Alien Covenant

Total Page：16

File Type：pdf, Size：1020Kb

ALIEN COVENANT Regia: Ridley Scott Interpreti: Michael Fassbender, Katherine Waterston, Billy Crudup, Danny McBride Origine e produzione: USA/ RIDLEY SCOTT, MARK HUFFAM, MICHAEL SCHAEFER, DAVID GILER, WALTER HILL PER SCOTT FREE PRODUCTIONS, TWENTIETH CENTURY FOX FILM CORPORATION, BRANDYWINE PRODUCTIONS, TSG ENTERTAINMENT Durata: 121' L'astronave Covenant trasporta migliaia di embrioni in direzione di un pianeta dalle caratteristiche idonee alla colonizzazione da parte degli umani. A causa di un'avaria l'equipaggio è costretto a interrompere il sonno criogenico: una volta svegliatosi, intercetta un segnale radio da un pianeta molto vicino, anch'esso conforme come caratteristiche atmosferiche e precedentemente non individuato. Quello che sembra essere un paradiso inesplorato, si rivela tuttavia essere una terribile minaccia, al di là di ogni immaginazione... "È il sesto film della serie, affidato ancora una volta a Ridley Scott, creatore del primo e fautore di un inizio capace di rimodulare la storia. Siamo a dieci anni dagli eventi narrati in 'Prometheus', che svelava le origini dell'alieno e temerariamente tentava di farlo anche delle nostre. Anche questa volta il senso epico dell'avventura non manca, con la sua elegante visionarietà." Luca Pellegrini, 'Avvenire' "La quota filosofica dell'avventura di «Alien: Covenant» è affidata allo scontro tra l'Io e il suo doppio, con Fassbender che osserva se stesso recitando nei due ruoli di Walter e David. I dialoghi sono volutamente altisonanti. Forse troppo. Ma una cosa è certa. Per indossare la duplice maschera di generoso «super-maggiordomo» e di entità satanica capace dei peggiori misfatti, non poteva esserci attore più adatto di Fassbender. Angelo caduto in volo, sospeso tra inferno e paradiso." Fulvia Caprara, 'La Stampa' "Il risultato finale è leggermente discontinuo. Stupendo il luminoso prologo tutto di parola, avvincente il thriller tenebroso sul pianeta misterioso ma deludente su alcune scelte di cast (...). Ma se amate 'Alien', e quindi il cinema, non potete perdere questo nuovo appuntamento. Anche perché non sarà l'ultimo." Francesco Alò, 'Il Messaggero'.

Copy Link

Recommended publications

The Revenant Nominations List Achievement in Cinematography 1
The Revenant nominations list Achievement in cinematography 1 Achievement in costume design 2 Achievement in directing 3 Achievement in film editing 4 Achievement in makeup and hairstyling 5 Achievement in production design 6 Achievement in sound editing 7 Achievement in sound mixing 8 Achievement in visual effects 9 Best motion picture of the year 10 Performance by an actor in a leading role 11 Performance by an actor in a supporting role 12 Oscars® 2016 Movie Checklist 13 Academy of Motion Picture Arts and Sciences Page 1 1. NOMINATIONS BY CATEGORY - 88TH AWARDS Performance by an actor in a leading role Bryan Cranston in “Trumbo” (Bleecker Street) Matt Damon in “The Martian” (20th Century Fox) Leonardo DiCaprio in “The Revenant” (20th Century Fox) Michael Fassbender in “Steve Jobs” (Universal) Eddie Redmayne in “The Danish Girl” (Focus Features) Performance by an actor in a supporting role Christian Bale in “The Big Short” (Paramount) Tom Hardy in “The Revenant” (20th Century Fox) Mark Ruffalo in “Spotlight” (Open Road Films) Mark Rylance in “Bridge of Spies” (Walt Disney and 20th Century Fox) Sylvester Stallone in “Creed” (Warner Bros.) Performance by an actress in a leading role Cate Blanchett in “Carol” (The Weinstein Company) Brie Larson in “Room” (A24) Jennifer Lawrence in “Joy” (20th Century Fox) Charlotte Rampling in “45 Years” (Sundance Selects) Saoirse Ronan in “Brooklyn” (Fox Searchlight) Performance by an actress in a supporting role Jennifer Jason Leigh in “The Hateful Eight” (The Weinstein Company) Rooney Mara in “Carol” (The Weinstein Company) Rachel McAdams in “Spotlight” (Open Road Films) Alicia Vikander in “The Danish Girl” (Focus Features) Kate Winslet in “Steve Jobs” (Universal) Academy of Motion Picture Arts and Sciences PagePage 2 2.
[Show full text]
Alien : Covenant
TWENTIETH CENTURY FOX présente Une production Scott Free/Brandywine Un film de Ridley Scott ALIEN : COVENANT Michael Fassbender Katherine Waterston Billy Crudup Danny McBride Demián Bichir Scénario : John Logan, Dante Harper Histoire : Jack Paglen, Michael Green Image : Dariusz Wolski Décors : Chris Seagers Costumes : Janty Yates Un film produit par Ridley Scott, Mark Huffam, Michael Schaefer, David Giler, Walter Hill Sortie nationale : 10 mai 2017 Durée : 2 h 02 Photos et dossier de presse sont téléchargeables sur : www.foxpresse.fr Site officiel : Distribution Presse film TWENTIETH CENTURY FOX Alexis RUBINOWICZ 241 boulevard Pereire Tél. : 01 58 05 57 90 75017 PARIS [email protected] Tél. : 01 58 05 57 00 Giulia GIE Tél. : 01 58 05 57 79/94 [email protected] 1 L’HISTOIRE Le vaisseau spatial Covenant est en route pour la lointaine planète Origae-6 afin d’y établir une colonie, un nouvel avant-poste pour l’humanité. À bord, tout est calme. L’équipage et les 2000 passagers sont en hypersommeil, et seul Walter, le synthétique, arpente les coursives. Mais lorsqu’une explosion stellaire détruit les capteurs d’énergie du vaisseau, les avaries et les pertes humaines sont énormes… Heureusement, les survivants découvrent à proximité ce qui semble être un paradis vierge, une planète aux immenses montagnes couronnées de nuages et aux magnifiques forêts qui pourrait être tout aussi viable qu’Origae-6. Pourtant, très vite, le paradis va révéler sa réalité infernale. Ce monde regorge de dangers inconnus et mortels. Les survivants vont tout tenter pour échapper à une menace qui dépasse l’entendement… 2 NOTES DE PRODUCTION Dans l’espace, personne ne vous entend crier… Près de quarante ans après, ces mots évoquent toujours avec autant de force l’intensité oppressante d’ALIEN, LE HUITIÈME PASSAGER, le chef-d’œuvre de l’horreur futuriste signé Ridley Scott.
[Show full text]
Adding Value Report Vol.1
ADDING VALUE a report by Northern Ireland Screen NORTHERN BOOSTING CELEBRATING ENHANCING CONTENTS THE THE THE IRELAND OUR OUR OUR CHILDREN'S ECONOMIC CULTURAL EDUCATIONAL SCREEN ECONOMY CULTURE EDUCATION VALUE VALUE VALUE 08 Large-scale Production 44 Writers 84 Creative Learning Centres 18 Independent Film 46 Short Film 90 Moving Image Arts (MIA) 22 Animation 48 ILBF / CCG 92 After School FilmClub 26 Factual / Entertainment 56 USBF 30 Television Drama 64 Film Culture 34 Gaming and Mobile 74 Heritage and Archive 38 Skills Development 78 Awards 04 05 INTROduCTION As the government-backed lead Of course certain activity intersects In a similar vein, the work of the agency in Northern Ireland for the film, more than one area and the inter- Education Department, with regard to television and digital content industry, connectivity of the agency’s work will its intervention through FilmClub, has Northern Ireland Screen is committed become apparent. For example, the value in both education and culture; as to maximising the economic, cultural development and production funding for children learn through film in a pure and educational value of the screen indigenous projects made in Northern educational sense as well as gain a wider industries for the benefit of Northern Ireland by Northern Ireland film-makers appreciation of film culture and of the Ireland. This goal is pursued through our and shown at a Northern Ireland festival, culture of Northern Ireland through mission to accelerate the development will have value in all areas. An obvious watching content-relevant films. of a dynamic and sustainable screen case in point is the feature film Good industry and culture in Northern Ireland.
[Show full text]
ALIENCOVENANT PB Ita 2
! Regia di Ridley Scott Michael Fassbender Katherine Waterston Billy Crudup Danny McBride Demian Bichir *** Uscita: 11 Maggio 2017 Distribuzione: 20th Century Fox Italia Durata: 121 minuti *** Ufficio stampa 20th Century Fox Giancarlo Sozi : <[email protected]> Cristina Partenza: < [email protected]> Ufficio stampa web Alessandra Giovannetti <[email protected]> *** #AlienCovenant https://www.facebook.com/AlienFilmIt/ http://www.aliencovenant-trovasala.it/ www.20thfox.it Nello spazio nessuno può sentirti urlare. Dopo quasi quattro decadi, queste parole rimangono sinonimo dell'assoluta e incessante tensione di quel capolavoro dell’orrore fantascientifico che è stato Alien di Ridley Scott. Ora, il padre del leggendario franchise, ritorna ancora una volta al mondo che ha creato per esplorarne i suoi recessi più oscuri con ALIEN: COVENANT, una nuova avventura al cardiopalma che spinge in avanti i confini del terrore per i film vietati ai minori. A bordo dell’astronave Covenant tutto è tranquillo; l’equipaggio e le altre 2.000 anime sul vascello d’esplorazione sono profondamente addormentate nell’iper-sonno, lasciando che Walter, l’organismo sintetico a bordo, cammini da solo per i corridoi. La nave è in viaggio verso il lontano pianeta Origae-6, sul fianco estremo della galassia, dove i coloni sperano di stabilire un nuovo avamposto per l’umanità. La pacifica tranquillità del viaggio viene interrotta quando una vicina esplosione stellare distrugge le vele di raccolta di energia della Covenant, provocando decine di vittime e facendo deragliare la missione. Ben presto i membri superstiti dell’equipaggio scoprono quello che sembra essere un paradiso inesplorato, un Eden indisturbato con montagne coperte di nuvole e immensi alberi altissimi, molto più vicino di Origae-6 e potenzialmente altrettanto valido per ospitarli.
[Show full text]
Alien: Covenant
ALIEN: COVENANT In space, no one can hear you scream. After nearly four decades, those words remain synonymous with the sheer, relentless intensity of Ridley Scott’s masterpiece of futuristic horror, Alien. Now, the father of the iconic franchise returns once more to the world he created to explore its darkest corners with ALIEN: COVENANT, a pulse-pounding new adventure that pushes the boundaries of R-rated terror. All is quiet aboard the spaceship Covenant. The crew and the rest of the 2,000 souls aboard the pioneering vessel are deep in hyper-sleep, leaving the synthetic Walter to walk the corridors alone. The ship is en route to the remote planet Origae-6, where, on the far side of the galaxy, the settlers hope to establish a new outpost for humanity. The tranquility is shattered when a nearby stellar ignition shreds Covenant’s energy-collection sails, resulting in dozens of casualties and throwing the mission off course. Soon, the surviving crew members discover what appears to be an uncharted paradise, an undisturbed Eden of cloud-capped mountains and immense, soaring trees far closer than Origae- 6 and potentially just as viable as a home. What they’ve found, however, is actually a dark and deadly world full of unexpected twists and turns. Facing a terrible threat beyond their imagination, the embattled explorers must attempt a harrowing escape. Set ten years after the events depicted in Scott’s 2012 hit Prometheus, ALIEN: COVENANT returns to the roots of the director’s groundbreaking saga with a uniquely terrifying tale filled with white-knuckle adventure and monstrous new creatures.
[Show full text]
Cheryl Potter +44 7843 842 840 [email protected] |
Cheryl Potter +44 7843 842 840 [email protected] | www.editchez.com Additional Editor Solo: A Star Wars Story Producers: Kathleen Kennedy, Alison Shearmur 2017 Lucasfilm Director: Ron Howard Editor: Pietro Scalia Editor Biopunk (short) Producer: James Heath 2017 Dresden Pictures Director: Liam Garvo Additional Editor Alien: Covenant Producers: Ridley Scott, Mark Huffam 2016-2017 20th Century Fox Director: Ridley Scott Editor: Pietro Scalia Editor Leni, Leni (short) Producers: Rosie Fellner, John Adams 2016 Rosebud Pictures Director: Adrian Vitoria Additional Editor The Martian Producers: Ridley Scott, Simon Kinberg 2014-2015 20th Century Fox Director: Ridley Scott Editor: Pietro Scalia Editor The Loneliest Time (short) Producers: Dan Poole, Michael Apted 2015 Timebomb Pictures Director: Cort Kristensen Associate Editor Exodus: Gods and Kings Producers: Ridley Scott, Peter Chernin 2013-2014 20th Century Fox Director: Ridley Scott Editor: Billy Rich Editorial DI Supervisor The Great Gatsby Producers: Baz Luhrmann, Barrie M. Osborne 2012-2013 Bazmark/Warner Bros Director: Baz Luhrmann Editors: Matt Villa, Jason Ballantine 1st Assistant Editor (Australia) The Wolverine Executive Producer: Joseph Caracciolo 2012 20th Century Fox Director: James Mangold Editor: Mike McCusker 1st Assistant Editor Anna Karenina Producers: Tim Bevan, Paul Webster 2012 Focus Features/Working Title Director: Joe Wright Editor: Melanie Ann Oliver Editor Love Me (short) Producer: Alexa Seligman 2012 The Electric Shadow Company Director: Lawrence Page 1st Assistant
[Show full text]
88Th Annual Academy Awards® Oscar® Nominations Fact
88TH ANNUAL ACADEMY AWARDS® OSCAR® NOMINATIONS FACT SHEET Best Motion Picture of the Year: The Big Short (Paramount Pictures) [Produced by Brad Pitt, Dede Gardner and Jeremy Kleiner.] - This is the sixth nomination and the third in this category for Brad Pitt, who won for 12 Years a Slave (2013). His other Best Picture nomination was for Moneyball (2011). He received Acting nominations for his supporting role in 12 Monkeys (1995) and his leading roles in The Curious Case of Benjamin Button (2008) and Moneyball. This is the fourth nomination for Dede Gardner, who won for 12 Years a Slave (2013). Her other Best Picture nominations were for The Tree of Life (2011) and Selma (2014). This is the third nomination for Jeremy Kleiner, who won for 12 Years a Slave (2013) and was nominated last year for Selma. Bridge of Spies (Walt Disney and 20th Century Fox) [Produced by Steven Spielberg, Marc Platt and Kristie Macosko Krieger.] - This is the ninth nomination in this category for Steven Spielberg, who won the award in 1993 for Schindler's List. His other Best Picture nominations were for E.T. The Extra-Terrestrial (1982), The Color Purple (1985), Saving Private Ryan (1998), Munich (2005), Letters from Iwo Jima (2006), War Horse (2011) and Lincoln (2012). He has seven Directing nominations, for Close Encounters of the Third Kind (1977), Raiders of the Lost Ark (1981), E.T. The Extra-Terrestrial, Schindler's List, Saving Private Ryan, Munich and Lincoln. He won Oscars for Schindler's List and Saving Private Ryan. He also received the Irving G.
[Show full text]
ZSANI NYERKY – SCRIPT SUPERVISOR Mob: 07460365422 Email: [email protected]
ZSANI NYERKY – SCRIPT SUPERVISOR Mob: 07460365422 Email: [email protected] After 5 years spent on set as an AD in features such as The Martian or Spy I wanted a new challenge so I re-trained in London Film School to become a script supervisor. I feel that my previous filmmaking experience in production helps me a lot with my new role as continuity. I am able to provide a full scale of continuity paperwork for both pre-production and shooting such as the story day breakdown, one liner, voice over list, clearance list etc. I complete the production report every shooting day along with the log sheets and I follow the coverage of each scene on the continuity sheets and the line script as well. Imdb: http://www.imdb.com/name/nm2074514/?ref_=nv_sr_1 LinkedIn: https://www.linkedin.com/in/zsani-nyerky-a55022a8/ Instagram: https://www.instagram.com/zsannika/?hl=en AS A SCRIPT SUPERVISOR: 2018 MISSING A NOTE short Director: Beth Moran Prod: Facts Not Fiction Films SENKI NEM MEGY SEHOVA coming of Age / feAture Director: Attila Hartung Prod: Film Team BAIL short Director: Kwame LeStrade RED DEVIL action / feAture Director: Savvas Michael Prod: Machomovies – Sony DVD release LILY short Director: Audrey Gagneux 2017 #yourdAdsgAy series piLot Director: Duncan Thomsen HECKLE horror / feAture Director: Martyn Pick Prod: Heckle Film Ltd. NINE NIGHTS drAmA / feAture Director: Veronica McKenzie Prod: Reel Brit Productions NEW YOU drAmA / feAture Director: Neilson Black Prod: Patternmaker Films RUEFUL WARRIOR short Director: Mark Owen CHRISTINE short
[Show full text]
Download CV As
Cheryl Potter e ditor +44 7843 842 840 [email protected] www.editchez.com FILM & TELEVISION THE NEVERS Creator: Joss Whedon Series 1, episodes 103, 104 Exec Producers: Joss Whedon, Ilene S. Landress HBO Director: David Semel THE ALIENIST: ANGEL OF DARKNESS Exec Producers: Stuart Carolan, Ben Rosenblatt, Rosalie Swedlin Episodes 202, 207, 208 Director: David Caffrey TNT / Paramount / Netflix SNOWPIERCER Creator: Graeme Manson Series 1, episodes 103, 104, 105, 108 Exec Producers: Becky Clements, Ben Rosenblatt TNT / Netflix Directors: Fred Toye, Everardo Gout HANNA Creator: David Farr Series 1, episodes 107, 108 Producer: Tom Mullens Amazon / NBC / Working Title TV Director: Anders Engström SOLO: A STAR WARS STORY Producers: Kathleen Kennedy, Allison Shearmur, Simon Emanuel (Additional editor) Director: Ron Howard Lucasfilm / Walt Disney / Imagine Entertainment Editor: Pietro Scalia ALIEN: COVENANT Producers: Ridley Scott, Mark Huffam, Michael Schaefer (Additional editor) Director: Ridley Scott 20th Century Fox Editor: Pietro Scalia THE MARTIAN Producers: Ridley Scott, Simon Kinberg, Michael Schaefer, Aditya Sood (Additional editor) Director: Ridley Scott 20th Century Fox Editor: Pietro Scalia EXODUS: GODS AND KINGS Producers: Ridley Scott, Peter Chernin, Mark Huffam, Jenno Topping (Associate editor) Director: Ridley Scott 20th Century Fox Editor: Billy Rich GIRL CLOCK! Producers: Jennifer Ussi, Margaret M. Casey Day 91 Productions Director: Jennifer Ussi THE LOST WORLD Executive Producers: Jeffrey Hayes, Greg Coote, Charles Lazer Series
[Show full text]
Daniel Pemberton
DANIEL PEMBERTON COMPOSER Daniel Pemberton is an Ivor Novello-winning, multi Golden Globe and BAFTA Award-nominated composer who has regularly been cited as one of the most exciting and original new voices working in modern film scoring today. Daniel’s recent work has included scoring Aaron Sorkin’s The Trial of the ChicAgo 7, Harry Bradbeer’s EnolA Holmes starring Millie Bobby Brown and the Netflix documentary Rising Phoenix, showcasing the stories behind the Paralympic Games. Further work includes DC Films Birds of Prey, directed by Cathy Yan and starring Margot Robbie, Edward Norton’s Motherless BrooKlyn, for which Daniel’s incredible jazz score was nominated for a Golden Globe, Richard Curtis-penned Danny Boyle-directed Yesterday, Spider-Man: Into The Spider-Verse, Warner Bros’ Ocean’s Eight, and The DArk CrystAl: Age of ResistAnce for Netflix. Daniel’s song, performed by Iggy Pop, from his score for the film Gold, starring Matthew McConaughey, was nominated for a 2017 Golden Globe Award - Best Original Song. The previous year he was nominated for Golden Globe Award - Best Original Score for Danny Boyle's Steve Jobs, starring Michael Fassbender and Kate Winslet. Drawing on a richly diverse set of influences, from English folk to hip-hop; nordic metal to musique concrete; Daniel’s score to Guy Ritchie’s King Arthur: Legend Of The Sword is a showcase of a composer unafraid to take risks and revel in pushing the boundaries of modern film scoring. His previous collaboration with Ritchie on The MAn from U.N.C.L.E. was critically lauded for its bold writing and innovative arrangements earning him - alongside the features Steve Jobs and the Cannes Palm D’Or nominee Mal De Pierres - a nomination for Film Composer of the Year at the 2016 World Soundtrack Awards.
[Show full text]
Richard Ketteridge Editor CONTACT +44 (0)7966 456 184 [email protected] for More Information, See My IMDB Page
Richard Ketteridge Editor CONTACT +44 (0)7966 456 184 [email protected] For more information, see my IMDB page Credits SMALL AXE BBC Editor (1 episode) Amazon Studios Dir Steve McQueen Prod Michael Elliot & Anita Overland A BOY CALLED CHRISTMAS Studio Canal Editor Netflix Dir Gil Kenan Blueprint Pictures Prod Graham Broadbent URBAN MYTHS Sky Arts Editor Wildcard Films Dir Adam Wimpenny Prod J.S. Hill, Adam Morane-Griffith HIS DARK MATERIALS BBC Assembly Editor HBO Dir Jamie Childs Bad Wolf Prod Jane Tranter, Dan McCulloch, Laurie Borg ROCKETMAN Paramount Pictures Assembly Editor Marv Films Dir Dexter Fletcher Prod Matthew Vaughn HOLY CANNELLONI BFI & Creative England Editor Bluebird Productions Dir Carolina Giammetta Prod Alexandra Blue BLINDED BY THE LIGHT New Line Cinema Additional Editor Bend It Films Dir Gurinder Chadha Levantine Films Prod Gurinder Chadha, Jane Barclay THE KID WHO Twentieth Century Fox On Set Editor WOULD BE KING Dir Joe Cornish Prod Nira Park TOLKIEN Fox Searchlight Pictures Assembly Editor Dir Dome Karukoski Prod Peter Chernin BENJAMIN Open Palm Films Assembly Editor Dir Simon Amstell Prod Alexandra Breede PADDINGTON 2 Studio Canal Additional Editor Heyday Films Dir Paul King Prod David Heyman BEHOLD THE MONKEY Sky Arts Editor Wildcard Films Dir Adam Wimpenny Prod J.S. Hill, Adam Morane-Griffiths MINDHORN Studio Canal Additional Editor BBC Films Dir Sean Foley Scott Free Productions Prod Jack Arbuthnott, Laura Hastings-Smith THE SALVATION Zentropa Entertainments Action Editor Dir Kristian Levring Prod Sisse
[Show full text]
The-Martian-2015.Pdf
FOR YOUR CONSIDERATION BEST ADAPTED SCREENPLAY Screenplay by Drew Goddard Based upon the novel by Andy Weir THE MARTIAN Written by Drew Goddard Based on the novel by Andy Weir Shooting Script TWENTIETH CENTURY FOX 10201 W. Pico Blvd. Los Angeles, CA 90035 ALL RIGHTS RESERVED. COPYRIGHT ©2014 TWENTIETH CENTURY FOX FILM CORPORATION. NO PORTION OF THIS SCRIPT MAY BE PERFORMED, PUBLISHED, REPRODUCED, SOLD OR DISTRIBUTED BY ANY MEANS, OR QUOTED OR PUBLISHED IN ANY MEDIUM, INCLUDING ANY WEB SITE, WITHOUT THE PRIOR WRITTEN CONSENT OF TWENTIETH CENTURY FOX FILM CORPORATION. DISPOSAL OF THIS SCRIPT COPY DOES NOT ALTER ANY OF THE RESTRICTIONS SET FORTH ABOVE. The Martian Shooting Script 1. EXT. SPACE - MARS - TO ESTABLISH THE RED PLANET momentarily eclipses the Sun. As sunlight breaks across the edge, warming the surface... EXT. MARS - DAY We’re MOVING THROUGH the channels of Acidalia Planitia to find the ARES 3 HAB SITE. LEWIS (OVER RADIO) All right, team. Stay in sight of each other. Let’s make NASA proud... TITLE: SOL 18 EXT. MARS - DAY CLOSE ON ASTRONAUT MARK WATNEY. He’s in the middle of an EVA experiment. He chips at a section of rocks and records his observations on his ARM COMPUTER. Bright-eyed and optimistic. Another day at the office. MARK In grid section fourteen twenty-eight, the particles appear predominantly “coarse,” but as we move to twenty-nine, the particles are much finer, and should be ideal for chem analysis. VOICE (OVER RADIO) Hear that, everyone? And we FIND RICK MARTINEZ inspecting the MARS ASCENT VEHICLE (a.k.a “The MAV”) on the launch pad.
[Show full text]