DOCSLIB.ORG

October CALENDAR of EVENTS

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
October CALENDAR of EVENTS October CALENDAR #!"# @7 EVENTS "EEJTPO4USFFUt#FSLFMFZ $BMJGPSOJBt tXXXGSFJHIUBOETBMWBHFPSH SUNDAY MONDAY TUESDAY WEDNESDAY THURSDAY FRIDAY SATURDAY ALL SHOWS ARE GENERAL ADMISSION DOORS @ 7 PM, MUSIC @ 8 PM (UNLESS OTHERWISE NOTED) Freight Adam CartoonJazz Oakland TICKET DISCOUNTS: Open Mic Traum Orchestra Interfaith YOUTH-HALF PRICE `fe]RhT`f_ecjS]fVd [RkkZ_daZcVUSj welcoming eager hZeYdaVTZR]XfVde eYV8`]UV_2XV`W Gospel Choir (AGES 25 & UNDER) performers Happy Traum 2^VcZTR_R_Z^ReZ`_ hZeYKugelplex SENIOR-$2.00 OFF & curious CD release show X`daV]\]Vk^Vc (AGES 65 & OVER) connoisseurs R]]Z_`_VT`_TVce #!&!RUg #!&!RUg #!&!RUg MEMBERS-$2.00 OFF %&! '&! October 2 ##&!U``c October 4 ##&!U``c October 5 ##&!U``c October 6 earPlay Vocal Jazz Maestro Holdstock Stacey Earle Alasdair Fraser Tom Open Mic & Mark Stuart & Natalie Haas Jazzquintet Shashank & MacLeod Y`_VdeT`f_ecj ScZ]]ZR_egZ`]Z_TV]]` Rush R\R]VZU`dT`aV`W[Rkk h 6]]V_9`WW^R_ `fecRXV`fdde`cZVd ]VXV_URcj `_aZR_` presents T`_WVddZ`_a`]ZdYVU RWcVdYd`f_Ue`eYV h`c]U^fdZTa`Vecj eZ^V]Vddd`_XdWc`^ a`aacVTZdZ`_ DT`eeZdYecRUZeZ`_ ecRUZeZ`_R] R_U^RXZT Spirit of Krishna RTc`ddeYVa`_U W`]\dZ_XVc T]RddZT`W`]\ CD release show d`f_Ud`W:_UZR #!&! ##&! @Te`SVc( )&! "!&! October 8 #!&! ##&! @Te`SVc* #!&! ##&! @Te`SVc"! #!&! ##&! @Te`SVc"" #%&! #'&! @Te`SVc"# $#&! $%&! @Te`SVc"$ Sweet The Late, Late Show Robbie Fulks Kelly Joe Lisa Yvonne Lori Kathy w/ Robbie Gjersoe Competition Hollywaiians, Phelps Ferraro McKenna Kallick & Jenny Scheinman ac`WVddZ`_R]]j[fUXVU Leftover Dreams d`f]Wf]g`TR]d & special guest RceWf]]jZ_eZ^ReV cZad_`ceZ_ `cZXZ_R]d`_XdT`_eVde gZdZ`_Rcj]jcZTd R_Uf_ZgVcdR] Band gZ_eRXV^fdZT XfZeRcRceZdecj R]eT`f_ecjgZcef`d` 7:30 showtime Wc`^d`_X|dX`]UV_RXV Houston Person w/ dZ_XVcd`_XhcZeVc Y`eS]fVXcRdd `WR^RkZ_XUVieVcZej Victoria George`aV_d T``]`cZXZ_R]d eR]V_ehZeYVcZ_XhZe the Tammy Hall Trio ecZSfeVe`5R\`eRDeRe`_ ##&! #%&! @Te`SVc"% '&! )&! @Te`SVc"& #!&! ##&! @Te`SVc"' #!&! ##&! @Te`SVc"( ##&! #%&! @Te`SVc") #!&! ##&! @Te`SVc"* #!&! ##&! @Te`SVc#! Freight Roots Revue Ellen Richard David Wagner Nuala Fundraiser for Navagraha Utsav Carlos & the Trickle Rosalie Sorrels Robinson Smith Nuñez Downers, Kennedy Barbara Higbie, Rita Sahai R[Rkkg`TR]Zde WZ_XVcdej]V DaRZ_|d;Z^Z9V_UcZi Drifter Sisters, WcVdYkVdej^RXZTR] & her }S]VddVUhZeYRXcVRe XfZeRc `WeYVSRXaZaVd :cZdYdZ_XVc W]feZde Terry & David Vasundhara Choir dVe`WaZaVd hZkRcU Get Happy CD release show Garthwaite, CD release show String Band w/ Jennifer Berezan Nina Gerber 9Z_UfdeR_ZcRXRd j`f_XViTZeZ_XSR_Ud & Chris Webster #!&! ##&! @Te`SVc#" #!&! ##&! October 22 ##&! #%&! October 23 "%&! "'&! October 24 ##&! #%&! October 25 $%&! $'&! October 26 ##&! #%&! @Te`SVc#( HALL N PY OW P EE A N DR_7cR_TZdT`4YR^SVc H O Bill @cTYVdecRacVdV_ed Freight V UC Jazz Country Joe The Crooked Kirchen Classical @ the Freight Open Mic E Ensembles McDonald Jades }EZeR_`WeYV violaMANIA Rac`XcR^`We`a 4`f_ecj;`V|d `]UeZ^VS]fVXcRdd EV]VTRdeVc}UV]ZgVcd pay your dues, M W]ZXYedefUV_e ecZSfeV SR_UWc`^DR_ UZVdV]a`hVcVUc``ed 2.0 play and shmooze V_dV^S]Vd e`4`f_ecj;`V 7cR_TZdT` rock 3V_DZ^`_Y`de B Hardin Burns open E R #'&! #)&! October 28 )&! "!&! @Te`SVc#* %&! '&! @Te`SVc$! @Te`SVc$" #!&! ##&! ?`gV^SVc" ##&! #%&! ?`gV^SVc# #%&! #'&! ?`gV^SVc$ ) ! Vocolot Election Night Harry Wake NIGHTS RTRaaV]]R hZeYf_ZgVcdR]YVRce @ the Freight Manx the Dead ;VhZdYd`f] Competition w/ Larry Bensky Y`de R_RUUZTeZgV^RccZRXV 4V]eZTR]]deRc ac`WVddZ`_R]]j[fUXVU T`acVdV_eVU R_Ud`TZR]T`_dTZV_TV `cZXZ_R]d`_XdT`_eVde `WS]fVdecRUZeZ`_ 8cReVWf]5VRU Chris Smither hZeY<2=H@==: :_UZR_cRXRd`_ [R^SR_U RS]fVdZ_W]VTeVU2^VcZTR_`cZXZ_R] 7:30 showtime #!decZ_XVU dZeRc XfZeRc with special guest Willy Porter #'&! #)&! ?`gV^SVc% '&! )&! ?`gV^SVc& E32 ?`gV^SVc' #!&! ##&! ?`gV^SVc( #)&! $!&! ?`gV^SVc) #'&! #)&! 7cZURjDRefcURj?`gV^SVc*"! November 3 @11 am Patchwork Series: Asheba, The Fratello Marionettes November 3, 1-4 pm Family Open House: workshops, performances, jam sessions Classes/Workshops/Jams aRXV)November 11 & beyond aRXV( Ticketing Info aRXV( A NONPROFIT COMMUNITY ARTS ORGANIZATION t www.freightandsalvage.org About the Freight PERFORMER PROFILES: October 2012 5IF'SFJHIU4BMWBHF$PGGFFIPVTF #FSLFMFZ Society for the Preservation of Traditional Adam Traum Thursday October 4 .VTJD JTBOPOQSPGJUDPNNVOJUZBSUTPSHBOJ[B When Adam Traum sings, you can almost hear the smile on his face. tion dedicated to promoting the understanding )JTWPJDFJTMJHIUBOEDMFBS BOEIJTTPOHTBSFTFMGEFQSFDBUJOHBOEPGUFO and appreciation of traditional music—music funny. The Savannah Morning News says that Adam “fluently combines rooted in and expressive of the great variety blues, folk, rockabilly, and country into a sound that captures the depth of regional, ethnic, and social cultures of peo and truth of America’s musical roots.” He plays guitar, mandolin, bass, ples throughout the world. We are supported BOEMBQTUFFM BOEIBTBLOBDLGPSDIVSOJOHPVUDBUDIZSJGGTBOEIBSE by your attendance, grants from the Alameda driving rhythms. County ARTSFUND, Berkeley Civic Arts Adam grew up in a musical family in Woodstock, New York. His father, Program, Bill Graham Supporting Foundation Happy Traum, was a mainstay in the Greenwich Village folk scene, of the Jewish Community Endowment Fund, releasing the first version of Dylan’s “Blowin’ in the Wind.” Now based in The William & Flora Hewlett Foundation, Sonoma, Adam teaches guitar and has recorded four instructional videos the Kanbar Charitable Trust, the Walter & for Homespun Tapes, including Acoustic Blues Guitar with a Flatpick. Elise Haas Fund, the Edmund and Jeannik Joining Adam tonight for his Just Like Home album release concert Littlefield Foundation, National Endowment will be Joe Kyle, Jr. on bass and David Thom on mandolin, with his father for the Arts, Bernard Osher Foundation, Wells Happy sitting in, and a few surprise guests taking the stage to help serve Fargo Foundation, musician’s benefit perfor VQ"EBNTPXOCSBOEPGEPXOUPFBSUI"NFSJDBOSPPUTNVTJDUIBUGFFMTKVTUMJLFIPNF mances, volunteer efforts, and your generous tax deductible donations. CartoonJazz Orchestra Friday October 5 5IF$BSUPPO+B[[0SDIFTUSB MFECZNVMUJSFFENBOBOENVTJD FEVDBUPS+FGG4BOGPSE DPWFSTUIFHBNVUPGDBSUPPOJOTQJSFEKB[[ Contact Info playing music by such innovative composers as Raymond Scott, John Kirby, and Danny Elfman. If you’ve ever watched Saturday 2020 Addison Street, Berkeley, CA 94704 morning television you know these zany, wildly colored composi TELEPHONE: tions with their catchy melodies and wild rhythmic shifts. E-MAIL: [email protected] Inspired in part by Don Byron’s brilliant album, Bug Music, WEBSITE: www.freightandsalvage.org Jeff launched the CartoonJazz project at the Stanford Jazz Festival in 2003 and was so successful that Jeff continued the project, with members of the band contributing new arrange ments and expanding the repertoire. Tonight’s orchestra will feature Rolf Johnson, Eric Wayne, Board of Directors and John Worley on trumpets, Tony Davids, John Hunt, and Rick Walsh on trombones, Fil Lorenz, Dick Mathias, Doug Rowan, Hal Richards, and Jeff on wood John Bidwell Peter Glazer winds, and a rhythm section of Don Bennett, Randy Johnson, Andy Ostwald, Mark Rosengarden, and Chair Barbara Higbie Benny Watson. Steve Meckfessel Clyde Leland For a night of merrie melodies and looney tunes, catch the CartoonJazz Orchestra at the Freight. 7JDF$IBJS Ray Murray Nancy Castille Kerry Parker Secretary Russ Pollock Oakland Interfaith Gospel Choir, Bill Haggerty Sarah Robertson Treasurer Marci Rubin with special guest Kugelplex Saturday October 6 Polly Armstrong David Sawi Oakland Interfaith Gospel Choir—the power and glory of 55 Dion Aroner Steve Sidney talented singers—joins with the klezmer band Kugelplex, to Larry Chung Linda Tillery present the premier performance of “Hungarian Gospel Suite,” John Croizat Austin Willacy a collection of traditional American gospel songs set to original Robin Flower John Williamson music inspired by Transylvanian Romany dance music. Written Suzanne Fox by Kugelplex’s Dan Cantrell, accompanied by the band’s large ensemble of Eastern European folk musicians, and sung by the New Home Committee incomparable choir, the Suite brings together two ethnically diverse and geographically removed cultures in a unique blend $P$IBJST of gospel and klezmer. Danny Carnahan The OIGC grew out of a gospel music workshop at Jazz Warren Hellman (1934-2011) $BNQ8FTUJO5FSSBODF,FMMZMFEUIFXPSLTIPQBOEIBTTFSWFEBT artistic director of the choir ever since. The choir’s outstanding band includes Ben Heveroh and Louis Burrell on keyboards, David Belove on bass, and Miles Lathan on drums. Musicians Committee Kugelplex, formed in 2001, features Dan Cantrell on accordion and saw, Jason Ditzian on clarinet, Jewlia Eisenberg on vocals, Michael Darol Anger Tony Marcus Pinkham on percussion, David Rosenfeld on mandolin and violin, and Duck Baker Mike Marshall Eugene Warren on bass. David Balakrishnan John McCutcheon Greg Brown Libby McLaren Bill Evans Steve Seskin Sunday October 7 Kaila Flexer Richard Shindell earPlay Jazzquintet Mary Gibbons Mayne Smith The earPlay Jazzquintet brings together a multitude of Ronnie Gilbert Eric Thompson musical influences—from Brazilian choro to vintage funk, Sylvia Herold Suzy Thompson "GSP$VCBOUPKVNQTXJOH DPVOUSZXFTUFSOUPUIFMBUFTU Patrick Landeza QBSUJBMMJTUJOH in digital sound design—and interweaves them with jazz and 20th century classical idioms. The resulting tapes try of sound is a mix of structured composition and bold Staff improvisation, with elements of poetry and
Load more

Recommended publications
  • Dog Lane Café @ Storrs Center Og Lane Café Is Scheduled to Open in the Menu at Dog Lane Café Will Be Modeled Storrs, CT Later This Year
    Entertainment & Stuff Pomfret, Connecticut ® “To Bean or not to Bean...?” #63 Volume 16 Number 2 April - June 2012 Free* More News About - Dog Lane Café @ Storrs Center og Lane Café is scheduled to open in The menu at Dog Lane Café will be modeled Storrs, CT later this year. Currently, we are after The Vanilla Bean Café, drawing on influ- D actively engaged in the design and devel- ences from Panera Bread, Starbucks and Au Bon opment of our newest sister restaurant. Our Pain. Dog Lane Café will not be a second VBC kitchen layout and logo graphic design are final- but will have much of the same appeal. The ized. One Dog Lane is a brand new build- breakfast menu will consist of made to ing and our corner location has order omelets and breakfast sand- plenty of windows and a southwest- wiches as well as fresh fruit, ern exposure. Patios on both sides muffins, bagels, croissants, yogurt will offer additional outdoor seating. and other healthy selections to go. Our interior design incorporates Regular menu items served through- wood tones and warm hues for the out the day will include sandwiches, creation of a warm and inviting salads, and soups. Grilled chicken, atmosphere. Artistic style will be the hamburgers, hot dogs and vegetarian highlight of our interior space with options will be served daily along with design and installation by JP Jacquet. His art- chili, chowder and a variety of soups, work is also featured in The Vanilla Bean Café - a desserts and bakery items. Beverage choices will four panel installation in the main dining room - include smoothies, Hosmer Mountain Soda, cof- and in 85 Main throughout the design of the bar fee and tea.
    [Show full text]
  • UC Riverside UC Riverside Electronic Theses and Dissertations
    UC Riverside UC Riverside Electronic Theses and Dissertations Title Sonic Retro-Futures: Musical Nostalgia as Revolution in Post-1960s American Literature, Film and Technoculture Permalink https://escholarship.org/uc/item/65f2825x Author Young, Mark Thomas Publication Date 2015 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA RIVERSIDE Sonic Retro-Futures: Musical Nostalgia as Revolution in Post-1960s American Literature, Film and Technoculture A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in English by Mark Thomas Young June 2015 Dissertation Committee: Dr. Sherryl Vint, Chairperson Dr. Steven Gould Axelrod Dr. Tom Lutz Copyright by Mark Thomas Young 2015 The Dissertation of Mark Thomas Young is approved: Committee Chairperson University of California, Riverside ACKNOWLEDGEMENTS As there are many midwives to an “individual” success, I’d like to thank the various mentors, colleagues, organizations, friends, and family members who have supported me through the stages of conception, drafting, revision, and completion of this project. Perhaps the most important influences on my early thinking about this topic came from Paweł Frelik and Larry McCaffery, with whom I shared a rousing desert hike in the foothills of Borrego Springs. After an evening of food, drink, and lively exchange, I had the long-overdue epiphany to channel my training in musical performance more directly into my academic pursuits. The early support, friendship, and collegiality of these two had a tremendously positive effect on the arc of my scholarship; knowing they believed in the project helped me pencil its first sketchy contours—and ultimately see it through to the end.
    [Show full text]
  • I Kept My Grammys in a Basement Closet Because of This Fear That If You Live in That Moment Too Long, You Lose the Focus to M
    THE 59TH ANNUAL GRAMMY AWARDS BEST COUNTRY SONG Lambert took center stage at the iHeart Country Festival in “Blue Ain’t Your Color” Austin in April. KEITH URBAN Songwriters Clint Lagerberg, Hillary Lindsey, Steven Lee Olsen This fresh spin on barroom seduction, the fourth single from Urban’s Ripcord album, is the result of a collaboration between songwriting veteran Hillary Lindsey (who won the category in February with Little Big Town’s “Girl Crush,” which she co-wrote with Lori McKenna and Liz Rose) and relative newcomers Steven Lee Olsen and Clint Lagerberg. And though the tune was an aesthetic departure for Urban, who recorded it as a drum machine-driven waltz, it has spent six weeks (and counting) at No. 1 on Hot Country Songs and became the artist’s 18th top 40 hit on the Hot 100. “Die a Happy Man” THOMAS RHETT Songwriters Sean Douglas, Thomas Rhett, Joe Spargur Rhett dedicated this designed-for-frst- artist recruited pop specialists Sean “Vice” dances track to his wife, Lauren (who Douglas (Nick Jonas, David Guetta) and MIRANDA LAMBERT co-stars with him in the video), but it Joe Spargur (Fifth Harmony, Jason Derulo) Songwriters Miranda Lambert, Shane resonated with romantic country fans to co-write the single. McAnally, Josh Osborne everywhere, topping Country Airplay for With her divorce from Blake Shelton in six weeks early in 2016. “Happy Man” “Humble and Kind” the rearview mirror, Lambert teased the gives new meaning to the adage “home is TIM McGRAW November release of her double-disc The where the heart is,” citing all the ways in Songwriter Lori McKenna Weight of These Wings — one of the year’s which its subject (to Rhett, at least) is the With a video inspired by Oprah Winfrey most anticipated country albums — by eighth wonder of the world.
    [Show full text]
  • Teaching Latin Love Poetry with Pop Music1
    Teaching Classical Languages Volume 10, Issue 2 Kopestonsky 71 Never Out of Style: Teaching Latin Love Poetry with Pop Music1 Theodora B. Kopestonsky University of Tennessee, Knoxville ABSTRACT Students often struggle to interpret Latin poetry. To combat the confusion, teachers can turn to a modern parallel (pop music) to assist their students in understanding ancient verse. Pop music is very familiar to most students, and they already trans- late its meaning unconsciously. Building upon what students already know, teach- ers can reframe their approach to poetry in a way that is more effective. This essay shows how to present the concept of meter (dactylic hexameter and elegy) and scansion using contemporary pop music, considers the notion of the constructed persona utilizing a modern musician, Taylor Swift, and then addresses the pattern of the love affair in Latin poetry and Taylor Swift’s music. To illustrate this ap- proach to connecting ancient poetry with modern music, the lyrics and music video from one song, Taylor Swift’s Blank Space (2014), are analyzed and compared to poems by Catullus. Finally, this essay offers instructions on how to create an as- signment employing pop music as a tool to teach poetry — a comparative analysis between a modern song and Latin poetry in the original or in translation. KEY WORDS Latin poetry, pedagogy, popular music, music videos, song lyrics, Taylor Swift INTRODUCTION When I assign Roman poetry to my classes at a large research university, I re- ceive a decidedly unenthusiastic response. For many students, their experience with poetry of any sort, let alone ancient Latin verse, has been fraught with frustration, apprehension, and confusion.
    [Show full text]
  • Off the Beaten Track
    Off the Beaten Track To have your recording considered for review in Sing Out!, please submit two copies (one for one of our reviewers and one for in- house editorial work, song selection for the magazine and eventual inclusion in the Sing Out! Resource Center). All recordings received are included in “Publication Noted” (which follows “Off the Beaten Track”). Send two copies of your recording, and the appropriate background material, to Sing Out!, P.O. Box 5460 (for shipping: 512 E. Fourth St.), Bethlehem, PA 18015, Attention “Off The Beaten Track.” Sincere thanks to this issue’s panel of musical experts: Richard Dorsett, Tom Druckenmiller, Mark Greenberg, Victor K. Heyman, Stephanie P. Ledgin, John Lupton, Angela Page, Mike Regenstreif, Seth Rogovoy, Ken Roseman, Peter Spencer, Michael Tearson, Theodoros Toskos, Rich Warren, Matt Watroba, Rob Weir and Sule Greg Wilson. that led to a career traveling across coun- the two keyboard instruments. How I try as “The Singing Troubadour.” He per- would have loved to hear some of the more formed in a variety of settings with a rep- unusual groupings of instruments as pic- ertoire that ranged from opera to traditional tured in the notes. The sound of saxo- songs. He also began an investigation of phones, trumpets, violins and cellos must the music of various utopian societies in have been glorious! The singing is strong America. and sincere with nary a hint of sophistica- With his investigation of the music of tion, as of course it should be, as the Shak- VARIOUS the Shakers he found a sect which both ers were hardly ostentatious.
    [Show full text]
  • Ilu Ustrat Io Nbyrobertmaes Ta S • Rmm Il Lu Strat Io N
    JESUS SHAPED HOLES IN OUR HEARTS SINCE 1992 ILUUSTRATION BY ROBERT MAESTAS • RMMILLUSTRATION.PROSITE.COM VOLUME 23 | ISSUE 43 | OCTOBER 23-29, 2014 | FREE [2] OCTOBER 23-29 , 2014 WEEKLY ALIBI WEEKLY ALIBI OCTOBER 23-29 , 2014 [3] [4] OCTOBER 23-29 , 2014 WEEKLY ALIBI alibi VOLUME 23 | ISSUE 43 | OCTOBER 23-29 , 2014 EDITORIAL MANAGING EDITOR/MUSIC EDITOR: Samantha Anne Carrillo (ext. 243) [email protected] FILM EDITOR: Devin D. O’Leary (ext. 230) [email protected] FOOD EDITOR/FEATURES EDITOR : Ty Bannerman (ext. 260) [email protected] ARTS & LIT EDITOR/ WEB EDITOR : Lisa Barrow (ext. 267) [email protected] CALENDARS EDITOR/COPY EDITOR: Mark Lopez (ext. 239) [email protected] CONTRIBUTING WRITERS: Cecil Adams, Steven Robert Allen, Captain America, Gustavo Arellano, Rob Brezsny, Shawna Brown, Suzanne Buck, Eric Castillo, David Correia, Erik Gamlem, Gail Guengerich, Nora Hickey, Zachary Kluckman, Kristi D. Lawrence, Ari LeVaux, Mark Lopez, August March, Genevieve Mueller, Amelia Olson, Geoffrey Plant, Benjamin Radford, Jeremy Shattuck, Mike Smith, M. Brianna Stallings, M.J. Wilde, Holly von Winckel PRODUCTION ART DIRECTOR: Jesse Schulz (ext. 229) [email protected] PRODUCTION MANAGER : Archie Archuleta (ext. 240) [email protected] GRAPHIC DESIGNER: Tasha Lujan (ext. 254) [email protected] STAFF PHOTOGRAPHER: Eric Williams [email protected] CONTRIBUTING ARTISTS: Ben Adams, Cutty Bage, ¡Brapola!, Michael Ellis, Stacy Hawkinson, KAZ, Robert Maestas, Julia Minamata, Tom Nayder, Ryan North, Jesse Phillips, Brian Steinhoff SALES SALES DIRECTOR: John Hankinson (ext. 265) [email protected] SENIOR DISPLAY ACCOUNT EXECUTIVE: Sarah Bonneau (ext. 235) [email protected] ACCOUNT EXECUTIVES: Valerie Hollingsworth (ext. 263) [email protected] Chelsea Kibbee (ext.
    [Show full text]
  • Download Worlds of Music, Shorter Version 4Th Edition Free Ebook
    WORLDS OF MUSIC, SHORTER VERSION 4TH EDITION DOWNLOAD FREE BOOK Jeff Todd Titon | --- | --- | --- | 9781337517676 | --- | --- Worlds of Music, Shorter Version The four chapters in Part 6 now treat the past century in truly global terms, moving beyond a Cold War framework organized to consider the western capitalist world, the communist world, and the Third World of developing countries. In addition, the book incorporates the history of women as Worlds of Music and seamlessly as any general textbook I Shorter Version 4th edition seen. Sthaayi Antara Sanchaari Aabhog. Archived from the original on 6 May Worlds of Music The Record. Sims, W. The This shorter version of the best-selling WORLDS OF MUSIC is based on the 4th edition and provides much of the authoritative coverage of the comprehensive version in a format that's accessible to students without any background or training in music. Random House Publishers. He made his debut in the film Mandi directed by Shyam Benegal in It is mainly Shorter Version 4th edition by the Indian Zoroastrian community, Protestant Christian community in Chennai and Bangalore and small esoteric groups with historical exposure to Western classical music. Gurinder Kaur, a disciple of Kishori Amonkar. Shorter Version 4th edition, search, and highlight our Shorter Version 4th edition e-books. This is what we would expect. Where are the boundaries between Shorter Version 4th edition and music? Clarke, Trans. He is also well-known for his contribution to the compilation of Urdu-Persian dictionary along the new principles of Lexicography. Retrieved 21 July He has been a professor of Urdu at University of Hyderabad.
    [Show full text]
  • Rosalie Sorrelssorrels AA Voicevoice Likelike Finefine Winewine
    GET A CATAMOUNT COLLECTIVE SAMPLER FREE! (SEE INSERT FOR DETAILS!) Vol. 48 No. 2 Summer 2004 RobinRobin && LindaLinda WilliamsWilliams TheirTheir GroupGroup IsIs FineFine TownesTownes VanVan ZandtZandt AmericanAmerican SongwritingSongwriting MineMine RosalieRosalie SorrelsSorrels AA VoiceVoice LikeLike FineFine WineWine TheThe DiscoveryDiscovery StringString BandBand Tracking Lewis & Clark EllikaEllika && SoloSolo MeldingMelding SwedenSweden && AfricaAfrica Robin & Linda HaugaardHaugaard Williams && HøirupHøirup Danish Duo PLUS:PLUS: 2 SongsSongs 4 Teach-InsTeach-Ins 5 ColumnsColumns 1 FestivalsFestivals ReviewsReviews NewsNews 50690793 $6.95 USA / $10.00 CAN £4.75 UK 69 Photo by Cass Fine © Rosalie Sorrels: Passing the Good Stuff On BY DAVID KUPFER “She’s the salt of the earth though it was her interest in the early songs of the Mormon pioneers that inspired her to become one of our community’s Straight from the bosom of the Mormon great folk singers. church Rosalie Sorrels is truly a national treasure, a master storyteller, a respected folklorist, and a legendary travel- With a voice like wine ing diva who possesses a rich, wise voice that flows straight from heart to mouth. Idaho-born and raised, Cruisin’ along in that Ford Econoline ... ” Rosalie is soft-spoken, shy and unassuming with a hand- some face and a warm smile. She wears a slight Midwest- — Nanci Griffith, “Ford Econoline” ern twang, delightful laugh and lively sense of humor. But it is Rosalie’s strong sense of self-reliance that has be- ith her song “Ford Econoline,” Nanci Griffith come the trademark of her contribution to the American chronicled the life of a single mother who packed folk landscape ... and her ability to sing songs about and W up her kids to tour around the country as a folk to those she loves in a wholly unique way that has made singer.
    [Show full text]
  • Song of the Year
    General Field Page 1 of 15 Category 3 - Song Of The Year 015. AMAZING 031. AYO TECHNOLOGY Category 3 Seal, songwriter (Seal) N. Hills, Curtis Jackson, Timothy Song Of The Year 016. AMBITIONS Mosley & Justin Timberlake, A Songwriter(s) Award. A song is eligible if it was Rudy Roopchan, songwriter songwriters (50 Cent Featuring Justin first released or if it first achieved prominence (Sunchasers) Timberlake & Timbaland) during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only. 017. AMERICAN ANTHEM 032. BABY Angie Stone & Charles Tatum, 001. THE ACTRESS Gene Scheer, songwriter (Norah Jones) songwriters; Curtis Mayfield & K. Tiffany Petrossi, songwriter (Tiffany 018. AMNESIA Norton, songwriters (Angie Stone Petrossi) Brian Lapin, Mozella & Shelly Peiken, Featuring Betty Wright) 002. AFTER HOURS songwriters (Mozella) Dennis Bell, Julia Garrison, Kim 019. AND THE RAIN 033. BACK IN JUNE José Promis, songwriter (José Promis) Outerbridge & Victor Sanchez, Buck Aaron Thomas & Gary Wayne songwriters (Infinite Embrace Zaiontz, songwriters (Jokers Wild 034. BACK IN YOUR HEAD Featuring Casey Benjamin) Band) Sara Quin & Tegan Quin, songwriters (Tegan And Sara) 003. AFTER YOU 020. ANDUHYAUN Dick Wagner, songwriter (Wensday) Jimmy Lee Young, songwriter (Jimmy 035. BARTENDER Akon Thiam & T-Pain, songwriters 004. AGAIN & AGAIN Lee Young) (T-Pain Featuring Akon) Inara George & Greg Kurstin, 021. ANGEL songwriters (The Bird And The Bee) Chris Cartier, songwriter (Chris 036. BE GOOD OR BE GONE Fionn Regan, songwriter (Fionn 005. AIN'T NO TIME Cartier) Regan) Grace Potter, songwriter (Grace Potter 022. ANGEL & The Nocturnals) Chaka Khan & James Q. Wright, 037. BE GOOD TO ME Kara DioGuardi, Niclas Molinder & 006.
    [Show full text]
  • April CALENDAR of EVENTS
    April CALENDAR 2013 OF EVENTS 2020 Addison Street • Berkeley, California • (510) 644-2020 • www.freightandsalvage.org SUNDAY MONDAY TUESDAY WEDNESDAY THURSDAY FRIDAY SATURDAY Concert for Sue Draheim eric & Suzy Thompson, Good Ol’ David Olive & Barbara Higbie, Jody Stecher & kate brislin, Freight laurie lewis & Tom rozum, kathy kallick, Persons Wilcox the Dirty Linda Tillery Open Mic California bluegrass the best of pop Gerry Tenney & the Hard Times orchestra, pay your dues, trailblazers’ reunion and folk aesthetics Martinis, & Laurie Lewis Golden bough, live oak Ceili band with play and shmooze Hills to Hollers the Patricia kennelly irish step dancers, Girl Named T album release show Tempest, Will Spires, Johnny Harper, rock ‘n’ roots fundraiser don burnham & the bolos, Tony marcus for the rex Foundation $28.50 adv/ $4.50 adv/ $20.50 adv/ $24.50 adv/ $20.50 adv/ $22.50 adv/ $30.50 door monday, April 1 $6.50 door Apr 2 $22.50 door Apr 3 $26.50 door Apr 4 $22.50 door Apr 5 $24.50 door Apr 6 Gautam UC Jazz Brittany Haas, Alan Celebrating House The Earl Songwriters Tejas Ensembles Paul Kowert Senauke with Jacks Brothers Zen folk musician, Caren Armstrong, “the rock band Outlaw Hillbilly Ganeshan Spring & Jordan Tice featuring Keith Greeninger without album release show Carnatic music string fever Jon Sholle, instruments” with distinction Concert from three Chad Manning, & Steve Meckfessel and inimitable style featuring the Advanced young virtuosos Suzy & Eric Thompson, Combos and big band Kate Brislin $20.50/$22.50 Apr 7 $14.50/$16.50 Apr
    [Show full text]
  • Setting the Stage: a Materialist Semiotic Analysis Of
    SETTING THE STAGE: A MATERIALIST SEMIOTIC ANALYSIS OF CONTEMPORARY BENGALI GROUP THEATRE FROM KOLKATA, INDIA by ARNAB BANERJI (Under the Direction of Farley Richmond) ABSTRACT This dissertation studies select performance examples from various group theatre companies in Kolkata, India during a fieldwork conducted in Kolkata between August 2012 and July 2013 using the materialist semiotic performance analysis. Research into Bengali group theatre has overlooked the effect of the conditions of production and reception on meaning making in theatre. Extant research focuses on the history of the group theatre, individuals, groups, and the socially conscious and political nature of this theatre. The unique nature of this theatre culture (or any other theatre culture) can only be understood fully if the conditions within which such theatre is produced and received studied along with the performance event itself. This dissertation is an attempt to fill this lacuna in Bengali group theatre scholarship. Materialist semiotic performance analysis serves as the theoretical framework for this study. The materialist semiotic performance analysis is a theoretical tool that examines the theatre event by locating it within definite material conditions of production and reception like organization, funding, training, availability of spaces and the public discourse on theatre. The data presented in this dissertation was gathered in Kolkata using: auto-ethnography, participant observation, sample survey, and archival research. The conditions of production and reception are each examined and presented in isolation followed by case studies. The case studies bring the elements studied in the preceding section together to demonstrate how they function together in a performance event. The studies represent the vast array of theatre in Kolkata and allow the findings from the second part of the dissertation to be tested across a variety of conditions of production and reception.
    [Show full text]
  • Sunday, August 10, 2014 Plaza De César Chavez Park, Downtown San Jose, CA Event Info: Summerfest.Sanjosejazz.Org
    ***For Immediate Release*** Media Contact: Jesse P. Cutler JP Cutler Media 415.826.9516 [email protected] Friday, August 8 - Sunday, August 10, 2014 Plaza de César Chavez Park, Downtown San Jose, CA Event Info: summerfest.sanjosejazz.org Second Line-Up Announcement: Bootsy Collins, Con Funk Shun, Pacific Mambo Orchestra, Donald Harrison w/ Special Guest Kevin Harris, Catherine Russell, Snarky Puppy, Soul Rebels, Jerry González and the Fort Apache Band, Jimmy Bosch, Pedrito Martinez Group featuring Ariacne Trujillo, Gypsy Allstars, Andre Thierry, Hot Club of Detroit, San Jose Taiko with Bangerz, Edgardo Cambón y Su Conjunto LaTiDo, Conjunto Chappottín y Sus Estrellas, Aaron Lington Quintet Plays the Music of Paul Simon, Viento de Agua, Otonowa Project, Monty Alexander and the Harlem-Kingston Express, Jesus Diaz y Su QBA, Isaiah Pickett Band, Alex Hahn and the Blue Riders, The 6th Annual Jazz Organ Fellowship, The Delgado Brothers, Beaufunk, Michael Bellar & the AS-IS Ensemble, Tango Jazz Quartet, Denise Perrier Trio with Houston Person, CJ Chenier and the Red Hot Louisiana Band, Leon Joyce Jr. Trio, John Worley's Mo-Chi Sextet: The Miles of Blue Project, San Jose Jazz High School All Stars "The San Jose Jazz Summer Fest is one of the most popular music festivals in the Bay Area." -KCBS "San Jose Jazz's Summer Fest proved to be a highlight of the summer for downtown yet again." -San Jose Mercury News "San Jose Jazz deserves a good deal of credit for spotting some of the region's most exciting artists long before they're headliners." -Andy Gilbert, San Jose Mercury News "…the festival continues to up the ante with the roster of about 80 performers that encompasses everything from marquee names to unique up and comers, and both national and local acts...." -Silicon Valley Community Newspapers San Jose, CA -- May 22, 2014 -- San Jose Jazz announces today additions to its artist line-up for the 25th Anniversary San Jose Jazz Summer Fest 2014, Silicon Valley's premier annual music event.
    [Show full text]