Rocky Hill Memorial Museum 2021 NSW Architecture Awards

Total Page:16

File Type:pdf, Size:1020Kb

Rocky Hill Memorial Museum 2021 NSW Architecture Awards Rocky Hill Memorial Museum Level 18, 680 George Street Sydney NSW, Australia 2000 2021 NSW Architecture Awards - The Blacket Prize E [email protected] T + 61 2 8295 5300 © 2021 Crone - Rocky Hill Memorial Museum - Blacket Prize Rocky Hill Memorial Museum Blacket Prize For Architecture 2021 The Rocky Hill Memorial Museum extension in Goulburn was the recipient of the coveted Blacket Prize for Architecture at the NSW AIA Awards on the second of July 2021. Named after Architect Edmund Blacket, the award is the highest honour for projects situated in country New South Wales that best promote design excellence in a regional context. Crone Principal Ashley Dennis reflects on the project design drivers and process. Project Context The iconic Rocky Hill War Memorial Tower opened in 1925 as a lasting tribute to the men and women of Goulburn who served during World War 1. Designed by renowned local Architects, E.C. Manfred and sons, the tower and hill is a well-known representation of Goulburn and a significant landmark to the local community. The Rocky Hill landscape was seen as reminiscent of the rugged terrain of ANZAC cove and decided upon as a suitable location for the Memorial Tower. Rocky Hill Memorial Museum at the foothill of the historic Memorial Tower. Image: Jon Case ‘The Architect, Mr E.C. Manfred, had designed a tower which, rough and rugged in its beauty, conformed to the surrounding hill whereon it stood and which reminded them of the sturdy bravery of our illustrious soldiers’. The Goulburn Evening Penny Post 1925. At the foothill to the Memorial Tower, the new Museum extension looks to continue the legacy of the tower as a physical and material interpretation of the unique Rocky Hill site character, conforming to the hill in a contemporary, yet sympathetic way. The footprint of the new Museum also replicates the scale and simple, cruciform structure of the original Memorial Tower Base. ‘Rough and rugged in its beauty’ - The stone conglomerate of the historic Memorial Tower © 2021 Crone - Rocky Hill Memorial Museum - Blacket Prize Rocky Hill Memorial Museum Blacket Prize For Achitecture 2021 11. EXHIBITION/CARETAKERS COTTAGE 1. 2. 12. 3. ROCKY HILL WAR MEMORIAL 6. TOWER 7. F 8. 4. 5. EXHIBITION EXHIBITION/EDUCATION 10. 9. 1. Arrival Plaza 7. Lift Access to Lower Ground and Archive Rooms Site Plan 2. Upgraded Caretakers Cottage Arrival/Acc. WC 8. Services Shaft 3. New Museum Wing Reception 9. Loading Below 4. Exhibition Space 01 10. Existing Toilet Block 5. Exhibition Space 2/Education Area 11. Public Carpark 6. Volunteers Discussion/Kitchen 12. Access to Memorial Tower © 2021 Crone - Rocky Hill Memorial Museum - Blacket Prize Rocky Hill Memorial Museum Reflections Of Country The building features a new exhibition space designed to accommodate the expanding collection of locally acquired Australian war artifacts. The contemporary structure, completed in 2020, complements and strengthens the identity of the adjacent refurbished caretaker’s cottage (Manfred and Sons, 1935) which also serves as Museum space and has it’s own local significance. The design incorporates bronze mirrored cladding elements to reflect the unique surrounding landscape whilst signifying the precinct as a place of reflection, while the textured concrete structure is a modern interpretation of the memorial tower and it’s substrate. A place of reflection. Images: Sally Hsu © 2021 Crone - Rocky Hill Memorial Museum - Blacket Prize Rocky Hill Memorial Museum Volunteers Of Rocky Hill The new building location minimises any further damage to an iconic landscape, working on the sections of Country disturbed by existing infrastructure and historic site excavation for raw materials during the construction of the Memorial Tower. Upgrades have been designed to enhance the civic reading of the site without compromising the ability to connect with the dedicated Museum volunteers, and their baked goods in an unceremonious environment. Blurring the lines between front of house and back of house spaces and incorporating The new Museum wing nestles into a previously disturbed portion of the site. Image: Sally Hsu low-tech curtain divisions between spaces, volunteers are able to move freely between two wings of the Museum experience or undertake archiving and conversation within the Museum environment. The precinct is able to offer a range of user experiences, retaining the charm of the caretaker’s cottage exhibitions and contrasting this with a more solemn, contemporary, secure and thermally controlled space for more valuable items. The modern day caretakers of the hill - Rocky Hill Museum Volunteers A contemplative interior can easily expand and contract. Image: Stephen Sharkey © 2021 Crone - Rocky Hill Memorial Museum - Blacket Prize Rocky Hill Memorial Museum Symbology In Form and Materiality A simple material palette and interior form takes cues from and interprets an Australian Memorial vernacular to provide a minimalist backdrop, bringing prominence to the collection of artefacts and information. Subtle undulation of the bronze facade panels are reminiscent of the ANZAC rising sun motif. The mirrored finish to these panels brings a golden shimmer to the building at the going down of the sun...and in the morning. This undulation carries through to the interior spaces, where exhibition walls provide rhythm and relief between the dominant exposed concrete blade walls. The combination of concrete and bronze finishes also continues an architectural tradition which adorns many of our most significant Memorial buildings and structures. The work of Rayner Hoff and his art deco sculptural detailing is one such example of this tradition which has had an obvious influence on the building form and materiality. The rising sun War Medals and the material influence of Rayner Hoff, Anzac Memorial, Hyde Park. Left - A contemporary Australian Memorial vernacular. Image: Ashley Dennis © 2021 Crone - Rocky Hill Memorial Museum - Blacket Prize 11. Rocky Hill Memorial Museum Symbology In Form and Materiality 12. EXHIBITION/CARETAKERS COTTAGE 1. 2. 12. 3. ROCKY HILL WAR MEMORIAL 6. TOWER 7. F 8. 4. 5. EXHIBITION EXHIBITION/EDUCATION 10. 9. Plan Upper Ground 1. Arrival Plaza 7. Lift Access to Lower Ground and Archive Rooms 2. Upgraded Caretakers Cottage Arrival/Acc. WC 8. Services Shaft 3. New Museum Wing Reception 9. Loading Below 4. Exhibition Space 01 10. Existing Toilet Block 5. Exhibition Space 2/Education Area 11. Public Carpark 6. Volunteers Discussion/Kitchen 12. Access to Memorial Tower © 2021 Crone - Rocky Hill Memorial Museum - Blacket Prize Rocky Hill Memorial Museum The Project and Team In strengthening the identity of the site, the new building has been able to achieve a lot within a relatively modest $2.2M budget which was partly funded through the Australian Government’s ‘Building Better Regions’ fund in combination with Goulburn Mulwaree Council’s own funding. The finished product has surpassed all visitor number expectations since opening in 2020 and continues to build profile for the region. The Crone team and our collaborators are extremely proud of what has been achieved and the result reinforces the power of holistic visioning towards integrated urban, architectural and interior design. The project also strengthens an evolving portfolio of public building projects for Crone which are helping to define an ever evolving design approach within the practice across all scales and typologies. Our Civic projects are all unique, site specific design A neutral palette allows the stories and collection to shine. Images: Stephen Sharkey outcomes united through an integrated architecture + landscape approach. The Rocky Hill Memorial Museum also received a commendation in the NSW AIA Public buildings Award category. Thank you to our team of collaborators who made the project possible. Architecture, Urban Design and Interior Design: Crone Ashley Dennis, Snigdha Udatha, Niall Durney, Raymond Blake, Franco Diana Client/Collaborator: Goulburn Mulwaree Council and Pejar Lands Council Builder: VanMal Group Landscape Design: Urbis Multidisciplinary Engineering: JN BCA/Access: CityPlan The Museum experience spread across the new and the old wing. Image: Jon Case © 2021 Crone - Rocky Hill Memorial Museum - Blacket Prize Rocky Hill Memorial Museum Symbology In Form and Materiality © 2021 Crone - Rocky Hill Memorial Museum - Blacket Prize Rocky Hill Memorial Museum Symbology In Form and Materiality Detail Section 1:50 @ A3 © 2021 Crone - Rocky Hill Memorial Museum - Blacket Prize Rocky Hill Memorial Museum Symbology In Form and Materiality © 2021 Crone - Rocky Hill Memorial Museum - Blacket Prize Rocky Hill Memorial Museum Symbology In Form and Materiality © 2021 Crone - Rocky Hill Memorial Museum - Blacket Prize © 2021 Crone - Rocky Hill Memorial Museum - Blacket Prize.
Recommended publications
  • ANZAC Memorial Visit
    ANZAC Memorial Hyde Park June 2013 On Thursday 27th June the Scouts from 1st Ermington had the opportunity to visit the ANAZ Memorial at Hyde Park in the city. We caught the train from Eastwood station for the journey into Sydney - alighting from the train at Town Hall station. Fortunately the weather was kind and we had a nice walk up to the memo- rial through Hyde park. Although it was early evening and dark the memo- rial looked terrific. The curator for the evening introduced himself to the troop and there was much interest in his background as he was both a Vietnam veteran and a former scout. The evening started with a short video and the scouts were surprised at the footage of the opening because at the time the memorial was the tallest building in the city and the opening was attending by 100,000 people. We were given a tour of the different parts of the memorial (inside and out). Learning about the different parts of the memorial was extremely in- teresting. The Scouts were invited to release a Commemorative star representing an Australian service man or woman killed while serving their country or since deceased - a very humbling experience Another highlight of the evening was the Scouts being able to see a banner signed by Baden Powell. We departed the memorial at 8:20 for our return trip, arriving back into Eastwood at 9:10pm. A big thank you to the Scouts and Leaders that were able to participate in this activity. The ANZAC War Memorial, completed in 1934, is the main commemorative military monument of Sydney, Australia.
    [Show full text]
  • Kelson Nor Mckernan
    Vol. 5 No. 9 November 1995 $5.00 Fighting Memories Jack Waterford on strife at the Memorial Ken Inglis on rival shrines Great Escapes: Rachel Griffiths in London, Chris McGillion in America and Juliette Hughes in Canberra and the bush Volume 5 Number 9 EURE:-KA SJRE:i:T November 1995 A magazine of public affairs, the arts and th eology CoNTENTS 4 30 COMMENT POETRY Seven Sketches by Maslyn Williams. 9 CAPITAL LETTER 32 BOOKS 10 Andrew Hamilton reviews three recent LETTERS books on Australian immigration; Keith Campbell considers The Oxford 12 Companion to Philosophy (p36); IN GOD WE BUST J.J.C. Smart examines The Moral Chris McGillion looks at the implosion Pwblem (p38); Juliette Hughes reviews of America from the inside. The Letters of Hildegard of Bingen Vol I and Hildegard of Bingen and 14 Gendered Theology in Ju dea-Christian END OF THE GEORGIAN ERA Tradition (p40); Michael McGirr talks Michael McGirr marks the passing of a to Hugh Lunn, (p42); Bruce Williams Melbourne institution. reviews A Companion to Theatre in Australia (p44); Max T eichrnann looks 15 at Albert Speer: His Battle With Truth COUNTERPOINT (p46); James Griffin reviews To Solitude The m edia's responsibility to society is Consigned: The Journal of William m easured by the code of ethics, says Smith O'BTien (p48). Paul Chadwick. 49 17 THEATRE ARCHIMEDES Geoffrey Milne takes a look at quick changes in W A. 18 WAR AT THE MEMORIAL 51 Ja ck Waterford exarnines the internal C lea r-fe Jl ed forest area. Ph oto­ FLASH IN THE PAN graph, above left, by Bill T homas ructions at the Australian War Memorial.
    [Show full text]
  • 2019-20 Annual Report of the Australian Museum Trust.Pdf
    2019-20 Annual report A prefabricated section of the main stairwell is maneuvered into position by the crane. Photograph by James Alcock. 2019–20 Annual report Australian Museum 1 William Street Sydney, NSW, 2010 Australia Australian Museum Annual Report 2019-20 Minister The Australian Museum Annual Report 2019-20 The Hon Don Harwin, MLC is published by the Australian Museum Trust, 1 William Street Sydney NSW 2010. Special Minister of State, and Minister for the © Australian Museum Trust 2020 Public Service and Employee Relations, Aboriginal ISSN 2206-8473 Affairs and the Arts. Acknowledgements Governance The Australian Museum acknowledges and pays respect to The Australian Museum was established under the the Gadigal people of the Eora Nation as the First Peoples Australian Museum Trust Act 1975 and is governed by and Traditional Custodians of the land and waterways on a Board of Trustees. The objectives of the Australian which the Australian Museum stands. Museum are to propagate knowledge about the natural environment of Australia and to increase that Compiled by Jacinta Spurrett and Jacqueline Soars knowledge, particularly in the natural sciences of biology, Design & Production by Mark Joseph anthropology and geology. The Board of Trustees has Editing by Catherine Marshall and Alice Gage 11 members, one of whom must have knowledge of, or All images © Australian Museum experience in, science; one of whom must have knowledge unless otherwise indicated. of, or experience in, education; and one of whom must have knowledge of, or experience in, Australian Contact Indigenous culture. Australian Museum Trustees are appointed by the Governor on the 1 William Street Sydney NSW 2010 recommendation of the Minister for a term of up to Open daily 9.30am – 5pm three years.
    [Show full text]
  • Avenues of Honour, Memorial and Other Avenues, Lone Pines – Around Australia and in New Zealand Background
    Avenues of Honour, Memorial and other avenues, Lone Pines – around Australia and in New Zealand Background: Avenues of Honour or Honour Avenues (commemorating WW1) AGHS member Sarah Wood (who has toured a photographic exhibition of Victoria’s avenues) notes 60,000 Australian servicemen and women did not return from World War 1. This was from a population then of just 3 million, leaving lasting scars. Avenues of Honour were a living way of remembering and honouring these lives and sacrifices. Australia vigorously embraced them. As just one tangent, in 1916 the Anzac troops’ landing at Gallipoli, Turkey led the Victorian Department of Education to encourage all Victorian schools to use Arbor Day that year (and subsequent years, including after 1918) to plant native tree species such as gums and wattles to celebrate the Anzac landing. A number of these early plantings, some of which were avenues, others groves, groups, scattered and single trees, remain. More research is needed to confirm which survive. Treenet, a not-for-profit organisation based in Adelaide launched ‘The Avenues of Honour 1915-2015 Project’ in 9/2004 as part of the 5th National Street Tree Symposium. It is a national initiative aiming to honour with a tree the memory of every individual who has made the supreme sacrifice on behalf of all Australians, by documenting, preserving and reinstating the original and establishing new Avenues of Honour by the 2015 Gallipoli Centenary. Treenet combines under the name ‘Avenues of Honour’ Boer War memorial, WW1 and WW2 memorial avenues. This is a different to the approach AGHS has taken, distinguishing: a) Avenue of Honour = WW1; b) Memorial Avenue =WW2 (and sometimes subsequent wars); c) Other memorial avenue (other wars, e.g.
    [Show full text]
  • Australia's Military Heritage
    N6 www.philly.com THE PHILADELPHIA INQUIRER Sunday, December 4, 2011 The Inquirer Sydneysites that salute theAussie military AUSTRALIA from N1 one of the finest historic barracks Battery system keeps Ataste of old-world in the world. Free tours are offered on Thurs- iPhone in power. N4 Belgium on abudget. N5 days by the Victoria Barracks Corps of Guides, retired veterans wearing khaki army slouch hats A and blue blazers. Our guide, David, had been stationed at the barracks Sunday, Dec.4,2011 ★ Section N during the Vietnam Warsoheknew the place well. The tour starts in the Guard House with avisit to the four cells that held “drunken and outrageous persons.” This being an army base with young soldiers away from home, the cells were eventually expanded into another building. While leaving the Guard House, David pointed out ametal badge on his cap and explainedthe signifi- canceofthe crown in the center of the Australian army symbol. The Family flying current logo contains afemale crown (yes, male and female crowns are different) representing the reigning monarch, Queen Eliza- Folks flying with kids seldom feel special on airlines beth II. He said that after “Lizzie goes” the logo will be updated to these days. And any perks are likely to come at extra cost. show amale crown for King Charles, or perhaps King William. Loyalty to the monarchy lives on in By Michelle Higgins It was the low point of an arduous trip. the Australian army. NEW YORK TIMES NEWS SERVICE The misery of air travel is no surprise The tour of the barracks includes urely they could spare alittle to anyone who has boarded adomestic the Army Museum of New South milk, right? flight in the last five years.
    [Show full text]
  • Anzac Memorial Considered for State Heritage Listing
    3 March, 2010 ANZAC MEMORIAL CONSIDERED FOR STATE HERITAGE LISTING The ANZAC Memorial in Sydney’s Hyde Park is to be considered for listing on the State Heritage Register. Minister for Planning, Tony Kelly, said since its completion in 1934, the iconic building had been an important place of commemoration, especially on ANZAC Day. “As well as being a monument to the sacrifices of Australian servicemen and women, the ANZAC Memorial building has long been considered one of Australia’s greatest works of public art,” the Minister said. “The result of a creative collaboration between architect Bruce Dellit and sculptor Rayner Hoff, the ANZAC Memorial is arguably the finest expression of Art Deco monumentality in Australia. “It’s also closely linked to the landing of Australian troops at Gallipoli on 25 April 1915, with fundraising for the memorial established on the first anniversary of the landing.” The building is associated with returned servicemen and women and their various organisations, including the RSL, which lobbied for the erection of the monument and occupied offices within it. Mr Kelly said the memorial represents NSW’s contribution to the group of national war memorials developed by each State capital during the inter-war period. “As a result, its heritage importance has a number of different dimensions including historical, aesthetic and social significance, and should it be considered for the State’s highest form of heritage protection,” the Minister said. The proposed listing, which follows the Government’s recent listing of three other iconic Sydney buildings – the Sydney Town Hall, the Queen Victoria Building and Luna Park – will be exhibited for public comment until Monday, March 22.
    [Show full text]
  • EPBC Act National Consultation Report
    ATTACHMENT S1 EPBC Act National Consultation Report AUSTRALIAN WAR MEMORIAL DEVELOPMENT ENVIRONMENTAL PROTECTION BIODIVERSITY CONSERVATION ACT NATIONAL CONSULTATION REPORT APRIL 2020 AWM Development Project EPBC Act National Consultation Report CONTENTS BACKGROUND ............................................................................................................................... 3 Objective ................................................................................................................................... 3 CONSULTATION PROCESS ............................................................................................................. 4 Participation .............................................................................................................................. 5 General Sentiment .................................................................................................................... 7 Stakeholder Groups ................................................................................................................... 9 KEY FEEDBACK ............................................................................................................................. 11 Physical Heritage ..................................................................................................................... 13 Anzac Hall – Physical Heritage Impact Summary ................................................................ 13 Southern Entrance – Physical Heritage Impact Summary ..................................................
    [Show full text]
  • Clover State News
    CLOVER MOORE MEMBER FOR SYDNEY NEWSLETTER 58 JULY 2010 Photo by C.Moore Hardy PEOPLE RALLY against SCG grab for Moore Park After a leaked letter revealed the commercial sporting events. The SCG NSW Government is considering wants Moore Park to expand club-land transferring control of Moore Park and car parking. from the Centennial Park and Moore The Premier has now told the two Park Trust (CPMPT) to the Sydney trusts to negotiate, but the issue in Cricket and Sports Ground Trust contention is totally unacceptable. The (SCG), people packed Paddington SCG wants to site NRL Headquarters Rally speakers: John Walker, David Shoebridge, Clover Moore, Town Hall on a wet night to object. Neville Wran and Malcolm Turnbull on the Gold Members car park, which Moore Park is part of the 1811 Governor Thank you to fellow speakers the Hon it got rezoned for development. It Macquarie 405 hectare Sydney Common Neville Wran, the Hon Malcolm Turnbull, wants to put the displaced car parking bequest. Only a third remains as open CPMPT Chair John Walker and Greens on Moore Park. public land and with Sydney’s increasing Councillor David Shoebridge. Where is this going to end...? Would residential densities, we certainly The CPMPT mandate is to protect this happen to New York’s Central can’t lose any more! and maintain public open space, Park, London’s Hyde Park or Rome’s while the SCG’s role is to promote Villa Borghese? URGENT call to ACTION! Tell our State leaders to stop further Premier KRISTINA KENEALLY alienation of our parkland.
    [Show full text]
  • NORTH SYDNEY ANZAC MEMORIAL CLUB the BEGINNING /1774- (T,Y AIM"R
    NORTH SYDNEY ANZAC MEMORIAL CLUB THE BEGINNING /1774- (T,Y AIM"r (As recorded by the Hon. Sir John Cramer, Patron) Notwithstanding the other activities, the outstanding achievement whilst I was Mayor, was the construction of the Anzac Memorial Hall opposite the Cammeray Golf Course at North Sydney. I found a pile of files two feet high in the records of the Council, dealing with this matter. It appeared that after the First World War, a movement commenced at North Sydney to build a Hall to commemorate Anzac. A large amount of money was raised and a Trust established, the leading figure was the then State Member for North Sydney, Dugald Thompson. Other important Trustees of the Fund were Tom V. Roberts and Dr. Sam J. Moreau. When Dugald Thompson passed away, there were great disagreements in the Committee and Trustees and the general body of Ex-Servicemen. Although a site for the Hall had been selected in Carlow Street, North Sydney, the objective never came to fruition and the Hall was never built. Although there was great public disappointment, and legal action was threatened on a number of occasions, the disputes could never be settled, and in the end, the money raised was invested in Commonwealth Bonds, and deposited by the surviving Trustees in the Safe Deposit Vaults in the Commonwealth Bank in Martin Place, Sydney. Unfortunately, these remaining Trustees, Tom Roberts and Dr. Moreau had bitter differences and were not on speaking terms. The files show that on a number of occasions, representations had been made to the Council through the then Mayor to try to resolve the dispute, but despite this effort, no conclusion was reached.
    [Show full text]
  • FRONT PAGE Title
    FRONT PAGE Title 1 COMMEMORATING THE CENTENARY OF ANZAC NOVEMBER 2015 – NOVEMBER 2016 CONTENTS MESSAGE FROM THE PREMIER ......................................... 4 MESSAGE FROM THE MINISTER ........................................ 5 MESSAGE FROM THE CHAIR ............................................ 6 NSW AND THE FIRST WORLD WAR .................................. 7 THE IMPORTANCE OF COMMEMORATION ....................... 10 COMMUNITY WAR MEMORIAL FUND ............................... 11 The Taree War Memorial Clock .......................................... 11 THE ANZAC MEMORIAL CENTENARY PROJECT ................. 12 Cover artwork includes a colour treatment to the original: BE PART OF THE ANZAC MEMORIAL CENTENARY PROJECT ....... 13 Australian aeroplanes practising firing down a road... Amiens First World War sketch drawn by Leslie Hore GALLIPOLI 2015 SCHOOL TOUR ....................................... 14 Mitchell Library, State Library of New South Wales 2016 PREMIER’S ANZAC MEMORIAL SCHOLARSHIP PROGRAM .. 16 THE ARTS AND CULTURAL DEVELOPMENT PROGRAM ........ 17 The NSW Centenary of Anzac Commemoration History ©State of NSW 2015 Fellowship: ANZAC Her Story ...................................... 17 ISBN 978–0–7313–5467–3 Disclaimer Goulburn Regional Art Gallery ............................................ 17 While every reasonable effort has been made to ensure that the facts contained within this document are correct at time of printing, the state of NSW, its agents and employees, disclaim any and all liability to any person in respect of anything or the consequences of anything done or omitted to be done in reliance or upon the whole or any part of this document. Peacock Gallery – Then, Now, Tomorrow – After War ...... 17 Copyright Notice In keeping with the NSW Government’s commitment to encourage the availability of information, you are welcome to reproduce the material that appears in the Commemorating the Centenary of ANZAC for personal, in-house or WAR STORY ...................................................................
    [Show full text]
  • New South Wales from 1810 to 1821
    Attraction information Sydney..................................................................................................................................................................................2 Sydney - St. Mary’s Cathedral ..............................................................................................................................................3 Sydney - Mrs Macquarie’s Chair ..........................................................................................................................................4 Sydney - Hyde Park ..............................................................................................................................................................5 Sydney - Darling Harbour .....................................................................................................................................................7 Sydney - Opera House .........................................................................................................................................................8 Sydney - Botanic Gardens ................................................................................................................................................. 10 Sydney - Sydney Harbour Bridge ...................................................................................................................................... 11 Sydney - The Rocks ..........................................................................................................................................................
    [Show full text]
  • Description at the Heart of Their International Competition Winning Scheme for Canberra, the American Architects Walter Burley G
    Australian Pavilion – Augmented Australia The Capitol, Canberra, Walter Burley Griffin & Marion Mahony Griffin, (1911-1912) Project 1914 File: <Augmented Australia_Capitol Building> Image Credit: Walter Burley Griffin and Marion Mahony Griffin, The Capitol, Canberra, Australian Capital Territory, Australia. Competition (1911-12) Project 1914. Digital Reconstruction by Craig McCormack. Courtesy: felix. Description At the heart of their international competition winning scheme for Canberra, the American architects Walter Burley Griffin and Marion Mahony Griffin did not place a house of parliament as is the case now in the realised national capital. Instead they placed an archives building to contain the culture of the Australian people. Conceived as a pyramidal ziggurat of decidedly non-Western origin, this temple of culture foreshadowed the desires of the nation to create an inclusive yet global architecture for an ambitious and modern multicultural Australia. Australian Pavilion – Augmented Australia ANZAC Memorial, Hyde Park, Sydney, Raymond McGrath & Maurice Lambert, Competition entry 1930 File: <Augmented Australia_ANZAC> Image Credit: Raymond McGrath (Architect), Maurice Lambert (Sculptor), ANZAC Memorial, Hyde Park, Sydney, New South Wales, Australia. Competition entry 1930. Digital Reconstruction by Tim Mettam, Elliot Lind and Leo Showell. Courtesy: felix. Description A dramatic and futuristic design for a memorial to commemorate Australians who had fallen in the Great War, Sydney architect Raymond McGrath and sculptor Maurice Lambert’s proposal was for a huge reinforced concrete sculptural form that would shoot a beam of light vertically into the night sky. McGrath had just recently moved to England and would soon become one of England’s most visible champions of modernism, not just for his sleek interior designs for the BBC’s Broadcast House but also his best-selling modernist primer, Twentieth Century Houses (1934).
    [Show full text]