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Daft Punk Collectible Sales Skyrocket After Breakup: 'I Could've Made
BILLBOARD COUNTRY UPDATE APRIL 13, 2020 | PAGE 4 OF 19 ON THE CHARTS JIM ASKER [email protected] Bulletin SamHunt’s Southside Rules Top Country YOURAlbu DAILYms; BrettENTERTAINMENT Young ‘Catc NEWSh UPDATE’-es Fifth AirplayFEBRUARY 25, 2021 Page 1 of 37 Leader; Travis Denning Makes History INSIDE Daft Punk Collectible Sales Sam Hunt’s second studio full-length, and first in over five years, Southside sales (up 21%) in the tracking week. On Country Airplay, it hops 18-15 (11.9 mil- (MCA Nashville/Universal Music Group Nashville), debutsSkyrocket at No. 1 on Billboard’s lion audience After impressions, Breakup: up 16%). Top Country• Spotify Albums Takes onchart dated April 18. In its first week (ending April 9), it earned$1.3B 46,000 in equivalentDebt album units, including 16,000 in album sales, ac- TRY TO ‘CATCH’ UP WITH YOUNG Brett Youngachieves his fifth consecutive cording• Taylor to Nielsen Swift Music/MRCFiles Data. ‘I Could’veand total Made Country Airplay No.$100,000’ 1 as “Catch” (Big Machine Label Group) ascends SouthsideHer Own marks Lawsuit Hunt’s in second No. 1 on the 2-1, increasing 13% to 36.6 million impressions. chartEscalating and fourth Theme top 10. It follows freshman LP BY STEVE KNOPPER Young’s first of six chart entries, “Sleep With- MontevalloPark, which Battle arrived at the summit in No - out You,” reached No. 2 in December 2016. He vember 2014 and reigned for nine weeks. To date, followed with the multiweek No. 1s “In Case You In the 24 hours following Daft Punk’s breakup Thomas, who figured out how to build the helmets Montevallo• Mumford has andearned Sons’ 3.9 million units, with 1.4 Didn’t Know” (two weeks, June 2017), “Like I Loved millionBen in Lovettalbum sales. -
Adult Contemporary Radio at the End of the Twentieth Century
University of Kentucky UKnowledge Theses and Dissertations--Music Music 2019 Gender, Politics, Market Segmentation, and Taste: Adult Contemporary Radio at the End of the Twentieth Century Saesha Senger University of Kentucky, [email protected] Digital Object Identifier: https://doi.org/10.13023/etd.2020.011 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Senger, Saesha, "Gender, Politics, Market Segmentation, and Taste: Adult Contemporary Radio at the End of the Twentieth Century" (2019). Theses and Dissertations--Music. 150. https://uknowledge.uky.edu/music_etds/150 This Doctoral Dissertation is brought to you for free and open access by the Music at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Music by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. -
Brian Wilson's Spacious Estate in West Suburban St
May 24, 1998---- The backyard of Brian Wilson's spacious estate in west suburban St. Charles overlooks a calm pond. A playground set stands near the water. Wilson slowly walks out of the basement studio in the home he shares with wife Melinda and daughters Daria, 2, and Delanie, 6 months old. Wilson squints into the midday sun. He looks at a playground slide. Then he looks at a swing set. Wilson elects to sit down on the saddle swing. In a life of storied ups and downs, Wilson's career is on the upswing. The June release of ``Imagination'' (Giant Records) is a return to 1966's ``Pet Sounds'' in terms of orchestration and instrumentation, with its the ambitious patterns of tympanies and snare drums. But equally important are Wilson's vocals, which are the smoothest and most soulful since 1970's ``Sunflower.'' Wilson, 55, has suddenly defied age. Mick Jagger and Pete Townshend are brittle rock 'n' roll barnacles. Ray Davies and Paul McCartney have matured gracefully. Yet here's Wilson singing with effervescent hope on ``Dream Angel,'' which he co-wrote with his co-producer Joe Thomas and Jim Peterik of Survivor and Ides of March fame. The song was inspired by Wilson's new daughters. They make him happy. He says that is why he is writing happy music. On ``Dream Angel,'' Wilson even returned to the tight, late '50s harmonies of the Dell Vikings (``Come Go With Me'') and the Four Freshmen - happy-go-lucky voices that influenced the Beach Boys when they were young. -
BEACH BOYS Vs BEATLEMANIA: Rediscovering Sixties Music
The final word on the Beach Boys versus Beatles debate, neglect of American acts under the British Invasion, and more controversial critique on your favorite Sixties acts, with a Foreword by Fred Vail, legendary Beach Boys advance man and co-manager. BEACH BOYS vs BEATLEMANIA: Rediscovering Sixties Music Buy The Complete Version of This Book at Booklocker.com: http://www.booklocker.com/p/books/3210.html?s=pdf BEACH BOYS vs Beatlemania: Rediscovering Sixties Music by G A De Forest Copyright © 2007 G A De Forest ISBN-13 978-1-60145-317-4 ISBN-10 1-60145-317-5 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, recording or otherwise, without the prior written permission of the author. Printed in the United States of America. Booklocker.com, Inc. 2007 CONTENTS FOREWORD BY FRED VAIL ............................................... XI PREFACE..............................................................................XVII AUTHOR'S NOTE ................................................................ XIX 1. THIS WHOLE WORLD 1 2. CATCHING A WAVE 14 3. TWIST’N’SURF! FOLK’N’SOUL! 98 4: “WE LOVE YOU BEATLES, OH YES WE DO!” 134 5. ENGLAND SWINGS 215 6. SURFIN' US/K 260 7: PET SOUNDS rebounds from RUBBER SOUL — gunned down by REVOLVER 313 8: SGT PEPPERS & THE LOST SMILE 338 9: OLD SURFERS NEVER DIE, THEY JUST FADE AWAY 360 10: IF WE SING IN A VACUUM CAN YOU HEAR US? 378 AFTERWORD .........................................................................405 APPENDIX: BEACH BOYS HIT ALBUMS (1962-1970) ...411 BIBLIOGRAPHY....................................................................419 ix 1. THIS WHOLE WORLD Rock is a fickle mistress. -
2019/20 Annual Report
ANNUAL REPORT 2019/20 Mandate It is the aim of the Royal Manitoba Theatre The Royal Manitoba Theatre Centre’s John Centre to study, practice and promote all Hirsch Mainstage. PHOTO BY JERRY GRAJEWSKI aspects of the dramatic art, with particular Inset: John Hirsch and Tom Hendry. emphasis on professional production. ABOUT ROYAL MTC Mission The Royal Manitoba Theatre Centre exists When the Winnipeg Little Theatre and Theatre 77 merged to form to celebrate the widest spectrum of theatre the Manitoba Theatre Centre in 1958, the goal was to produce great art. Deeply rooted in the province of theatre with mass appeal. Artistic Director John Hirsch and General Manitoba, which gave it life and provides Manager Tom Hendry staged professional productions of an eclectic for its growth, Royal MTC aspires to both array of plays – classics, Broadway hits and new Canadian work. With reflect and engage the community it serves. the establishment of a second stage for experimental work in 1960, and an annual provincial tour that began in 1961, MTC fully realized Vision the original vision of a centre for theatre in Manitoba. Inspired by the Royal MTC’s theatres and our province will teem with artists and audiences sharing breadth and quality of MTC’s programming, a whole network of what in the act of imagining, enriching lives became known as “regional theatres” emerged across North America. and communities. Since its founding, MTC has produced more than 600 plays with hundreds of actors, including Len Cariou, Graham Greene, Martha Values Henry, Judd Hirsch, Tom Hulce, William Hurt, Tom Jackson, Robert Quality Lepage, Seana McKenna, Eric Peterson, Gordon Pinsent, Keanu A commitment to quality is reflected in the writing of each play, in the actors, directors Reeves, Fiona Reid, R.H. -
ARIA Charts, 1996-04-21 to 1996-06-02
Enjoy CifqrZ ria a TRADE MARK REGD CHART AUS TR A LIAN SINGLES CHA VMS CHART TW LW TI TITLE / ARTIST 1W LW TI TITLE / ARTIST 1 1 8 HOW BIZARRE O.M.C. HUH/POL 5776202 1 1 35 JAGGED LITTLE PILL Alanis Morissette A3 WEA/WAR 9362459012 2 2 10 MISSING THE REMIX EP Everything But The Girl • WEA/WAR 2 3 27 (WHAT'S THE STORY) MORNING GLORY Oasis A4 CRE/SONY 481020.2 3 4 8 FATHER & SON Boyzone PDR/POL 5776792 3 2 5 FALLING INTO YOU Celine Dion A EPI/SONY 483792.2 4 3 12 ONE OF US Joan Osborne A MER/POL 8523682 4 6 16 PRESIDENTS OF THE U.S.A. Presidents Of The U.S.A. A COL/SONY 481039.2 5 6 3 CALIFORNIA LOVE 2Pac ISUPOL 8545692 5 4 21 THE MEMORY OF TREES Enya A3 WEA/WAR 0630128792 6 7 9 ANYTHING 3T EPI/SONY 662696.2 6 8 9 TENNESSEE MOON Neil Diamond A COUSONY 481378.2 7 5 9 SPACEMAN Babylon Zoo • EMI 8826492 7 7 20 NEW BEGINNING Tracy Chapman A WEA/WAR 7559618502 8 10 5 IRONIC Alanis Morissette WEA/WAR 93624365 8 9 25 MELLON COLLIE &THE INFINITE SADNESS Smashing Pumpkins A VIR/EMI 8408642 9 8 12 POWER OFA WOMAN Eternal EMI 8825142 9 5 3 TINY MUSIC... FROM THE VATICAN GIFT SHOP Stone Temple Pilots EW/WAR 7567828712 * 10 NEW SALVATION The Cranberries ISUPOL 8546172 10 11 2 GREATES ITS VOLUME 1 Take That BMG 4321355582 11 9 9 GET DOWN ON IT Peter Andre (Feat. -
ACOUSTIC ALCHEMY and JESSE COOK
SEASON CERRITOS CENTER FOR THE PERFORMING ARTS 2011–2012 SEASON SPONSORS The City of Cerritos gratefully thanks our 2011–2012 Season Sponsors for their generous support of the Cerritos Center for the Performing Arts. SEASON YOUR FAVORITE ENTERTAINERS, YOUR FAVORITE THEATER If your company would like to become a Cerritos Center for the Performing Arts sponsor, please contact the CCPA Administrative Offices at 562-916-8510. SEASON CERRITOS CENTER FOR THE PERFORMING ARTS THE CERRITOS CENTER FOR THE PERFORMING ARTS (CCPA) thanks the following CCPA Associates who have contributed to the CCPA’s Endowment Fund. The Endowment Fund was established in 1994 under the visionary leadership of the Cerritos City Council to ensure that the CCPA would remain a welcoming, accessible, and affordable venue in which patrons can experience the joy of entertainment and cultural enrichment. For more information about the Endowment Fund or to make a contribution, please contact the CCPA Administrative Offices at (562) 916-8510. ENCORE Beth Anderson Rodolfo Chavez Bryan A. Stirrat & Associates Hedy Harrison-Anduha and Liming Chen Jose Iturbi Foundation Larry Anduha Wanda Chen National Endowment for the Susan and Clifford Asai Margie and Ned Cherry Arts Larry Baggs Frances and Philip Chinn Eleanor and David St. Clair Marilyn Baker Nancy and Lance Chontos Terry Bales Patricia Christie HEADLINER Sallie Barnett Richard Christy The Capital Group Companies Alan Barry Rozanne and James Churchill Charitable Foundation Cynthia Bates Neal Clyde Chamber Music Society of Dennis Becker Mark Cochrane Detroit Barbara S. Behrens Michael Cohn The Gettys Family Aldenise Belcer Claire Coleman Los Cerritos Center Yvette Belcher Mr. -
Inclusion, Collaboration & Engagement
American Anthropological Association 107th Annual Meeting November 19–23, 2008 San Francisco, California Inclusion, Collaboration & Engagement Preliminary Program 2008 PRELIMINARY PROGRAM COUNTDOWN TO SAN FRAN C IS C O 107th AAA Annual Meeting | November 19–23, 2008 | San Francisco Hilton and Towers Inclusion, Collaboration & Engagement “Graduate Student Collaborations and tional labor politics and help us delineate an ethnol- Engagements in Environmental Change ogy of labor struggles. Research,” will stress how graduate students can The newly formed Society for Anthropological NOEL J CHRISMAN collaborate on integrative research programs Sciences will sponsor its first AAA sessions, AAA EXECUTIVE PROGRAM CHAIR focused on the human dimensions of environ- which will highlight various formal methods of mental change. collecting, analyzing and visualizing data from It is time to make your final plans for the annu- The Society for the Anthropology of the field, in particular methods of cognitive al meeting, November 19-23 in San Francisco, Consciousness and the Society for Latin anthropology and social network analysis. a beautiful city with much to offer. The Annual American and Caribbean Anthropology will The Society of Lesbian and Gay Meeting Program cosponsor the invited session “Black Atlantic Anthropologists will co-sponsor, with the Committee accepted and Caribbean Religions: Transnational Flows Executive Program Committee, a session titled more than 500 sessions and Local Histories.” This session will bring “Anthropology and Transgender: Rethinking this year. As always, the together researchers documenting the histories Inclusion, Collaboration and Engagement.” annual meeting promises of specific religious communities throughout Trans and non-trans anthropologists, historians, to be a great opportunity the region. -
Lady Sovereign Tvs Last Thursday Night to Wit- Ness the Passing of “ER” to What I’M Sure Will Be a Golden Reign in Alex Terrono Diversify Her Album, the Short Reruns
END OF AN ‘ER’(A) CAMPUS AWAY FOR BANDS THE SUMMMER? Rock out on campus and check out Eve Samborn covers moving out of town some of our very own Wash. U. talent for the summer in Forum today. in Scene. INSIDE Miss the season finale PAGE 6 PAGE 5 of “ER”? Check out Marcia McIntosh’s recap in Ca- denza. BACK PAGE Sthe independentTUDENT newspaper of Washington University in St. Louis LIFE since eighteen seventy-eightg h Vol. 130 No. 76 www.studlife.com Wednesday, April 8, 2009 STDs at WU University to fi nish construction more common than perceived on South 40 before fall move-in William Shim will also offer the South 40 a large nience store,” Carroll wrote. experience and provide basic ameni- Becca Krock Staff Reporter multipurpose room for all types of Jeremy Lai, a sophomore who ties to make living on campus more Staff Reporter uses,” Carroll wrote in an e-mail. will be the student technology coor- convenient for students. STD numbers Wohl’s residential area will form dinator for the new Wohl residential Despite such new perks of liv- After a construction period of a residential college along with area, said there are several benefi ts ing on the South 40, Thompson still The statistical prevalence of across the U.S. over a full school year, the new Rubelmann Hall and new Umrath to living there. decided to live in the Village next sexually transmitted infections on HPV 6.2 million Wohl Center and the new Umrath Hall. “I will never have to leave my year. -
Wouldn't It Be Nice
wouldn’t it be nice by lewis shiner hat if? It’s not just science fiction and fantasy that asks this w question, it’s all of fiction. What if a young student murdered his landlady to prove his moral superiority? What if a woman survived the Civil War and three marriages only to find true love too late? It’s also the question by which we transform ourselves. What if I quit my job and moved to the desert? What if I turned myself loose to create “a teenage symphony to God?” The Icarus who attempted that teenage symphony in 1966 is now 53. For Brian Wilson it’s been thirty years of struggle: with drugs and diet, with people who want to run his life for him, with the intensity of his own feelings. The good news is that Wilson’s life is finally his own again. He is newly married to a woman named Melinda, who is calm and sweet and loving with him. He has a new house in the safety of a gated community high above the city. And he is back in the public eye with two new albums and a movie on the Disney channel. The film is I Just Wasn’t Made For These Times, directed by producer-of-the- moment Don Was. The soundtrack is a kind of Best of Brian Wilson, live in the studio with crack session players like Jim Keltner, Benmont Tench, and Waddy Wachtel. This is not only a wonderful album in its own right, it represents a healing of other wounds. -
Wilson Phillips to Perform at the Fair at the Pne
FOR IMMEDIATE RELEASE NEWS RELEASE WILSON PHILLIPS TO PERFORM AT THE FAIR AT THE PNE For Immediate Release (August 3, 2011) Vancouver, B.C.: The Pacific National Exhibition is pleased to announced the female vocal trio Wilson Phillips has been confirmed to fill the September 1st cancelled Cheap Trick date. The trio, which consists of Carnie and Wendy Wilson (daughters of Beach Boy Brian Wilson) and Chynna Phillips (daughter of John and Michelle Phillips of the Mamas & the Papas) will be a featured, free with admission performance as part of the PNE’s Summer Night Concerts on the WestJet Concert Stage. “The band has huge popularity right now with the Number 1 song "Hold On" and their very popular appearance in the movie "Bridesmaids.” We’re very excited to have these talented performers as part of our 2011 concert mix,” says PNE Creative Director Patrick Roberge. “We think the band will appeal to a wide number of our Fair guests and is a great addition to our lineup.” Wilson Phillips enjoyed enormous success in the early '90s. Their 1990 self-titled debut album sold over 10 million copies worldwide and scored three Number 1 singles on the Billboard Hot 100, making the trio the best-selling female group at the time. In 1990, the group won the Billboard Music Award for Hot 100 Single of the Year for "Hold On", and in addition was nominated for four Grammy Awards and two American Music Awards. For more information about the PNE or the Summer Night Concerts visit: www.pne.ca. Owned by the City of Vancouver, the Pacific National Exhibition (PNE) is a healthy and vibrant non-profit charity organization dedicated to providing over 3 million visitors a year with first-class cultural, sporting and family entertainment events. -
Table of Contents
1 •••I I Table of Contents Freebies! 3 Rock 55 New Spring Titles 3 R&B it Rap * Dance 59 Women's Spirituality * New Age 12 Gospel 60 Recovery 24 Blues 61 Women's Music *• Feminist Music 25 Jazz 62 Comedy 37 Classical 63 Ladyslipper Top 40 37 Spoken 65 African 38 Babyslipper Catalog 66 Arabic * Middle Eastern 39 "Mehn's Music' 70 Asian 39 Videos 72 Celtic * British Isles 40 Kids'Videos 76 European 43 Songbooks, Posters 77 Latin American _ 43 Jewelry, Books 78 Native American 44 Cards, T-Shirts 80 Jewish 46 Ordering Information 84 Reggae 47 Donor Discount Club 84 Country 48 Order Blank 85 Folk * Traditional 49 Artist Index 86 Art exhibit at Horace Williams House spurs bride to change reception plans By Jennifer Brett FROM OUR "CONTROVERSIAL- SUffWriter COVER ARTIST, When Julie Wyne became engaged, she and her fiance planned to hold (heir SUDIE RAKUSIN wedding reception at the historic Horace Williams House on Rosemary Street. The Sabbats Series Notecards sOk But a controversial art exhibit dis A spectacular set of 8 color notecards^^ played in the house prompted Wyne to reproductions of original oil paintings by Sudie change her plans and move the Feb. IS Rakusin. Each personifies one Sabbat and holds the reception to the Siena Hotel. symbols, phase of the moon, the feeling of the season, The exhibit, by Hillsborough artist what is growing and being harvested...against a Sudie Rakusin, includes paintings of background color of the corresponding chakra. The 8 scantily clad and bare-breasted women. Sabbats are Winter Solstice, Candelmas, Spring "I have no problem with the gallery Equinox, Beltane/May Eve, Summer Solstice, showing the paintings," Wyne told The Lammas, Autumn Equinox, and Hallomas.