rule #12 Gallerists on Space and Media Part 1,” #21 May, Page 7-9 The Village Voice, “Art Review by Kim Levine Unless Otherwise Noted”, March Frieze, Contemporary Art and Culture, “Spin City” Christian Haye, January-February, Page 49-51 International Review of African American Art, "Two Views of Contemporary Africa,” Fatimah Tuggar

Trade Routes: History and Geography, “Lives Little Necessities” Kellie Jones, The 2nd Johannesburg Biennale 1997 Trade Routes: History and Geography : 2nd Johannesburg Biennale 1997, Enwezor, Okwui, & Colin Richards, Johannesburg, South Africa: Greater Johannesburg Metropolitan Council Cape Times, “Go With Me and I Will Go With You” Benita Munitz, October 31

New York Times, “Act/Language” Holland Cotter, December 6, Page C24 1996

Newsweek, “School Is Out, Far Out” Peter Plagens, January 24, Page 64-65 1994

SELECTED AWARDS, GRANTS & COMMISSIONS

Commission for the Harlem Postcards, Studio Museum in Harlem, New York, US, 2012 Commission for Transient Transfer Greensboro, Green Hill Center for North Carolina Art, Greensboro, US 2011 Special Commission – The Bronx Museum of the Arts, New York, US In the Public Realm – Public Art Fund, New York, US W. A. Mellon Research Fellowship, The John Hope Franklin Humanities Institute, Duke University, US 2008 Production Grant – Nordic Institute of Contemporary Art, Copenhagen, Denmark 2006 Prix Special du Jury, “Ves Rencontres, Bamako, Mali 2003 Special Commission – Tempo Exhibition, Museum of Mordern Art, New York, US 2002 Immigrant Artist's Grant – New York Association for New Americans, Inc., New York, US In Space (Web Art) Grant – Art Production Fund, New York, US: The Young with FIA Award – The V Salon CANTV Jovenes, Caracas, Venezuela Change Grant – Change Inc., Captiva, Florida, US Civitella Ranieri Fellowship – Civitella Ranieri, Umbertide, Umbria, Italy 2001 Artist Production Residency – The Kitchen, New York, New York, US 2000 Wheeler Foundation Grant – The Wheeler Foundation Brooklyn, New York, US Techno-Oboro Residency – Oboro Arts Center, Montreal, Canada US Government, The Fund for US Artists at International Festivals and Exhibitions. Arts International, USA 1999 Emerging Artist Grant –The Rema Mann Hort Foundation, New York, US Full Tuition Scholarship, The Yale Scholarship, Yale University, School of Art, US 1992–1995 The Yale Norfork, Summer Grant, Yale University, School of Art, US 1994

SELECTED WEB WORKS & SITES

Transient Transfer: http://transienttransfer.com Triad Raid: http://www.rethinking-nordic-colonialism.org/files/triadraid/triadraid.html Changing Space: http://bintazarahstudios.net/changingspace/ Feminist Art Base: https://www.brooklynmuseum.org/eascfa/feminist_art_base/fatimah-tuggar Page 10 of 10