TPTV Schedule July 29Th– Aug 4Th 2019
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TPTV Schedule July 9Th - 15Th 2018
TPTV Schedule July 9th - 15th 2018 DATE TIME PROGRAMME SYNOPSIS Mon 09 6:00 Scotland Yard 1954. Passenger to Tokyo. Director: Ken Hughes. Stars Kenneth Henry, Jul 18 Ken Marshall & Peter Penn. An unusual operation helps track down the killer of a wealthy woman sent to Tokyo in a trunk. (S1, E10) Mon 09 6:35 20 Questions 1950. Crime. Director: Paul L. Stein. Stars Robert Beatty, Rona Jul 18 Murder Mystery Anderson & Clifford Evans. Someone sends in a question to the B.B.C.'s 20 Questions" programme prior to committing a crime" Mon 09 8:25 Port of Escape 1956. Crime drama directed by Anthony Young. Two men on the run Jul 18 hide out in a Thames boat and take the woman owner hostage. Starring Bill Kerr, Googie Withers and Joan Hickson. Mon 09 10:00 The Return of Frank 1940. Western. Director: Fritz Lang. Stars Henry Fonda, Gene Tierney & Jul 18 James Jackie Cooper. When Jesse James's murderers are set free, his brother Frank vows revenge. Mon 09 11:50 Death Drums Along 1963. Adventure. Directed by Lawrence Huntington. Stars Richard Jul 18 the River Todd, Marianne Koch & Albert Lieven. Inspector Sanders is investigating a murder in an African hospital when he is lead to a silver mine Mon 09 13:30 Home to Danger 1951. Crime directed by Terence Fisher. Barbara (Rona Anderson) Jul 18 returns from abroad after her father's suicide. A changed will leaves Barbara in mortal danger. Mon 09 14:50 Who Goes Next 1938. War. Director: Maurice Elvey. Stars Barry K. -
War Cinema– Or How British Films Learned to Stop Worrying and Love the Affluent Society
1 THE PROFESSIONAL OFFICER CLASS IN POST- WAR CINEMA– OR HOW BRITISH FILMS LEARNED TO STOP WORRYING AND LOVE THE AFFLUENT SOCIETY A thesis submitted for the degree of Doctor of Philosophy by Andrew Roberts College of Business, Arts and Social Sciences of Brunel University 22nd September2014 2 ABSTRACT My central argument is that mainstream British cinema of the 1951 – 1965 period marked the end of the paternalism, as exemplified by a professional ‘officer class’, as consumerism gradually came to be perceived as the norm as opposed to a post-war enemy. The starting point is 1951, the year of the Conservative victory in the General Election and a time which most films were still locally funded. The closing point is 1965, by which point the vast majority of British films were funded by the USA and often featured a youthful and proudly affluent hero. Thus, this fourteen year describes how British cinema moved away from the People as Hero guided by middle class professionals in the face of consumerism. Over the course of this work, I will analyse the creation of the archetypes of post-war films and detail how the impact of consumerism and increased Hollywood involvement in the UK film industry affected their personae. However, parallel with this apparently linear process were those films that questioned or attacked the wartime consensus model. As memories of the war receded, and the Rank/ABPC studio model collapsed, there was an increasing sense of deracination across a variety of popular British cinematic genres. From the beginning of our period there is a number films that infer that the “Myth of the Blitz”, as developed in a cinematic sense, was just that and our period ends with films that convey a sense of a fragmenting society. -
Film Club Sky 328 APRIL Newsletter Freesat 306 MAY 2019 Virgin 445
Freeview 81 Film Club Sky 328 APRIL newsletter Freesat 306 MAY 2019 Virgin 445 Dear Supporters of Talking Pictures TV and Renown Pictures, Thanks so much to all of you who travelled from far and wide to be with us in St Albans for our Festival of Film. It was a great day and a wonderful time was had by all! A full write up is on pages 4 and 5. We will be back at St Albans next year – date to be announced very soon. We now look forward to our first event in the North – The 6th Festival of Film, Sunday 6th October 2019 at The Stockport Plaza. There are just a few hundred tickets left – so do grab yours quick! We are working very hard behind the scenes, putting together a tremendous day for you all at this beautiful, iconic venue. In other news, this month sees the release of our very first CD! We often hear from so many of you about how much you enjoy the soundtracks from the films and series we show, which inspired us to put together a compilation CD. This brilliant 3 disc set of Hits From The Flicks contains over 90 tracks from the eras, films and series we all know and love. Artists include: Cliff Richard & The Drifters, Tommy Steele, Frankie Vaughan, Don Lang, Marty Wilde, Billy Fury, Helen Shapiro, Craig Douglas, Adam Faith, Gene Vincent and Chubby Checker plus many more. The CD set is incredible value at just £20 for all 3 discs with free postage. It’s a limited edition so order while stocks last! See pages 2 and 3 for the offer. -
Boxing Filmography
BOXING FILMOGRAPHY (in chronological order of general release—decade ‘champion’ in bold) 1895 The Boxing Kangaroo (Birt Acres, Robert Paul) Boxing Match (Birt Acres, Robert Paul) 1896 Boxing Match aka Glove Contest (Birt Acres) A Prize Fight by Jem Mace and Burke (Birt Acres) 1897 Boxing Match Between Toff Wall and Dido Plum (Robert Paul) 1898 Has He Hit Me? (William Dickson) 1899 Comic Boxing Match (Unknown) 1900 A Prize Fight or Glove Contest Between John Bull and President Kruger aka The Set-to Between John Bull and Paul Kruger (John Sloane Barnes) © The Author(s), under exclusive license to Springer Nature 235 Switzerland AG 2021 S. Glynn, The British Boxing Film, https://doi.org/10.1007/978-3-030-74210-2 236 BOXING FILMOGRAPHY 1902 The Interrupted Prize Fight (Unknown) 1903 The Pocket Boxers (W.R. Booth) 1908 There’s Life in the Old Dog Yet (S. Wormold) 1909 Boxing Fever (A.E. Coleby) The Boxing Waiter (Alf Collins?) 1910 Black and White (Unknown) The Great Black v. White Prize Fight (Unknown) The Great Fight at All-Sereno (W.R. Booth) Pimple Meets Jack Johnson (Joe and Fred Evans) The Man to Beat Jack Johnson (Unknown) 1911 Billy’s Book on Boxing (H.O. Martinek) The Great Fight for the Championship in Our Court (Unknown) 1912 The Night I Fought Jack Johnson (Unknown) Lieutenant Daring Defeats the Middleweight Champion (Charles Raymond) Battling Kelly (A.E. Coleby) The Knockout Blow (Floyd Martin Thornton?) 1913 Billy’s Boxing Gloves (David Aylott?) Pimple’s Sporting Chance (Fred and Joe Evans) The House of Temperley (Harold M. -
Ealing Studios - Wikipedia Coordinates: 51°30′32″N 0°18′26″W
2/16/2019 Ealing Studios - Wikipedia Coordinates: 51°30′32″N 0°18′26″W Ealing Studios Ealing Studios is a television and film production company and facilities provider at Ealing Green in west London. Will Barker bought the White Lodge on Ealing Green in 1902 as a base for film making, and films have been made on the site ever since. It is the oldest continuously working studio facility for film production in the world,[1] and the current stages were opened for the use of sound in 1931. It is best known for a series of classic films produced in the post-WWII years, including Kind Hearts and Coronets (1949), Passport to Pimlico (1949), The Lavender Hill Mob (1951), and The Ladykillers (1955). The BBC owned and filmed at the Studios for forty years from 1955 until 1995. Ealing Studios Since 2000, Ealing Studios has resumed releasing films under its own name, including the revived St Trinian's franchise. In more recent times, films shot here include The Importance of Being Earnest (2002) and Shaun of the Dead (2004), as well as The Theory of Everything (2014), The Imitation Game (2014) and Burnt (2015). Interior scenes of the British period drama television series Downton Abbey were shot in Stage 2 of the studios. The Met Film School London operates on the site. Contents History Film studios (1902–1955) Owned by the BBC (1955–1995) 1995 to present Ealing Studios films Basil Dean/ATP era Michael Balcon era Documentaries BBC TV productions Later films Independent TV Music videos See also External links References History https://en.wikipedia.org/wiki/Ealing_Studios 1/7 2/16/2019 Ealing Studios - Wikipedia Film studios (1902–1955) The site was first occupied by Will Barker Studios from 1902.[2] From 1929, it was acquired by theatre producer Basil Dean, who founded Associated Talking Pictures Ltd.