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Picasso Leaflet renkli filme geçer ve stop-motion Pera Film, Picasso – Suite Vollard Gravürler sergisine paralel animasyon tekni¤inin sihrini P › c a s s o 16 - 28 Mart olarak Picasso: Filmsel Anlat›mlar adl› film program›n› sunuyor. kullan›r. Picasso’nun Gizemi Programda Picasso’nun tutkulu ve renkli dünyas›ndan oldu¤u Belgesel D o c u m e n t a r y büyüleyici, etkileyici ve Yönetmen D i r e c t o r Didier Baussy- March 2010 kadar, sergilenen yap›tlar›nda da görülen çeflitli temalardan unutulmaz bir film olarak, O u l i a n o f f esinlenmifl uzun metrajl› filmler ve belgeseller yer al›yor. Henri- yarat›c›l›k üzerine yap›lm›fl en iyi 1985, 80’, Siyah-Beyaz, Renkli Georges Clouzot’ya ait Picasso’nun Gizemi ve Didier Baussy- belgesellerden biridir. Film, Black & White, Color, Fransa F r a n c e Frans›z Hükümeti taraf›ndan ‹ngilizce, Türkçe altyaz›l› Oulianoff’un P i c a s s o adl› iki uzun metrajl› belgesel; Picasso’nun 1984’te ulusal bir hazine olarak English with Turkish subtitles yaflam›na, kiflili¤ine ve yap›tlar›na ›fl›k tutuyor. Paris Opera kabul edilmifltir. Balesi’nin 1970 prodüksiyonlu Picasso ve Dans ( D i a g h i l e v , Picasso avangartt›, gelenekseldi, erotomanyakt›. Resimlerini Cocteau), sanatç›n›n daha az bilinen bir yan›n› ortaya koyuyor – Just as visual artists understand bugün hemen herkesin gözünde prodüksiyonlar ve yarat›c› tasar›mlarla iliflkisi. Victor Erice imzal› the relationship between P i c a s s o ’ n u n positive and negative space in canland›rabilece¤i bir efsanedir Ar› Kovan›n›n Ruhu, Picasso’nun ‹spanya ‹ç Savafl›’yla kiflisel G i z e m i their work, France's master de Picasso. Yap›tlar› ve iliflkisi ba¤lam›nda, savafl›n hemen sonras›nda, ‹spanya’n›n filmmaker Henri-Georges Clouzot kiflili¤inin 20. yüzy›l sanat› taflras›nda geçen ve y›k›m›n efli¤inde bir aileyi konu alan The Mystery of understood--and set about üzerinde çok büyük bir etkisi Picasso ve büyüleyici bir dönem filmi. Gravürlerinde Picasso heykelt›rafl P i c a s s o demonstrating via The Mystery oldu. Bir sanatç› ve bir insan Dans P › c a s s o of Picasso--the relationship olarak hala türünün tek olarak karfl›m›za ç›kar ve bir tür ça¤dafl Pygmalion’dur, modelini örne¤idir, t›pk› Paris’teki Picasso and Dance gözlemlemekten önce zevk al›r, ama sonra gözü yaln›zca yap›t›n› Belgesel D o c u m e n t a r y between creation and Yönetmen D i r e c t o r H e n r i - G e o r g e s destruction in the artistic Müzesi’nde sergilenen yap›tlar› görür. Çicekçi K›z / Pygmalion adl› film George Bernard Shaw’un D›agh›lev, Cocteau C l o u z o t process. In 1955, Clouzot gibi. Didier Baussy-Oulianoff ayn› adl› oyunundan uyarlanm›fl bir görgüsüzlük komedisi; fonetik Görüntü Yönetmeni C i n e m a t o g r a p h e r teamed with his friend Pablo bunlar› anlat›yor, dönemlerine Paris Opera Profesörü olan Henry Higgins’in, Cockney aksanl› bir çiçekçi k›za Claude Renoir Picasso to capture as many göre s›n›fland›r›yor ve esin Balesi P a r › s 1956, 75’, Siyah – Beyaz, Renkli aspects of the brilliant painter's kaynaklar›n› ortaya koyuyor. üst s›n›f›n aksan›n› ö¤reterek, onu bir sosyete han›mefendisi Black & White, Color, Fransa F r a n c e Opera Ballet working methods as possible. Baussy’nin çözümlemesi ayn› olarak yutturabilece¤i üzerine iddiaya girmesini konu al›yor. Son Frans›zca, Türkçe altyaz›l› zamanda Picasso’nun neden olarak Jean-Luc Godard’›n N e f r e t’i, Amerikal› bir film yap›mc›s›n›n, French with Turkish subtitles Clouzot innovatively placed the Yönetmen D i r e c t o r Didier Baussy- camera in front of Picasso while sergilenen baz› resimleri çok O u l i a n o f f Homeros’un Odysseia’s›n› beyaz perdeye aktarmak üzere sayg›n the latter worked, thus capturing sevdi¤ini ve asla satamad›¤›n›, 1956, 75’, Siyah-Beyaz, Renkli Sanatç›lar›n kendi yap›tlar›ndaki ölümüne dek onlar› elinde bir yönetmeni ifle almas›n› anlat›yor. Filmin mitolojik göndermeleri olumlu - olumsuz mekân astonishing reverse images of Black & White, Color, Fransa F r a n c e ve insan›n do¤ayla iliflkisi, Picasso’nun temalar›yla ilginç ortak brush strokes and "bleeding" tuttu¤unu aç›kl›yor. ‹ngilizce, Türkçe altyaz›l› ikiflkilendirmelerini kurmalar› English with Turkish subtitles noktalar bar›nd›r›yor. gibi, ünlü Frans›z yönetmen inks in volatile motion. The result is that Clouzot's film--the Picasso was avant-garde, Henri-Georges Clouzot da benzer traditional, an erotomaniac. He Picasso 1917-1922 aras›nda bir iliflkiyi Picasso’nun Gizemi screen, the frame--become Pera Film parallel to Picasso - Suite Vollard: Engravings e x h i b i t i o n is a legend whose paintings dokuz balenin (Parade, Pulcinella belgeseli ile sanatç›n›n Picasso's canvas, and we find presents a film program entitled Picasso: Cinematic Expressions. ourselves inside his prodigious almost everyone can visualise ve Bir K›r Tanr›s›n›n Ö¤leden yaratmas› ve yoketmesi üzerine today. His works and character Sonras› gibi) tasar›mlar›n› yapt›, The program includes feature films and documentaries inspired kurar. 1955’te Clouzot arkadafl› genius as works of beauty and related to Picasso’s passionate, colorful universe as well as spontaneously burst forth and had an enormous influence on bunun için Jean Cocteau, Erik Pablo Picasso ile biraraya 20th century art. As an artist Satie, Igor Stravinski, Claude the various themes taking place in his exhibited works. The two are instantly crushed beneath gelerek sanatç›n›n farkl› çal›flma and man, he is still one-of-a- Debussy, Léonide Massine ve feature length documentaries The Mystery of Picasso by Clouzet yöntemlerini olabildi¤ince the weight of new images, new i d e a s . kind, rather like the collection of Vaslav Nijinski gibi sanatç›larla and P i c a s s o by Didier Baussy-Oulianoff shed light on Picasso’s kameraya almaya çal›fl›rlar. his works on display at the iflbirli¤i yapt›. Mavi Tren 1924, Picasso çal›fl›rken kamera tam life, character and his works. Paris Opera Bellet’s 1970s Picasso Museum in Paris. Didier Üç Köfleli fiapka 1919 tarihli. ‹lk karfl›s›nda O’nu çeker, f›rças›yla Like a matador confronting a production Diaghilev, Cocteau - Picasso and Dance presents a bull, the artist approaches his Baussy-Oulianoff presents them, olarak Sergei Diaghilev yaratt›¤› darbeleri ve akan taraf›ndan yarat›lm›fl olan bu iki lesser known side of Picasso – his involvement with the easel. As he wields his brush, sorts them according to period boyalar› hareket halinde yakalar. and establishes what inspired tarihi bale, Paris Opera Balesi Bunun sonucunda Clouzot’nun the painting dances into being productions and creative designs. In connection with Picasso’s them. Baussy's analysis also taraf›ndan yeniden canland›r›ld›. personal relationship with the Spanish Civil War; Victor Erice’s filmi - perdesi ve karesi, before our eyes. This entirely Henri-Georges Clouzot new kind of art documentary explains why some of the The Spirit of the Beehive is a haunting, atmospheric piece set in Picasso’nun tuvali haline gelir ve paintings on display were so Mavi Tren, fl›k ve nefleli bir Didier Baussy-Oulianoff izleyici olarak kendimizi captures the moment and the rural Spain soon after the War depicting a family on the verge of mystery of creativity; for the film, close to Picasso's heart that he toplulu¤u ele alan dansl› bir sanatç›n›n ola¤anüstü yarat›c› never sold them, preferring to operet. Senaryoyu yazan Jean Jean-Luc Godard collapse. With his engravings just as Picasso is the sculptor and dehas›; güzel yap›tlar› ile ani the master created 20 artworks, ranging from playful black-and- hold on to them until he died. Cocteau, aç›k havada yaflam, Victor Erice in the way of a modern Pygmalion, he first delights in the yaratt›¤› imgeler ve yeni fikirler güzel bedenler ve spor kültünü observation of the model, to then only have eyes for his work. içinde buluruz. white sketches to widescreen Leslie Howard / Anthony Asquith color paintings. Using inks that alayc› bir dille yüceltiyor. The film P y g m a l i o n a comedy of bad manners, based on the play bled through the paper, Picasso Danslar›n esin kayna¤›ysa golf, by George Bernard Shaw tells the story of Henry Higgins, a Bir matadorun bo¤ay› karfl›s›na tenis, yüzme ve akrobasi. Üç almas› gibi, sanatç› da tuvalini rapidly created fanciful drawings professor of phonetics who makes a bet that he can successfully that Clouzot was able to film Köfleli fiapka bafltan sona al›r karfl›s›na. Sanatç› f›rças›n› ‹spanya. Endülüslü olan Picasso pass off a Cockney flower girl as a refined society lady by from the reverse side, capturing savurdukça, resim gözlerimizin setleri, kostümleri ve tipik bir teaching her how to speak with an upper class accent. Lastly, önünde dans etmeye bafllar. their creation in real time. When the artist decided to paint in ‹spanya manzaras› arac›l›¤›yla Jean-Luc Godard’s C o n t e m p t – is a film that tells the story of an Yepyeni bir belgesel tarz›na balenin atmosferini yakalayan bir oils, the filmmaker switched to American film producer hiring a respected director to direct a film öncülük eden bu film, yaratma sahne perdesini tasarlam›fl.
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