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1 "Disco Madness: Walter Gibbons and the Legacy of Turntablism and Remixology" Tim Lawrence Journal of Popular Music S
"Disco Madness: Walter Gibbons and the Legacy of Turntablism and Remixology" Tim Lawrence Journal of Popular Music Studies, 20, 3, 2008, 276-329 This story begins with a skinny white DJ mixing between the breaks of obscure Motown records with the ambidextrous intensity of an octopus on speed. It closes with the same man, debilitated and virtually blind, fumbling for gospel records as he spins up eternal hope in a fading dusk. In between Walter Gibbons worked as a cutting-edge discotheque DJ and remixer who, thanks to his pioneering reel-to-reel edits and contribution to the development of the twelve-inch single, revealed the immanent synergy that ran between the dance floor, the DJ booth and the recording studio. Gibbons started to mix between the breaks of disco and funk records around the same time DJ Kool Herc began to test the technique in the Bronx, and the disco spinner was as technically precise as Grandmaster Flash, even if the spinners directed their deft handiwork to differing ends. It would make sense, then, for Gibbons to be considered alongside these and other towering figures in the pantheon of turntablism, but he died in virtual anonymity in 1994, and his groundbreaking contribution to the intersecting arts of DJing and remixology has yet to register beyond disco aficionados.1 There is nothing mysterious about Gibbons's low profile. First, he operated in a culture that has been ridiculed and reviled since the "disco sucks" backlash peaked with the symbolic detonation of 40,000 disco records in the summer of 1979. -
(With) Shakespeare (/783437/Show) (Pdf) Elizabeth (/783437/Pdf) Klett
11/19/2019 Borrowers and Lenders: The Journal of Shakespeare and Appropriation ISSN 1554-6985 V O L U M E X · N U M B E R 2 (/current) S P R I N G 2 0 1 7 (/previous) S h a k e s p e a r e a n d D a n c e E D I T E D B Y (/about) E l i z a b e t h K l e t t (/archive) C O N T E N T S Introduction: Dancing (With) Shakespeare (/783437/show) (pdf) Elizabeth (/783437/pdf) Klett "We'll measure them a measure, and be gone": Renaissance Dance Emily Practices and Shakespeare’s Romeo and Juliet (/783478/show) (pdf) Winerock (/783478/pdf) Creation Myths: Inspiration, Collaboration, and the Genesis of Amy Romeo and Juliet (/783458/show) (pdf) (/783458/pdf) Rodgers "A hall, a hall! Give room, and foot it, girls": Realizing the Dance Linda Scene in Romeo and Juliet on Film (/783440/show) (pdf) McJannet (/783440/pdf) Prokofiev’s Romeo and Juliet: Some Consequences of the “Happy Nona Ending” (/783442/show) (pdf) (/783442/pdf) Monahin Scotch Jig or Rope Dance? Choreographic Dramaturgy and Much Emma Ado About Nothing (/783439/show) (pdf) (/783439/pdf) Atwood A "Merry War": Synetic's Much Ado About Nothing and American Sheila T. Post-war Iconography (/783480/show) (pdf) (/783480/pdf) Cavanagh "Light your Cigarette with my Heart's Fire, My Love": Raunchy Madhavi Dances and a Golden-hearted Prostitute in Bhardwaj's Omkara Biswas (2006) (/783482/show) (pdf) (/783482/pdf) www.borrowers.uga.edu/7165/toc 1/2 11/19/2019 Borrowers and Lenders: The Journal of Shakespeare and Appropriation The Concord of This Discord: Adapting the Late Romances for Elizabeth the -
Psaudio Copper
Issue 133 MARCH 29TH, 2021 Copper has a new look! So does the rest of the PS Audio website, the result of countless hours of hard work. There's more functionality and easier access to articles, and additional developments will come. There will be some temporary glitches and some tweaks required – like high-end audio systems, magazines sometimes need tweaking too – but overall, we're excited to provide a better and more enjoyable reading experience. I now hand over the column to our esteemed Larry Schenbeck: Dear Copper Colleagues and Readers, Frank has graciously asked if I’d like to share a word or two about my intention to stop writing Too Much Tchaikovsky. So: thanks to everyone who read and enjoyed it – I wrote it for you. If you added comments occasionally, you made my day. I also wrote the column so I could keep learning, especially about emerging creatives and performers in classical music. Getting the chance to stumble upon something new and nourishing had sustained me in the academic world – it certainly wasn’t the money! – and I was grateful to continue that in Copper. So why stop? Because, as they say, there is a season. It has become considerably harder for me to stumble upon truly fresh sounds and then write freshly thereon. Here I am tempted to quote Douglas Adams or Satchel Paige, who both knew how to deliver an exit line. But I’ll just say (since Frank has promised to leave the light on), goodbye for now. The door is open, Larry, and we can’t thank you enough for your wonderful contributions. -
The Magnet of Spanish Market #Preparing
NEWS & VIEWS FROM THE SUSTAINABLE SOUTHWEST • The Magnet of Spanish Market • Preparing Chile con Cariño or TLC • Buildings that Conserve Resources • SANTA FE’S COMMUNITY CONVERSATIONS July 2017 NORTHERN NEW MEXICO’S LARGEST DISTRIBUTION NEWSPAPER Vol. 9 No. 7 #K SantaFeNM.EyeOnWater.com e K ep Save water e I ep tU i p outdoors this t K u e p e summer! S p a I n t savewatersantafe.com t D a o F w e Dow ! n n K lo ad e t e h p e i a t p d p o T w O n desertblooms.nmsu.edu D ! A Y ! Avoid tier 2 Water Rates... ...Use only what your yard really needs! Download the Monitor daily water use with the Southwest Plant Selector app to EyeOnWater app identify plants that thrive on little or no Water no more than 3 supplemental water. times a week and no outdoor watering between 10 am and 6 pm. Water Conservation Office DEGREES & CERTIFICATES OPEN DOORS! summer and fall registration is underway TALK TO AN ADVISER TODAY 505-428-1270 | www.sfcc.edu Accessible | Affordable | Exceptional 2 Green Fire Times • July 2017 www.GreenFireTimes.com www.GreenFireTimes.com Green Fire Times • July 2017 3 Economics of Happiness Conference “We are facing an environmental crisis, an economic crisis, and a crisis of the human spirit.” — Helena Norberg-Hodge Film Director of The Economics of Happiness • Inspiring Speakers • Cutting-Edge Thinkers • Thought Provoking Conversations October 12-14, 2017 James A. Little Theater at the New Mexico School for the Deaf 1060 Cerrillos Road, Santa Fe Our local partners: learn more at: www.localfutures.org www.reconnect-today.org Find Your Future@ NORTHERN New Mexico College Our friendly and dedicated faculty and staff will make you feel at home @Northern – the most affordable 4-year college in the Southwest. -
Nightlight: Tradition and Change in a Local Music Scene
NIGHTLIGHT: TRADITION AND CHANGE IN A LOCAL MUSIC SCENE Aaron Smithers A thesis submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Master of Arts in the Curriculum of Folklore. Chapel Hill 2018 Approved by: Glenn Hinson Patricia Sawin Michael Palm ©2018 Aaron Smithers ALL RIGHTS RESERVED ii ABSTRACT Aaron Smithers: Nightlight: Tradition and Change in a Local Music Scene (Under the direction of Glenn Hinson) This thesis considers how tradition—as a dynamic process—is crucial to the development, maintenance, and dissolution of the complex networks of relations that make up local music communities. Using the concept of “scene” as a frame, this ethnographic project engages with participants in a contemporary music scene shaped by a tradition of experimentation that embraces discontinuity and celebrates change. This tradition is learned and communicated through performance and social interaction between participants connected through the Nightlight—a music venue in Chapel Hill, North Carolina. iii ACKNOWLEDGEMENTS Any merit of this ethnography reflects the commitment of a broad community of dedicated individuals who willingly contributed their time, thoughts, voices, and support to make this project complete. I am most grateful to my collaborators and consultants, Michele Arazano, Robert Biggers, Dave Cantwell, Grayson Currin, Lauren Ford, Anne Gomez, David Harper, Chuck Johnson, Kelly Kress, Ryan Martin, Alexis Mastromichalis, Heather McEntire, Mike Nutt, Katie O’Neil, “Crowmeat” Bob Pence, Charlie St. Clair, and Isaac Trogden, as well as all the other musicians, employees, artists, and compatriots of Nightlight whose combined efforts create the unique community that define a scene. -
Cooked in the Lab Dark, Techy D&B Trio Ivy Lab Break Bad on LP P.108
MUSIC DECEMBER ON THE DANCEFLOOR This month’s tracks played out p. 92 GO LONG! The long-players listened to p. 108 WILD COMBINATION The most crucial compilations p. 113 Cooked In The Lab Dark, techy d&b trio Ivy Lab break bad on LP p.108 djmag.com 091 HOUSE REVIEWS BEN ARNOLD [email protected] melancholy pianos, ‘A Fading Glance’ is a lovely, swelling thing, QUICKIES gorgeously understated. ‘Mayflies’ is brimming with moody, building La Fleur Fred P atmospherics, minor chord pads Make A Move Modern Architect and Burial-esque snatches of vo- Watergate Energy Of Sound cal. ‘Whenever I Try To Leave’ winds 9.0 8.5 it up, a wash of echoing percus- The first lady of Berlin’s A most generous six sion, deep, unctuous vibrations Watergate unleashes tracks from the superb and gently soothing pianos chords. three tracks of Fred Peterkin. It’s all This could lead Sawyer somewhere unrivalled firmness. If great, but ‘Tokyo To special. ‘Make A Move’’s hoover Chiba’, ‘Don’t Be Afraid’, bass doesn’t get you, with Minako on vocals, Hexxy/Andy Butler ‘Result’’s emotive vibes and ‘Memory P’ stand Edging/Bewm Chawqk will. Lovely. out. Get involved. Mr. Intl 7. 5 Various Shift Work A statuesque release from Andy Hudd Traxx Now & Document II ‘Hercules & Love Affair’ Butler’s Mr. Then Houndstooth Intl label. Hexxy is his new project Hudd Traxx 7. 5 with DJ Nark, founder of the excel- 7. 5 Fine work in the lent ‘aural gallery’ site Bottom Part four of four in this hinterland between Forty and Nark magazine. -
Fox Causes Controversy at UNM LOCAL “Immigrants Come Seeking Better Jobs and Salaries, Is Not an Easy Decision to Say Goodbye to the Family.” CIENCIA Y TECNOLOGÍA EN
FREE NEWSPAPER - PERIÓDICO GRATIS PARA LA COMUNIDAD HISPANA DE ALBUQUERQUE - SANTA FE Volume I No. 38 WWW.MASNEWMEXICO.COM September 23, 2009 ADENTRO - INSIDE Fox causes controversy at UNM LOCAL “Immigrants come seeking better jobs and salaries, is not an easy decision to say goodbye to the family.” CIENCIA Y TECNOLOGÍA EN Vicente Fox LA FERIA Former President of Mexico Page 4 LA JORNADA Ana Gabriela Hernandez. UN VIZTAZO A UNAS Más New Mexico Writer FAMILIAS DESTACADAS Albuquerque .- Among protests and opi- nions of disgust, the former president of DE NUEVO MÉXICO Mexico, Vicente Fox, was present at the Uni- Página 7 versity of New Mexico’s Popejoy ESP MEXICO Página 2 Hall to address the immigration en español issue as part of the Lobo Reading Experience, which began with the Chicano México aumenta author Sam Quinones and will end with the Mexican writer Carlos Fuentes. During the conference the former presi- PHOTO COURTESY AGÊNCIA BRASIL seguridad en el dent spoke of the importance and richness Former president of Mexico, Vicente Fox. that Mexican workers contribute to the U.S. metro tras tiroteo and jokingly said, “there is [in the U.S.] very operating in the country,” he said. lly between the Fox Center and UNM. expensive buildings built by Mexicans.” He Fox said that immigration has been an issue He also spoke of the important work being Julie Watson emphasized the need to create equal oppor- for over a century, not only in Mexico but in done by President Felipe Calderón and said, Reportera de Associated Press tunities for undocumented immigrants. -
Pre-Pedidos: 24 - Mayo - 2019
CLICK AQUÍ PARA VISITAR EL INDICE CON TODOS LOS LISTADOS DISPONIBLES descuento del 9% para pedidos de este listado recibidos hasta el 31 - mayo - 2019 inclusive PRE-PEDIDOS: 24 - MAYO - 2019 VARIOUS ARTISTS - 10 YEARS 12.20 € BREAK NEW SOIL BREAK NEW SOIL PART 1 (PAUL RITCH, GREGOR TRESHER, PATRICK 11.10 € SIECH & EXTRAWELT) BNS065-1 12" TECHNO Lanzamiento: 30 - Junio - 2019 DEU A1 We Are Thrilled To Announce... Ok Let's Just Stop It Right There! I Won't Bore You With The Usual Press-info A2 Talk But Just Run Some Key Facts By You: We're Celebrating Ten Years Break New Soil This Year And Are Releasing An Anniversary Compilation Containing Exclusive Tracks Only. We Believe The Line Up Of Part 1 B1 Speaks For Itself: Paul Ritch, 2000 And One, Patrick Siech, Johannes Heil And A Track By Myself. I Want To B2 Thank You For Your Support This Past Decade. Here's To The Next One! (gregor Tresher) VARIOUS ARTISTS - 10 YEARS 12.20 € BREAK NEW SOIL BREAK NEW SOIL PART 2 (JOHANNES HEIL, THE REASON Y & 11.10 € 2000 AND ONE) BNS065-2 12" TECHNO Lanzamiento: 30 - Junio - 2019 DEU A1 We Are Thrilled To Announce... Ok Let's Just Stop It Right There! I Won't Bore You With The Usual Press-info Talk But Just Run Some Key Facts By You: We're Celebrating Ten Years Break New Soil This Year And Are B1 Releasing An Anniversary Compilation Containing Exclusive Tracks Only. We Believe The Line Up Of Part 1 Speaks For Itself: Paul Ritch, 2000 And One, Patrick Siech, Johannes Heil And A Track By Myself. -
Steve Discog Long
Artist Title Label Function A-ha The Sun Always Shines On TV Warner Additional Production, Mixing A-ha Train of Thought WEA Int. Remixing Alice Cooper Trash Epic Mixing Alice Cooper Life and Crimes Of Alice Cooper (4 CD set) Rhino Mixing Alphaville Afternoons In Utopia Atlantic Producer Alphaville Singles Collection Atlantic Producer, Mixing Alphaville First Harvest: The Best Of Alphaville 1984-1992 WEA Producer, Remixing Alphaville Alphaville Amiga Producer Anderson/Bruford/Wakeman/Howe Anderson Bruford Wakeman Howe Arista Mixing Anderson/Bruford/Wakeman/Howe Brother Of Mine (#1) Arista Mixing Anderson/Bruford/Wakeman/Howe Brother Of Mine (#2) Atlantic Mixing Anderson/Bruford/Wakeman/Howe Order Of The Universe Arista Mixing Anderson/Bruford/Wakeman/Howe Quartet (I'm Alive) Atlantic Mixing Animotion I Engineer Mercury Mixing Anthrax Persistence Of Time Megaforce/Island Mixing Anthrax Attack of the Killer B's (Clean) Island Mixing Anthrax Attack of the Killer B's Island Mixing Anthrax Anthrax Live: The Island Years Island Producer, Mixing Anthrax N.F.V.:Oidivnikufesin (Clean) Polygram Engineer Anthrax Return Of The Killer A's: The Best Of Anthrax Beyond Mixing Anthrax Universal Masters Collection Island Mixing Anthrax Anthrology: No Hit Wonders 1985-1991 Island Mixing Anthrax Got The Time (Picture disc) Island/Megaforce Mixing APB Something to Believe In Link Producer Apollonia The Same Dream Warner Remixing Aretha Franklin Who's Zooming Who Arista Additional Production, Mixing Aretha Franklin Aint Nobody Ever Loved You Arista Remixing -
Jon Theodore
12 Modern Drummer June 2014 Booth #1219 Always on the go, Daru Jones desired a highly portable cymbal set for hip-hop sessions, DJ Jams, and other sit-ins that spontaneously present themselves, enabling him to preserve his personal sound in modern urban mobility. The concept was developed in the PST X series, which provides a suitable basis for the type of fast and dry sounds that perfectly fit the world of Hip-hop & Electronica percussion. It is executed with the DJs 45 set consisting of a 12" Crash, 12" Ride and 12" Hats. INTRODUCING ?MbcRaf^aYbE^]WPERZRPcEVRZZDRPW_Rb͜ŬeRQWbcW]PcZh d]W`dRS^a\dZMb͜QRbWU]RQ͜PaRMcRQM]QcRbcRQc^_RaS^a\ ^_cW\MZZhW]cVRR]eWa^]\R]ccVMcORMabWcb]M\R͙ studio heritage modern dry stadium urban ?MbcRaf^aYbGaOM]bVRZZbSRMcdaRMa^d]QRQ ʎORMaW]URQUR P^\OW]RQfWcV^da6eR]BZhEWgOZR]Q^S3WaPVΧ8d\Χ3WaPVfWcV?M_ZR aRW]S^aPR\R]caW]Ubc^_a^\^cR_a^]^d]PRQZ^fR]QMccMPYfWcV b\^^cV͜ReR]QRPMh͙Ada\W]W\MZP^]cMPcEF>bfWeRZZdUb͜P^\OW]RQ fWcV^da ͙ \\Ed_Ra:^^_ZZhoops increase projection without W\_RQW]U_RaS^a\M]PRMPa^bbcVRcd]W]Ub_RPcad\͙ FVWbWbcVRWQRMZb^d]QS^aB^_͜D̿3^a8^b_RZ͙ ?MbcRaf^aYbGaOM]bV^f]W]ORMdcWSdZ3ZMPY lacquer fWcV:^Z^UaM_VWPůMYRb͙>WbcR]c^cVR GaOM]aRPW_R_ZMhRQOh3aWM]7aMbWRa?^^aR Mc_RMaZQad\͙P^\ CONTENTS Volume 41 • Number 12 CONTENTS Cover and Contents photos by Andreas Neumann FEATURES 28 MODERN DRUMMER 2018 56 ELI KESZLER READERS POLL The multidisciplinary artist has Make your voice heard in the most dedicated much of his career important poll in the drumming to exploring the solo drumset’s world! expressionistic capabilities, leading to new creative and career 30 THE PSYCHEDELIC FURS’ opportunities. -
American Indian Music: Even More Than Drums and Flutes a Guide to American Indian Music
American Indian Music: Even More Than Drums and Flutes A Guide to American Indian Music Prepared for the Montana Office of Public Instruction By Scott S. Prinzing, M.Ed. MusEco Media and Education Project www.MusEco.org www.EvenMore.tv Published Winter 2009 Revised January 2015 Introduction 3 Traditional American Indian Music 4 Issues to Consider for Music Educators 4 Development of American Indian Music 5 Traditional Music 5‐6 Developments by Genre 7‐12 Contemporary American Indian Music Web Resource List 13‐14 Contemporary Popular Musicians with Indian Ancestry 15 American Indian Musicians in Montana 16‐19 Montana Indian Music Hall of Fame 20 Native American Music Awards 21 American Indian Music and General Web Resources 22 Select Bibliography 23 Acknowledgments 22 About the Author 22 Appendix 25 Lesson Plan 1 25‐27 Lesson Plan 2 28‐30 Introduction The goal of American Indian Music: Even More Than Drums and Flutes is to assist Montana teachers in incorporating an appreciation for Indian music into school music and social studies curricula to meet Indian Education for All criteria. There is often confusion regarding terminology related to the study of the history and culture of the indigenous people of the North American continent. For the purposes of this handbook, the term “Native American” refers to the original human inhabitants (and their descendants) of this continent at the time of first recorded European contact (1492), including the contiguous United States, Alaska, Hawaii, Canada, Central America, and the Caribbean Islands. The term “American Indian” (or “Indian”) will refer primarily to the original inhabitants of the contiguous United States. -
Playnetwork Business Mixes
PlayNetwork Business Mixes 50s to Early 60s Marketing Strategy: Period themes, burgers and brews and pizza, bars, happy hour Era: Classic Compatible Music Styles: Fun-Time Oldies, Classic Description: All tempos and styles that had hits Rock, 70s Mix during the heyday of the 50s and into the early 60s, including some country as well Representative Artists: Elvis, Fats Domino, Steve 70s Mix Lawrence, Brenda Lee, Dinah Washington, Frankie Era: 70s Valli and the Four Seasons, Chubby Checker, The Impressions Description: An 8-track flashback of great music Appeal: People who can remember and appreciate from the 70s designed to inspire memories for the major musical moments from this era everyone. Featuring hits and historically significant album cuts from the “Far Out!,” Bob Newhart, Sanford Feel: All tempos and Son era Marketing Strategy: Hamburger/soda fountain– Representative Artists: The Eagles, Elton John, themed cafes, period-themed establishments, bars, Stevie Wonder, Jackson Brown, Gerry Rafferty, pizza establishments and clothing stores Chicago, Doobie Brothers, Brothers Johnson, Alan Parsons Project, Jim Croce, Joni Mitchell, Sugarloaf, Compatible Music Styles: Jukebox classics, Donut Steely Dan, Earth Wind & Fire, Paul Simon, Crosby, House Jukebox, Fun-Time Oldies, Innocent 40s, 50s, Stills, and Nash, Creedence Clearwater Revival, 60s Average White Band, Bachman-Turner Overdrive, Electric Light Orchestra, Fleetwood Mac, Guess Who, 60s to Early 70s Billy Joel, Jefferson Starship, Steve Miller Band, Carly Simon, KC & the Sunshine Band, Van Morrison Era: Classic Feel: A warm blanket of familiar music that helped Description: Good-time pop and rock legends from define the analog sound of the 70s—including the the mid-60s through the early-to-mid-70s that marked one-hit wonders and the best known singer- the end of an era.