DOCSLIB.ORG

Brass Chamber Music

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Brass Chamber Music The Dandi March ............................................................Dirk Brossé (b. 1960) Part I: The Great Procession Part II: At Dandi University Brass Ensemble Theresa Bickler, James Dahl, Tatiana Giesler Joshua Goldstein, Dylan Prothro—trumpet Gabby Baniqued, Allison De Meulle, Avery Jett Ted Nugent, Kaiden Waterman—horn Jinsei Goto, Daniel Nakazono, Nolan Stewart—trombone Marcus Antonius Osnes—bass trombone Jessica Joyce, Matthew Distante—tuba Chris Amaro, Monica Avalos, Adrian Tamez—percussion Rob Frear—conductor BRASS CHAMBER UPCOMING EVENTS • Thursday, April 18, 2019: Conservatory Brass Quintet, Rob Frear, director 8:00pm Daniel Recital MUSIC Hall Tickets $10/FREE • Thursday, April 25, 2019: University Wind Quintet, Helen Goode-Castro, director 8:00pm Daniel Recital Hall Tickets $10/7 • Sunday, April 28, 2019: UNIVERSITY Concert Jazz Orchestra & Studio Jazz Band, Jeff Jarvis, director 4:00pm Daniel Recital Hall Tickets $10/7 • Tuesday, April 30, 2019: Concert Band, Robert Martin and Tyler Kimball, conductors 7:00pm BRASS ENSEMBLE Daniel Recital Hall Tickets $10/7 • Thursday, May 2, 2019: Wind Symphony and Symphonic Band, John Carnahan and Jermie Arnold, conductors 8:00pm Daniel Recital Hall Tickets $10/7 THERESA BICKLER, ROB FREAR, TATIANA GIESLER • Saturday, May 4, 2019: KEITH PEPPER, & ROBERT ROSEN, DIRECTORS Celebrating Music, Johannes Müller Stosch, conductor 8:00pm Carpenter Performing Arts Center Tickets $15/10 • Sunday, May 5, 2019: Jazz Lab Band & Corner Pocket, Jeff Jarvis and Jonny Arenas, directors SUNDAY, APRIL 14, 2019 4:00PM 4:00pm Daniel Recital Hall Tickets $10/7 GERALD R. DANIEL RECITAL HALL For ticket information please call 562.985.7000 or visit the web at: PLEASE SILENCE ALL ELECTRONIC MOBILE DEVICES. This concert is funded in part by the INSTRUCTIONALLY RELATED ACTIVITIES FUNDS (IRA) provided by California State University, Long Beach. PROGRAM Canzona Prima à 5 ................................................................ Giovanni Gabrieli Sonata “Saint Mark” .............................................................. Tomaso Albinoni II. Allegro Divertissement ................................................................................James Barnes III. Andante 3. Pastorale Frost Fire ............................................................................................Eric Ewazen Dunque Io Son ........................................................................Giachomo Rossini I. Bright and Fast Aaron Holguin, David Vazquez—trumpet Tiffany Nakayama, Maria Valenzuela—trumpet; Avery Jett—horn Joey Sasaki—horn; Derrick Nuno—trombone; Dustin Gutierrez—tuba Nolan Stewart—trombone; Matthew Distante—tuba Theresa Bickler—coach Tatiana Giesler—coach Canzona per Sonare No. 2 .................................................. Giovanni Gabrieli Two Madrigals .........................................................................Orlando di Lasso 1. Chanson (Bonjour, Mon Coeur) Quintet .....................................................................................Thorvald Hansen 2. Madrigal (Mon Coeur Recommande à Vous) 1. Allegro Moderato 2. Andante molto espressione Quartet for Brass ............................................................... Arthur Frackenpohl 3. Allegretto scherzando 1. Very Fast 4. Allegro Emily Carpentier, Daisy Diaz—trumpet Maxfield Maynard, Dylan Prothro—trumpet; Ted Nugent—horn Rocio Velazquez—horn; Evan Wicks—bass trombone Jinsei Goto—trombone; Marcus Antonius Osnes—bass trombone Rob Frear—coach Rob Frear—coach Days of Wine and Roses ............................................................Henry Mancini Ain’t Misbehavin’ .............................................................................. Fats Waller arr. Richard Todd arr. Lee Norris Hunting Chorus from “Der Freischutz” ....................Carl Maria von Weber Suite for Brass ............................................................................ Leonard Lebow arr. Joshua Davis 1. March Bob Cole Horn Choir 2. Blues Allison DeMeulle, Alicia Doyle, Avery Jett, Bryan Jimenez 3. Reel Liam Lacey, Victoria Marroquin, Star McAfee, Ted Nugent, Keith Pepper Joey Sasaki, Rocio Velazquez—horn 2nd Suite for Military Band ......................................................... Gustav Holst Keith Pepper—conductor 4. Fantasia on Dargason Elsa’s Procession to the Cathedral ........................................Richard Wagner Evan Hamada, Bryce Hansen—trumpet; Allison DeMuelle—horn arr. Cherry Jinsei Goto—trombone; Christopher Colocho—bass trombone Theresa Bickler—coach One for the Road .........................................................................Steven Verhelst Canzona per Sonare No. 2 .................................................. Giovanni Gabrieli The Pines of the Appian Way ..............................................Ottorino Respighi arr. Malmstrom Brass Quintet No. 3 in Db ............................................................ Victor Ewald 1. Allegro Moderato University Trombone Choir 2. Intermezzo Luis Gracia Alonso, Jinsei Goto, Max Minear, Daniel Nakazono, Derrick Nuno, 3. Andante Ethan Saxe, Anthony Sayre, Nolan Stewart, Selena Vera—tenor trombone 4. Vivo Christopher Colocho, Cader Duffy, Marcus Antonius Osnes, Evan Wicks—bass trombone; Adrian Tamez—timpani Arthur Keeling, Anthony Mora—trumpet; Star McAfee—horn Robert Rosen—conductor Anthony Sayre—trombone; Jessica Joyce—tuba Tatiana Giesler—coach Scherzo ...........................................................................Anthony Plog (b. 1947).
Load more

Recommended publications
  • 1 Ludwig Van Beethoven Symphony #9 in D Minor, Op. 125 2 Johann Sebastian Bach St. Matthew Passion
    1 Ludwig van Beethoven Symphony #9 in D minor, Op. 125 2 Johann Sebastian Bach St. Matthew Passion "Ebarme dich, mein Gott" 3 George Frideric Handel Messiah: Hallelujah Chorus 4 Wolfgang Amadeus Mozart Symphony 41 C, K.551 "Jupiter" 5 Samuel Barber Adagio for Strings Op.11 6 Wolfgang Amadeus Mozart Clarinet Concerto A, K.622 7 Ludwig van Beethoven Piano Concerto 5 E-Flat, Op.73 "Emperor" (3) 8 Antonin Dvorak Symphony No 9 (IV) 9 George Gershwin Rhapsody In Blue (1924) 10 Wolfgang Amadeus Mozart Requiem in D minor K 626 (aeternam/kyrie/lacrimosa) 11 George Frideric Handel Xerxes - Largo 12 Johann Sebastian Bach Toccata And Fugue In D Minor, BWV 565 (arr Stokowski) 13 Ludwig van Beethoven Symphony No 5 in C minor Op 67 (I) 14 Johann Sebastian Bach Orchestral Suite #3 BWV 1068: Air on the G String 15 Antonio Vivaldi Concerto Grosso in E Op. 8/1 RV 269 "Spring" 16 Tomaso Albinoni Adagio in G minor 17 Edvard Grieg Peer Gynt 1, Op.46 18 Sergei Rachmaninov Piano Concerto No 2 in C minor Op 18 (I) 19 Ralph Vaughan Williams Lark Ascending 20 Gustav Mahler Symphony 5 C-Sharp Min (4) 21 Peter Ilyich Tchaikovsky 1812 Overture 22 Jean Sibelius Finlandia, Op.26 23 Johann Pachelbel Canon in D 24 Carl Orff Carmina Burana: O Fortuna, In taberna, Tanz 25 Wolfgang Amadeus Mozart Serenade G, K.525 "Eine Kleine Nachtmusik" 26 Johann Sebastian Bach Brandenburg Concerto No 5 in D BWV 1050 (I) 27 Johann Strauss II Blue Danube Waltz, Op.314 28 Franz Joseph Haydn Piano Trio 39 G, Hob.15-25 29 George Frideric Handel Water Music Suite #2 in D 30 Wolfgang Amadeus Mozart Ave Verum Corpus, K.618 31 Johannes Brahms Symphony 1 C Min, Op.68 32 Felix Mendelssohn Violin Concerto in E minor, Op.
    [Show full text]
  • Bach2000.Pdf
    Teldec | Bach 2000 | home http://www.warnerclassics.com/teldec/bach2000/home.html 1 of 1 2000.01.02. 10:59 Teldec | Bach 2000 | An Introduction http://www.warnerclassics.com/teldec/bach2000/introd.html A Note on the Edition TELDEC will be the first record company to release the complete works of Johann Sebastian Bach in a uniformly packaged edition 153 CDs. BACH 2000 will be launched at the Salzburg Festival on 28 July 1999 and be available from the very beginning of celebrations to mark the 250th anniversary of the composer's death in 1750. The title BACH 2000 is a protected trademark. The artists taking part in BACH 2000 include: Nikolaus Harnoncourt, Gustav Leonhardt, Concentus musicus Wien, Ton Koopman, Il Giardino Armonico, Andreas Staier, Michele Barchi, Luca Pianca, Werner Ehrhardt, Bob van Asperen, Arnold Schoenberg Chor, Rundfunkchor Berlin, Tragicomedia, Thomas Zehetmair, Glen Wilson, Christoph Prégardien, Klaus Mertens, Barbara Bonney, Thomas Hampson, Herbert Tachezi, Frans Brüggen and many others ... BACH 2000 - A Summary Teldec's BACH 2000 Edition, 153 CDs in 12 volumes comprising Bach's complete works performed by world renowned Bach interpreters on period instruments, constitutes one of the most ambitious projects in recording history. BACH 2000 represents the culmination of a process that began four decades ago in 1958 with the creation of the DAS ALTE WERK label. After initially triggering an impassioned controversy, Nikolaus Harnoncourt's belief that "Early music is a foreign language which must be learned by musicians and listeners alike" has found widespread acceptance. He and his colleagues searched for original instruments to throw new light on composers and their works and significantly influenced the history of music interpretation in the second half of this century.
    [Show full text]
  • 75Thary 1935 - 2010
    ANNIVERS75thARY 1935 - 2010 The Music & the Artists of the Bach Festival Society The Mission of the Bach Festival Society of Winter Park, Inc. is to enrich the Central Florida community through presentation of exceptionally high-quality performances of the finest classical music in the repertoire, with special emphasis on oratorio and large choral works, world-class visiting artists, and the sacred and secular music of Johann Sebastian Bach and his contemporaries in the High Baroque and Early Classical periods. This Mission shall be achieved through presentation of: • the Annual Bach Festival, • the Visiting Artists Series, and • the Choral Masterworks Series. In addition, the Bach Festival Society of Winter Park, Inc. shall present a variety of educational and community outreach programs to encourage youth participation in music at all levels, to provide access to constituencies with special needs, and to participate with the community in celebrations or memorials at times of significant special occasions. Adopted by a Resolution of the Bach Festival Society Board of Trustees The Bach Festival Society of Winter Park, Inc. is a private non-profit foundation as defined under Section 509(a)(2) of the Internal Revenue Code and is exempt from federal income taxes under IRC Section 501(c)(3). Gifts and contributions are deductible for federal income tax purposes as provided by law. A copy of the Bach Festival Society official registration (CH 1655) and financial information may be obtained from the Florida Division of Consumer Services by calling toll-free 1-800-435-7352 within the State. Registration does not imply endorsement, approval, or recommendation by the State.
    [Show full text]
  • Bach-Werke-Verzeichnis
    Bach-Werke-Verzeichnis All BWV (All data), numerical order Print: 25 January, 1997 To be BWV Title Subtitle & Notes Strength placed after 1 Wie schön leuchtet der Morgenstern Kantate am Fest Mariae Verkündigung (Festo annuntiationis Soli: S, T, B. Chor: S, A, T, B. Instr.: Corno I, II; Ob. da Mariae) caccia I, II; Viol. conc. I, II; Viol. rip. I, II; Vla.; Cont. 2 Ach Gott, von Himmel sieh darein Kantate am zweiten Sonntag nach Trinitatis (Dominica 2 post Soli: A, T, B. Chor: S, A, T, B. Instr.: Tromb. I - IV; Ob. I, II; Trinitatis) Viol. I, II; Vla.; Cont. 3 Ach Gott, wie manches Herzeleid Kantate am zweiten Sonntag nach Epiphanias (Dominica 2 Soli: S, A, T, B. Chor: S, A, T, B. Instr.: Corno; Tromb.; Ob. post Epiphanias) d'amore I, II; Viol. I, II; Vla.; Cont. 4 Christ lag in Todes Banden Kantate am Osterfest (Feria Paschatos) Soli: S, A, T, B. Chor: S, A, T, B. Instr.: Cornetto; Tromb. I, II, III; Viol. I, II; Vla. I, II; Cont. 5 Wo soll ich fliehen hin Kantate am 19. Sonntag nach Trinitatis (Dominica 19 post Soli: S, A, T, B. Chor: S, A, T, B. Instr.: Tromba da tirarsi; Trinitatis) Ob. I, II; Viol. I, II; Vla.; Vcl. (Vcl. picc.?); Cont. 6 Bleib bei uns, denn es will Abend werden Kantate am zweiten Osterfesttag (Feria 2 Paschatos) Soli: S, A, T, B. Chor: S, A, T, B. Instr.: Ob. I, II; Ob. da caccia; Viol. I, II; Vla.; Vcl. picc. (Viola pomposa); Cont. 7 Christ unser Herr zum Jordan kam Kantate am Fest Johannis des Taüfers (Festo S.
    [Show full text]
  • Howard Mayer Brown Microfilm Collection Guide
    HOWARD MAYER BROWN MICROFILM COLLECTION GUIDE Page individual reels from general collections using the call number: Howard Mayer Brown microfilm # ___ Scope and Content Howard Mayer Brown (1930 1993), leading medieval and renaissance musicologist, most recently ofthe University ofChicago, directed considerable resources to the microfilming ofearly music sources. This collection ofmanuscripts and printed works in 1700 microfilms covers the thirteenth through nineteenth centuries, with the bulk treating the Medieval, Renaissance, and early Baroque period (before 1700). It includes medieval chants, renaissance lute tablature, Venetian madrigals, medieval French chansons, French Renaissance songs, sixteenth to seventeenth century Italian madrigals, eighteenth century opera libretti, copies ofopera manuscripts, fifteenth century missals, books ofhours, graduals, and selected theatrical works. I Organization The collection is organized according to the microfilm listing Brown compiled, and is not formally cataloged. Entries vary in detail; some include RISM numbers which can be used to find a complete description ofthe work, other works are identified only by the library and shelf mark, and still others will require going to the microfilm reel for proper identification. There are a few microfilm reel numbers which are not included in this listing. Brown's microfilm collection guide can be divided roughly into the following categories CONTENT MICROFILM # GUIDE Works by RISM number Reels 1- 281 pp. 1 - 38 Copies ofmanuscripts arranged Reels 282-455 pp. 39 - 49 alphabetically by institution I Copies of manuscript collections and Reels 456 - 1103 pp. 49 - 84 . miscellaneous compositions I Operas alphabetical by composer Reels 11 03 - 1126 pp. 85 - 154 I IAnonymous Operas i Reels 1126a - 1126b pp.155-158 I I ILibretti by institution Reels 1127 - 1259 pp.
    [Show full text]
  • Harpsichord Concerto 3Rd Movement Mp3 Sheet Music
    Harpsichord Concerto 3rd Movement Mp3 Sheet Music Download harpsichord concerto 3rd movement mp3 sheet music pdf now available in our library. We give you 1 pages partial preview of harpsichord concerto 3rd movement mp3 sheet music that you can try for free. This music notes has been read 2575 times and last read at 2021-09-28 06:53:11. In order to continue read the entire sheet music of harpsichord concerto 3rd movement mp3 you need to signup, download music sheet notes in pdf format also available for offline reading. Instrument: Harpsichord Ensemble: String Orchestra Level: Intermediate [ READ SHEET MUSIC ] Other Sheet Music Harpsichord Concerto 2nd Movement Mp3 Harpsichord Concerto 2nd Movement Mp3 sheet music has been read 2454 times. Harpsichord concerto 2nd movement mp3 arrangement is for Intermediate level. The music notes has 1 preview and last read at 2021-09-27 21:57:30. [ Read More ] Platti Harpsichord Concerto No 5 In E Flat Major Cspla23 For Harpsichord And Strings Platti Harpsichord Concerto No 5 In E Flat Major Cspla23 For Harpsichord And Strings sheet music has been read 3433 times. Platti harpsichord concerto no 5 in e flat major cspla23 for harpsichord and strings arrangement is for Advanced level. The music notes has 6 preview and last read at 2021-09-28 13:21:52. [ Read More ] Bach Harpsichord Concerto No 6 In F Major Bwv 1057 For Harpsichord And Orchestra Bach Harpsichord Concerto No 6 In F Major Bwv 1057 For Harpsichord And Orchestra sheet music has been read 4489 times. Bach harpsichord concerto no 6 in f major bwv 1057 for harpsichord and orchestra arrangement is for Advanced level.
    [Show full text]
  • AHLMAN-DMA-TREATISE.Pdf (14.62Mb)
    Copyright by Christopher Stephen Ahlman 2011 The Treatise Committee for Christopher Stephen Ahlman Certifies that this is the approved version of the following treatise: The Compositional Nature and Performance Practice of the Grave of Johann Sebastian Bach’s Toccata in C, BWV 564 Committee: Luisa Nardini, Supervisor Gerre E. Hancock, Co-Supervisor Judith E. Hancock Guido Olivieri A. D. Renner Cinzia Russi The Compositional Nature and Performance Practice of the Grave of Johann Sebastian Bach’s Toccata in C, BWV 564 by Christopher Stephen Ahlman, B.A.; M.Div.; M.S.M. Treatise Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Musical Arts The University of Texas at Austin May 2011 Dedication This work is dedicated to my wife and son, who have endured so much during our time in Austin. I am enormously grateful to them for their love, support, and patience, even in the midst of an unfairly challenging time. Acknowledgements I acknowledge and thank the members of my doctoral Treatise committee for their support and willingness to work with me on my chosen topic, especially Dr. Luisa Nardini, Supervisor, and Prof. Gerre E. Hancock, Co-Supervisor. I also express gratitude to all those who have contributed to my musical education in many and various ways, particularly piano instructors Mr. Stephen W. Hoelter, Ms. Jeanelle A. Mooney, and Ms. Tamara Riley Wyman; organ instructors Dr. Craig J. Cramer, Prof. Gerre E. Hancock, Prof. Judith E. Hancock, Ms. Carol Jarman, Mr.
    [Show full text]
  • Oboe Concertos
    OBOE CONCERTOS LINER NOTES CD1-3 desire to provide the first recording of Vivaldi’s complete oboe Vivaldi: Oboe Concertos works. All things considered, even the concertos whose It is more than likely that Vivaldi’s earliest concertos for wind authenticity cannot be entirely ascertained reveal Vivaldi’s instruments were those he composed for the oboe. The Pietà remarkable popularity throughout Europe during the early years documents reveal a specific interest on his part for the of the 1700s, from Venice to Sweden, including Germany, instrument, mentioning the names of a succession of master Holland and England. If a contemporary publisher or composer oboists: Ignazio Rion, Ludwig Erdmann and Ignazio Sieber, as used the composer’s name in vain, perhaps attempting to well as Onofrio Penati, who had previously been a member of emulate his style, clearly he did so in the hope of improving his the San Marco orchestra. However, it was probably not one of chances of success, since Vivaldi was one of the most famous these musicians who inspired Vivaldi to write for the oboe, but and widely admired composers of his time. Indeed, in this sense instead the German soloist Johann Christian Richter, who was in imitation bears witness to the eminence of the original. Venice along with his colleagues Pisandel and Zelenka in 1716- Various problems regarding interpretation of text came to 1717, in the entourage of Prince Frederick Augustus of Saxony. the fore during the preparation of the manuscripts’ critical As C. Fertonani has suggested, Vivaldi probably dedicated the edition, with one possible source of ambiguity being Vivaldi’s Concerto RV455 ‘Saxony’ and the Sonata RV53 to Richter, who use of the expression da capo at the end of a movement (which may well have been the designated oboist for the Concerto was used so as to save him having to write out the previous RV447 as well, since this work also called for remarkable tutti’s parts in full).
    [Show full text]
  • Pergolesi Flute Concerto in G for Flute and Piano Sheet Music
    Pergolesi Flute Concerto In G For Flute And Piano Sheet Music Download pergolesi flute concerto in g for flute and piano sheet music pdf now available in our library. We give you 6 pages partial preview of pergolesi flute concerto in g for flute and piano sheet music that you can try for free. This music notes has been read 5259 times and last read at 2021-09-28 04:40:56. In order to continue read the entire sheet music of pergolesi flute concerto in g for flute and piano you need to signup, download music sheet notes in pdf format also available for offline reading. Instrument: Flute Solo, Piano Accompaniment Ensemble: Mixed Level: Advanced [ READ SHEET MUSIC ] Other Sheet Music Pergolesi Flute Concerto In G Major For Flute And Cembalo Or Piano Pergolesi Flute Concerto In G Major For Flute And Cembalo Or Piano sheet music has been read 4995 times. Pergolesi flute concerto in g major for flute and cembalo or piano arrangement is for Advanced level. The music notes has 6 preview and last read at 2021-09-28 01:53:27. [ Read More ] Pergolesi Gb Flute Concerto In G Piano Version 1 Allegro Spiritoso Pergolesi Gb Flute Concerto In G Piano Version 1 Allegro Spiritoso sheet music has been read 3697 times. Pergolesi gb flute concerto in g piano version 1 allegro spiritoso arrangement is for Advanced level. The music notes has 3 preview and last read at 2021-09-27 01:30:58. [ Read More ] Pergolesi Gb Flute Concerto In G Piano Version 3 Presto Pergolesi Gb Flute Concerto In G Piano Version 3 Presto sheet music has been read 3136 times.
    [Show full text]
  • I Musici, Giovanni Gabrieli, Tomaso Albinoni
    I Musici Gabrieli, Albinoni, Marcello, Vivaldi mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Classical Album: Gabrieli, Albinoni, Marcello, Vivaldi Country: US Style: Baroque MP3 version RAR size: 1971 mb FLAC version RAR size: 1324 mb WMA version RAR size: 1150 mb Rating: 4.8 Votes: 627 Other Formats: ASF AU APE MPC ADX MP2 MP1 Tracklist A1 –Giovanni Gabrieli Canzon In Echo Duodecimi Toni A2 –Tomaso Albinoni Concerto In D Major For Violin And Strings B1 –Benedetto Marcello Concerto Grosso In F Major For Strings And Cembalo B2 –Antonio Vivaldi Concerto In F Major For Three Violins, Strings And Cembalo Notes Disc "Made in England," jacket "Printed In USA." Burlap-style cover. Other versions Category Artist Title (Format) Label Category Country Year Gabrieli: Canzon In Echo Duodecimi Toni; Albinoni: Concerto In D Major For Violin And Strings; Marcello: Concerto Grosso In F 33CX 1163 I Musici Columbia 33CX 1163 UK 1954 Major For Strings And Cembalo; Vivaldi: Concerto In F Major For Three Violins, Strings And Cembalo (LP, Album) I Musici, I Musici, Giovanni Giovanni Gabrieli, Tomaso ANG. Gabrieli, Angel ANG. Albinoni, Benedetto 35088, Tomaso Records, 35088, Marcello, Antonio Vivaldi US Unknown ANGEL Albinoni, Angel ANGEL - Gabrieli, Albinoni, 35088 Benedetto Records 35088 Marcello, Vivaldi (LP, Marcello, Album, Scr) Antonio Vivaldi I Musici, I Musici, Giovanni Giovanni Gabrieli, Tomaso ANG. Gabrieli, Angel ANG. Albinoni, Benedetto 35088, Tomaso Records, 35088, Marcello, Antonio Vivaldi US Unknown ANGEL Albinoni, Angel ANGEL - Gabrieli, Albinoni, 35088 Benedetto Records 35088 Marcello, Vivaldi (LP, Marcello, Album) Antonio Vivaldi I Musici, G. I Musici, G. Gabrieli*, T. Gabrieli*, T.
    [Show full text]
  • First Presbyterian Church, Houston Rhonda Furr, Organ
    First Presbyterian Church, Houston Rhonda Furr, Organ Musical Meditations for Prayer and Reflection No. 1 Hymns of Comfort It is Well with My Soul arr. Albin Whitworth Be Still, My Soul Jean Sibelius How Great Thou Art arr. Albin Whitworth Great is Thy Faithfulness arr. Alice Jordan No. 2 Hymns of Grace Spirit of God, Descend Upon My Heart arr. Karrin Ford Be Thou My Vision arr. Rhonda Furr Amazing Grace! How Sweet the Sound arr. Various No. 3 Hymns on the Love of Christ O the Deep, Deep Love of Jesus arr. Anna Laura Page What a Friend We Have in Jesus arr. Albin Whitworth Fairest Lord Jesus arr. Gordon Young No. 4 Hymns of Majesty A Mighty Fortress is Our God arr. Anna Laura Page Holy, Holy, Holy arr. Carolyn Hamlin All Hail the Power of Jesus’ Name arr. Alice Jordan How Firm a Foundation arr. Albin Whitworth No. 5 Hymns of Assurance Just As I Am arr. Gayden Sikes ‘Tis So Sweet to Trust in Jesus arr. Albin Whitworth Blessed Assurance arr. Albin Whitworth No. 6 Hymns of Remembrance The Old Rugged Cross arr. John Innes What Wondrous Love is This arr. Don Phillips When I Survey the Wondrous Cross arr. Carolyn Hamlin No. 7 Hymns of Faith and Love The Gift of Love arr. David Lowe Come, All Christians, Be Committed arr. David Lowe Of the Father’s Love Begotten arr. James Pethel No. 8 Hymns of Praise Holy, Holy, Holy arr. Rhonda Furr How Great Thou Art arr. Dan Miller No. 9 Reflective compositions from the Baroque Sinfonia from Cantata No.
    [Show full text]
  • The Baroque Adagio
    ORYX 507 - The Baroque Adagio The English word Baroque is derived from the Italian Barocco , meaning “bizarre”, though probably “exuberant” would be a better translation more accurately reflecting the sense. The usage of this term originated in the 1860s to describe the highly decorated style of 17th and 18th century religious and public buildings in Italy, Germany and Austria. Later, during the early-to-mid 1900s, the term Baroque was applied by association to music of the 17th and early 18th century, and today the term Baroque has come to refer to a very clearly definable type or genre of music which originated, broadly speaking, around 1600 and came to fruition between 1700 and 1750. Strangely however, while exterior and interior Baroque architecture was surely flamboyant, Baroque music was almost the opposite, for its focus was on symmetry, order and form, expressing what 18th century writers, artists and musicians saw as the fundamental order of the universe. The Baroque Spirit expressed in music is: Order, Pattern, and Form. Here there is to be no disorder, no atonal meandering, no shapeless movements. At this time, the concerto was given the form we know today of three movements, fast-slow-fast, occasionally adding another slow movement at the beginning. In the Baroque musical repertoire we find Fugues, in which a given theme is repeated in different clefs, and the stricter Canon which is a ‘round’, each entry following or overlapping the previous one. There is also a whole group of Variations: variations on a chorale melody, variations on a single, repeating bass-line - Passacaglia - and variations on a popular theme - the Chaconne.
    [Show full text]