PAGAN-CHRISTIAN TYPOLOGY in SPENSER's FAERIE QUEENE By
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UNIVERSITY of CALIFORNIA Los Angeles Byzantine Liturgy and The
UNIVERSITY OF CALIFORNIA Los Angeles Byzantine Liturgy and the Primary Chronicle A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Slavic Languages and Literatures by Sean Delaine Griffin 2014 ABSTRACT OF THE DISSERTATION Byzantine Liturgy and the Primary Chronicle by Sean Delaine Griffin Doctor of Philosophy in Slavic Languages and Literatures University of California, Los Angeles, 2014 Professor Gail Lenhoff, Chair The monastic chroniclers of medieval Rus’ lived in a liturgical world. Morning, evening and night they prayed the “divine services” of the Byzantine Church, and this study is the first to examine how these rituals shaped the way they wrote and compiled the Povest’ vremennykh let (Primary Chronicle, ca. 12th century), the earliest surviving East Slavic historical record. My principal argument is that several foundational accounts of East Slavic history—including the tales of the baptism of Princess Ol’ga and her burial, Prince Vladimir’s conversion, the mass baptism of Rus’, and the martyrdom of Princes Boris and Gleb—have their source in the feasts of the liturgical year. The liturgy of the Eastern Church proclaimed a distinctively Byzantine myth of Christian origins: a sacred narrative about the conversion of the Roman Empire, the glorification of the emperor Constantine and empress Helen, and the victory of Christianity over paganism. In the decades following the conversion of Rus’, the chroniclers in Kiev learned these narratives from the church services and patterned their own tales of Christianization after them. The ii result was a myth of Christian origins for Rus’—a myth promulgated even today by the Russian Orthodox Church—that reproduced the myth of Christian origins for the Eastern Roman Empire articulated in the Byzantine rite. -
Christianity Unveiled; Being an Examination of the Principles and Effects of the Christian Religion
Christianity Unveiled; Being An Examination Of The Principles And Effects Of The Christian Religion by Paul Henri d’Holbach - 1761 [1819 translation by W. M. Johnson] CONTENTS. A LETTER from the Author to a Friend. CHAPTER I. - Of the necessity of an Inquiry respecting Religion, and the Obstacles which are met in pursuing this Inquiry. CHAPTER II. - Sketch of the History of the Jews. CHAPTER III. - Sketch of the History of the Christian Religion. CHAPTER IV. - Of the Christian Mythology, or the Ideas of God and his Conduct, given us by the Christian Religion. CHAPTER V. - Of Revelation. CHAPTER VI. - Of the Proofs of the Christian Religion, Miracles, Prophecies, and Martyrs. CHAPTER VII. - Of the Mysteries of the Christian Religion. CHAPTER VIII. - Mysteries and Dogmas of Christianity. CHAPTER IX. - Of the Rites and Ceremonies or Theurgy of the Christians. CHAPTER X. - Of the inspired Writings of the Christians. CHAPTER XI. - Of Christian Morality. CHAPTER XII. - Of the Christian Virtues. CHAPTER XIII. - Of the Practice and Duties of the Christian Religion. CHAPTER XIV. - Of the Political Effects of the Christian Religion. CHAPTER XV. - Of the Christian Church or Priesthood. CHAPTER XVI. - Conclusions. A LETTER FROM THE AUTHOR TO A FRIEND I RECEIVE, Sir, with gratitude, the remarks which you send me upon my work. If I am sensible to the praises you condescend to give it, I am too fond of truth to be displeased with the frankness with which you propose your objections. I find them sufficiently weighty to merit all my attention. He but ill deserves the title of philosopher, who has not the courage to hear his opinions contradicted. -
THE MYTH of ORPHEUS and EURYDICE in WESTERN LITERATURE by MARK OWEN LEE, C.S.B. B.A., University of Toronto, 1953 M.A., Universi
THE MYTH OF ORPHEUS AND EURYDICE IN WESTERN LITERATURE by MARK OWEN LEE, C.S.B. B.A., University of Toronto, 1953 M.A., University of Toronto, 1957 A THESIS SUBMITTED IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OP PHILOSOPHY in the Department of- Classics We accept this thesis as conforming to the required standard THE UNIVERSITY OF BRITISH COLUMBIA September, i960 In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the Head of my Department or by his representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Department of The University of British Columbia Vancouver 8, Canada. ©he Pttttrerstt^ of ^riitsl} (Eolimtbta FACULTY OF GRADUATE STUDIES PROGRAMME OF THE FINAL ORAL EXAMINATION FOR THE DEGREE OF DOCTOR OF PHILOSOPHY of MARK OWEN LEE, C.S.B. B.A. University of Toronto, 1953 M.A. University of Toronto, 1957 S.T.B. University of Toronto, 1957 WEDNESDAY, SEPTEMBER 21, 1960 AT 3:00 P.M. IN ROOM 256, BUCHANAN BUILDING COMMITTEE IN CHARGE DEAN G. M. SHRUM, Chairman M. F. MCGREGOR G. B. RIDDEHOUGH W. L. GRANT P. C. F. GUTHRIE C. W. J. ELIOT B. SAVERY G. W. MARQUIS A. E. BIRNEY External Examiner: T. G. ROSENMEYER University of Washington THE MYTH OF ORPHEUS AND EURYDICE IN WESTERN Myth sometimes evolves art-forms in which to express itself: LITERATURE Politian's Orfeo, a secular subject, which used music to tell its story, is seen to be the forerunner of the opera (Chapter IV); later, the ABSTRACT myth of Orpheus and Eurydice evolved the opera, in the works of the Florentine Camerata and Monteverdi, and served as the pattern This dissertion traces the course of the myth of Orpheus and for its reform, in Gluck (Chapter V). -
Los Diez Libros De La Mitología De Natale Conti En Su Segunda Redacción1
Los Diez libros de la Mitología de Natale 1 Conti en su segunda redacción Mª CONSUELO ÁLVAREZ MORÁN - ROSA Mª IGLESIAS MONTIEL Universidad de Murcia [email protected] - [email protected] Las razones del enorme influjo ejercido por la Mitología de Natale Conti – que conoció en poco tiempo veinticinco ediciones del original y seis de la traducción que se hizo en lengua francesa de la primera redacción - no residen tan sólo en la gran importancia de los capítulos programáticos o en las interpretaciones de todo tipo sino sobre todo en la gran profusión de datos mitográficos contenidos en este manual, datos que son fundamentales para escritores y para artistas. La Mitología, al igual que la Genealogia de los dioses paganos de Boccaccio, es utilizada al modo de los actuales léxicos o 1 — Este trabajo se inserta en los Proyectos FFI2013-42671-P, financiado dentro del Programa Estatal de Fomento de la Investigación Científica y Técnica de Excelencia, Subprograma de Generación del Conocimiento del MINECO, y 19246/PI/14 con cargo al Programa de Generación de Conocimiento Científico de Excelencia de la Fundación Séneca-Agencia de Ciencia y Tecnología de la Región de Murcia. Su redacción original se realizó durante la estancia de las autoras en el Collège d’Espagne en Paris (octubre- noviembre de 2011). Polymnia - n°1 - 2015 LOS DIEZ LIBROS DE LA MITOLOGÍA DE NATALE CONTI 187 diccionarios de mitología, ya que su contenido permite inspirarse en los autores antiguos, griegos y latinos, sin llegar a realizar una lectura directa de los mismos, y de modo especial de los autores helenos, gracias a las traducciones de Conti. -
Megan Robinson
MEMOIR AS SIGNPOST: WRITING AT THE INTERSECTION OF ANCIENT FAITH AND CONTEMPORARY CULTURE Research and Analysis Supporting the Creation of BACK TO CANAAN: A PARABLE BY MEGAN J. ROBINSON SENIOR CREATIVE PROJECT submitted to the Individualized Studies Program in fulfillment of the requirements for the degree BACHELOR OF INDIVIDUALIZED STUDIES in RELIGIOUS AND CULTURAL STUDIES COMMITTEE MEMBERS: Dr. Catherine E. Saunders, Faculty Advisor Ms. Andrea B. Ruffner, Reader GEORGE MASON UNIVERSITY FAIRFAX, VIRGINIA DECEMBER 2006 ©2006 MEGAN J. ROBINSON ALL RIGHTS RESERVED PLEASE DIRECT ALL CORRESPONDENCE TO: [email protected] TABLE OF CONTENTS MEMOIR AS SIGNPOST Introduction 5 Rumors 8 Foreshadows: Evangelicalism as Clue Evangelical Publishing: A Blueprint for Faith Glimpses 14 Elements: Seeing a Story Elements: Reaching Into a Story Elements: Transformed By a Story Epiphanies 18 Theology: Foundation and Structure Wonder: The Open Door Narrative: Exploring the Cathedral Parable: Room to Grow Conclusion 28 Works Cited 30 Appendix A: Two Literary Models or Approaches 34 BACK TO CANAAN: A PARABLE Ur – Haran – Egypt 38 Barrenness Illumination Other Gods Altars and Plagues Long Day’s Journey Notes 62 INTRODUCTION Blueprints and cathedrals, at first glance, have little to do with creative writing. Yet, the word “cathedral” evokes spirituality, and thus provides an image that enables a discussion of how to approach writing on spiritual issues. In his analysis of the contemporary evangelical publishing industry, scholar Abram Van Engen explores how a writer should, or can, approach and produce literature from a Christian perspective. He proposes that, in the current market niche occupied by the evangelical publishing industry, audience and market demands have created a narrowly delineated “blueprint” model shaping a specific style and content of acceptable religious/spiritual literature, a model to which others less “mainstream” within the evangelical sub-culture react. -
{DOWNLOAD} Cross
CROSS PDF, EPUB, EBOOK James Patterson | 464 pages | 29 Apr 2010 | Headline Publishing Group | 9780755349401 | English | London, United Kingdom Cross Pens for Discount & Sales | Last Chance to Buy | Cross The Christian cross , seen as a representation of the instrument of the crucifixion of Jesus , is the best-known symbol of Christianity. For a few centuries the emblem of Christ was a headless T-shaped Tau cross rather than a Latin cross. Elworthy considered this to originate from Pagan Druids who made Tau crosses of oak trees stripped of their branches, with two large limbs fastened at the top to represent a man's arm; this was Thau, or god. John Pearson, Bishop of Chester c. In which there was not only a straight and erected piece of Wood fixed in the Earth, but also a transverse Beam fastened unto that towards the top thereof". There are few extant examples of the cross in 2nd century Christian iconography. It has been argued that Christians were reluctant to use it as it depicts a purposely painful and gruesome method of public execution. The oldest extant depiction of the execution of Jesus in any medium seems to be the second-century or early third-century relief on a jasper gemstone meant for use as an amulet, which is now in the British Museum in London. It portrays a naked bearded man whose arms are tied at the wrists by short strips to the transom of a T-shaped cross. An inscription in Greek on the obverse contains an invocation of the redeeming crucified Christ. -
Bodies of Knowledge: the Presentation of Personified Figures in Engraved Allegorical Series Produced in the Netherlands, 1548-1600
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2015 Bodies of Knowledge: The Presentation of Personified Figures in Engraved Allegorical Series Produced in the Netherlands, 1548-1600 Geoffrey Shamos University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the History of Art, Architecture, and Archaeology Commons Recommended Citation Shamos, Geoffrey, "Bodies of Knowledge: The Presentation of Personified Figures in Engraved Allegorical Series Produced in the Netherlands, 1548-1600" (2015). Publicly Accessible Penn Dissertations. 1128. https://repository.upenn.edu/edissertations/1128 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/1128 For more information, please contact [email protected]. Bodies of Knowledge: The Presentation of Personified Figures in Engraved Allegorical Series Produced in the Netherlands, 1548-1600 Abstract During the second half of the sixteenth century, engraved series of allegorical subjects featuring personified figures flourished for several decades in the Low Countries before falling into disfavor. Designed by the Netherlandsâ?? leading artists and cut by professional engravers, such series were collected primarily by the urban intelligentsia, who appreciated the use of personification for the representation of immaterial concepts and for the transmission of knowledge, both in prints and in public spectacles. The pairing of embodied forms and serial format was particularly well suited to the portrayal of abstract themes with multiple components, such as the Four Elements, Four Seasons, Seven Planets, Five Senses, or Seven Virtues and Seven Vices. While many of the themes had existed prior to their adoption in Netherlandish graphics, their pictorial rendering had rarely been so pervasive or systematic. -
The Christian Mythology of CS Lewis and JRR Tolkien
Western Kentucky University TopSCHOLAR® Honors College Capstone Experience/Thesis Honors College at WKU Projects 2010 Roads to the Great Eucatastrophie: The hrC istian Mythology of C.S. Lewis and J.R.R. Tolkien Laura Anne Hess Western Kentucky University Follow this and additional works at: http://digitalcommons.wku.edu/stu_hon_theses Part of the Philosophy Commons, and the Religion Commons Recommended Citation Hess, Laura Anne, "Roads to the Great Eucatastrophie: The hrC istian Mythology of C.S. Lewis and J.R.R. Tolkien" (2010). Honors College Capstone Experience/Thesis Projects. Paper 237. http://digitalcommons.wku.edu/stu_hon_theses/237 This Thesis is brought to you for free and open access by TopSCHOLAR®. It has been accepted for inclusion in Honors College Capstone Experience/ Thesis Projects by an authorized administrator of TopSCHOLAR®. For more information, please contact [email protected]. Copyright by Laura Ann Hess 2010 ABSTRACT The purpose of this thesis is to analyze how C.S. Lewis and J.R.R. Tolkien created mythology that is fundamentally Christian but in vastly different ways. This task will be accomplished by examining the childhood and early adult life of both Lewis and Tolkien, as well as the effect their close friendship had on their writing, and by performing a detailed literary analysis of some of their mythological works. After an introduction, the second and third chapters will scrutinize the elements of their childhood and adolescence that shaped their later mythology. The next chapter will look at the importance of their Christian faith in their writing process, with special attention to Tolkien’s writing philosophy as explained in “On Fairy-Stories.” The fifth chapter analyzes the effect that Lewis and Tolkien’s friendship had on their writing, in conjunction with the effect of their literary club, the Inklings. -
Medieval Christian Mythology
Rachel Fulton Brown Department of History The University of Chicago MEDIEVAL CHRISTIAN MYTHOLOGY Winter 2019 Cambridge, Trinity College, MS R.16.2, “The Trinity Apocalypse” Heaven and hell, angels and demons, the Virgin Mary and the devil battling over the state of human souls, the world on the edge of apocalypse awaiting the coming of the Judge and the resurrection of the dead, the transubstantiation of bread and wine into body and blood, the great adventures of the saints. As Rudolf Bultmann put it in his summary of the “world picture” of the New Testament, “all of this is mythological talk,” arguably unnecessary for Christian theology. And yet, without its mythology, much of Christianity become incomprehensible as a religious or symbolic system. This course is intended as an introduction to the stories that medieval Christians told about God, his Mother, the angels, and the saints, along with the place of the sacraments and miracles in the world picture of the medieval church. Sources will range from Hugh of St. Victor’s summa on the sacraments, Guido of Monte Rochen’s handbook for parish priests and Hildegard of Bingen’s visionary Scivias to the Pseudo-Bonaventuran Meditations on the Life of Christ, Jacobus de Voragine’s Golden Legend, instructions for summoning angels and the York cycle of mystery plays. Emphasis will also be given to the way in which these stories were represented in art. HIST 21903 Medieval Christian Mythology 2 Winter 2019 BOOKS AVAILABLE FOR PURCHASE FROM THE SEMINARY CO-OP BOOKSTORE Anselm of Canterbury, The Prayers and Meditations, with the Proslogion, trans. -
Christian Mythology We Are Living in the Fullness of Time When We Are All Being Forced to Grow Up; the Bible Calls It Maturity Or Perfection
Piecemakers Country Store 1720 Adams Avenue Costa Mesa, CA 92626 (714) 641-3112 [email protected] Christian Mythology We are living in the fullness of time when we are all being forced to grow up; the Bible calls it maturity or perfection. There are not too many options left — we either grow up or perish. The human race is in the time of the harvest. If you claim to be a Christian you should know that the harvest is the end of the age (world), the coming of Christ. “For none of us liveth to himself, and no man dieth to himself. For whether we live or die, we are the Lord’s.” Romans 14:7 “Say not ye, ‘There are yet four months and then ever get our eyes and ears open to understand the cometh harvest?’ Behold, I say unto you, lift up your reason for God sending His Son into this grave eyes and look on the fields; for they are white already to called hell to rescue us? harvest.” Myth — when we die, we will go to heaven if we Let me give you an analogy so as to understand are good. Now for the truth, the reality. what the spiritual meaning of this verse is. Leprosy Romans 14:13 — “For the Kingdom of God is not starts out with red blotches and when it has run its meat and drink but righteousness, peace and joy in the course it turns white. Our entire civilization has leprosy Holy Ghost.” Only the new creation can experience that is white. -
The World of Greek Religion and Mythology
Wissenschaftliche Untersuchungen zum Neuen Testament Herausgeber/Editor Jörg Frey (Zürich) Mitherausgeber/Associate Editors Markus Bockmuehl (Oxford) ∙ James A. Kelhoffer (Uppsala) Tobias Nicklas (Regensburg) ∙ Janet Spittler (Charlottesville, VA) J. Ross Wagner (Durham, NC) 433 Jan N. Bremmer The World of Greek Religion and Mythology Collected Essays II Mohr Siebeck Jan N. Bremmer, born 1944; Emeritus Professor of Religious Studies at the University of Groningen. orcid.org/0000-0001-8400-7143 ISBN 978-3-16-154451-4 / eISBN 978-3-16-158949-2 DOI 10.1628/978-3-16-158949-2 ISSN 0512-1604 / eISSN 2568-7476 (Wissenschaftliche Untersuchungen zum Neuen Testament) The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbiblio- graphie; detailed bibliographic data are available at http://dnb.dnb.de. © 2019 Mohr Siebeck Tübingen, Germany. www.mohrsiebeck.com This book may not be reproduced, in whole or in part, in any form (beyond that permitt- ed by copyright law) without the publisher’s written permission. This applies particular- ly to reproductions, translations and storage and processing in electronic systems. The book was typeset using Stempel Garamond typeface and printed on non-aging pa- per by Gulde Druck in Tübingen. It was bound by Buchbinderei Spinner in Ottersweier. Printed in Germany. in memoriam Walter Burkert (1931–2015) Albert Henrichs (1942–2017) Christiane Sourvinou-Inwood (1945–2007) Preface It is a pleasure for me to offer here the second volume of my Collected Essays, containing a sizable part of my writings on Greek religion and mythology.1 Greek religion is not a subject that has always held my interest and attention. -
The Warrior Christ and His Gallows Tree
BACHELOR THESIS ENGLISH LANGUAGE AND CULTURE THE WARRIOR CHRIST AND HIS GALLOWS TREE The Dream of the Rood as an Example of Religious Syncretism MARIUS T. KOELINK SUPERVISED BY DRS. MONIQUE TANGELDER RADBOUD UNIVERSITY NIJMEGEN Abstract The Dream of the Rood is an Old English poem that contains both pagan and Christian elements. This mix has given rise to much debate on the nature of the pagan-Christian relationship in the Dream’s religiosity. The argument here is that Anglo-Saxon Christianity should be understood as a syncretic religion: a unique blend of different cultural and religious traditions that have merged into a seamless whole. Syncretism and inculturation are often used as blanket terms for interreligious phenomena, but Baer’s framework describes syncretism as a specific stage in the conversion process. Using syncretism as a framework, we see that the pagan elements in the Dream are projected onto Christian concepts and even used to strengthen Christian narratives. This is Christianity as experienced through a pagan heritage. There is no exhaustive theoretical framework of syncretism, but the Dream’s religiosity may serve as a case study to expand existing theories. Keywords: syncretism, The Dream of the Rood, Old English, poetry, Anglo-Saxon, Christianity, paganism, inculturation, religion Table of Contents Introduction 1 1. Searching for Anglo-Saxon Paganism 3 1.1 Vanished Paganism 3 1.2 Hidden Paganism 4 1.3 Lost Paganism 5 2. The Shape of Anglo-Saxon Christianity 7 2.1 Syncretism: An Introduction 7 2.2 Anglo-Saxon Christianity as a Syncretic Religion 11 2.3 Remaining Difficulties 15 3.