Morphology of Magellanic Cloud Planetary Nebulae: Probing Stellar
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Fiction Propels the World, from Artificial Intelligence, Genetic Engineering to Augmented Society
Maria Banaś Poland Fiction Propels the World, from Artificial Intelligence, Genetic Engineering to Augmented Society – on Some Aspects of Stanisław Lem’s Works DOI: 10.15804/tner.2021.64.2.02 Abstract The aim of this paper is to analyse the influence of Stanisław Lem’s works, an outstanding representative of Polish science fiction, philosopher and futur- ologist, on the shape of reality in which we currently function. Undoubtedly, Lem’s writings are a collection of predictions that describe, with unprecedented accuracy, the technologies of virtual reality, nanotechnology, biotechnology or robotics long before they were created. Are we living in a world that was described by one man many years ago? The research method used in this study is the content analysis of the selected novels by Stanisław Lem and the analysis of available secondary data. Let us therefore examine, on the one hand, the predic- tions of the Polish writer related to the development of the latest technologies, the advent of which he forecasted many years before they were created, and, on the other hand, let us consider what social consequences resulting from such a rapid progress in the field of technology the Polish futurologist warns us about. Key words: technological advances, social problems, science fiction, Lem Introduction In contemporary humanistic reflection, the analysis of reality means, among other things, the examination of the effects that popular culture has on societies, being a source of thought and behaviour patterns, entering almost every sphere of 30 Maria Banaś human activity. Its universal appeal does not bypass the world of technology and invention. -
Downloaded” to a Computer Than to Answer Questions About Emotions, Which Will Organize Their World
Between an Animal and a Machine MODERNITY IN QUESTION STUDIES IN PHILOSOPHY AND HISTORY OF IDEAS Edited by Małgorzata Kowalska VOLUME 10 Paweł Majewski Between an Animal and a Machine Stanisław Lem’s Technological Utopia Translation from Polish by Olga Kaczmarek Bibliographic Information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data is available in the internet at http://dnb.d-nb.de. Library of Congress Cataloging-in-Publication Data A CIP catalog record for this book has been applied for at the Library of Congress. The Publication is founded by Ministry of Science and Higher Education of the Republic of Poland as a part of the National Programme for the Development of the Humanities. This publication reflects the views only of the authors, and the Ministry cannot be held responsible for any use which may be made of the information contained therein. ISSN 2193-3421 E-ISBN 978-3-653-06830-6 (E-PDF) E-ISBN 978-3-631-71024-1 (EPUB) E-ISBN 978-3-631-71025-8 (MOBI) DOI 10.3726/978-3-653-06830-6 Open Access: This work is licensed under a Creative Commons Attribution Non Commercial No Derivatives 4.0 unported license. To view a copy of this license, visit https://creativecommons.org/licenses/by-nc-nd/4.0/ © Paweł Majewski, 2018 . Peter Lang – Berlin · Bern · Bruxelles · New York · Oxford · Warszawa · Wien This publication has been peer reviewed. www.peterlang.com Contents Introduction ........................................................................................................ 9 Lemology Pure and Applied ............................................................................. 9 Part One Dialogues – Cybernetics as an Anthropology ........................................ -
The Silent Star : the Context, Score and Thematics of the 1960 Film Adaptation of Stanisław Lem's Novel Astronauci
Sounds of The Silent Star : The context, score and thematics of the 1960 film adaptation of Stanisław Lem's novel Astronauci Philip Hayward, Natalie Lewandowski Science Fiction Film and Television, Volume 3, Issue 2, Autumn 2010, pp. 183-200 (Article) Published by Liverpool University Press For additional information about this article https://muse.jhu.edu/article/400618 Access provided by McGill University Libraries (24 Nov 2017 13:41 GMT) Sounds of The Silent Star The context, score and thematics of the 1960 film adaptation of Stanisław Lem’s novel Astronauci Philip Hayward and Natalie Lewandowski Our study examines the production context and interrelation of sound design, score and thematics in the feature film adaptation of Stanisław Lem’s 1951 novel Astronauci (‘Astronauts’). This article analyses the production of the original 1960 version, directed by East German Kurt Maetzig (in dual language versions) as an East German/Polish co-production entitled Der Schweigende Stern/Milcząca Gwiazda (both translating as The Silent Star), with particular regard to its innovative use of sound design and electronic music, and the manner in which these function to create senses of interplanetary difference, alienation and modernity appropriate to the film’s cautionary moral-ecological narrative. Jim Finn’s film Interkosmos (2006) provides an account of the East German space programme in the 1970s, depicting the national space agency’s attempt to explore and subsequently colonise the moons of Jupiter and Venus. Peppered with Marxist rhetoric, the film shows visualisations of space flights accompa- nied by dry narration and crackly voice communications between astronauts. The film is – of course – a spoof. -
Stanislaw Lem: Philosopher of the Future Lemography: Stanislaw Lem in the Eyes of the World
Fafnir – Nordic Journal of Science Fiction and Fantasy Research journal.finfar.org BOOK REVIEW: Stanislaw Lem: Philosopher of the Future Lemography: Stanislaw Lem in the Eyes of the World Michael Godhe Swirski, Peter. Stanislaw Lem: Philosopher of the Future. Liverpool UP, 2015. ISBN 978-1789620542. Swirski, Peter, and Waclaw M. Osadnik, editors. Lemography: Stanislaw Lem in the Eyes of the World. Liverpool UP, 2014. ISBN 978-1789620535. Most people probably know Stanislaw Lem (1921–2006) as the author of Solaris (1961) thanks to the 1972 film adaption by Russian director Andrei Tarkovsky, or perhaps even from the 2002 remake by American director Steven Soderbergh. For a long time, the English translation of Solaris was based on a 1966 French translation from the original Polish, but today, fortunately, Solaris and many of Lem’s other novels, essays, criticism, and short-story collections have been translated directly into English, as well as approximately 40 other languages. Overall, his books have sold more than 40 million copies. No doubt, Stanislaw Lem must be considered one of the iconic names in the history of SF, but as with many writers from the Golden Age of SF – Isaac Asimov and Arthur C. Clarke, for example – his oeuvre ranged widely between many different genres, fiction as well as non-fiction. In this review, I first discuss Peter Swirski’s monograph Stanislaw Lem: Philosopher of the Future, an overall excellent introduction to Lem’s career that includes a comprehensive biographical overview and critical interpretations of his novels and essays, before subsequently discussing the collection that Swirski and Waclaw M. -
Błąd Pomiaru Przesunięcia Ku Czerwieni. Polityczne I Niepolityczne
WIELOGŁOS Pismo Wydziału Polonistyki UJ 3 (21) 2014, s. 73–89 doi:10.4467/2084395XWI.14.034.2992 www.ejournals.eu/Wieloglos Szymon Piotr Kukulak Błąd pomiaru przesunięcia I SZKICE ROZPRAWY ku czerwieni. Polityczne i niepolityczne korzenie utopijności w twórczości fantastyczno-naukowej Stanisława Lema Abstract Redshift uncertainty. Political and non-political roots of Utopia in science fi ction works of Stanislaw Lem The article focuses on the origins of Eutopian and Dystopian aspects of selected works of Stanislaw Lem, which were divided into pre- and post-Thaw ones (due to the dif- ferences in their relation with the tradition of that genre). Eutopian characteristics can be found in the fi rst science fi ction stories of Lem (both quasi-social realistic ones, set in the Communist Bloc countries, and their darker counterparts, set on the other side of the Iron Curtain). Technology seems to be more important there than politics. Similarily, science and technology form the basis of Eutopian visions of communist paradise in The Astronauts and The Magellanic Cloud (as well as Dystopian images of the enemies of communism in both novels, Venusians and long-dead “Atlanteans”, i.e. NATO members). Their very creation seems to be an effect of Lem’s own desire to write about space travels, which – in Stalinist era – wasn’t possible any other way. After the Thaw, both Dystopian and Utopian elements in Lem’s fi ction gradually lose their political characteristics, corresponing with the grow of Lem’s interest in more universal matters. His later utopias still seem to origin primarely from the fi eld of sci- ence and technology, and not of politics or philosophy. -
Yearbook 12-2-Lam.Indd
Yearbook of Conrad Studies (Poland) Vol. 12 2017, pp. 133–149 doi: 10.4467/20843941YC.17.010.8667 THE CONRADIAN ‛SHADOW-LINE’ IN SELECTED WORKS BY STANISŁAW LEM Daniel Vogel State University of Applied Sciences in Racibórz Abstract: Joseph Conrad wrote The Shadow-Line. A Confession at the end of 1916, when Europe was in the middle of the Great War. As he mentions in the “Author’s Note” (written in 1920), the purpose of the work was to present certain events connected with the passage from youth to matu- rity. However, in the course of time the expression “shadow line” gained more universal meaning, and now the phrase “to cross the shadow-line” refers not only to crossing the border between youth and maturity, but to passing from one period of life into another. The literary output of Joseph Conrad, had considerable infl uence not only on his contemporaries or immediate followers, but on the modern artists as well. One of them was Stanisław Lem—philosopher, essayist, author of excel- lent Science-Fiction novels and short stories, peopled with such characters as Ijon Tichy, Professor Tarantoga or the unforgettable Pirx the pilot. Although in his works Lem, save a few exceptions, does not make direct references to Joseph Conrad and his fi ction, Conradian motifs can be traced in most of his novels. One of them is the motif of crossing the shadow-line, noticeable in such works as Return from the Stars, The Invincible, Tales of Pirx the Pilot. The article shows how the author of Solaris used the motif of Conradian “shadow-line” to present the diffi cult moments, decisions and dilemmas of his protagonists. -
Błąd Pomiaru Przesunięcia Ku Czerwieni. Polityczne I Niepolityczne
WIELOGŁOS Pismo Wydziału Polonistyki UJ 3 (21) 2014, s. 73–89 doi:10.4467/2084395XWI.14.034.2992 www.ejournals.eu/Wieloglos Szymon Piotr Kukulak Błąd pomiaru przesunięcia I SZKICE ROZPRAWY ku czerwieni. Polityczne i niepolityczne korzenie utopijności w twórczości fantastyczno-naukowej Stanisława Lema Abstract Redshift uncertainty. Political and non-political roots of Utopia in science fi ction works of Stanislaw Lem The article focuses on the origins of Eutopian and Dystopian aspects of selected works of Stanislaw Lem, which were divided into pre- and post-Thaw ones (due to the dif- ferences in their relation with the tradition of that genre). Eutopian characteristics can be found in the fi rst science fi ction stories of Lem (both quasi-social realistic ones, set in the Communist Bloc countries, and their darker counterparts, set on the other side of the Iron Curtain). Technology seems to be more important there than politics. Similarily, science and technology form the basis of Eutopian visions of communist paradise in The Astronauts and The Magellanic Cloud (as well as Dystopian images of the enemies of communism in both novels, Venusians and long-dead “Atlanteans”, i.e. NATO members). Their very creation seems to be an effect of Lem’s own desire to write about space travels, which – in Stalinist era – wasn’t possible any other way. After the Thaw, both Dystopian and Utopian elements in Lem’s fi ction gradually lose their political characteristics, corresponing with the grow of Lem’s interest in more universal matters. His later utopias still seem to origin primarely from the fi eld of sci- ence and technology, and not of politics or philosophy. -
A Readers Theatre Production of Three Stories From
A READERS THEATRE PRODUCTION OF THREE STORIES FROM STANISLAW LEM'S THE CYBERIAD; FABLES FOR THE CYBERNETIC AGE by CONNIE TAPP BANDY, B.S. in Ed. A THESIS IN SPEECH COMMUNICATION Submitted to the Graduate Faculty of Texas Tech University in -Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS Approved Accepted December, 1982 7:- : I P"— ^ ACKNOWLEDGMENTS I am deeply indebted to Dr. Vera L. Simpson for her direction of this thesis, and for her help and encouragement throughout the years. I would also like to thank Dr. William J. Jordan and Dr. Keith V. Erickson for their helpful criticism and advice. I would like to express my gratitude to Mrs. Linda Milam Vancil and to Mr. Julian "Kip" Hyde, who also read the role of Klapaucius, for their invaluable help in staging this readers theatre production, as well as to the rest of my cast for their hard work: Mr. Ernest Barton, Ms. Joyce Elliot, and Ms. Linda Thompson. Mr. Stephen Tolle designed the backdrop for the set. 11 CONTENTS ACKNOWLEDGMENTS 11 I. INTRODUCTION 1 Review of Previous Studies in Science Fiction 2 Oral Interpretation and Readers Theatre as Modes of Literary Study 5 Justification of the Study 7 Statement of Problem 10 Methodology 11 Summary of Chapters 11 II. LEM'S LIFE AND LITERATURE 15 Difficulties in Working with Translations 15 Brief Biography of Lem 18 Lem's Works 19 Lem's Major Themes and Techniques 26 Reasons for Choosing The Cyberiad Selections 27 Summary 29 III. CONFRONTATION, MEDITATION, CONTROL AND RECOGNITION OF THE STRUCTURAL DYNAMICS OF THE LITERATURE 32 Director's Role: Confrontation 32 Director's Role: Meditation 34 Director's Role: Determination of Control and Structural Dynamics 35 Director's Role: Assembling the Cast 38 Group Process: Confrontation 41 Group Process: Meditation and Control 43 Group Process: Recognition of Structural Dynamics 44 Summary 45 IV. -
Militaryzacja I Zbrojenia Kosmosu : Studium Prawnomiędzynarodowe
Title: Militaryzacja i zbrojenia kosmosu : studium prawnomiędzynarodowe Author: Damian Maria Bielicki Citation style: Bielicki Damian Maria. (2014). Militaryzacja i zbrojenia kosmosu : studium prawnomiędzynarodowe. Praca doktorska. Katowice : Uniwersytet Śląski UNIWERSYTET ŚLĄSKI W KATOWICACH WYDZIAŁ PRAWA I ADMINISTRACJI Damian Maria Bielicki Nr albumu 4787 Militaryzacja i zbrojenia kosmosu. Studium prawnomi ędzynarodowe. Rozprawa doktorska napisana pod kierunkiem naukowym Prof. dr hab. Barbary Mikołajczyk KATOWICE 2014 SPIS TRE ŚCI WYKAZ SKRÓTÓW .......................................................................................................... 3 1. Organizacje narodowe i mi ędzynarodowe ................................................................... 3 2. Umowy mi ędzynarodowe ............................................................................................ 4 3. Zbiory dokumentów i periodyki .................................................................................. 6 4. Skróty techniczne ......................................................................................................... 7 5. Inne .............................................................................................................................. 8 WST ĘP ................................................................................................................................ 9 ROZDZIAŁ I: ZAGADNIENIA WPROWADZAJ ĄCE I ŹRÓDŁA PRAWA ............... 15 1. Rozwój astronautyki i prawa kosmicznego .............................................................. -
GAJEWSKA Zaglada I Gwiazdy.Pdf
AGNIESZKA GAJEWSKA AGNIESZKA GAJEWSKA Monografia Zagłada i gwiazdy. AGNIESZKA GAJEWSKA Przeszłość w prozie Stanisława Lema wpisuje twórczość autora Głosu Pana Fot. Piotr Bedliński w główne nurty polskiej prozy powojennej, w tym w pokolenie Kolumbów, prozę małego realizmu, prozę pacyfistyczną oraz rozrachunki inteligenckie. Pozostawiając na marginesie futurystyczne wizje, historię filozofii i dyskusje z oświeceniem, autorka Agnieszka Gajewska koncentruje się na wątkach, które dotyczą pracuje na stanowisku dwudziestowiecznej historii, odnoszą się adiunkta w Instytucie Filologii do konkretnych wydarzeń historycznych Polskiej UAM w Poznaniu, oraz biograficznych doświadczeń. literaturoznawczyni, autorka W książce poświęconej śladom Zagłady książki Hasło: feminizm (2008). Żydów lwowskich, obecnym w prozie Redaktorka naukowa Stanisława Lema, kontekst historyczny antologii przekładów Teorie obejmuje okres od XIX wieku, gdy wywrotowe oraz podręcznika Ukazanie obecności Zagłady, rozpoczęła się polonizacja galicyjskich akademickiego Kompozycja a nieledwie Lema Żydów, aż do lat siedemdziesiątych i genologia. Ćwiczenia podświadomości pogromowej, wieku następnego, kiedy to pisarz był z poetyki (2010). kompleksu ofiary czy inwigilowany przez bezpiekę. Tło dla We współpracy z prof. Arletą dysocjacyjnego rozbicia interpretacji powieści realistycznych oraz Galant zredagowała numer osobowości, szukającej na science fiction autora Cyberiady stanowią „Studiów Polonistycznych” kolejnych piętrach teoretycznych także nieznane do tej pory fakty z biografii zatytułowany -
39 9 17 1.Pdf
Page SPREAD THE EDIWORDTor’s YOUR WINGS 2 Being young is a hard thing. You might even say a hard work. Of course, the growing generation wants to get for this job as much as possible: impressions, sincere feelings, “Facebook likes”, and money too. Today the young are able to earn good money; one just must have a will for it; not just to work hard but to earn money. It is necessary to learn rather than to cram, try to find your own way and not run on built-by-someone’s rusty rails. First thing to do Page is to feel like finding this way and GO magazine can help with this 18 topic. This special issue of the GO, prepared for the guests of youth forum iVolga. We gathered all the best materials published in this magazine recently. They will give you an idea of what today’s youth is interested in the Samara region, which trends in the world of science and technology attracts young Russians and what scientific and business projects they undertake to develop themselves. The heroes of these stories lived at different times, but they were not afraid of new experiences and wanted to go on forward. Many of them are our compatriots who discovered phenomena and things, SAMARA-RING which are now used worldwide. Russia the Motherland of not only the periodic table, but also the first VCR, a TV and even a robot. By the way for all these people the capitals were only an intermediate stage of career. They found recognition in the places where they were born. -
Technique, Communication and Media in Stanisław Lem's Eden
CzasKultury/English 4/2018 “If Only We Could Communicate with Him”. Technique, Communication and Media in Stanisław Lem's Eden Sławomir Iwasiów Institute of Polish Studies, Cultural Studies and Journalism University of Szczecin Communication problems, manifested in various config- urations and in different interpersonal and non-human relationships are, as needed, one of the main leitmotifs in Stanisław Lem’s science-fiction prose. Interpreting the works of the writer from the perspective of media devel- opment, one could put forward the following thesis: tech- 124 Sławomir Iwasiów, “If Only We Could Communicate with Him”… nological development does not always mean more effi- cient, effective and better communication1. Some examples from Lem’s rich literary output seem to be symptomatic of this. Humanity in Solaris (1961), rep- resented by Kris Kelvin, the main character, has difficul- ty finding a common language with an unexplored and unknown civilisation. In Terminus (1961), a pilot named Pirx, faces a different problem when he tries to recon- struct the course of the spacecraft disaster and is not able to communicate with a robot. In The Invincible (1964) as- tronauts, who were sent on a rescue mission and look for a missing ship, the “Condor”, on the planet Regis, come across a “cloud” of microscopic robots that they are not able to communicate with. His Master’s Voice (1968) de- picts the struggles of scientists trying to decipher an ex- traterrestrial message, and Golem XIV (1981) contains the “lectures” of a supercomputer, which are devoted to the broadly understood media. These and other examples of “communication problems” can be seen today as some- what archaic.