Three Plays: Desire Under the Elms / Strange Interlude / Mourning Becomes Electra Pdf, Epub, Ebook
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The Philosophy of Eugene O'neill
Loyola University Chicago Loyola eCommons Master's Theses Theses and Dissertations 1929 The Philosophy of Eugene O'Neill Judith Reynick Loyola University Chicago Follow this and additional works at: https://ecommons.luc.edu/luc_theses Part of the Philosophy Commons Recommended Citation Reynick, Judith, "The Philosophy of Eugene O'Neill" (1929). Master's Theses. 440. https://ecommons.luc.edu/luc_theses/440 This Thesis is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Master's Theses by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 1929 Judith Reynick THE FrlILO~OPHY OF EUG~~B O'NEILL JUDITH Ri!."'YN 10K A thesis submitted in partial fulfillment of the requirements i'or the degree of Master of Arts in Loyola University 1929 Judi th Reyni ck University of Chicago, Ph.B., 1921 • . Teacher of English, Schurz High School. TABLE ·OF GON'r~ . I. INTRODUCTION . 1. ate. temen t of problem 2. Method of dealing with problem·: 3. Brief sketch of au thor GROUPING' Romantic or objective Xaturalistic and autobiographical 3. Symbolic and subjective OONOLUS,IONS IV. LIS T OF PLAYS RE.'V lEi/ED v. BIBLIOGRAPHY F'..;:;",.-o_-----------------:--------, Eugene O'Neill, the American playwrightl That these terms are almost synonymous is the conclusion one is tl forced to, if , to him, a study of contemporary dramatic criticism of the last fourteen years is any criterion. -
Mourning Becomes Electra: Morbid Psychology Under the "Mask"
April 2017 IRA-International Journal of Education & Multidisciplinary Studies ISSN 2455–2526; Vol.07, Issue 01 (2017) Pg. no. 22-26 Institute of Research Advances http://research-advances.org/index.php/IJEMS Mourning Becomes Electra: Morbid Psychology under the "Mask" Gong Yijin Xiamen University, Xiamen, Fujian Province, China. Type of Review: Peer Reviewed. DOI: http://dx.doi.org/10.21013/jems.v7.n1.p3 How to cite this paper: Yijin, G. (2017). Mourning Becomes Electra: Morbid Psychology under the "Mask". IRA International Journal of Education and Multidisciplinary Studies (ISSN 2455-2526), 7(1), 22-26. doi:http://dx.doi.org/10.21013/jems.v7.n1.p3 © Author. This work is licensed under a Creative Commons Attribution-Non Commercial 4.0 International License subject to proper citation to the publication source of the work. Disclaimer: The scholarly papers as reviewed and published by the Institute of Research Advances (IRA) are the views and opinions of their respective authors and are not the views or opinions of the IRA. The IRA disclaims of any harm or loss caused due to the published content to any party. 22 IRA-International Journal of Education & Multidisciplinary Studies ABSTRACT By giving his main characters all with the "life-like mask", Eugene O'Neill in his play Mourning Becomes Electra aims to reveal the morbid psychology behind that people at that time were facing. O'Neill deepens the tragic effect of excessively emotional self-restraint by intentionally making the conflict happen between family members in a puritanical family, and further making it become a family's doomed and repeated fate. -
THE THEME of ORESTEIA in EUGENE O'neill' S MOURNING BECOMES ELECTRA UDC 821.111-21.09 Petra Mitić
FACTA UNIVERSITATIS Series: Linguistics and Literature Vol. 6, No 1, 2008, pp. 73 - 84 THE THEME OF ORESTEIA IN EUGENE O'NEILL' S MOURNING BECOMES ELECTRA UDC 821.111-21.09 Petra Mitić Faculty of Philosophy, Niš Abstract. The paper is concerned with the mythical theme of Oresteia as it has been reworked in Eugene O'Neill's play Mourning Becomes Electra. After juxtaposing the key elements in the story as they appear in Aeschylus and Sophocles on the one hand, and Eugene O' Neill on the other, the analysis moves on to consider the significance of the changes introduced in O'Neill's version of this ancient story. The focal point of the analysis is the brief comparison of two disparate models of reading – the Freudian and the Jungian model – and the relevance of their different implications for the patriarchal culture of reason. Key words: Oresteia, Eschylus, Eugene O'Neill, the myth of Oedipus, Fromm, Freud, Jung While dreaming, man is a great poet; when he wakes up he is a wretched man again. At least in most of the cases.1 I In his dreams man comes back to his inner self. Both dreams and myths are messages that we send to ourselves from the depths of the unconscious. They are the storehouse of our deepest insights connecting modern man with his primeval roots. In them we have the perennial experience of the human race recorded. And yet, in his waking hours, while preoccupied with the self-centered drives of the ego, modern man seems to have forgot- ten the language of his true self.2 According to Giambattista Vico, the l8th century Neapolitan philosopher, man is in- stinctively poetic in his response to the world. -
Through the Looking-Glass. the Wooster Group's the Emperor Jones
Revista de Estudios Norteamericanos, nº 17 (2013) Seville, Spain. ISSN 1133-309-X, pp.61-80 THROUGH THE LOOKING-GLASS. THE WOOSTER GROUP’S THE EMPEROR JONES (1993; 2006; 2009): REPRESENTATION AND TRANSGRESSION EMELINE JOUVE Toulouse II University; Champollion University. [email protected] Received April 26th, 2013 Accepted July 18th , 2013 KEYWORDS The Wooster Group; theatrical and social representation; boundaries of illusions; race and gender crossing; spectatorial empowerment. PALABRAS CLAVE The Wooster Group; representación teatral y social; fronteras de las ilusiones; cruzamiento racial y genérico; empoderamiento del espectador ABSTRACT In 1993, the iconoclastic American troupe, The Wooster Group, set out to explore the social issues inherent in O’Neill’s work and to shed light on their mechanisms by employing varying metatheatrical strategies. Starring Kate Valk as a blackfaced Brutus, The Wooster Group’s production transgresses all traditional artistic and social norms—including those of race and gender—in order to heighten the audience’s awareness of the artificiality both of the esthetic experience and of the actual social conventions it mimics. Transgression is closely linked to the notion of emancipation in The Wooster Group’s work. By crossing the boundaries of theatrical illusion, they display their eagerness to take over the playwright’s work in order to make it their own. This process of interpretative emancipation on the part of the troupe appears in its turn to be a source of empowerment for the members of the audience, who, because the distancing effects break the theatrical illusion, are invited to adopt an active writerly part in the creative process and thus to take on the responsibility of interpreting the work for themselves. -
The Collective Unconscious in Eugene O`Neill`S Desire Under The
Aleppo University Faculty of Arts and Humanities Department of English The Collective Unconscious in Eugene O`Neill`s Desire Under the Elms and Mourning Becomes Electra and George Bernard Shaw`s Pygmalion and Man and Superman: A Comparative Study By Diana Dasouki Supervised by Prof. Dr. Iman Lababidi A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts In English Literature 2018 i Dasouki Declaration I hereby certify that this work, "The Collective Unconscious in Eugene O`Neill`s Desire Under the Elms and Mourning Becomes Electra and George Bernard Shaw`s Pygmalion and Man and Superman: A Comparative Study", has neither been accepted for any degree, nor is it submitted to any other degrees. Date: / / 2018 Candidate Diana Dasouki ii Dasouki Testimony I testify that the described work in this dissertation is the result of a scientific research conducted by the candidate Diana Dasouki under the supervision of Prof. Dr. Iman Lababidi, professor doctor at the Department of English, Faculty of Arts and Humanities, Aleppo University. Any other references mentioned in this work are documented in the text of this dissertation. Date: / / 2018 Candidate Diana Dasouki iii Dasouki Abstract This dissertation explores the theory of the collective unconscious in Eugene O'Neill's Desire Under the Elms and Mourning Becomes Electra and George Bernard Shaw's Pygmalion and Man and Superman. The main objective is to study how the work of Jung has awakened interest in the unconscious and archetype psychology. The collective unconscious is a useful theory because studying literature, myth and religion through archetypes can reveal many deep and hidden meanings. -
6. Emperor Jones As Expressionist Drama
EMPEROR JONES AS AN EXPRESSONIST DRAMA Vijayalakshmi Srinivas The Emperor Jones (written in 1920 and a great theatrical success) is about an American Negro, a Pullman porter who escapes to an island in the West Indies 'not self-determined by White Marines'. In two years, Jones makes himself 'Emperor' of the place. Luck has played a part and he has been quick to take advantage of it. A native tried to shoot Jones at point-blank range once, but the gun missed fire; thereupon Jones announced that he was protected by a charm and that only silver bullets could harm him. When the play begins, he has been Emperor long enough to amass a fortune by imposing heavy taxes on the islanders and carrying on all sorts of large-scale graft. Rebellion is brewing. The islanders are whipping up their courage to the fighting point by calling on the local gods and demons of the forest. From the deep of the jungle, the steady beat of a big drum sounded by them is heard, increasing its tempo towards the end of the play and showing the rebels' presence dreaded by the Emperor. It is the equivalent of the heart-beat which assumes a higher and higher pitch; while coming closer it denotes the premonition of approaching punishment and the climactic recoil of internal guilt of the black hero; he wanders and falters in the jungle, present throughout the play with its primeval terror and blackness. The play consists of a total of eight scenes arranged in hierarchical succession. The first and the last scenes are realistic in the manner of O'Neill's early plays. -
The Hairy Ape As an Expressionist Play
About Us: http://www.the-criterion.com/about/ Archive: http://www.the-criterion.com/archive/ Contact Us: http://www.the-criterion.com/contact/ Editorial Board: http://www.the-criterion.com/editorial-board/ Submission: http://www.the-criterion.com/submission/ FAQ: http://www.the-criterion.com/fa/ ISSN 2278-9529 Galaxy: International Multidisciplinary Research Journal www.galaxyimrj.com www.the-criterion.com The Criterion: An International Journal In English ISSN: 0976-8165 The Hairy Ape As An Expressionist Play Rajesh S. Gore Assistant Professor and Head, Dept.of English Toshniwal College, Sengaon, Dist-Hingoli Abstract: Expressionism is a term first used by painter Julian Auguste Harve in 1901, while trying to distinguish his paintings from Impressionism. Expressionist movement in art was initiated in Germany in early 20th century under the influence of Swedish Playwright Strindberg. It was at its height between 1910-1925, just before, during and after the World War-I. In America, Expressionism made a strong impact on the plays of Eugene O'Neill such as ' The Emperor Jones (19221), The Hairy Ape (1922) and The Great God Brown (1926). The Hairy ape is the first expressionist play in America. The Hairy Ape is an expressionist play by Eugene O’Neil about a brutish, unthinking laborer known as Yank as he searches for a sense of belonging in world controlled by the rich. Keywords: Expressionism, Impressionism, brutish, unthinking, laborer, belonging. Eugene O'Neill is an eminent playwright of the 20th century American drama. He is not only the creator of the serious American drama, but he ranks with the greatest European dramatists of the 20th century. -
The Emperor Jones
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A Rhetorical Analysis of Eugene O'neill's Strange Interlude
This dissertation has been 61-4507 microfilmed exactly as received WINCHESTER, Otis William, 1933- A RHETORICAL ANALYSIS OF EUGENE O'NEILL'S STRANGE INTERLUDE. The University of Oklahoma, Ph.D., 1961 Speech-Theater University Microfilms, Inc., Ann Arbor, Michigan THE UNIVERSITY OF OKLAHOMA GRADUATE COLLEGE A RHETORICAL ANALYSIS OF EUGENE O'NEILL'S STRANGE INTERLUDE A DISSERTATION SUBMITTED TO THE ŒADUATE FACULTY in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY BY OTIS WILLIAM WINCHESTER Tulsa, Oklahoma 1961 A RHETORICAL ANALYSIS OF EUGENE O'NEILL'S STRANGE INTERLUDE APPROVEDB^ DISSERTATION COMMITTEE PREFACE Rhetoric, a philosophy of discourse and a body of theory for the management of special types of discourse, has been variously defined. Basic to any valid definition is the concept of persuasion. The descrip tion of persuasive techniques and evaluation of their effectiveness is the province of rhetorical criticism. Drama is, in part at least, a rhe torical enterprise. Chapter I of this study establishes a theoretical basis for the rhetorical analysis of drama. The central chapters con sider Eugene O'Neill's Strange Interlude in light of the rhetorical im plications of intent, content, and form. Chapter II deals principally with O'Neill's status as a rhetor. It asks, what are the evidences of a rhetorical purpose in his life and plays? Why is Strange Interlude an especially significant example of O'Neill's rhetoric? The intellectual content of Strange Interlude is the matter of Chapter III. What ideas does the play contain? To what extent is the play a transcript of con temporary thought? Could it have potentially influenced the times? Chapter IV is concerned with the specific manner in which Strange Interlude was used as a vehicle for the ideas. -
Tragic Vision in the Works of Eugene O'neill
Tragic Vision in the Works of Eugene O’Neill M. Jayachandran, M.A., M.Phil. Dr. R. Mahendran, M.A., M.Phil., Ph.D. =================================================================== Language in India www.languageinindia.com ISSN 1930-2940 Vol. 13:3 March 2013 =================================================================== Courtesy: http://en.wikipedia.org/wiki/Eugene_O'Neill Introduction Eugene O’Neill’s position in the history of American drama is well established. He is a sincere and conscientious writer who gains popularity and fame as a serious playwright by virtue of his remarkable social consciousness. He has paved the way for an understanding of the predicament by presenting the basic concepts of life through a picture of the American society. The more O'Neill's characters yearn for some higher ideal, for spiritual fulfillment or intellectual or moral freedom, the more mired they become in doomed relationships, addiction, and squalor. O'Neill was a finer thinker than has often been acknowledged, and not quite as solipsistic as his plays can seem in isolation. He wrote not only out of his own suffering and damage, but also rooting his sense of America's modern failures in a framework of classical tragedy. Language in India www.languageinindia.com ISSN 1930-2940 13:3 March 2013 M. Jayachandran, M.A., M.Phil. and Dr. R.Mahendran, M.A., M.Phil., Ph.D. Tragic Vision in the Works of Eugene O’Neill 68 O’Neill’s Tragic Vision Courtesy: http://en.wikipedia.org/wiki/File:Mourning_Becomes_Electra.jpg O’Neill is a modern tragic artist who has a fine sense of dramatic values and a penetrating insight into emotion. -
On Eugene O'neill Inheritance to Greek Tragedy in Desire
Journal of Literature and Art Studies, November 2015, Vol. 5, No. 11, 1042-1046 doi: 10.17265/2159-5836/2015.11.010 D DAVID PUBLISHING On Eugene O’Neill Inheritance to Greek Tragedy in Desire Under the Elms JING Jing HUO Feng-chun Changchun University, Changchun, China NO.20 Junior Middle School of Siping, Siping, China In Desire Under the Elms, Eugene O’Neill not only adopts some elements from Greek tragedies, but brings more different ideas for readers, such as supernaturalism, and the degeneration of the tragic heroes or the peasant like language and sets more comic elements. Under his powerful pen, a marvelous drama is displayed before the audience, which combines the traditional elements and modern creations perfectly. This paper aims to explore the important elements in the play and compare those with what are used in Desire Under the Elms so as to draw the conclusion that Eugene O’Neill not only uses the traditional written skills but also improves the development and inheritance of Greek tragedies. Keywords: Greek tragedy, development, inheritance Introduction Eugene O’Neill is unquestionably American greatest playwright who won Noble Prize for literature in 1936. He wanted contemporary American drama to achieve the power of ancient Greek tragedies. Before O’Neill’s time, Americans saw only imported plays from Europe, melodrama’s farces and sentimental comedies. O’Neill wrote 45 plays which were highly experimental in form and style, combining literary theories of symbolism, naturalism, and expressionism. He had a great influence on later American playwrights, and on those of other countries. With Desire Under the Elms, Eugene O’Neill establishes himself a playwright of genius. -
Uniformity of Theme in Eugene O'neill: Nature, a Sentient Factor in Man's Destiny
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 1932 Uniformity of Theme in Eugene O'Neill: Nature, a Sentient Factor in Man's Destiny Annye Brittingham Burbank College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the American Literature Commons, and the Theatre and Performance Studies Commons Recommended Citation Burbank, Annye Brittingham, "Uniformity of Theme in Eugene O'Neill: Nature, a Sentient Factor in Man's Destiny" (1932). Dissertations, Theses, and Masters Projects. Paper 1539624427. https://dx.doi.org/doi:10.21220/s2-p94p-k619 This Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. UNIFORMITY OF THEME I' in EUGENE O'NEIIt NATURE, A SENTIENT FACTOR IN MAN'S DESTINY by ANNYE BRITSINSHAM BURBANK S0BMITTB3) li PARTIAL F0IF1LLMENT OF THE HFQUIEMEHTS OF THE COLLEGE OF WILLIAM AND MARY for the degree of MASTER OF ARTS CONTENTS Chapter Page I ■purpose of Thesis 7 II Resume of the Life of Eugene Gladstone O'Neill: His Personality and Its Reflection 8 III O*Neill#s Dramatic Technique: 14 Revival of Old and Invention of New Dramatic Devices Expressionism or Symbolism 16 "The Emperor-lOnes" 16 "The Hairy Ape** 17 "Dynamo" 18 Mashs and Chorus 19 "The Great God Brown**