renkli filme geçer ve stop-motion Pera Film, – Suite Vollard Gravürler sergisine paralel animasyon tekni¤inin sihrini P › c a s s o 16 - 28 Mart olarak Picasso: Filmsel Anlat›mlar adl› film program›n› sunuyor. kullan›r. Picasso’nun Gizemi Programda Picasso’nun tutkulu ve renkli dünyas›ndan oldu¤u Belgesel D o c u m e n t a r y büyüleyici, etkileyici ve Yönetmen D i r e c t o r Didier Baussy- March 2010 kadar, sergilenen yap›tlar›nda da görülen çeflitli temalardan unutulmaz bir film olarak, O u l i a n o f f esinlenmifl uzun metrajl› filmler ve belgeseller yer al›yor. Henri- yarat›c›l›k üzerine yap›lm›fl en iyi 1985, 80’, Siyah-Beyaz, Renkli Georges Clouzot’ya ait Picasso’nun Gizemi ve Didier Baussy- belgesellerden biridir. Film, Black & White, Color, Fransa F r a n c e Frans›z Hükümeti taraf›ndan ‹ngilizce, Türkçe altyaz›l› Oulianoff’un P i c a s s o adl› iki uzun metrajl› belgesel; Picasso’nun 1984’te ulusal bir hazine olarak English with Turkish subtitles yaflam›na, kiflili¤ine ve yap›tlar›na ›fl›k tutuyor. Paris Opera kabul edilmifltir. Balesi’nin 1970 prodüksiyonlu Picasso ve Dans ( D i a g h i l e v , Picasso avangartt›, gelenekseldi, erotomanyakt›. Resimlerini Cocteau), sanatç›n›n daha az bilinen bir yan›n› ortaya koyuyor – Just as visual artists understand bugün hemen herkesin gözünde prodüksiyonlar ve yarat›c› tasar›mlarla iliflkisi. Victor Erice imzal› the relationship between P i c a s s o ’ n u n positive and negative space in canland›rabilece¤i bir efsanedir Ar› Kovan›n›n Ruhu, Picasso’nun ‹spanya ‹ç Savafl›’yla kiflisel G i z e m i their work, France's master de Picasso. Yap›tlar› ve iliflkisi ba¤lam›nda, savafl›n hemen sonras›nda, ‹spanya’n›n filmmaker Henri-Georges Clouzot kiflili¤inin 20. yüzy›l sanat› taflras›nda geçen ve y›k›m›n efli¤inde bir aileyi konu alan The Mystery of understood--and set about üzerinde çok büyük bir etkisi Picasso ve büyüleyici bir dönem filmi. Gravürlerinde Picasso heykelt›rafl P i c a s s o demonstrating via The Mystery oldu. Bir sanatç› ve bir insan Dans P › c a s s o of Picasso--the relationship olarak hala türünün tek olarak karfl›m›za ç›kar ve bir tür ça¤dafl Pygmalion’dur, modelini örne¤idir, t›pk› Paris’teki Picasso and Dance gözlemlemekten önce zevk al›r, ama sonra gözü yaln›zca yap›t›n› Belgesel D o c u m e n t a r y between creation and Yönetmen D i r e c t o r H e n r i - G e o r g e s destruction in the artistic Müzesi’nde sergilenen yap›tlar› görür. Çicekçi K›z / Pygmalion adl› film George Bernard Shaw’un D›agh›lev, Cocteau C l o u z o t process. In 1955, Clouzot gibi. Didier Baussy-Oulianoff ayn› adl› oyunundan uyarlanm›fl bir görgüsüzlük komedisi; fonetik Görüntü Yönetmeni C i n e m a t o g r a p h e r teamed with his friend Pablo bunlar› anlat›yor, dönemlerine Paris Opera Profesörü olan Henry Higgins’in, Cockney aksanl› bir çiçekçi k›za Claude Renoir Picasso to capture as many göre s›n›fland›r›yor ve esin Balesi P a r › s 1956, 75’, Siyah – Beyaz, Renkli aspects of the brilliant painter's kaynaklar›n› ortaya koyuyor. üst s›n›f›n aksan›n› ö¤reterek, onu bir sosyete han›mefendisi Black & White, Color, Fransa F r a n c e Opera Ballet working methods as possible. Baussy’nin çözümlemesi ayn› olarak yutturabilece¤i üzerine iddiaya girmesini konu al›yor. Son Frans›zca, Türkçe altyaz›l› zamanda Picasso’nun neden olarak Jean-Luc Godard’›n N e f r e t’i, Amerikal› bir film yap›mc›s›n›n, French with Turkish subtitles Clouzot innovatively placed the Yönetmen D i r e c t o r Didier Baussy- camera in front of Picasso while sergilenen baz› resimleri çok O u l i a n o f f Homeros’un Odysseia’s›n› beyaz perdeye aktarmak üzere sayg›n the latter worked, thus capturing sevdi¤ini ve asla satamad›¤›n›, 1956, 75’, Siyah-Beyaz, Renkli Sanatç›lar›n kendi yap›tlar›ndaki ölümüne dek onlar› elinde bir yönetmeni ifle almas›n› anlat›yor. Filmin mitolojik göndermeleri olumlu - olumsuz mekân astonishing reverse images of Black & White, Color, Fransa F r a n c e ve insan›n do¤ayla iliflkisi, Picasso’nun temalar›yla ilginç ortak brush strokes and "bleeding" tuttu¤unu aç›kl›yor. ‹ngilizce, Türkçe altyaz›l› ikiflkilendirmelerini kurmalar› English with Turkish subtitles noktalar bar›nd›r›yor. gibi, ünlü Frans›z yönetmen inks in volatile motion. The result is that Clouzot's film--the Picasso was avant-garde, Henri-Georges Clouzot da benzer traditional, an erotomaniac. He Picasso 1917-1922 aras›nda bir iliflkiyi Picasso’nun Gizemi screen, the frame--become Pera Film parallel to Picasso - Suite Vollard: Engravings e x h i b i t i o n is a legend whose paintings dokuz balenin (, belgeseli ile sanatç›n›n Picasso's canvas, and we find presents a film program entitled Picasso: Cinematic Expressions. ourselves inside his prodigious almost everyone can visualise ve Bir K›r Tanr›s›n›n Ö¤leden yaratmas› ve yoketmesi üzerine today. His works and character Sonras› gibi) tasar›mlar›n› yapt›, The program includes feature films and documentaries inspired kurar. 1955’te Clouzot arkadafl› genius as works of beauty and related to Picasso’s passionate, colorful universe as well as spontaneously burst forth and had an enormous influence on bunun için Jean Cocteau, Erik ile biraraya 20th century art. As an artist Satie, Igor Stravinski, Claude the various themes taking place in his exhibited works. The two are instantly crushed beneath gelerek sanatç›n›n farkl› çal›flma and man, he is still one-of-a- Debussy, Léonide Massine ve feature length documentaries The Mystery of Picasso by Clouzet yöntemlerini olabildi¤ince the weight of new images, new i d e a s . kind, rather like the collection of Vaslav Nijinski gibi sanatç›larla and P i c a s s o by Didier Baussy-Oulianoff shed light on Picasso’s kameraya almaya çal›fl›rlar. his works on display at the iflbirli¤i yapt›. Mavi Tren 1924, Picasso çal›fl›rken kamera tam life, character and his works. Paris Opera Bellet’s 1970s Picasso Museum in Paris. Didier Üç Köfleli fiapka 1919 tarihli. ‹lk karfl›s›nda O’nu çeker, f›rças›yla Like a matador confronting a production Diaghilev, Cocteau - Picasso and Dance presents a bull, the artist approaches his Baussy-Oulianoff presents them, olarak Sergei Diaghilev yaratt›¤› darbeleri ve akan taraf›ndan yarat›lm›fl olan bu iki lesser known side of Picasso – his involvement with the easel. As he wields his brush, sorts them according to period boyalar› hareket halinde yakalar. and establishes what inspired tarihi bale, Paris Opera Balesi Bunun sonucunda Clouzot’nun the painting dances into being productions and creative designs. In connection with Picasso’s them. Baussy's analysis also taraf›ndan yeniden canland›r›ld›. personal relationship with the Spanish Civil War; Victor Erice’s filmi - perdesi ve karesi, before our eyes. This entirely Henri-Georges Clouzot new kind of art documentary explains why some of the The Spirit of the Beehive is a haunting, atmospheric piece set in Picasso’nun tuvali haline gelir ve paintings on display were so Mavi Tren, fl›k ve nefleli bir Didier Baussy-Oulianoff izleyici olarak kendimizi captures the moment and the rural Spain soon after the War depicting a family on the verge of mystery of creativity; for the film, close to Picasso's heart that he toplulu¤u ele alan dansl› bir sanatç›n›n ola¤anüstü yarat›c› never sold them, preferring to operet. Senaryoyu yazan Jean Jean-Luc Godard collapse. With his engravings just as Picasso is the sculptor and dehas›; güzel yap›tlar› ile ani the master created 20 artworks, ranging from playful black-and- hold on to them until he died. Cocteau, aç›k havada yaflam, Victor Erice in the way of a modern Pygmalion, he first delights in the yaratt›¤› imgeler ve yeni fikirler güzel bedenler ve spor kültünü observation of the model, to then only have eyes for his work. içinde buluruz. white sketches to widescreen Leslie Howard / Anthony Asquith color paintings. Using inks that alayc› bir dille yüceltiyor. The film P y g m a l i o n a comedy of bad manners, based on the play bled through the paper, Picasso Danslar›n esin kayna¤›ysa golf, by George Bernard Shaw tells the story of Henry Higgins, a Bir matadorun bo¤ay› karfl›s›na tenis, yüzme ve akrobasi. Üç almas› gibi, sanatç› da tuvalini rapidly created fanciful drawings professor of phonetics who makes a bet that he can successfully that Clouzot was able to film Köfleli fiapka bafltan sona al›r karfl›s›na. Sanatç› f›rças›n› ‹spanya. Endülüslü olan Picasso pass off a Cockney flower girl as a refined society lady by from the reverse side, capturing savurdukça, resim gözlerimizin setleri, kostümleri ve tipik bir teaching her how to speak with an upper class accent. Lastly, önünde dans etmeye bafllar. their creation in real time. When the artist decided to paint in ‹spanya manzaras› arac›l›¤›yla Jean-Luc Godard’s C o n t e m p t – is a film that tells the story of an Yepyeni bir belgesel tarz›na balenin atmosferini yakalayan bir oils, the filmmaker switched to American film producer hiring a respected director to direct a film öncülük eden bu film, yaratma sahne perdesini tasarlam›fl. an›n› ve gizemini irdeler. Filmde, color film and employed the adaptation of Homer’s Odyssey. The film’s mythological magic of stop-motion animation. S›cak bir mizahla anlat›lan sanatç› 20 siyah-beyaz ve renkli hikâye, bir de¤irmencinin references and the relation of man to nature share interesting resim yarat›r. K⤛ttan akan The Mystery of Picasso is exhilarating, mesmerizing, and kar›s›n›, onun k›skanç kocas›n› common strings with Picasso’s themes. mürekkebi kullanarak ve kad›n›n peflini b›rakmayan unforgettable; it is simply one of Picasso’nun h›zla çizdi¤i bunak bir hakimi konu ediniyor. desenleri yönetmen Clouzot the greatest documentaries on art ever made. The French tersinden çekme imkân› bulur. Between 1917 and 1962, Sanatç› renkli boya kullanmaya government in 1984 it declared the film a national treasure. Picasso was involved in creating bafllad›¤› zaman Clouzot da the designs for nine ballets including Parade, Pulcinella and yönetmeni (Fritz Lang burada L'Après-midi d'un Faune, in asl›nda kendisini oynuyor) ve experience that forever alters collaboration with such artists çalkant›l› iliflkilerinden art›k young Ana's perception of the 16 - 28 Mart as Jean Cocteau, Erik Satie, Igor b›km›fl olan sinirli kar›s›n› world around her... and her March 2010 Stravinsky, Claude Debussy, (Brigitte Bardot) memnun ability to mold reality to her own Léonide Massine and Vaslav etmeye çal›flmas›yla ilgili. Ancak imaginative purposes. Nijinsky. dates bunlar›n hepsi görüntüden Gösterim from 1924 and Le Tricorne from ibaret, çünkü Godard ticari 1919. These two historic Hollywood filmini muzip (ve evet, Program› ballets, created originally by nefret dolu) bir yap›bozumuna Sergei Diaghilev, have been u¤rat›rken filmseverlerin Screen›ng revived by the Paris Opera bay›laca¤› güçlü espriler, aflkla, Ballet. y›ld›zl›kla ve sanatç›l›kla ilgili Schedule keskin gözlemler ve ›fl›lt›l› bir stil Le Train Bleu is an operetta kullan›yor, sonunda da elinin Ar› Kovan›n›n dansé of a chic and flippant tersiyle itti¤i bu sanat›n pekala Ruhu 16 Sal› Tuesday 23 Sal› Tuesday society. Jean Cocteau, who ustas› oldu¤unu hissettiriyor. 16:00 17:00 wrote the scenario, mockingly Nefret, ünlü yönetmenin en The Sp›r›t of Picasso’nun Gizemi Çiçekçi K›z Pygmalion celebrates the cult of open air anlafl›l›r, en ilginç filmlerinden life, fine bodies and sport. The biri. ‹çinde yaflad›klar› dönem The Beeh›ve The Mystery of Picasso dances are inspired by golf, yüzünden her türlü zarafetten 19:00 Yönetmen D i r e c t o r Victor Erice tennis, swimming and yoksun kalm›fl erkekler ve 18 Perflembe Thursday Picasso ve Dans Oyuncular C a s t Ana Torrent, Isabel acrobatics. Le Tricorne is kad›nlar hakk›nda. Ama roman›n Tellería, Fernando Fernán Gómez, 16:00 Picasso and Dance Spanish from start to finish. psikolojisinin yerine son derece Teresa Gimpera, Queti de la Cámara Picasso’nun Gizemi Picasso, a native of Andalusia, s›k› bir estetik koyan film, bu 1973, 99’, Renkli C o l o r The Mystery of Picasso 2 4 Çarflamba W e d n e s d a y created sets, costumes, and a insanlar›n (ve bizim) nerede hata ‹spanyolca, Türkçe altyaz›l› stage curtain, which evokes the yapt›¤›n› ola¤anüstü bir zarafetle Spanish with Turkish subtitles Çiçekçi K›z 15:00 atmosphere of the ballet by gösteriyor. 19 Cuma Fr›day Picasso ve Dans means of a typically Spanish Victor Erice’nin bu büyüleyici P y g m a l › o n 17:00 Picasso and Dance scene. The story, told with Godard pursues an iconoclast's güzellikteki filmi, sinema Picasso’nun Gizemi humour and warmth, is of a agenda, using the Franscope tarihinin en unutulmaz çocuk Yönetmen D i r e c t o r Leslie Howard, The Mystery of Picasso 17:00 miller's wife, her jealous format (expertly controlled by performanslar›ndan biri. Anthony Asquith husband and a senile magistrate cinematographer Raoul Coutard) 1970’lerin en büyük ‹spanyol Oyuncular C a s t Leslie Howard, Wendy Picasso: Belgesel Documentary Hiller, Wilfrid Lawson, Marie Lohr, Scott 20 Cumartesi Saturday Meflrutiyet Cad., 65 by whom she is pursued. to undermine the grandeur of filmi olarak alk›fllanan, görsel S u n d e r l a n d Tepebafl›-Beyo¤lu/‹stanbul widescreen melodramas. The aç›dan son derece zarif bir 1938, 96’, Siyah-Beyaz Black & White 12:00 19:00 story ostensibly concerns an “uyan›fl fliiri” olan bu Erice filmi, ‹ngiltere United Kingdom Picasso’nun Gizemi Ar› Kovan›n›n Ruhu Tel: 0 212 334 99 00 innovative production of Homer's 1940’lar›n ilk y›llar›nda, ‹spanya ‹ngilizce, Türkçe altyaz›l› The Mystery of Picasso The Spirit of The Beehive Faks: 0 212 245 95 12 Odyssey and the struggle of a ‹ç Savafl›’n›n yank›lar› taflrada English with Turkish subtitles www.peramuzesi.org.tr respected screenwriter (Michel hala duyulurken, küçük bir Piccoli) to please a pugnacious Castilla köyünde geçiyor. Bu tam George Bernard Shaw’un ayn› 14:00 26 Cuma Fr›day producer (Jack Palance), a anlam›yla k›rsal atmosferde, alt› adl› oyunundan uyarlanan bu Nefret Contempt 14:00 Film Gösterim Ücreti 3 TL veteran director (Fritz Lang, yafl›ndaki Ana, belediye görgüsüzlük komedisinde, ç›lg›n Picasso’nun Gizemi Film Screening Charge essentially playing himself), and binas›nda gösterilen James Profesör Henry Higgins (Leslie 16:00 The Mystery of Picasso Whale’in Frankenstein’›n› Howard), Cockney aksanl› sokak a petulant wife (Brigitte Bardot) Picasso ve Dans who's grown tired of their izledi¤inde alternatif bir efsane k›z› Eliza Doolittle’› (Wendy Hiller) Müze Ziyaret Saatleri turbulent relationship. It's all ve hayal dünyas›na giriyor ve bu alt› ay gibi k›sa bir süre içinde Picasso and Dance 27 Cumartesi Saturday Museum Hours pretense, however, for Godard's deneyim, küçük Ana’n›n “gerçek bir han›mefendi”ye 14:00 Sal› - Cumartesi Tuesday to Saturday 10.00 - 19.00 çevresiyle alg›s›n›, gerçekli¤e dönüfltürece¤i konusunda Ar› Kovan›n›n Ruhu mischievous (and yes, 21 Pazar Sunday Pazar Sunday 12.00 - 18.00 contemptuous) deconstruction of kendi yarat›c› amaçlar› için biçim iddiaya giriyor. Lerner ve 14:00 The Spirit of The Beehive Loewe’ün My Fair Lady’sine esin commercial Hollywood verme yetisini sonsuza dek Picasso’nun Gizemi N e f r e t filmmaking, potently infused with de¤ifltiriyor. kayna¤› olmufl bu Oscar ödüllü Müze Pazartesi günleri kapal›d›r. The Mystery of Picasso 16:00 C o n t e m p t film-buff in-jokes, astute filmin yönetmenli¤ini Anthony The museum is closed on Monday. observations about love, Victor Erice's hauntingly Asquith ve Leslie Howard, Çiçekçi K›z Pygmalion Yönetmen D i r e c t o r Jean-Luc Godard stardom, and artistry, and beautiful film features one of the montaj›n›ysa David Lean 16:00 Oyuncular C a s t Brigitte Bardot, Michel enough glossy style to suggest most unforgettable child üstlenmifl, Shaw, senaryo Picasso ve Dans 18:00 Müze Girifl Ücretleri Piccoli, Fritz Lang, Jack Palance that Godard had mastered the performances in the history of yaz›m›na bizzat kat›lm›fl. Picasso and Dance Nefret Contempt Museum Entrance Charges 1964, 102’, Renkli C o l o r craft he so willfully rejects. cinema. Hailed as the greatest Tam Adults 7 TL Fransa F r a n c e Contempt is one of his most Spanish film of the 1970s, Cranky Professor Henry Higgins ‹ndirimli Concessions 3 TL accessibly fascinating films. Erice's visually elegant "poem of (Leslie Howard) takes a bet that 18:00 28 Pazar Sunday Godard bu filmde Franscope “Contempt” is about men and awakening" takes place in a he can turn Cockney guttersnipe Çiçekçi K›z Pygmalion 18:00 format›n› (görüntü yönetmeni women rendered graceless by small Castilian village in the Eliza Doolittle (Wendy Hiller) into Nefret Contempt Raoul Coutard’›n ustaca their times, but the movie, early 1940s, as echoes of the a “proper lady” in a mere six hakimiyetiyle) kullanarak put substituting rigorous aesthetics Spanish Civil Wart can still be months in this delightful comedy 16:00 y›k›c›l›¤a soyunuyor ve genifl heard throughout the of bad manners, based on the for the novel’s psychology, Ar› Kovan›n›n Ruhu perde melodramlar›n flaflas›n›n shows us where they (and we) countryside. It is here, in this play by George Bernard Shaw. alt›n› çiziyor. Görünürde hikâye, The Spirit of The Beehive went wrong and achieves an richly rural atmosphere, that six- This Academy Award–winning Homeros’un Odysseia’s›n›n extraordinary grace. year-old Ana (played by six-year- inspiration for Lerner and yenilikçi bir prodüksiyonuyla ve old Ana Torrent) is introduced to Loewe’s My Fair Lady w a s 18:00 sayg›n bir senaristin (Michel alternate world of myth and directed by Anthony Asquith and Çiçekçi K›z Pygmalion Piccoli) h›rç›n bir yap›mc›y› (Jack imagination when she attends a star Howard, edited by David Palance), eski toprak bir town-hall showing of James Lean, and scripted by Shaw Whale's Frankenstein, an h i m s e l f .