An Introduction for Boys and Girls
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
DANCING DAY MUSIC FORCHRISTMAS FIFTH AVENUE,NEWYORK JOHN SCOTT CONDUCTOR Matthew Martin (B
DANCING DAY MUSIC FOR CHRISTMAS SAINT THOMAS CHOIR OF MEN & BOYS, FIFTH AVENUE, NEW YORK JOHN SCOTT CONDUCTOR RES10158 Matthew Martin (b. 1976) John Rutter (b. 1945) Dancing Day 1. Novo profusi gaudio [3:36] Dancing Day Part 1 Music for Christmas Patrick Hadley (1899-1973) 17. Prelude [3:35] 2. I sing of a maiden [2:55] 18. Angelus ad virginem [1:55] 19. A virgin most pure [5:04] Benjamin Britten (1913-1976) 20. Personent hodie [1:57] A Ceremony of Carols, Op. 28 Part 2 Saint Thomas Choir of Men & Boys, Fifth Avenue, New York 3. Procession [1:32] 21. Interlude [4:05] 4. Wolcum Yole! [1:24] 22. There is no rose [1:53] 3-15 & 17-24 5. There is no Rose [2:26] 23. Coventry Carol [3:54] Sara Cutler harp [1:46] 1 & 16 6. That yonge child 24. Tomorrow shall be my Stephen Buzard organ 7. Balulalow [1:21] dancing day [3:03] Benjamin Sheen organ 2 & 25-26 8. As dew in Aprille [1:02] 9. This little babe [1:30] Traditional English 10. Interlude [3:32] arr. Philip Ledger (1937-2012) John Scott conductor 11. In Freezing Winter Night [3:50] 25. On Christmas Night [2:00] 12. Spring Carol [1:14] (Sussex Carol) 13. Adam lay i-bounden [1:12] 14. Recession [1:37] William Mathias (1934-1992) [1:41] 26. Wassail Carol Benjamin Britten 15. A New Year Carol [2:19] Total playing time [63:58] Traditional Dutch arr. John Scott (b. 1956) About the Saint Thomas Choir of Men & Boys: 16. -
First Evidence of Farming Appears; Stone Axes, Antler Combs, Pottery in Common Use
BC c.5000 - Neolithic (new stone age) Period begins; first evidence of farming appears; stone axes, antler combs, pottery in common use. c.4000 - Construction of the "Sweet Track" (named for its discoverer, Ray Sweet) begun; many similar raised, wooden walkways were constructed at this time providing a way to traverse the low, boggy, swampy areas in the Somerset Levels, near Glastonbury; earliest-known camps or communities appear (ie. Hembury, Devon). c.3500-3000 - First appearance of long barrows and chambered tombs; at Hambledon Hill (Dorset), the primitive burial rite known as "corpse exposure" was practiced, wherein bodies were left in the open air to decompose or be consumed by animals and birds. c.3000-2500 - Castlerigg Stone Circle (Cumbria), one of Britain's earliest and most beautiful, begun; Pentre Ifan (Dyfed), a classic example of a chambered tomb, constructed; Bryn Celli Ddu (Anglesey), known as the "mound in the dark grove," begun, one of the finest examples of a "passage grave." c.2500 - Bronze Age begins; multi-chambered tombs in use (ie. West Kennet Long Barrow) first appearance of henge "monuments;" construction begun on Silbury Hill, Europe's largest prehistoric, man-made hill (132 ft); "Beaker Folk," identified by the pottery beakers (along with other objects) found in their single burial sites. c.2500-1500 - Most stone circles in British Isles erected during this period; pupose of the circles is uncertain, although most experts speculate that they had either astronomical or ritual uses. c.2300 - Construction begun on Britain's largest stone circle at Avebury. c.2000 - Metal objects are widely manufactured in England about this time, first from copper, then with arsenic and tin added; woven cloth appears in Britain, evidenced by findings of pins and cloth fasteners in graves; construction begun on Stonehenge's inner ring of bluestones. -
Preces and Responses
6 ?# Evensong ˙ œ œ paraclete press PPM01512 Give peaceinour time,OLord. $1.70 mf ° # ™ œ œ œ œ œ œ & œ œ™ œ œ œ œ œ œ œ œ œ nœ œ Be - cause there is none oth - er thatfight - eth for us, but ™ œ œ œ œ œ œœ œœ œ œ œ œ œ œ ¢?# œ œ œ œ œ œ œ œ mf f ° Preces and # œ œ œ œ œ™ ˙ & nœ œ œ œ œ œ ˙ Œ on - ly thou, O God. Responses œ œ œ œ ˙ ¢?# œ œ Œ f ?# ˙ œ œ OGod,make clean ourhearts with- in us. Slower p pp David Halls ° # œ œ œ œ œ œ & œ œ œ œ œ œ œ œ œœ œ œ And take not thy Ho - ly Spir - it from us. œ œ œ œœ œ œ œ œ œ œ ¢?# œ œ œ œ œ p pp DO SATBNOT a cappella COPY Collects Very slow 1. p 2. p 3. pp ° # ° # ° # U & ˙ ˙ & ˙ ˙ & œ œ œb œ œ œ w b˙ ˙ ˙ ˙ ˙ ˙ nw A - men. A - men. A --men. b˙ n˙ #˙ ˙ U ?# œ b ˙ ˙ ?# ˙ ˙ ?# n˙ ˙˙w ¢ ¢ ¢ b ˙ w p p pp PPM01512 5 ?# ˙n œ œ OLord, save the Queen. mf ° # œ œ œ œ bœ œ œ Œ & œ œ œ œ œ œ œ œ œ œ nœ œn œœ #˙ And merc- i - ful - ly hear us when we call up - on thee. ?# œ #œ œ œ œ œ bœ #œ œb œ œ #œ œ ˙ David Halls ¢ œ œ œ œ œ œ œ bœ œ œ ˙ Œ mf Born in 1963, David Halls was taught the piano from the age of four. -
Information on Organ and Choral Scholarships in the Colleges at Oxford University Applications for Entry in 2021/2
INFORMATION ON ORGAN AND CHORAL SCHOLARSHIPS IN THE COLLEGES AT OXFORD UNIVERSITY APPLICATIONS FOR ENTRY IN 2021/2 Please note that the information here is provided by the individual colleges, and is subject to change. BALLIOL COLLEGE (ORGAN SCHOLARSHIP ONLY) BRASENOSE COLLEGE (ORGAN AND CHORAL SCHOLARSHIPS) CORPUS CHRISTI COLLEGE (ORGAN SCHOLARSHIP ONLY) CHRIST CHURCH (ORGAN SCHOLARSHIP AND ACADEMICAL CLERKSHIPS) EXETER COLLEGE (ORGAN AND CHORAL SCHOLARSHIPS) HERTFORD COLLEGE (ORGAN SCHOLARSHIP ONLY) JESUS COLLEGE (ORGAN SCHOLARSHIP ONLY) KEBLE COLLEGE (ORGAN AND CHORAL SCHOLARSHIPS) LINCOLN COLLEGE (ORGAN AND CHORAL SCHOLARSHIPS) LADY MARGARET HALL (ORGAN SCHOLARSHIP ONLY) MAGDALEN COLLEGE (ORGAN AND CHORAL SCHOLARSHIPS) MERTON COLLEGE (ORGAN AND CHORAL SCHOLARSHIPS) NEW COLLEGE (ORGAN SCHOLARSHIP AND ACADEMICAL CLERKSHIPS) ORIEL COLLEGE (ORGAN AND CHORAL SCHOLARSHIPS) PEMBROKE COLLEGE (ORGAN SCHOLARSHIP ONLY) QUEEN’S COLLEGE (ORGAN AND CHORAL SCHOLARSHIPS) ST EDMUND HALL (ORGAN AND CHORAL SCHOLARSHIPS) SOMERVILLE COLLEGE (ORGAN AND CHORAL SCHOLARSHIPS) ST PETER’S COLLEGE (ORGAN AND CHORAL SCHOLARSHIPS) UNIVERSITY COLLEGE (ORGAN AND CHORAL SCHOLARSHIPS) WORCESTER COLLEGE (ORGAN AND CHORAL SCHOLARSHIPS BALLIOL COLLEGE Balliol Choir has a warm and lively atmosphere. It is a wonderfully exciting place to be as an Organ Scholar. Balliol Chapel houses a three-manual electric action Harrison organ, complete with pistons and several channels. This is one of the larger college organs in OxFord and is among Oxford’s most versatile for both accompaniment and solo playing. Balliol also has a second organ in the Hall, a splendid Willis instrument previously played at the beginning of celebratory meals and other events. Plans are being made for the Willis to be restored to its full glory. -
Lichfield Cathedral School STATEMENT of BOARDING PRINCIPLES and PRACTICE
Lichfield Cathedral School STATEMENT OF BOARDING PRINCIPLES AND PRACTICE Introduction The School was re-founded in 1942 (as St Chad’s Cathedral School) principally as a boarding school for the choristers of Lichfield Cathedral. However, non-chorister pupils have been admitted from the beginning. Until 1981 the School was owned and governed by the Dean and Chapter of the Cathedral. However, since that date it has been a fully independent, coeducational preparatory school, known as Lichfield Cathedral School, until the decision was taken to move into secondary education in 2005. The school opened the Sixth Form in September 2010. Boys and girls are admitted at any time from the age of 3, choosing either to move on to other Schools at age 11, 13 or 16, or remain at the Cathedral School for their secondary education. There are presently 460 children in the School aged 3 – 18. School Mission Statement Lichfield Cathedral School is committed to creating and maintaining an educational environment which nurtures, nourishes and stimulates young minds and talents; where children may gain a thorough academic foundation; and where daily life is conducted according to Christian values and the experience of Christian worship. The School is determined to provide a secure and ordered framework within which children and young people may grow in self-esteem and confidence, discover the riches of successful participation and achievement, and develop a spirit of generosity and service to the wider community. Boarding at Lichfield Lichfield Cathedral School currently provides a maximum of 24 boarding places for boys aged 8 – 13 accommodated within the Grade 1 listed building known as The Palace in the Cathedral Close. -
Choral Evensong
Summer 2017 Service & Music List Sunday 2nd July The Third Sunday after Trinity Thursday 6th July Decani Week 11.05am Eucharist said in Saint Stephen’s Chapel 9.15am Eucharist said in the Lady Chapel 5.30pm Choral Evensong sung by the Georgia Boys’ Choir 11 .15 am Choral Eucharist sung by the Maryland State Boy choir Canticles Brewer in D Responses: Hancock Setting Piccolo: Canterbury Mass Anthem All in the April evening Roberton Psalm: 34 vv 1 -10 Gradual O sing joyfully Batten Motet Ave Verum corpus Byrd Friday 7th July Preacher The Revd T.S. Forster, B.A., B.Th., M.Phil. 5.30pm Choral Evensong sung by the Georgia Boys’ Choir Prebendary of Yagoe Hymns: 334, 272, 475 3.15pm Choral Evensong sung by the Maryland State Boy choir Canticles Kelly in C Responses: Hancock Anthem Like as the hart Howells Psalm: 37 vv 1 -11 Canticle s Stanford in C Responses: Quinn An them Hail gladdening light Wood Psalm: 12 Saturday 8th July Voluntary Preludium in G Buxtehude Hymns: 483 (t.77), 252 11.05am Eucharist said in Saint Stephen’s Chapel rd Monday 3 July Saint Thomas th 5.30pm Choral Evensong sung by the Georgia Boys’ Choir Sunday 9 July The Fourth Sunday after Trinity Cantoris Week Canticles Dyson in D Re sponses: Hancock Anthem The deer’s cry Pärt Psalm: 18 vv 1 -16 9.15am Eucharist said in the Lady Chapel 11.15am Choral Eucharist sung by the Georgia Boys’ Choir Tuesday 4th July Setting Missa de Angelis 5.30pm Choral Evensong sung by the Georgia Boys’ Choir Gradual Os Justi Bruckner Motet Faire is th e Heaven Harris Canticles Hogan in D b Responses: Hancock Preacher The Revd W.P. -
Download Album Booklet
CHRISTMAS WITH ST JOHN’S Christmas with St John’s unhurried, easy-flowing vernacular feel as Sansom’s powerful verses, and the overall For many people, the pleasures of the Christmas structure is equally effective; the melody is 1 The Shepherd’s Carol Bob Chilcott [3.40] season can be summed up in a single word: first presented by trebles alone before the 2 The Holly and the Ivy Traditional, arr. Henry Walford Davies [2.54] tradition. However, perhaps strangely for a other voices softly enter, one by one, gradually 3 Sir Christèmas William Mathias [1.33] world so steeped in the music and practices layering a serene pillow of harmonic suspensions. 4 O Oriens Cecilia McDowall [4.35] of centuries past, the English sacred choral The one fortissimo moment comes at the 5 Adam Lay ybounden Boris Ord [1.19] scene is as much about the new as it is the central climax, when all the vocal parts join 6 A Spotless Rose Philip Ledger [2.00] in homophony, for the first and only time, 7 The Seven Joys of Mary William Whitehead [4.45] old at this time of year; Christmas presents 8 Dormi Jesu John Rutter [4.56] a golden opportunity to present brand new to describe the angels’ voices. 9 Creator of the Stars of Night Plainsong, arr. John Scott [3.41] music to wide audiences, and the role played 0 I Wonder as I Wander Carl Rutti [1.46] by St John’s College Choir in this area has Henry Walford Davies’ popular 1913 q O Little Town of Bethlehem Henry Walford Davies [4.49] been significant, as demonstrated by this arrangement of The Holly and the Ivy sticks w I Saw Three Ships Traditional arr. -
A Cathedral Training with All the Advantages of a Leading Co-Educational Independent School
NEW: 32ft Double Ophicleide installed in 2017 Application closing dates: Monday 4 November 2019 (Round 1) Saturday 8 February 2020 (Round 2) Sixth Form Open Afternoon Wednesday 9 October 2019 A cathedral training with all the advantages of a leading co-educational independent school. 16+ entry from September 2020 Boarding or Day place with a £5,000 annual grant and a means-tested allowance up to full fees available Find out more information at www.cliftoncollege.com/upper/admissions Or please contact: Mr Daniel Robson, Director of Music, Clifton College: [email protected] / 0117 3157 247 Sir David Willcocks Organ Scholarship Clifton College in partnership with Bristol Cathedral Through its 150 years, Clifton College has been noted for the importance it attaches to organists and organs in the school’s musical life. It has nurtured generations of Old Cliftonian musicians including Boris Ord, the one-handed Dr Douglas Fox (famed for his radio broadcasts and recitals), C.S. Lang, and Sir David Willcocks himself. More recent alumni organists include Charles Matthews (winner of the Franz Liszt Organ Competition), Andrew Nethsingha (Director of Music at St John’s College, Cambridge), and current Oxbridge organ scholars. All have benefited from the four-manual organ in the College chapel, still maintained by its original maker, Harrison and Harrison. Sir David Willcocks MC CBE (1919-2015) Old Cliftonian Director of Music, King’s College, Cambridge (1957-73) Present-day life at the College — daily assemblies with hymns (the congregational singing supported by the College’s 2012 Hymn Book), choral services on Sundays, and the numerous concerts and oratorios performed in the chapel with the organ — ensures that the instrument and its players remain at the heart of College life. -
The 2007 Edition Is Available in PDF Form By
VOX The new Chapter Secretary: Nick Gale [email protected] The Academy of St Cecilia Patrons: The Most Hon. The Marquess of Londonderry Dean and Education Advisor: Sir Peter Maxwell Davies CBE John McIntosh OBE Vice Patrons: James Bowman CBE, Naji Hakim, Monica Huggett [email protected] From the master Treasurer: Paula Chandler [email protected] elcome to the 2007 edition of Vox - the mouthpiece of the Academy of St Cecilia. Registrar: Jonathan Lycett We always welcome contributions from our members - [email protected] indeed without them Vox would not exist. In this edition we announce our restructured Chapter and its new members; feature a major article on Thomas Tallis Director of Communications: whose 500th anniversay falls at this time; and we Alistair Dixon review the Academy’s most major event to date, the [email protected] chant day held in June 2006. Our new address is: Composer in Residence: Nicholas O'Neill The Academy of St Cecilia Email: [email protected] C/o Music Department [email protected] Cathedral House Westminster Bridge Road Web site: LONDON SE1 7HY www.academyofsaintcecilia.com Archivist: Graham Hawkes Tel: 020 8265 6703 [email protected] ~ Page 1 ~ ~ Page 2 ~ Advisors to the Academy Thomas Tallis (c.1505 - 1585) Alistair Dixon, a member of the Chapter of the Academy, spent ten years studying and performing the music of Thomas Tallis. In 2005 Academic Advisor: he released the last in the series of recordings with his choir, Chapelle Dr Reinhard Strohm PhD (KU Berlin) FBA HonFASC. Heather Professor of Music Oxford University du Roi, of the Complete Works of Thomas Tallis in nine volumes. -
Peter Walker CV
PETER WALKER f.r.s.a m.r.b.s a.r.b.s.a sculptor 07968 277610 www.sculptorandartist.com pwalkersculptor@ msn.com 7 The Close / Lichfield / Staffs / WS13 7LD Current ongoing public art / commissions St Chad Commission for a 9ft Bronze Statue / Lichfield Cathedral (completion 2021) Pity of War 7ft bronze sculpture commemorating those who have lost their lives as a consequence of war - National Memorial Arboretum (circa 2021) Shirebrook Mining Memorial 15ft artwork / memorial to the Shirebrook miners and families - in development 2020-2022 ‘The Spirit of Tamworth’ 9ft bronze sculpture of Mercian King - to celebrate the towns history – exp completion 2022 Lichfield Cathedral 5 year placement as sculptor and artist in residence (2016-21) Lichfield Cathedral Artistic Director - ongoing - overseeing the Thematic and Cathedral annual vision and developing annual programming and implantation of visual arts and extended arts practice Sheffield Cathedral Artistic Director (consultant role) (2020-2023) Liverpool Cathedral Artistic and Creative Advisor - 2021-2023 Current and future installation artworks Solo Exhibition Liverpool Cathedral - major sculpture and fine art exhibition 2022 PEACE DOVES Major 25m installation artwork at Liverpool Cathedral 2021 PEACE DOVES Installation at Derby Cathedral Sept 2021 The Leaves of the TreesA touring reflective memorial to the Cornovirus Pandemic - touring to - Exeter Cathedral, Sheffield Cathedral, Lichfield Cathedral, Carlisle Cathedral, Rochester Cathedral, Southwark Cathedral, Southwell Minster, Winchester Cathedral, -
ACFEA Newsletter 97/98
To ur N o t e s PERFORMING ARTS NEWS FROM AROUND THE WORLD 1997-1998 Highlights Trinity Church Traces its Roots Duquesne Wins at Marktoberdorf Alaska Children in Europe Rutgers Women Explore Ireland California Youth Orchestra in Britain and Ireland Spreading Goodwill in the Baltic Republics Missa Gaia on the Riviera Honor Band at WASBE Portland Girlchoir in Australia Festival Sir Simon Rattle conducts The Damanation of Faust in Birmingham Opportunities in the Pacific Northwest ‘VOICES IN For nine days in July, Morrell in the Sheldonian Theatre, Ox- THE CITY’ A the City of Birming- ford. To celebrate the 100th birthday of Alabama Choir Does Europe! ham (England) rang the recording company EMI, the Cleve- HUGE to the sounds of land Orchestra Chorus then joined forces Amherst in Spain and Portugal SUCCESS superlative choral with the City of Birmingham Symphony singing. More than Orchestra and Chorus to give a stunning 2,000 singers from Great Britain, the USA performance of Walton’s Belshazzar’s and Canada took part in over 20 choral Feast, conducted by Sir Simon Rattle in concerts, workshops and master classes, Symphony Hall, Birmingham. They then thrilling the large audiences which filled recorded the work for release by EMI later Symphony Hall and other venues. this year. It was the first major choral festival The final concert of ‘Voices in the in Birmingham since the great triennial City’ proved to be another blockbuster, festivals of the 19th century, which saw with over 300 singers sharing the plat- the first performances of Mendelssohn’s form with a much enlarged CBSO to Elijah and Elgar’s The Dream of perform Berlioz’s dramatic oratorio, The Gerontius, among others. -
Music List – May 2021
MUSIC LIST – MAY 2021 SUNDAY 2nd MAY WEDNESDAY 5th FIFTH SUNDAY OF EASTER Cantoris 5.45pm Choral Evensong services sung by the Boys and Lay Clerks sung by the Consort 10.30am Sung Eucharist Oxley responses Psalm 99 Rowley Sursum corda Harris in A Darke in E Bairstow Sing ye to the Lord arr. Wood This joyful Eastertide Stanford Andante maestoso Hymns: 205 (omit vv. 2 & 4); 112 (omit vv. 2 & 4); 110 THURSDAY 6th Langlais Fête 5.45pm Choral Evensong Preacher: Canon Benjamin Carter sung by the Girls and Lay Clerks Cullen responses Psalm 104 3.00pm Choral Evensong Dyson in F Stanford Prelude on Tallis’ Canon Wesley Blessed be the God Moore responses Psalm 96 and Father Dyson in D Willan O filii et filiae Stanford Ye choirs of new Jerusalem Hymns: 119 (omit vv. 4 & 5); 120 FRIDAY 7th Stanford Prelude on the Easter Hymn 5.45pm Choral Evensong sung by the Boys and Lay Clerks TUESDAY 4th Shephard responses Psalm 66 5.45pm Choral Evensong Sumsion in G sung by the Lay Clerks Millican Haec dies Ashfield responses Psalm 97 Sumsion Ceremonial march Lang in E flat MacPherson Te Deum in E Brahms Schmücke dich, O liebe Seele SUNDAY 9th MAY WEDNESDAY 12th SIXTH SUNDAY OF EASTER Decani 5.45pm Choral Evensong services sung by the Girls and Lay Clerks sung by the Consort 10.30am Sung Eucharist Clucas responses Psalms 15, 24 Widor Symphonie Romane: Cantilène Ireland in F (founded upon the Easter hymn Amner Come, let’s rejoice ‘Haec dies’) Murrill Carillon Haydn Little organ mass Palestrina Sicut cervus THURSDAY 13th Hymns: 106 (omit v.