Making Sense of the Bayeux Tapestry Anna C
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Constantia, St
THE AGES DIGITAL LIBRARY REFERENCE CYCLOPEDIA of BIBLICAL, THEOLOGICAL and ECCLESIASTICAL LITERATURE Constantia, St. - Czechowitzky, Martin by James Strong & John McClintock To the Students of the Words, Works and Ways of God: Welcome to the AGES Digital Library. We trust your experience with this and other volumes in the Library fulfills our motto and vision which is our commitment to you: MAKING THE WORDS OF THE WISE AVAILABLE TO ALL — INEXPENSIVELY. AGES Software Rio, WI USA Version 1.0 © 2000 2 Constantia, Saint a martyr at Nuceria, under Nero, is commemorated September 19 in Usuard's Martyrology. Constantianus, Saint abbot and recluse, was born in Auvergne in the beginning of the 6th century, and died A.D. 570. He is commemorated December 1 (Le Cointe, Ann. Eccl. Fran. 1:398, 863). Constantin, Boniface a French theologian, belonging to the Jesuit order, was born at Magni (near Geneva) in 1590, was professor of rhetoric and philosophy at Lyons, and died at Vienne, Dauphine, November 8, 1651. He wrote, Vie de Cl. de Granger Eveque et Prince dae Geneve (Lyons, 1640): — Historiae Sanctorum Angelorum Epitome (ibid. 1652), a singular work upon the history of angels. He also-wrote some other works on theology. See Hoefer, Nouv. Biog. Generale, s.v.; Jocher, Allgemeines Gelehrten- Lexikon, s.v. Constantine (or Constantius), Saint is represented as a bishop, whose deposition occurred at Gap, in France. He is commemorated April 12 (Gallia Christiana 1:454). SEE CONSTANTINIUS. Constantine Of Constantinople deacon and chartophylax of the metropolitan Church of Constantinople, lived before the 8th century. There is a MS. -
View Or Download Full Colour Catalogue May 2021
VIEW OR DOWNLOAD FULL COLOUR CATALOGUE 1986 — 2021 CELEBRATING 35 YEARS Ian Green - Elaine Sunter Managing Director Accounts, Royalties & Promotion & Promotion. ([email protected]) ([email protected]) Orders & General Enquiries To:- Tel (0)1875 814155 email - [email protected] • Website – www.greentrax.com GREENTRAX RECORDINGS LIMITED Cockenzie Business Centre Edinburgh Road, Cockenzie, East Lothian Scotland EH32 0XL tel : 01875 814155 / fax : 01875 813545 THIS IS OUR DOWNLOAD AND VIEW FULL COLOUR CATALOGUE FOR DETAILS OF AVAILABILITY AND ON WHICH FORMATS (CD AND OR DOWNLOAD/STREAMING) SEE OUR DOWNLOAD TEXT (NUMERICAL LIST) CATALOGUE (BELOW). AWARDS AND HONOURS BESTOWED ON GREENTRAX RECORDINGS AND Dr IAN GREEN Honorary Degree of Doctorate of Music from the Royal Conservatoire, Glasgow (Ian Green) Scots Trad Awards – The Hamish Henderson Award for Services to Traditional Music (Ian Green) Scots Trad Awards – Hall of Fame (Ian Green) East Lothian Business Annual Achievement Award For Good Business Practises (Greentrax Recordings) Midlothian and East Lothian Chamber of Commerce – Local Business Hero Award (Ian Green and Greentrax Recordings) Hands Up For Trad – Landmark Award (Greentrax Recordings) Featured on Scottish Television’s ‘Artery’ Series (Ian Green and Greentrax Recordings) Honorary Member of The Traditional Music and Song Association of Scotland and Haddington Pipe Band (Ian Green) ‘Fuzz to Folk – Trax of My Life’ – Biography of Ian Green Published by Luath Press. Music Type Groups : Traditional & Contemporary, Instrumental -
Bayeux Tapestry Writing Assignment You Do Not Have to Be A
Bayeux Tapestry Writing Assignment You do not have to be a needlepoint enthusiast to appreciate the magnificent Bayeux Tapestry, which chronicles the events leading up to the conquest of England by Duke William of Normandy in the year 1066. Technically speaking it is not a tapestry at all – but an embroidery, stitched with wool on a linen background by a team of needle workers. But the interesting question is: was it made just to celebrate a great victory? To answer this question you have to consider the political situation at the time. Duke William claimed that the King, Edward the Confessor, had promised him the throne of England. However this event had not been properly witnessed or recorded. He also claimed that Harold, the future King of England, had previously sworn allegiance to him. But Harold had been imprisoned in France at that time, and his actions could have been misunderstood. On Edward’s death, William of Normandy had expected to ascend the English throne. But instead Harold disputed his claims, insisting that the Kingdom had been bequeathed to him by the dying monarch, and was duly crowned King. William replied to this by invading England, defeating the English army and killing King Harold at the Battle of Hastings. Now the new King William had to ensure that history told the story his way. What better way to achieve this than with a huge 230 feet long tapestry – a priceless work of art, which would be preserved for centuries, and confirm his right, and that of his successors, to the throne of England. -
Cremation Grave Textiles Examples from Vendel Upper Class in the Vendel and Viking Periods
Journal of Nordic Archaeological Science 13, pp. 59–74 (2002) Cremation grave textiles Examples from Vendel upper class in the Vendel and Viking Periods Anita Malmius Few are aware of the fact that organic material such as textiles and leather can survive in cremation graves. Even fewer are aware that charred textile fragments contain almost the same information as unburnt prehistoric textiles. This fact provides the opportunity for comparing textiles from different groups in society, for studying textile development, and for gaining access to a much greater textile material based on the numerous crema- tion graves. In this article the outfits of the men buried in the cremation graves in “Vendla’s Mound”, dated to the Vendel and Viking Periods, are compared with those buried in the contemporaneous boat-graves in Vendel. Introduction strong materialistic attitudes to death and life thereafter. The In an overview of Scandinavian textile- and leatherworking, buried person has been provided with a full set of equipment Eva Andersson (1995: 16) observes that the textile craft for the after-life. Thanks to the custom of equipping the tends to be mentioned only in passing in the archaeological dead with rich grave-goods, we can today obtain insights literature and research discussions, and that dress is primar- into some aspects of the culture of buried persons. But only ily seen as a complement to buckles and other ornaments. certain categories of objects have been laid down in the The reason for this would seem to be ‘the shortage of finds graves – already their contempories made choices as to what and other evidence’, but also, ‘poor knowledge of what has was at the time considered suitable and representative. -
GTCS National Lecture Glasgow 2014 CEO, David Grevemberg, Considers the Legacy of the Commonwealth Games
Council Election Dr Tony Pollard Senior Benchmarking Ensure you make Commemorating Exploring a crucial element an informed choice World War One of Curriculum for Excellence February/March 2014 Issue 53 For the teaching profession, by the teaching profession Professional Update is coming Get yourself ready for August 2014 Professional Learning What it means to you and your colleagues GTCS National Lecture Glasgow 2014 CEO, David Grevemberg, considers the legacy of the Commonwealth Games Teaching Scotland . 3 Are your details up to date? Check on MyGTCS www.teachingscotland.org.uk CONTENTS Teaching Scotland Magazine ~ February/March 2014 EXERCISE YOUR RIGHT TO VOTE David Drever, Convener, GTC Scotland PAGE 14 Contacts GTC Scotland www.gtcs.org.uk [email protected] Customer services: 0131 314 6080 Main switchboard: 0131 314 6000 32 History lessons With The Great Tapestry of Scotland 16 Let the Games begin 36 Professional Learning David Grevemberg, CEO Glasgow 2014, Teacher quality is at the heart vows to empower our young people of the new Professional Update 22 Make your mark 40 Reflective practice Information on candidates for the Dr Bróna Murphy adopts a more Council Election and FE vacancy dialogic approach to reflection 26 Lest we forget 42 How do you measure up? Marking the centenary of the A look at the new Senior Phase start of the First World War Benchmarking Tool 30 Unlocking treasure troves 44 Icelandic adventures Archive experts and teachers are How a visit to Iceland sparked Cherry Please scan this graphic adapting material for today’s lessons Hopton’s love of co-operative learning with your mobile QR code app to go straight 34 Creative Conversations 50 The Last Word to our website Creative Learning Network initiative Dee Matthew, Education Co-ordinator is helping educators share expertise for Show Racism the Red Card “Teachers teach respect and responsibility, discipline, determination, excellence and courage – all really important values” David Grevemberg, CEO, Glasgow 2014, page 16 4 . -
Embroiderers Wanted for Epic Battle Tapestry
Bonnie Prince Charlie’s crushing defeat at Culloden is one of the best-known episodes in Scottish history – but now the story of his greatest victory is to be told in Scotland’s very own version of the Bayeux Tapestry. Original photograph by Gillian Hart. David Lee and Gaynor Allen explain how the EMBROIDERERS project came about and the organisers’ appeal for WANTED FOR EPIC East Lothian volunteer embroiderers. BATTLE TAPESTRY he Bayeux Tapestry is one of the for the huge tapestry, a key part of an armies. The Battle Trust is especially keen greatest and best-known historical ambitious £15m campaign to build a to hear from individuals and groups artworks. Now an 80 metre-long living history visitor centre in around Dunbar and Haddington who are T tapestry commemorating Bonnie Prestonpans – and to protect the willing to embroider the panels relating Prince Charlie's glorious campaign, up to battlefield site from development. to John Cope’s route in the days before an including his victory at the Battle of Although over half the panels have the battle. Prestonpans in September 1745, is taking already been allocated, volunteer Prestonpans was the first battle of the shape – and will find a permanent home embroiderers are still being sought in second major Jacobite rebellion, which in East Lothian. communities along the route of both began when Charles Edward Stuart came The project is being co-ordinated by to Scotland to raise troops and reclaim the Battle of Prestonpans 1745 Heritage the crown for his deposed father James Trust as a way of portraying the youthful from George II. -
The Bayeux Tapestry
The Bayeux Tapestry The Bayeux Tapestry A Critically Annotated Bibliography John F. Szabo Nicholas E. Kuefler ROWMAN & LITTLEFIELD Lanham • Boulder • New York • London Published by Rowman & Littlefield A wholly owned subsidiary of The Rowman & Littlefield Publishing Group, Inc. 4501 Forbes Boulevard, Suite 200, Lanham, Maryland 20706 www.rowman.com Unit A, Whitacre Mews, 26-34 Stannary Street, London SE11 4AB Copyright © 2015 by John F. Szabo and Nicholas E. Kuefler All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without written permission from the publisher, except by a reviewer who may quote passages in a review. British Library Cataloguing in Publication Information Available Library of Congress Cataloging-in-Publication Data Szabo, John F., 1968– The Bayeux Tapestry : a critically annotated bibliography / John F. Szabo, Nicholas E. Kuefler. pages cm Includes bibliographical references and index. ISBN 978-1-4422-5155-7 (cloth : alk. paper) – ISBN 978-1-4422-5156-4 (ebook) 1. Bayeux tapestry–Bibliography. 2. Great Britain–History–William I, 1066–1087– Bibliography. 3. Hastings, Battle of, England, 1066, in art–Bibliography. I. Kuefler, Nicholas E. II. Title. Z7914.T3S93 2015 [NK3049.B3] 016.74644’204330942–dc23 2015005537 ™ The paper used in this publication meets the minimum requirements of American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials, ANSI/NISO Z39.48-1992. Printed -
Our Vision for Victory
The Battle of Prestonpans (1745) Heritage Trust presents OUR VISION FOR VICTORY A prospectus for the future of one of Scotland’s most significant battlefields and its cultural legacy, and a permanent home for The Prestonpans Tapestry. www.visionforvictory1745.org Introduction In the early morning of 21st September 1745, the Jacobite Army of Prince Since 2006 the Battle of Prestonpans (1745) Heritage Trust Charles Edward Stuart swept to victory across the stubble fields to the east has worked to protect, promote and continue that legacy. Through of the coastal village of Prestonpans. Their success was swift and complete, interpretation, education, events and exhibitions, the Trust has carried the and for the victors it seemed nothing was now impossible. The Battle of story of the battle to hundreds of thousands of people, whilst supporting Prestonpans was the first battle of the last Jacobite uprising, and the most ongoing research and evaluation of the battlefield and campaigning for comprehensive victory the cause of the exiled Stuarts had ever achieved. It its protection. In 2010 it launched the Prestonpans Tapestry, triggering a was all the more astonishing for its unlikelihood. renaissance of narrative embroidery in Scotland and beyond. So shocking was the outcome that British society had an instant This document presents the Trust’s ambition for the future: the creation fascination with the events at Prestonpans, a need to understand what had of a unique visitor attraction at Prestonpans Battlefield, building on the happened and to commemorate it. The names of those who faced each momentum of our past to secure an exciting and sustainable future. -
Gale Owen-Crocker (Ed.), the Bayeux Tapestry. Collected Papers, Aldershot, Hampshire (Ashgate Publishing) 2012, 374 P
Francia-Recensio 2013/1 Mittelalter – Moyen Âge (500–1500) Gale Owen-Crocker (ed.), The Bayeux Tapestry. Collected Papers, Aldershot, Hampshire (Ashgate Publishing) 2012, 374 p. (Variorum Collected Studies Series, CS1016), ISBN 978-1-4094-4663-7, GBP 100,00. rezensiert von/compte rendu rédigé par George Beech, Kalamazoo, MI Scholarly interest in the Bayeux Tapestry has heightened to a remarkable degree in recent years with an increased outpouring of books and articles on the subject. Gale Owen-Crocker has contributed to this perhaps more than anyone else and her publications have made her an outstanding authority on the subject. And the fact that all but three of the seventeen articles published in this collection date from the past ten years shows the degree to which her fascination with the tapestry is alive and active today. Since her own specialty has been the history of textiles and dress one might expect that these articles would deal mainly with the kinds of materials used in the tapestry, the system of stitching, and the like. But this is not so. Although she does indeed treat these questions she also approaches the tapestry from a number of other perspectives. After an eight page introduction to the whole collection the author groups the first three articles under the heading of »Textile«. I. »Behind the Bayeux Tapestry«, 2009. In this article she describes the first examination of the back of the tapestry in 1982–1983 which was accomplished by looking under earlier linings which had previously covered it, and the light which this shed on various aspects of its production – questions of color, type of stitching used, and later repairs. -
Sett Decisions
TRANSCRIPT Sett Decisions Before we begin weaving cloth, there is a bit of crucial information that we need that determines the feel and the function of the fabric, and that is sett. Sett is to weaving what gauge is to knitting. In knitting, you can take a yarn, say like a fingering weight yarn, and you can knit it on tiny, skinny needles to produce tiny, little stitches that will produce a very tight, firm fabric. That might be suitable for something like socks, like I knit my socks on 2.25 millimeter needles and I make a fabric that’s so firm and stiff that it can stand up like cardboard. You want that because that kind of fabric that is firm and stuff affords a certain kind of durability that you want for your socks. You may not want that kind of durability for any other garment that you’re gonna be wearing. So you can take that same fingering weight yarn and then knit it on much larger size needles and produce a larger stitch which then produces a loose, draped, soft fabric that is perfect for a shawl. It’s the same idea with weaving. Sett is kind of like gauge. Think about the range of fabrics that you could create with a loom. Think about a very firm, stiff, durable, tightly woven fabric. What would that be good for? That might be good for something like upholstery fabric something that needs a lot of durability. And think about something like the cloth that you wear in your shirt. -
'How the Corpse of a Most Mighty King…' the Use of the Death and Burial of the English Monarch
1 Doctoral Dissertation ‘How the Corpse of a Most Mighty King…’ The Use of the Death and Burial of the English Monarch (From Edward to Henry I) by James Plumtree Supervisors: Gábor Klaniczay, Gerhard Jaritz Submitted to the Medieval Studies Department and the Doctoral School of History Central European University, Budapest in partial fulfillment of the requirements for the degree of Doctor of Philosophy CEU eTD Collection Budapest 2014 2 Table of Contents TABLE OF CONTENTS .................................................................................................... 2 TABLE OF FIGURES ........................................................................................................ 3 ABBREVIATIONS ............................................................................................................ 4 INTRODUCTION .............................................................................................................. 6 1. ‘JOYFULLY TAKEN UP TO LIVE WITH GOD’ THE ALTERED PASSING OF EDWARD .......................................................................... 13 1. 1. The King’s Two Deaths in MS C and the Vita Ædwardi Regis .......................... 14 1. 2. Dead Ends: Sulcard’s Prologus and the Bayeux Tapestry .................................. 24 1. 3. The Smell of Sanctity, A Whiff of Fraud: Osbert and the 1102 Translation ....... 31 1. 4. The Death in Histories: Orderic, Malmesbury, and Huntingdon ......................... 36 1. 5. ‘We Have Him’: The King’s Cadaver at Westminster ....................................... -
Dark Age Tablet Weaving
Dark Age Tablet Weaving for Viking and Anglo-Saxon re-enactors 1 Introduction Tablet weaving, also known as card weaving, is a method of using square tablets with holes in the corners to weave narrow decorative bands made of wool, linen or silk threads. Tablet weaving was widespread in Europe and Britain in the first millenium AD and is an excellent craft for historical re-enactors as it is portable, interesting, little known nowadays and you can make beautiful bands to decorate your outfit. However, creating replicas of Dark Age bands is challenging. Many of the surviving historic bands are difficult to weave, and so most re-enactors either buy in tablet-weaving or weave simplified bands, and may use patterns and techniques that aren't appropriate to the Dark Ages. The aim of this document is to describe the characteristic styles and methods of Dark Age tablet- weaving. There is also information about materials, equipment and tablet-weaving techniques. Perhaps the most striking theme of the historic bands is inventiveness, and the advantage of the historic techniques is that they allow the weaver to create a far wider range of patterns than the modern methods, which were mostly developed in the 19th and 20th centuries as tablet-weaving was 'rediscovered' in Europe1. This document isn't exhaustive, and I recommend that the interested reader explore further patterns and techniques. There are many good patterns available online. Just remember, as I once read on the internet, the first instruction in tablet weaving is “remove the cat”. Please contact me with any comments or corrections.