30 Th Anniversary Gala
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“Music-Making in a Joyous Sense”: Democratization, Modernity, and Community at Benjamin Britten's Aldeburgh Festival of Music and the Arts
“Music-making in a Joyous Sense”: Democratization, Modernity, and Community at Benjamin Britten's Aldeburgh Festival of Music and the Arts Daniel Hautzinger Candidate for Senior Honors in History Oberlin College Thesis Advisor: Annemarie Sammartino Spring 2016 Hautzinger ii Table of Contents 1. Introduction 1 2. Historiography and the Origin of the Festival 9 a. Historiography 9 b. The Origin of the Festival 14 3. The Democratization of Music 19 4. Technology, Modernity, and Their Dangers 31 5. The Festival as Community 39 6. Conclusion 53 7. Bibliography 57 a. Primary Sources 57 b. Secondary Sources 58 Hautzinger iii Acknowledgements This thesis would never have come together without the help and support of several people. First, endless gratitude to Annemarie Sammartino. Her incredible intellect, voracious curiosity, outstanding ability for drawing together disparate strands, and unceasing drive to learn more and know more have been an inspiring example over the past four years. This thesis owes much of its existence to her and her comments, recommendations, edits, and support. Thank you also to Ellen Wurtzel for guiding me through my first large-scale research paper in my third year at Oberlin, and for encouraging me to pursue honors. Shelley Lee has been an invaluable resource and advisor in the daunting process of putting together a fifty-some page research paper, while my fellow History honors candidates have been supportive, helpful in their advice, and great to commiserate with. Thank you to Steven Plank and everyone else who has listened to me discuss Britten and the Aldeburgh Festival and kindly offered suggestions. -
Britten Spring Symphony Welcome Ode • Psalm 150
BRITTEN SPRING SYMPHONY WELCOME ODE • PSALM 150 Elizabeth Gale soprano London Symphony Chorus Alfreda Hodgson contralto Martyn Hill tenor London Symphony Orchestra Southend Boys’ Choir Richard Hickox Greg Barrett Richard Hickox (1948 – 2008) Benjamin Britten (1913 – 1976) Spring Symphony, Op. 44* 44:44 For Soprano, Alto and Tenor solos, Mixed Chorus, Boys’ Choir and Orchestra Part I 1 Introduction. Lento, senza rigore 10:03 2 The Merry Cuckoo. Vivace 1:57 3 Spring, the Sweet Spring. Allegro con slancio 1:47 4 The Driving Boy. Allegro molto 1:58 5 The Morning Star. Molto moderato ma giocoso 3:07 Part II 6 Welcome Maids of Honour. Allegretto rubato 2:38 7 Waters Above. Molto moderato e tranquillo 2:23 8 Out on the Lawn I lie in Bed. Adagio molto tranquillo 6:37 Part III 9 When will my May come. Allegro impetuoso 2:25 10 Fair and Fair. Allegretto grazioso 2:13 11 Sound the Flute. Allegretto molto mosso 1:24 Part IV 12 Finale. Moderato alla valse – Allegro pesante 7:56 3 Welcome Ode, Op. 95† 8:16 13 1 March. Broad and rhythmic (Maestoso) 1:52 14 2 Jig. Quick 1:20 15 3 Roundel. Slower 2:38 16 4 Modulation 0:39 17 5 Canon. Moving on 1:46 18 Psalm 150, Op. 67‡ 5:31 Kurt-Hans Goedicke, LSO timpani Lively March – Lightly – Very lively TT 58:48 4 Elizabeth Gale soprano* Alfreda Hodgson contralto* Martyn Hill tenor* The Southend Boys’ Choir* Michael Crabb director Senior Choirs of the City of London School for Girls† Maggie Donnelly director Senior Choirs of the City of London School† Anthony Gould director Junior Choirs of the City of London School -
A Culture of Recording: Christopher Raeburn and the Decca Record Company
A Culture of Recording: Christopher Raeburn and the Decca Record Company Sally Elizabeth Drew A thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy The University of Sheffield Faculty of Arts and Humanities Department of Music This work was supported by the Arts & Humanities Research Council September 2018 1 2 Abstract This thesis examines the working culture of the Decca Record Company, and how group interaction and individual agency have made an impact on the production of music recordings. Founded in London in 1929, Decca built a global reputation as a pioneer of sound recording with access to the world’s leading musicians. With its roots in manufacturing and experimental wartime engineering, the company developed a peerless classical music catalogue that showcased technological innovation alongside artistic accomplishment. This investigation focuses specifically on the contribution of the recording producer at Decca in creating this legacy, as can be illustrated by the career of Christopher Raeburn, the company’s most prolific producer and specialist in opera and vocal repertoire. It is the first study to examine Raeburn’s archive, and is supported with unpublished memoirs, private papers and recorded interviews with colleagues, collaborators and artists. Using these sources, the thesis considers the history and functions of the staff producer within Decca’s wider operational structure in parallel with the personal aspirations of the individual in exerting control, choice and authority on the process and product of recording. Having been recruited to Decca by John Culshaw in 1957, Raeburn’s fifty-year career spanned seminal moments of the company’s artistic and commercial lifecycle: from assisting in exploiting the dramatic potential of stereo technology in Culshaw’s Ring during the 1960s to his serving as audio producer for the 1990 The Three Tenors Concert international phenomenon. -
To Download the Full Archive
Complete Concerts and Recording Sessions Brighton Festival Chorus 27 Apr 1968 Concert Dome Concert Hall, Brighton Brighton Festival Belshazzar's Feast Walton William Walton Royal Philharmonic Orchestra Baritone Thomas Hemsley 11 May 1968 Concert Dome Concert Hall, Brighton Brighton Festival Kyrie in D minor, K 341 Mozart Colin Davis BBC Symphony Orchestra 27 Oct 1968 Concert Dome Concert Hall, Brighton Brighton Philharmonic Society Budavari Te Deum Kodály Laszlo Heltay Brighton Philharmonic Orchestra Soprano Doreen Price Mezzo-Soprano Sarah Walker Tenor Paul Taylor Bass Brian Kay 23 Feb 1969 Concert Dome Concert Hall, Brighton Brighton Philharmonic Society Symphony No. 9 in D minor, op.125 Beethoven Herbert Menges Brighton Philharmonic Orchestra Soprano Elizabeth Harwood Mezzo-Soprano Barbara Robotham Tenor Kenneth MacDonald Bass Raimund Herincx 09 May 1969 Concert Dome Concert Hall, Brighton Brighton Festival Mass in D Dvorák Václav Smetáček Czech Philharmonic Orchestra Soprano Doreen Price Mezzo-Soprano Valerie Baulard Tenor Paul Taylor Bass Michael Rippon Sussex University Choir 11 May 1969 Concert Dome Concert Hall, Brighton Brighton Festival Liebeslieder-Walzer Brahms Laszlo Heltay Piano Courtney Kenny Piano Roy Langridge 25 Jan 1970 Concert Dome Concert Hall, Brighton Brighton Philharmonic Society Requiem Fauré Laszlo Heltay Brighton Philharmonic Orchestra Soprano Maureen Keetch Baritone Robert Bateman Organ Roy Langridge 09 May 1970 Concert Dome Concert Hall, Brighton Brighton Festival Mass in B Minor Bach Karl Richter English Chamber Orchestra Soprano Ann Pashley Mezzo-Soprano Meriel Dickinson Tenor Paul Taylor Bass Stafford Dean Bass Michael Rippon Sussex University Choir 1 Brighton Festival Chorus 17 May 1970 Concert Dome Concert Hall, Brighton Brighton Festival Fantasia for Piano, Chorus and Orchestra in C minor Beethoven Symphony No. -
J.E. Gardiner (SDG
Johann Sebastian Bach 1685-1750 Cantatas Vol 27: Blythburgh/Kirkwall SDG138 COVER SDG138 CD 1 50:01 For Whit Tuesday Brandenburg Concerto No.3 BWV 1048 Erwünschtes Freudenlicht BWV 184 Er rufet seinen Schafen mit Namen BWV 175 Lisa Larsson soprano, Nathalie Stutzmann alto Christoph Genz tenor, Stephen Loges bass CD 2 61:26 For Trinity Sunday Höchsterwünschtes Freudenfest BWV 194 C Es ist ein trotzig und verzagt Ding BWV 176 M O heil’ges Geist- und Wasserbad BWV 165 Y Gelobet sei der Herr, mein Gott BWV 129 K Ruth Holton soprano, Daniel Taylor alto Paul Agnew tenor, Peter Harvey bass The Monteverdi Choir The English Baroque Soloists John Eliot Gardiner Live recordings from the Bach Cantata Pilgrimage Holy Trinity, Blythburgh, 13 June 2000 St Magnus Cathedral, Kirkwall, 18 June 2000 Soli Deo Gloria Volume 27 SDG 138 P 2008 Monteverdi Productions Ltd C 2008 Monteverdi Productions Ltd www.solideogloria.co.uk Edition by Reinhold Kubik, Breitkopf & Härtel Manufactured in Italy LC13772 8 43183 01382 1 27 SDG 138 Bach Cantatas Gardiner Bach Cantatas Gardiner CD 1 50:01 For Whit Tuesday The Monteverdi Choir The English Flutes 1-3 12:07 Brandenburg Concerto No.3 BWV 1048 Baroque Soloists Marten Root Sopranos Rachel Beckett in G major / G-dur Suzanne Flowers First Violins 4-9 21:47 Erwünschtes Freudenlicht BWV 184 Gillian Keith Kati Debretzeni Recorders Emma Preston-Dunlop Penelope Spencer Rachel Beckett 10-16 15:51 Er rufet seinen Schafen mit Namen BWV 175 Katharine Fuge Sarah Bealby-Wright Marion Scott Elisabeth Priday Matthew Truscott Catherine -
Mass in C Minor Performances of Two Academy of St Martin Fine Choral Works from in the Fields Two Masters of the Baroque Era
CORO CORO Vivaldi: Gloria in D Fauré: Requiem Bach: Magnificat in D Mozart: Vespers Harry Christophers Elin Manahan Thomas MOZART The Sixteen Roderick Williams Harry Christophers Resounding The Sixteen Mass in C minor performances of two Academy of St Martin fine choral works from in the Fields two masters of the Baroque era. “…the sense of an ecstatic movement towards cor16057 cor16042 cor16057 Paradise is tangible.” the times Handel: Messiah Barber: Agnus Dei 3 CDs (Special Edition) An American Collection Carolyn Sampson Barber, Bernstein, Catherine Wyn-Rogers Copland, Fine, Reich, Mark Padmore del Tredici Christopher Purves “The Sixteen are, as “…this inspiriting new usual, in excellent form performance becomes here. Recording and a first choice.” remastering are top- notch.” Gillian Keith the daily telegraph notch.” cor16062 cor16031 american record guide Tove Dahlberg Harry Christophers Thomas Cooley To find out more about CORO and to buy CDs visit Handel and Haydn Society Nathan Berg www.thesixteen.com cor16084 ne of the many delights of being of your seat” suspense that one feels in the exquisite ‘Et incarnatus est’ and it OArtistic Director of America’s is well worth that risk. One can never achieve this degree of concentration and oldest continuously performing arts total immersion in the music whilst in the recording studio; whatever mood is organization, the Handel and Haydn set, subconsciously we always know we can have another go at it. Society, is that I am given the opportunity to present most of our concert season at I feel very privileged to take this august Society towards its Bicentennial; yes, the Handel and Haydn Society was founded in 1815. -
Adler Fellowship 2020.Pdf
SAN FRANCISCO OPERA CENTER ANNOUNCES 2020 ADLER FELLOWS SAN FRANCISCO, CA (October 31, 2019) — San Francisco Opera Center Director Sheri Greenawald today announced the 12 recipients of the 2020 San Francisco Opera Adler Fellowship. Selected from participants of the Merola Opera Program, the ten singers and two pianists/apprentice coaches begin their fellowships in January 2020. The performance-oriented residency offers advanced young artists intensive individual training, coaching and professional seminars, as well as a wide range of performance opportunities. Since its inception in 1977, the prestigious fellowship has nurtured the development of more than 180 young artists, introducing many budding stars to the international opera stage and launching active careers throughout the world as performers, production artists, arts professionals and educators. The singers selected as 2020 Adler Fellows are sopranos Anne-Marie MacIntosh (Langley, British Columbia, Canada), Elisa Sunshine (San Clemente, California) and Esther Tonea (Buford, Georgia); mezzo-soprano Simone McIntosh (Vancouver, Canada); tenors Zhengyi Bai (Linyi, China), Christopher Colmenero (Burlington, Vermont), Christopher Oglesby (Woodstock, Georgia) and Victor Starsky (Queens, New York); baritone Timothy Murray (Whitefish Bay, Wisconsin); and bass Stefan Egerstrom (Brooklyn Center, Minnesota). Anne-Marie MacIntosh, Elisa Sunshine, Esther Tonea, Victor Starsky, Timothy Murray and Stefan Egerstrom are incoming first-year fellows. 2019 Adlers Simone McIntosh, Zhengyi Bai, Christopher Colmenero and Christopher Oglesby continue in the program as second-year fellows. 1 The pianists selected for Apprentice Coach Fellowships are first-year fellow Andrew King (Syracuse, New York) and returning second-year Adler Kseniia Polstiankina Barrad (Kyiv, Ukraine). The Adler Fellow apprentice coaches work closely with Mark Morash, Director of Musical Studies of the Opera Center, and John Churchwell, Head of Music Staff at San Francisco Opera. -
Howells: Cello Concerto, an English Mass
The Choir of King’s College, Cambridge Final Logo Brand Extension Logo 06.27.12 HOWELLS CELLO CONCERTO AN ENGLISH MASS Guy Johnston | Britten Sinfonia Stephen Cleobury | Christopher Seaman KING’S COLLEGE, CAMBRIDGE For more than half a millennium, King’s College Chapel has been the home to one of the world’s most loved and renowned choirs. Since its foundation in 1441 by the 19-year-old King Henry VI, choral services in the Chapel, sung by this choir, have been a fundamental part of life in the College. Through the centuries, people from across Cambridge, the UK and, more recently, the world have listened to the Choir at these services. Despite its deep roots in musical history, King’s has always been at the forefront of technological innovation. In 2012 it created its ‘impeccable’ record label to capture some of the rich heritage of the College, to feature not only the Choir and other resident musicians, but also its prestigious alumni. This recording features two alumni of King’s: Christopher Seaman (conductor, Cello Concerto), a graduate of King’s, and Guy Johnston (soloist, Cello Concerto), a former Chorister. 2 HERBERT HOWELLS AN ENGLISH MASS The Choir of King’s College, Cambridge Britten Sinfonia Stephen Cleobury conductor Ben Parry assistant conductor TE DEUM AND MAGNIFICAT The Choir of King’s College, Cambridge King’s Voices ‘COLLEGIUM REGALE’ Britten Sinfonia Stephen Cleobury conductor CELLO CONCERTO Guy Johnston cello Britten Sinfonia Christopher Seaman conductor ORGAN WORKS Stephen Cleobury organ 3 CD 1 48:58 1 TE DEUM (COLLEGIUM REGALE) 8:53 AN ENGLISH MASS 2 I Kyrie 5:42 3 II Credo * 8:41 4 III Sursum corda 0:58 5 IV Sanctus 2:50 6 V Benedictus 4:13 7 VI Agnus Dei 3:35 8 VII Gloria 9:09 9 MAGNIFICAT (COLLEGIUM REGALE) | orch. -
Kimberly Barber--Mezzo-Soprano
KIMBERLY BARBER, MEZZO-SOPRANO COMPLETE PERFORMANCE ARCHIVE Operatic and concert performances: 2019 “I never saw another butterfly: Music of the Holocaust”; Recital with Pianist Anna Ronai and Flutist Ulrike Anton; Richmond Hill Centre for the Performing Arts, Richmond Hill, ON, November 7, 2019 Gala Concert: Opening of CASP Conference; Edmonton, AB; mezzo-soprano Elizabeth Turnbull and others; October 16, 2019 Faculty Showcase: Music at Noon; Pianist Anna Ronai, Penderecki String Quartet, Pianists Anya Alexeyev and Glen Carruthers, vocalist Glenn Buhr; Maureen Forrester Recital Hall, Wilfrid Laurier University, Waterloo, ON; September 12, 2019 Mysterious Barricades: The Stories We Tell; Kitchener Public Library Theatre, Kitchener, ON; Pianist Anna Ronai, Penderecki String Quartet, Trumpeter Guy Few and others; Sept 10, 2019 (coast-to-coast livestream Sept. 14-21, 2019) Closing concert Festival de Fourvière; Chateau LaCroix-Laval, Lyon, France; Pianists Franck Avitabile and Catherine Garonne, cellist Yannick Callier; Aug 4, 2019 Opening concert Festival de Fourvière; Hôtel de Ville, Lyon, France; Three Songs of James Joyce, op. 10, Samuel Barber; Pianist Laetitia Bougnol; Aug 1, 2019 Concert Lyrique, NSVI, Église Ste-Claire, Riviere-Beaudette, QC; Pianist Michael Shannon, Mezzo-soprano Maria Soulis and others; July 3, 2019 Église Ste-Madeleine, Rigaud, QC, July 6, 2019 Mme. de la Haltière, Cendrillon, Jules Massenet; Conductor Leslie De’Ath, Soprano Emily Vondrejs, Mezzo-soprano Dominie Boutin and others; Theatre Auditorium WLU, Waterloo, -
Lsm11-6 Ayout
sm20-7_EN_p01_coverV2_sm20-1_BI_pXX 15-06-03 12:55 PM Page 1 RCM_LaScenaMusicale_4c_fp_June+Aug15.qxp_Layoutsm20-7_EN_p02_rcmAD_sm20-1_BI_pXX 15-06-03 12:56 1 2015-05-27PM Page 2 9:33 AM Page 1 2015.16 Terence CONCERT Blanchard SEASON More than 85 classical, jazz, pop, world music, and family concerts to choose from! Koerner Hall / Mazzoleni Concert Hall / Conservatory Theatre Igudesman & Joo Daniel Hope Vilde Frang Jan Lisiecki SUBSCRIPTIONS ON SALE 10AM FRIDAY JUNE 12 SINGLE TICKETS ON SALE 10AM FRIDAY JUNE 19 416.408.0208 www.performance.rcmusic.ca 273 BLOOR STREET WEST (BLOOR ST. & AVENUE RD.) TORONTO sm20-7_EN_p03_torontosummerAD_sm20-1_BI_pXX 15-06-03 12:57 PM Page 3 CELEBRATING 10 YEARS JUL 16-AUG 9 DANISH STRING KARITA MATTILA QUARTET GARRICK AMERICAN OHLSSON AVANT-GARDE DANILO YOA ORCHESTRA OF THE AMERICAS PÉREZ WITH INGRID FLITER AND MUCH MORE! UNDER 35 YEARS OLD? TICKETS ONLY $20! TORONTOSUMMERMUSIC.COM 416-408-0208 an Ontario government agency un organisme du gouvernement de l’Ontario sm20-7_EN_p04_TOC_sm20-1_BI_pXX 15-06-03 12:58 PM Page 4 VOL 20-7 JUNE/JULY/AUGUST 2015 CONTENTS 10 INDUSTRY NEWS 11 Orchestre National de Jazz - Montréal 12 Jazz Festival Picks 14 Classical Festival Picks 19 Arts Festival Picks 21 Summer Listening GUIDES 22 Canadian Summer Festivals 37 REGIONAL CALENDAR 38 CONCERT PREVIEWS YOA ORCHESTRA OF THE AMERICAS 6 FOUNDING EDITORS PUBLISHER OFFICE MANAGER TRANSLATORS SUBSCRIPTIONS Wah Keung Chan, Philip Anson Wah Keung Chan Brigitte Objois Michèle Duguay, Véronique Frenette, Surface mail subscriptions (Canada) cost EDITOR-IN-CHIEF SUBSCRIPTIONS & DISTRIBUTION Cecilia Grayson, Eric Legault, $33/ yr (taxes included) to cover postage and La Scena Musicale VOL. -
G.F.Handel German Arias Trio Sonatas Florilegium with Gillian Keith Soprano Florilegium Director Ashley Solomon
CHANNEL CLASSICS CCS 35117 G.F.Handel German Arias Trio Sonatas Florilegium with Gillian Keith soprano Florilegium Director Ashley Solomon Florilegium egular performances in some of the world’s most prestigious venues have confirmed Florilegium’s status as one of Britain’s most outstanding period instrument ensembles. RSince their formation in 1991 they have established a reputation for stylish and exciting Ashley Solomon interpretations, from intimate chamber works to large-scale orchestral and choral repertoire. flute: after Palanca, by Martin Wenner, 2005 Bojan Cicic violin: Ruggieri, Cremona, c.1680 (kindly loaned by Jumpstart Junior Foundation) Jennifer Morsches cello: Anonymous, Italian Tyrol, c.1720 Terence Charlston harpsichord: Kirckman, London, 1766 (from the collection of the late Christopher Hogwood) Florilegium: Terence Charlston , Ashley Solomon, Bojan Cicic and Jennifer Morsches [ 3 ] Florilegium regularly collaborate with some of the world’s finest singers in programmes from the Gillian Keith 17th and 18th centuries. Concert venues include Sydney Opera House, Esplanade (Singapore), Teatro Colon (Buenos past winner of both the prestigious Kathleen Ferrier Award and the rosl Singing Prize, Aires), Concertgebouw (Amsterdam), Konzerthaus (Vienna), Beethoven-Haus (Bonn), Handel- and a distinguished graduate of the Royal Academy of Music, soprano Gillian Keith Haus (Halle) and Frick Collection (New York). A made her Royal Opera‚ Covent Garden debut as Zerbinetta in Strauss’ Ariadne auf Naxos Among the numerous residencies Florilegium have held was Ensemble-in-Residence at and has gone on to repeat the role with great success at Ópera de Oviedo and Welsh National London’s Wigmore Hall from 1998 to 2000, performing several series of concerts each year and Opera. -
The Music Scene December 2002 — February 2003 Contents E N E C
FREE www.scena.org December 2002 - February 2003 Issue 02 yo-yo Ma An Invitation to Explore Holidays Classical Music Calendar Southern Ontario & Western Canada AVE MARIA BEETHOVEN HANDEL MOZART Sacred Arias And Choruses Symphony No. 9 “Choral” The Messiah (Highlights) Requiem ORFF PETER AND THE WOLF RACHMANINOV TCHAIKOVSKY Carmina Burana Narrated by Piano Concerto No. 2 Nutcracker/Swan Lake Dame Edna Everage Bank/Sparks Ottawa Carrefour Laval Laval Cataraqui Town Centre Kingston Devonshire Mall Windsor Fairview Mall Willowdale First Canadian Place Toronto Halifax Halifax Laurier Ste-Foy Market Mall Calgary Mayfair Victoria Montreal Megastore Montréal Park Royal Vancouver Pointe-Claire Pointe- Claire Polo Park Winnipeg Portage Place Winnipeg Richmond Centre Richmond Rideau Ottawa Scarborough Town Centre Scarborough Sherway Gardens Etobicoke Square One Mississauga St Vital Winnipeg Stone Road Guelph TD Square Calgary Toronto Superstore Toronto Upper Canada Mall Newmarket West Edmonton Edmonton Yonge & Bloor Toronto Yonge & Eglinton Centre Toronto Yorkdale Toronto 3 CDs for $20 offer in effect at participating HMV locations only until December 24, 2002. Offer applies to specially stickered CD selections only. Individually priced at 7.99 each. HMV reserves the right to limit quantities and cease offer at any time. Offer valid only while quantities last. One HMV Coupon Booklet per transaction. HMV reserves the right to limit quantities. Minimum $40 purchase before taxes required. ATMAclassique Introducing the Pacific Baroque Orchestra recognized