DOCSLIB.ORG

A Bronze Fountain Macy’S Home Store, Lower Level T Privately Owned MAIN ST 10 Bellevue Portholes Steve Jensen Reclaimed Wood Bellevue Way NE at NE 6Th St

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
A Bronze Fountain Macy’S Home Store, Lower Level T Privately Owned MAIN ST 10 Bellevue Portholes Steve Jensen Reclaimed Wood Bellevue Way NE at NE 6Th St 68 NE 12TH ST Art Map 67 Bellevue DOWNTOWN BELLEVUE Regional 123 Library A Guide to Viewing Public Art in 69 82 100TH AVE NE 100TH AVE 102ND AVE NE 102ND AVE NE BELLEVUE WAY SE 106TH AVE NE 108TH AVE T NE AVE 110TH NE AVE 112TH NE 10THDowntown ST Bellevue C NE 10TH ST Hyatt Regency Bellevue 83 Elements 12 31 Too 119 122 32 50 NE 8TH ST NE 8TH ST 8 Lincoln B 66 Square 65 The Bravern 49 84 96 11 33 40 Meydenbauer Westin Center Bellevue Square 41 45 63 T 104 118 64 T 9 10 PEDESTRIAN CORRIDOR TRANSIT CENTER NE 6TH ST T 47 T 51 T City Center City 46 48 52 59 62 Hall Bellevue 97 103 Arts Museum 53 54 55 NE 4TH STA NE 4TH ST 5 T 4 57 58 3 7 Downtown Park 6 1 2 D NE 2ND ST NE 1ST ST T T MAIN ST MAIN ST 56 101ND AVE SE 101ND AVE SE 102ND AVE SE BELLEVUE WAY SE 105TH AVE SE 108TH AVE SE AVE 110TH SE AVE 112TH SE AVE 114TH About the Bellevue Arts Commission & Arts Program Key The Bellevue Arts Commission advises City Council on how the City should invest in the City of Bellevue Arts Program Artwork arts as well as on arts issues in the community. It guides implementing the Cultural 450 110th Ave NE T Topos Compass, Bellevue’s plan for developing arts and culture in our community. The Arts Bellevue, WA 98004 Maria Cristalli, Marc Brown Steel, paint Commission also advises the City’s Arts Program. Seven Bellevue residents appointed by 425-452-4105 or email [email protected] Artwork and wayfinding kiosks City Council volunteer as Arts Commissioners. Bellevue’s Arts Program administers city www.bellevuewa.gov/arts_program.htm Nine locations programs funding artists and arts organizations serving Bellevue, public art, cultural www.facebook.com/BellevueArtsProgram Owned by City of Bellevue policy development and implementation, and other cultural development activities. Pedestrian Cut Through Road Note: If you know of, or find artwork that is not on this map, please let us know! Art Map DOWNTOWN BELLEVUE MAP A ARTWORK Downtown Park 1-5 1 Mountain Song Gunnar Anderson Stainless steel, CorTen steel Southwest area of Downtown Park Owned by City of Bellevue 2 Water, Precious Water Verena Schwippert 100TH AVE NE 100TH AVE SE 102ND AVE NE BELLEVUE WAY Granite Southeast area of Downtown Park Owned by City of Bellevue NE 8TH ST 3 Giga Now Verena Schwippert 8 Granite Northeast area of Downtown Park Owned by City of Bellevue 11 4 Arc with Four Forms George Baker Stainless steel, CorTen steel Northeast area of Downtown Park Bellevue Square Owned by City of Bellevue 9 10 5 Three Graces Michael Dennis Granite North area of Downtown Park Owned by City of Bellevue 6 TV Stonehenge Teens (Ground Zero Teen Center) Ruth Tomilinson, Deborah Lawrence (Teaching Artists) Concrete, ceramic tile NE 4TH ST 257-100th Ave. NE 5 Privately owned 4 7 Dream Pole Teens (Ground Zero Teen Center) Romson Bustillo (Teaching Artist) Downtown Park 3 Wood, recycled material 7 257-100th Ave. NE Privately owned 6 Bellevue Square 8-11 1 2 NE 1ST ST 8 Forest Deity Dudley Carter Red cedar NE 8th St. and100th Ave. NE Privately owned 9 Ambrosia Gerard Tsutakawa Bronze fountain Macy’s Home Store, lower level T Privately owned MAIN ST 10 Bellevue Portholes Steve Jensen Reclaimed wood Bellevue Way NE at NE 6th St. Privately owned 11 Full Circle Anna Hanson Atlantic Cedar The Lodge , 523 Bellevue Way NE 101ND AVE SE 101ND AVE SE 102ND AVE NE BELLEVUE WAY Privately owned Art Map DOWNTOWN BELLEVUE MAP B ARTWORK Downtown Park 1-5 Hyatt Regency Bellevue 12-31 1 Mountain Song 12 Goodnight Kiss Gunnar Anderson Geoff Garza Stainless steel, CorTen steel Oil on panel Southwest area of Downtown Park Hyatt Regency Bellevue, Lobby Owned by City of Bellevue Privately owned 2 Water, Precious Water 13 Unknown title Verena Schwippert Tracy Taylor Grubbs Granite NE BELLEVUE WAY NE 108TH AVE Oil on canvas Southeast area of Downtown Park Hyatt Regency Bellevue, Lobby Owned by City of Bellevue Privately owned 3 Giga Now SE 106TH AVE 14 Poplar, Bamboo, Tree Peony, Japanese Verena Schwippert NE 10TH ST Maple, Large Rose, Ginko, Eucalyptus, Fig Granite Stephen Yates Northeast area of Downtown Park Hyatt Acrylic on Canvas Owned by City of Bellevue Regency Hyatt Regency Bellevue, Olympic Tower Lobby 4 Arc with Four Forms Bellevue Privately owned George Baker 15 Katagami – The Japanese Art of Making Paper Stainless steel, CorTen steel 12 31 Unknown Artist Northeast area of Downtown Park Mulberry paper Owned by City of Bellevue Hyatt Regency Bellevue 5 Three Graces Olympic Tower Lobby (4 works), 2nd floor (5 works) Michael Dennis 32 50 Privately owned Granite NE 8TH ST 16 Wiffen 6 North area of Downtown Park 66 Allan Cox Owned by City of Bellevue Lincoln Acrylic on canvas 6 TV Stonehenge Square 65 Hyatt Regency Bellevue, Olympic Tower Lobby Teens (Ground Zero Teen Center) 49 Privately owned 33 40 Ruth Tomilinson, Deborah Lawrence (Teaching Artists) 17 Silver Creek Sunset B Concrete, ceramic tile Valerie Stuart 257-100th Ave. NE Plaster, oil glazes on canvas Privately owned Westin Hyatt Regency Bellevue, Olympic Tower Lobby 7 Dream Pole 41 45 Privately owned Teens (Ground Zero Teen Center) Bellevue TRANSIT CENTER 18 Vine Round Romson Bustillo (Teaching Artist) PEDESTRIAN CORRIDOR Square T T Artist Unknown Wood, recycled material 47 51 T Wood collage 257-100th Ave. NE 46 48 Hyatt Regency Bellevue, Olympic Tower Lobby Privately owned 52 Bellevue Privately owned Bellevue Square 8-11 19 Silver Creek Sunset A Arts Valerie Stuart 8 Forest Deity 53 Plaster, oil glazes on canvas Dudley Carter Museum 54 Hyatt Regency Bellevue, Olympic Tower Lobby Red cedar 55 Privately owned NE 8th St. and100th Ave. NE NE 4TH ST Privately owned T 20 Collection of Vine Roots Chista 9 Ambrosia Wood Gerard Tsutakawa Hyatt Regency Bellevue, Olympic Tower Lobby Bronze fountain Privately owned Macy’s Home Store, lower level Privately owned 21 Primal Squares Amber Brookman 10 Bellevue Portholes Paint on wood Steve Jensen NE 2ND ST Hyatt Regency Bellevue, Olympic Tower Lobby Reclaimed wood Privately owned Bellevue Way NE at NE 6th St. Privately owned 22 Caramel Glaze John Douglas 11 Full Circle Oil on canvas Anna Hanson Hyatt Regency, Olympic Tower Lobby Atlantic Cedar Privately owned The Lodge , 523 Bellevue Way NE Privately owned SE BELLEVUE WAY SE 106TH AVE SE 108TH AVE 23 Coleman Dock Totems 35 Makena Bellevue Arts Museum 46-47 Steve Jensen Stephen Yates Reclaimed wood Acrylic on canvas 46 Miach Hyatt Regency Bellevue, Olympic Tower Lobby Lincoln Square, Atrium by Microsoft,1st floor Julie Speidel Privately owned Privately owned Sandstone, bronze Bellevue Way NE near NE 6th Street 24 Wildwood A 36 Warm Springs Owned by Bellevue Arts Museum Allan Cox Stephen Yates Oil, wax on linen Acrylic on canvas 47 Chair Stack Hyatt Regency Bellevue, Olympic Tower Lobby Lincoln Square, Atrium by Microsoft,1st floor Peter Pierobon Privately owned Privately owned Bronze Bellevue Arts Museum, indoors, 1st floor free entry 25 Wildwood B 37 Kona Owned by Bellevue Arts Museum Allan Cox Stephen Yates Oil, wax on linen Acrylic on canvas 48 Untitled (fountain) Hyatt Regency Bellevue, Olympic Tower Lobby Lincoln Square, Atrium by Microsoft,1st floor John Geise Privately owned Privately owned Stone, bronze California Pizza Kitchen, 10525 NE 6th St. 26 Wings of Apollonius 38 Sun, Moon, Stars Privately owned Michael Schultheis Gerard Tsukawa Oil on canvas Bronze 49 Winter Hawk Hyatt Regency Bellevue, Olympic Tower Lobby Lincoln Square, Atrium by Microsoft,1st floor John Richen Privately owned Privately owned Stainless steel 39 Aqua Verde Paccar Building, 777 – 106th Ave. NE 27 Airwave Privately owned Dennis Carney Pat Fridell Mixed media on canvas Oil on canvas 50 Fountain Hyatt Regency Bellevue, Olympic Tower, 2nd fl. Lincoln Square, Atrium by Microsoft,1st floor George Tsutakawa Privately owned Privately owned Bronze 28 Solar Winds, Warm Waters, Autumn 40 END OF DAY CHANDELIER 10550 NE 8th St. Privately owned Rebecca Koury Dale Chihuly Acryllic on canvas Blown glass 51 Bellgate Hyatt Regency Bellevue, Olympic Tower, 2nd fl. Lincoln Square, Atrium, 2nd floor Lee Kelley Privately owned Privately owned Stainless steel, enamel 29 Factory Beam 106th Ave. NE at NE 6th St. Steve Jensen Westin 41-45 Owned by City/Bellevue Allied Arts Council Reclaimed wood 41 Quiet Morning 52 The City within the City Hyatt Regency Bellevue, Olympic Tower, 2nd fl. Jared Rue Nancy Hammer, Hewitt Isley Privately owned Oil on canvas Stone, water 30 Gathering Forces Westin, 10476 NE 6th St., Lobby 106th Ave. NE at NE 6th St. Renee Dinauer Privately owned Owned by City of Bellevue Ash wood ribbons 42 Dreams of Bosphorous 53 Mam-kiya Hyatt Regency Bellevue, Olympic Tower, 2nd fl. Betsy Eby Julie Spiedel Privately owned Encaustic Painted steel 31 Amtul, Arnica, Axon, Cadmia, Colothar, Westin, 10476 NE 6th St., Lobby 106th Ave. NE near NE 4th St. Range (6 works) Privately owned Privately owned Michael Kessler 43 Wall o Balls 54 Russalka Acrylic on canvas Larry Halvorsen Julie Spiedel Hyatt Regency Bellevue, Olympic Tower, 2nd fl. Ceramic Painted steel Privately owned Westin, 10476 NE 6th St., Lobby NE 4th St. between 106th and 108th Ave. NE 32 Endless Celebration Privately owned Privately owned Gesso Cocteau 44 Moonlit Path 55 Porta Colona Bronze William Robinson Walter Dusenbery Bellevue Way NE and NE 8th St. Basalt Stone Privately owned Westin, 10476 NE 6th St., Lobby One Bellevue Center, NE 4th St, near steps Privately owned Lincoln Square 33-40 Privately owned 45 Earth 65 Vestibulo Tuscano 33 FIORI IN THE FOUNTAIN Ann Gardner Walter Dusenbery Dale Chihuly Glass Mosaic Marble Blown glass Westin, 10476 NE 6th St., Lobby Symetra Building, 777 – 108th Ave NE, Lobby Lincoln Square, Atrium Privately owned Privately owned Privately owned 66 Bellevue’s Early Years 34 Drawing Wall (18 works) Heidi Soehren Dale Chihuly Stone etchings, 7 panels Acrylic on paper Symetra Building, 777 – 108th Ave.
Load more

Recommended publications
  • Oral History Interview with James Herbert Fitzgerald and Margaret Tomkins, 1965 Oct
    Oral history interview with James Herbert Fitzgerald and Margaret Tomkins, 1965 Oct. 27 Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service. Contact Information Reference Department Archives of American Art Smithsonian Institution Washington. D.C. 20560 www.aaa.si.edu/askus Transcript Preface The following oral history transcript is the result of a tape-recorded interview with James and Margaret Fitzgerald on October 27, 1965. The interview took place in Seattle, WA, and was conducted by Dorothy Bestor for the Archives of American Art, Smithsonian Institution. Interview [Bracketed remarks added by James Fitzgerald upon review of transcript.] DOROTHY BESTOR: Well, let's see, before you went to the Art Center [in Spokane] you had gotten a degree here in architecture and you had worked with Thomas Hart Benton? JAMES FITZGERALD: That's right. DOROTHY BESTOR: Had that been any of the WPA things? JAMES FITZGERALD: No. [Tom Benton to my knowledge did not work on any WPA murals.] DOROTHY BESTOR: Oh, I though he — well, didn't he get some commissions for Treasury murals? JAMES FITZGERALD: No. [His commissions came from the Whitney Museum, New School for Social Research and the State of Missouri.] DOROTHY BESTOR: Oh. JAMES FITZGERALD: In fact, when I was out in Missouri there wasn't very much of an art project. It was very small, and they didn't do very much at all in real art. DOROTHY BESTOR: So the Spokane one was your first contact with any of the government art projects? JAMES FITZGERALD: [My first contact with government art was in the year 1933 or 1934, when Vic Steinbrauch and I were selected by the Treasury Department Art Program to depict the landscape of the West.
    [Show full text]
  • The Galleries
    THE GALLERIES ART at the convention center A SELF-GUIDED TOUR Enriching Your Visit: Taking the Tour The Public Art Program Washington State Convention Center features approximately The Washington State Convention Center (WSCC) public 100 works of art on public display around four levels of its North and South Gallerias. Several other works are located in art program, perhaps the largest of its kind in the nation, its office and convention lobby areas. Areas of the facility that was established to provide an environment that enriches may not be available to the public due to convention- the experience of all who visit the meeting facility. With well related activities are clearly noted. over 100 works on display, art has been a popular feature since the facility opened in 1988. Initially, art was incorporated into This self-guided, self-paced tour booklet was designed to the original building design with assistance from the state’s direct you to the many different areas where artworks are cur- Percent for the Arts Program. Since then, due to a commit- rently on display. A few of the works listed inthis booklet are ment to provide civic benefits to our community, the WSCC has located outside of the WSCC. offered an ever-changing collection, readily accessible at no This self-tour begins on Level 1 just south of the Convention charge to meeting attendees and the general public. Place entrance. The indicated route will direct you back to the south escalators for easy access to the next level. All areas of In 1997, the board established the WSCC Art Foundation at this tour are also accessible by elevator.
    [Show full text]
  • Northwest Matriarchs of Modernism
    Northwest Matriarchs of Modernism 12 Proto-feminists from Oregon and Washington Mary Henry Pansynclastic Riddle 1966, 48 x 61.5 Courtesy of the Artist and Bryan Ohno Gallery Cover photo: Hilda Morris in her studio 1964 Photo: Hiro Moriyasu Northwest Matriarchs of Modernism Organized by The Art Gym, Marylhurst University 12 Proto-feminists from Oregon and Washington with support from the Regional Arts and Culture Council, the Lamb Foundation, members and friends. The Art Gym, Marylhurst University, Marylhurst, Oregon Kathleen Gemberling Adkison September 26 – November 20, 2004 Doris Chase Museum of Northwest Art, La Conner, Washington January 15 – April 3, 2005 Sally Haley Mary Henry Maude Kerns LaVerne Krause Hilda Morris Eunice Parsons Viola Patterson Ruth Penington Amanda Snyder Margaret Tomkins Eunice Parsons Mourning Flower 1969, collage, 26 x 13.5 Collection of the Artist Photo: Robert DiFranco Northwest Matriarchs of Modernism: Twelve Proto-feminists from Oregon and Washington Copyright 2004 Marylhurst University Post Offi ce Box 261 17600 Pacifi c Highway Marylhurst, Oregon 97036 503.636.8141 www.marylhurst.edu Artworks copyrighted to the artists. Essays copyrighted to writers Lois Allan and Matthew Kangas. 2 All rights reserved. ISBN 0-914435-44-2 Design: Fancypants Design Preface Northwest Matriarchs of Modernism: Twelve presented work created prior to 1970. Most of our Proto-feminists from Oregon and Washington exhibitions either present art created specifi cally grew out of a conversation with author and for The Art Gym, or are mid-career or retrospective critic Lois Allan. As women, we share a strong surveys of artists in the thick of their careers.
    [Show full text]
  • Show of Hands
    Show of Hands Northwest Women Artists 1880–2010 Maria Frank Abrams Ruth Kelsey Kathleen Gemberling Adkison Alison Keogh Eliza Barchus Maude Kerns Harriet Foster Beecher Sheila Klein Ross Palmer Beecher Gwendolyn Knight Susan Bennerstrom Margot Quan Knight Marsha Burns Margie Livingston Margaret Camfferman Helen Loggie Emily M. Carr Blanche Morgan Losey Lauri Chambers Sherry Markovitz Doris Chase Agnes Martin Diem Chau Ella McBride Elizabeth Colborne Lucinda Parker Show of Hands Northwest Women Artists 1880–2010 Claire Cowie Viola Patterson Louise Crow Mary Ann Peters Imogen Cunningham Susan Point Barbara Matilsky Marita Dingus Mary Randlett Caryn Friedlander Ebba Rapp Anna Gellenbeck Susan Robb Virna Haffer Elizabeth Sandvig Sally Haley Norie Sato Victoria Haven Barbara Sternberger Zama Vanessa Helder Maki Tamura Karin Helmich Barbara Earl Thomas Mary Henry Margaret Tomkins Abby Williams Hill Gail Tremblay Anne Hirondelle Patti Warashina Yvonne Twining Humber Marie Watt Elizabeth Jameson Myra Albert Wiggins Fay Jones Ellen Ziegler Helmi Dagmar Juvonen whatcom museum, bellingham, wa contents This book is published in conjunction with the 6 Foreword exhibition Show of Hands: Northwest Women Artists 1880–2010, organized by the Whatcom Patricia Leach Museum and on view from April 24–August 8, 2010. Funding for the exhibition and the 8 Acknowledgments accompanying catalogue was supported in part with funds provided by the Western 10 A Gathering of Women States Arts Federation (WESTAF) and the Barbara Matilsky National Endowment for the Arts (NEA). The City of Bellingham also generously funded the 52 Checklist of the Exhibition catalogue. Additional support was provided by the Washington Art Consortium (WAC). Published in the United States by 55 Bibliography Whatcom Museum 56 Photographic Credits © 2010 by the Whatcom Museum 121 Prospect Street Bellingham, WA 98225 The copyright of works of art reproduced in www.whatcommuseum.org 56 Lenders to the Exhibition this catalogue is retained by the artists, their heirs, successors, and assignees.
    [Show full text]
  • Encyklopédia Kresťanského Umenia
    Marie Žúborová - Němcová: Encyklopédia kresťanského umenia americká architektúra - pozri chicagská škola, prériová škola, organická architektúra, Queen Anne style v Spojených štátoch, Usonia americká ilustrácia - pozri zlatý vek americkej ilustrácie americká retuš - retuš americká americká ruleta/americké zrnidlo - oceľové ozubené koliesko na zahnutej ose, užívané na zazrnenie plochy kovového štočku; plocha spracovaná do čiarok, pravidelných aj nepravidelných zŕn nedosahuje kvality plochy spracovanej kolískou americká scéna - american scene americké architektky - pozri americkí architekti http://en.wikipedia.org/wiki/Category:American_women_architects americké sklo - secesné výrobky z krištáľového skla od Luisa Comforta Tiffaniho, ktoré silno ovplyvnili európsku sklársku produkciu; vyznačujú sa jemnou farebnou škálou a novými tvarmi americké litografky - pozri americkí litografi http://en.wikipedia.org/wiki/Category:American_women_printmakers A Anne Appleby Dotty Atti Alicia Austin B Peggy Bacon Belle Baranceanu Santa Barraza Jennifer Bartlett Virginia Berresford Camille Billops Isabel Bishop Lee Bontec Kate Borcherding Hilary Brace C Allie máj "AM" Carpenter Mary Cassatt Vija Celminš Irene Chan Amelia R. Coats Susan Crile D Janet Doubí Erickson Dale DeArmond Margaret Dobson E Ronnie Elliott Maria Epes F Frances Foy Juliette mája Fraser Edith Frohock G Wanda Gag Esther Gentle Heslo AMERICKÁ - AMES Strana 1 z 152 Marie Žúborová - Němcová: Encyklopédia kresťanského umenia Charlotte Gilbertson Anne Goldthwaite Blanche Grambs H Ellen Day
    [Show full text]
  • 2B BAM AR 06 RGB 2/22/06 4:33 PM Page 1
    2b BAM AR 06 RGB 2/22/06 4:33 PM Page 1 Ellsworth Kelly Blue Curve 2000, color lithograph, 24" x 18" edition 33/35, published by Gemini G.E.L., Collection Boise Art Museum Gift of Wilfred Davis Fletcher Boise Art Museum Annual Report 2004 – 2005 May 1, 2004 – April 30, 2005 2b BAM AR 06 RGB 2/22/06 4:33 PM Page 2 Exhibitions & Installations MESSAGE FROM THE DIRECTOR Art historian Kenneth Clark's phrase "masterpieces are many layers thick" summons the various activities and components (mission, vision and people) that comprise the uniqueness of BAM, Idaho's art museum. The core of this layering is the quality of art that BAM presents and acquires. This past year, the Museum presented its first international exhibition, Degas in Bronze: The Complete Sculptures, and simultaneously presented a spectacular glass exhibition by William Morris, Myth, Object, and the Animal. BAM's curatorial team originated three exhibitions accompanied by catalogs: John Grade: Sculpture and Drawings; The 2004 Idaho Triennial; and James Castle: Drawings, Constructions and Books from the Collection of the Boise Art Museum. BAM acquired more than 50 new works of art for its permanent collection, including a Diego Rivera watercolor and 20 works by Northwest artists, including Morris Graves and Guy Anderson. An equally important layer is the delivery of programs and the direct impact these programs have upon the lives of the Museum's many thousands of visitors that come from Boise, the Treasure Valley and neighboring states. This intersection of art and audience is extremely powerful, and last year more than 75,000 people visited the Museum.
    [Show full text]
  • Oral History Interview with Kenneth Callahan, 1982 October 27-December 19
    Oral history interview with Kenneth Callahan, 1982 October 27-December 19 Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service. Contact Information Reference Department Archives of American Art Smithsonian Institution Washington. D.C. 20560 www.aaa.si.edu/askus Transcript Preface The following oral history transcript is the result of a tape-recorded interview with Kenneth Callahan on October 27, November 21, & December 19, 1982. The interview took place in Seattle, Washington, and was conducted by Sue Ann Kendall for the Archives of American Art, Smithsonian Institution. Interview [Tape 1; Side 1] SUE ANN KENDALL: To begin, I think we'll go back to the beginning. We know you were born in 1905. KENNETH CALLAHAN: 1905, yeah. SUE ANN KENDALL: Can you elaborate a little on your childhood and where you lived? KENNETH CALLAHAN: We were in Spokane for a very short time. I don't know just how long, but it wasn't long enough so that I have any memories of living in Spokane. But that's where I was born. SUE ANN KENDALL: And you moved to Montana? KENNETH CALLAHAN: Well, not right then. I think we moved to Montana when I was about, let's see-- the war was in 1914 -- oh, I was about six years old. We lived in Montana then for a number of years. SUE ANN KENDALL: I understand your mother drew some while you were in Montana and you also saw paintings by Russell there? KENNETH CALLAHAN: Well, Russell was a friend of my family's.
    [Show full text]
  • Northwest & Western Fine Art + Objects!
    Northwest & Western Fine Art + Objects! Thursday September 19th @ 5:00PM 20% Buyers Premium In-House 25% Buyers Premium Online/Phone (425) 235-6345 SILENT AUCTIONS one 23 5/8" leaf. Also a set of four model 122 dining chairs 31.25"x19"x18" each. Burned Featuring a Silent Auction of in marks on bottom. Some scattered wear Northwest & Western Artwork! from age. Denmark mid century modern. 5 Hans Olsen Danish Teak Sideboard Lots 1,000’s End @ 8:00PM 31.5"x72"x17". Mid century four drawer buffet with two sliding doors and adjustable Lot Description shelves. Burnt in mark on bottom, Made in Denmark. Some slight surface wear from 1 Eames for Herman Miller Rosewood Lounge age. Overall excellent condition. Chair & Ottoman. A vintage 670 & 671 set 6 7pc Niels Moller for J.L. Mollers Danish with brown leather cushions. Chair Teak Dining Set. Includes a set of six model 31''x32''x35'' and ottoman 16''x26''x21''. 71 and 55 teak dining chairs with danish cord Original labels on bottom dated June 1, 1976. seats 31"x19.5"x19" and 31"x24"x19". Teak Brown leather has been professionally dining table measures 29"x71"x41" and 117" restored. Some minor edge wear to rosewood when hidden leaves are out. Marks on shells. Overall excellent condition. Charles bottom. Some scattered surface wear from and Ray Eames. use. Overall excellent condition. Mid century 2 Torbjorn Afdal for Bruksbo "Krobo" Teak modern. Bench or Coffee Table 13"x59"x14.5". Made 6A Frank Lloyd Wright "Usonian" Oak in Norway. Original labels on bottom.
    [Show full text]
  • Modern American Poetry James S. Jaªe · Rare Books Modern American Poetry
    Modern American Poetry James S. Jaªe · Rare Books Modern American Poetry James S. Jaªe · Rare Books New York 2014 1. AGEE, JAmEs. Permit Me Voyage. With A Foreword By Archibald All items are offered subject to prior sale. MacLeish. 8vo, original cloth, dust jacket. New Haven: Yale Uni- All books and manuscripts have been carefully described; versity Press, 1934. First edition of Agee’s scarce first book, a col- however, any item is understood to be sent on approval and may lection of poems. Tipped to the front free endpaper is a slip of be returned within seven days of receipt for any reason paper on which is inscribed a note from stephen Vincent Benét: provided prior notification has been given. “Dear miss Locke, Here is the macleish book, my sister’s, and one Libraries will be billed to suit their budgets. by a young poet who, I think, has great promise, merry Xmas to you both! stephen Vincent Benét.” spine a little faded, inch-deep We accept Visa, masterCard and American Express. strip at top of the back cover faded as well, otherwise a near fine New York residents must pay appropriate sales tax. copy. $1,250.00 We will be happy to provide prospective customers with 2. AIKEN, CoNrad. Blue Voyage. 8vo, decorated endpapers, origi- digital images of items in this catalogue. nal cloth-backed textured paper over boards, t.e.g., publisher’s slip- Visitors are welcome monday through Friday and by case. N.Y.: scribner’s, 1927. First edition, limited issue. one of 125 appointment; however, it is advisable to call in advance.
    [Show full text]
  • Final Minutes
    STATE CAPITOL COMMITTEE Remote Access Meeting Olympia, Washington 98504 March 18, 2021 10 a.m. Final Minutes MEMBERS PARTICIPATING: Denny Heck, Lieutenant Governor & Chair Mark Neary (for Kim Wyman, Secretary of State) Katy Taylor (for Hilary Franz, Commissioner of Public Lands) Kelly Wicker, Governor’s Designee OTHERS PARTICIPATING: Andrew Beagle, City of Olympia Ann Larson, Department of Enterprise Services Dick Binns, Citizen Sue Lean, Citizen Sharon Case, South Capitol Neighborhood Assn. Annette Meyer, Department of Enterprise Services Sarah Dettmer, Department of Enterprise Services Jennifer Mortenson, WA Trust for Historic Preservation Eliza Davidson, National Assn. for Olmsted Parks Susan Olmsted, Friends of Seattle’s Olmsted Parks Kevin Dragon, Department of Enterprise Services Paul Parker Citizen Bill Frare, Department of Enterprise Services Anne Petri, National Association for Olmsted Parks Valerie Gow, Puget Sound Meeting Services Walter Schacht, Mithun Architects Greg Griffith, Olympia Historical Society Randy Wesselman, City of Olympia Majid Jamali, Department of Enterprise Services Eugenia Woo, DOCOMOMO WEWA Welcome and Introductions & Approval of Agenda - Action Lieutenant Governor and Chair Denny Heck called the regular State Capitol Committee (SCC) virtual meeting to order at 10:02 a.m. A meeting quorum was attained. Lieutenant Governor Heck reviewed the agenda consisting of public comments, approval of the January 28, 2021 meeting minutes, consideration of the proposed Legislative Campus Modernization Project, and a briefing on a proposed compact roundabout proposed at the intersection of Deschutes Parkway and Lakeridge Drive. SCC MEETING MINUTES- FINAL March 18, 2021 Page 2 of 13 No recommended modifications of the agenda were offered. Mark Neary moved, seconded by Katy Taylor, to approve the agenda as published.
    [Show full text]
  • Oral History Interview with Jan Thompson, 1983 September 6-November 16
    Oral history interview with Jan Thompson, 1983 September 6-November 16 Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service. Contact Information Reference Department Archives of American Art Smithsonian Institution Washington. D.C. 20560 www.aaa.si.edu/askus Transcript Preface The following oral history transcript is the result of a tape-recorded interview with Jan Thompson on September 6, November 7 & 16, 1983. The interview took place in Seattle, WA, and was conducted by Sue Ann Kendall for the Archives of American Art, Smithsonian Institution. Interview DATE: SEPTEMBER 6, 1983 [Tape 1; Side 1] SUE ANN KENDALL: Jan, you're part of an important group of Northwest artists, and have known people like Morris Graves, Mark Tobey, Richard Gilkey, a lot of people, for years. And it seems like you yourself are one of its best-kept secrets. So I'd like to start out talking a little bit about you and where you came into the scene. JAN THOMPSON: Well, I'm actually not an artist, not an artist myself. But I met them all starting at the WPA art center in Spokane just as the war was first starting. SUE ANN KENDALL: You were a student? JAN THOMPSON: Yes, and all these fabulous people came. The WPA art center was a wonderful place for artists at that time, and Guy Anderson, first of all, was my special love. He was so incredible. I never met people like this in Spokane, my God! Carl and Hilda Morris came.
    [Show full text]
  • Oral History Interview with James Herbert Fitzgerald and Margaret Tomkins
    Oral history interview with James Herbert Fitzgerald and Margaret Tomkins Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service. Archives of American Art 750 9th Street, NW Victor Building, Suite 2200 Washington, D.C. 20001 https://www.aaa.si.edu/services/questions https://www.aaa.si.edu/ Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Scope and Contents........................................................................................................ 1 Scope and Contents........................................................................................................ 2 Biographical / Historical.................................................................................................... 1 Names and Subjects ...................................................................................................... 2 Container Listing ...................................................................................................... Oral history interview with James Herbert Fitzgerald and Margaret Tomkins AAA.fitzge65 Collection Overview Repository: Archives of American Art Title: Oral history interview with James Herbert Fitzgerald and Margaret Tomkins Identifier: AAA.fitzge65 Date: 1965 Oct. 27 Creator: FitzGerald,
    [Show full text]