Song List Pop Beach/Buffett/Reggae
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2021 Spring/Summer Series
Dear Patrons, Welcome back to live events at the Bologna Performing Arts Center! We are excited to have artists returning to our stage, and look forward to inviting you to attend shows again. Things will be a little different this spring and summer. Due to the ongoing nature of the pandemic, we are going to put each show on sale individually, about 4-6 weeks before each event. This allows us to make sure we are following the most recent executive orders, including audience capacity guidelines. Please refer to the on-sale dates for each artist in this brochure. Seating has been reduced for our Spring/Summer Series, and is being sold in staggered pairs and groups. We ask that you purchase all of the seats in the grouping to ensure that patrons are comfortable being seated together. At this time, all patrons are required to wear masks during their visit to the Bologna Performing Arts Center. All of our staff and volunteers will also wear masks, and do daily temperature checks and symptom monitoring. We ask you to please monitor your own health, and stay home if you do not feel well. We have also increased our cleaning and sanitation regimens. We have invested in new cleaning systems to ensure that the theater is totally sanitized prior to every performance. We encourage you to call us at 662-846-4625 or visit our website www.bolognapac.com for the latest health and safety operating guidelines prior to your visit. We are eager to resume presenting live events with this Spring/Summer Series. -
A Slice of Life from 1976, Randy Ayers, Raku Ceramic, 6 X 6 Put Together, $60
Toxicity, Barry Benner Plastic, 17 x 16 x 10, $250 Why I don’t know, but I decided to save the plastic rings drink containers came in over the years. During a get rid of useless stuff phase, I reconsidered the items I had collected. I thought that since I had drunk what they held through the years and the fact that they would last forever, I should save some trash and make something out of them that might still have some life long after I was dead. The dimensionality of time. Fractured Reflections, Barry Benner Used dvds, 24 x 30, $450 For several years I would save DVDS and CDS that were scratched or that I decided I didn’t want to use again. Each one I had devoted some of my time to. They were in a nice stack. There got to be so many that I decided to throw them out last year, but on looking at them, I saw how reflective the backs were and how light made rainbows and decided they would be better used as art than trash. Roopville Potato House, Patrick Henrickson Mixed media on canvas, 36 x 24 framed, $500 I have been working with the family to restore the Potato House in Roopville, Georgia a few miles from my studio. Seemed like a good time to do a painting of a country scene with sunflowers which have been planted at the potato house. The chair is just a symbol of relaxing country living. Crows are always hanging around the sunflowers. Sweet Dreams, Patrick Henrickson Photo taken from IpHone: Mounted archival print, 14 x 14, $100 iPhone digital illustration piece. -
Brian Wilson's Spacious Estate in West Suburban St
May 24, 1998---- The backyard of Brian Wilson's spacious estate in west suburban St. Charles overlooks a calm pond. A playground set stands near the water. Wilson slowly walks out of the basement studio in the home he shares with wife Melinda and daughters Daria, 2, and Delanie, 6 months old. Wilson squints into the midday sun. He looks at a playground slide. Then he looks at a swing set. Wilson elects to sit down on the saddle swing. In a life of storied ups and downs, Wilson's career is on the upswing. The June release of ``Imagination'' (Giant Records) is a return to 1966's ``Pet Sounds'' in terms of orchestration and instrumentation, with its the ambitious patterns of tympanies and snare drums. But equally important are Wilson's vocals, which are the smoothest and most soulful since 1970's ``Sunflower.'' Wilson, 55, has suddenly defied age. Mick Jagger and Pete Townshend are brittle rock 'n' roll barnacles. Ray Davies and Paul McCartney have matured gracefully. Yet here's Wilson singing with effervescent hope on ``Dream Angel,'' which he co-wrote with his co-producer Joe Thomas and Jim Peterik of Survivor and Ides of March fame. The song was inspired by Wilson's new daughters. They make him happy. He says that is why he is writing happy music. On ``Dream Angel,'' Wilson even returned to the tight, late '50s harmonies of the Dell Vikings (``Come Go With Me'') and the Four Freshmen - happy-go-lucky voices that influenced the Beach Boys when they were young. -
WATCHMOJO – the Life and Career of David Bowie (1947-2016)
WATCHMOJO – The life and career of David Bowie (1947-2016) https://www.youtube.com/watch?v=Lan_wotkon0 [Fashion] Welcome to watchmojo.com and today we're taking a look at the life and career of David Bowie. [Queen Bitch] David Robert Jones was born on January 8 1947 in Brixton London England. Though he showed musical interest at a young age it was only in the early 60s that he really pursued the art. He started by joining several blues bands but branched off on his own when they had little success. Renaming himself David Bowie he released his self-titled debut in 1967. [Who's that hiding in the apple tree clinging to a branch] Its lack of success led Bowie to participate in a promotional film called Love you till Tuesday which showcased several of his songs. A particular interest was Space Oddity : that track became a hit after it was released at the same time as the first moon landing. [Ground control to Major Tom] His sophomore effort of the same name however was another commercial disappointment. [The man who sold the world] To promote his third album The man who sold the world, Bowie was put in a dress to capitalize on his androgynous look. [Life on mars] [Ziggy Stardust] In 1971 a pop influenced record called Hunky-Dory came out and was followed by the creation of his flamboyant Ziggy Stardust persona and stage show with backing band The Spiders from Mars. Then came his breakthrough record The rise and fall of Ziggy Stardust and the Spiders from Mars which climbed the charts thanks to his performance of the single Star Man on Top of the Pops. -
Marcus Eubanks Redmond James Anna Olswanger Plus Stories By
VOLUME 9 NUMBER 2 MARCH–APRIL 1999 “The“The SmartSmart Bomb”Bomb” byby RRICHARDICHARD K.K. WWEEMSEEMS PLUS STORIES BY MMARCUSARCUS EEUBANKSUBANKS RREDMONDEDMOND JJAMESAMES AANNANNA OOLSWANGERLSWANGER Contents MARCH–APRIL 1999 VOLUME 9, NUMBER 2 COLUMN [email protected] FirstText: Since We Last Spoke… Editor JASON SNELL ........................................................... 3 JASON SNELL [email protected] Assistant Editor SHORT FICTION GEOFF DUNCAN [email protected] Cinderblock Cover Artist MARCUS EUBANKS ([email protected]) .................................. 4 JEFF QUAN [email protected] Submissions Panel JOE DUDLEY The Smart Bomb MORTEN LAURITSEN RICHARD K. WEEMS ([email protected]) ........................... 9 JASON SNELL [email protected] The Waterspout REDMOND JAMES ([email protected]) ....................................... 11 Chicken Bone Man ANNA OLSWANGER ([email protected]) ........................... 19 Current & Back Issues On the Web <http://www.intertext.com/> Via FTP <ftp://ftp.etext.org/pub/ Zines/InterText/> Send submissions to [email protected]; InterText Vol. 9, No. 1. InterText (ISSN 1071-7676) is published electronically on a for subscription information, bimonthly basis. Reproduction of this magazine is permitted as long as the magazine send mail to is not sold (either by itself or as part of a collection) and the entire text of the issue [email protected] remains unchanged. Copyright © 1999 Jason Snell. All stories Copyright © 1999 by their respective authors. For more information about InterText, send a message to [email protected]. For submission guidelines, send a message to [email protected]. FirstText IN ADDITION TO EXPLAINING WHY I HAVEN’T JASON SNELL written a column, the other popular InterText column topic is asking for volunteer help. And I don’t want to SINCE WE LAST SPOKE… disappoint on that side, especially since we can always use the help. -
Roots Radical – Place, Power and Practice in Punk Entrepreneurship Sarah Louise Drakopoulou Dodd
Roots radical – Place, power and practice in punk entrepreneurship Sarah Louise Drakopoulou Dodd The significance continues to grow of scholarship that embraces critical and contextualized entrepreneurship, seeking rich explorations of diverse entrepreneurship contexts. Following these influences, this study explores the potentialized context of punk entrepreneurship. The Punk Rock band Rancid has a 20-year history of successfully creating independent musical and related creative enterprises from the margins of the music industry. The study draws on artefacts, interviews and videos created by and around Rancid to identify and analyse this example of marginal, alternative entrepreneurship. A three-part analytic frame was applied to analysing these artefacts. Place is critical to Rancid’s enterprise, grounding the band socially, culturally, geographically and politically. Practice also plays an important role with Rancid’s activities encompassing labour, making music, movement and human interactions. The third, and most prevalent, dimension of alterity is that of power which includes data related to dominance, subordination, exclusion, control and liberation. Rancid’s entrepreneurial story is depicted as cycles, not just a linear journey, but following more complicated paths – from periphery to centre, and back again; returning to roots, whilst trying to move forwards too; grounded in tradition but also radically focused on dramatic change. Paradox, hybridized practices, and the significance of marginal place as a rich resource also emerged from the study. Keywords: entrepreneurship; social construction; punk rock; paradox; marginality; periphery Special thanks are due to all the punks and skins who have engaged with my reading of the Rancid story, and given me so much support and feedback along the way, especially Rancid’s drummer, Branden Steineckert, Jesse from Machete Manufacturing, Kostis, Tassos (Rancid Punx Athens Crew) and Panayiotis. -
Songs by Title Karaoke Night with the Patman
Songs By Title Karaoke Night with the Patman Title Versions Title Versions 10 Years 3 Libras Wasteland SC Perfect Circle SI 10,000 Maniacs 3 Of Hearts Because The Night SC Love Is Enough SC Candy Everybody Wants DK 30 Seconds To Mars More Than This SC Kill SC These Are The Days SC 311 Trouble Me SC All Mixed Up SC 100 Proof Aged In Soul Don't Tread On Me SC Somebody's Been Sleeping SC Down SC 10CC Love Song SC I'm Not In Love DK You Wouldn't Believe SC Things We Do For Love SC 38 Special 112 Back Where You Belong SI Come See Me SC Caught Up In You SC Dance With Me SC Hold On Loosely AH It's Over Now SC If I'd Been The One SC Only You SC Rockin' Onto The Night SC Peaches And Cream SC Second Chance SC U Already Know SC Teacher, Teacher SC 12 Gauge Wild Eyed Southern Boys SC Dunkie Butt SC 3LW 1910 Fruitgum Co. No More (Baby I'm A Do Right) SC 1, 2, 3 Redlight SC 3T Simon Says DK Anything SC 1975 Tease Me SC The Sound SI 4 Non Blondes 2 Live Crew What's Up DK Doo Wah Diddy SC 4 P.M. Me So Horny SC Lay Down Your Love SC We Want Some Pussy SC Sukiyaki DK 2 Pac 4 Runner California Love (Original Version) SC Ripples SC Changes SC That Was Him SC Thugz Mansion SC 42nd Street 20 Fingers 42nd Street Song SC Short Dick Man SC We're In The Money SC 3 Doors Down 5 Seconds Of Summer Away From The Sun SC Amnesia SI Be Like That SC She Looks So Perfect SI Behind Those Eyes SC 5 Stairsteps Duck & Run SC Ooh Child SC Here By Me CB 50 Cent Here Without You CB Disco Inferno SC Kryptonite SC If I Can't SC Let Me Go SC In Da Club HT Live For Today SC P.I.M.P. -
Catch a Wave: the Rise, Fall and Redemption of the Beach Boys Brian Wilson Pdf
FREE CATCH A WAVE: THE RISE, FALL AND REDEMPTION OF THE BEACH BOYS BRIAN WILSON PDF Peter Ames Carlin | 368 pages | 06 Aug 2007 | RODALE PRESS | 9781594867491 | English | Pennsylvania, United States Catch a Wave by Peter Ames Carlin - PopMatters Superhero media has a history of critiquing the dark side of power, hero worship, and vigilantism, but none have done so as radically as Watchmen and The Boys. Aussie indie rockers, Floodlights' debut From a View is a very cleanly, crisply-produced and mixed collection of shambolic, do-it- yourself indie guitar music. CF Watkins has pulled off the Catch a Wave: The Rise trick of creating an album that is imbued with the warmth of the American South as well as the urban sophistication of New York. Canadian singer-songwriter Helena Deland's first full-length release Someone New reveals her considerable creative talents. Joe Wong, the composer behind Netflix's Russian Doll and Master of Nonearticulates personal grief and grappling with artistic fulfillment into a sweeping debut album. British rocker Peter Frampton grew up fast before reaching meteoric heights with Frampton Comes Alive! Now the year- old Grammy-winning artist facing a degenerative muscle condition looks back on his life in his new memoir and this revealing interview. Bishakh's Som's graphic memoir, Spellboundserves as a reminder that trans memoirs need not hinge on transition narratives, or at least not on the ones we are used to seeing. Seductively approachable, Gamblers' sunny sound masks the tragedy and despair that populate the band's debut album. Peter Guralnick's homage to writing about music, 'Looking to Get Lost', shows Catch a Wave: The Rise good music writing gets the music into the readers' head. -
ACRONYM 13 - Round 9 Written by Danny Vopava, Erik Nelson, Blake Andert, Rahul Rao-Potharaju, William Golden, and Auroni Gupta
ACRONYM 13 - Round 9 Written by Danny Vopava, Erik Nelson, Blake Andert, Rahul Rao-Potharaju, William Golden, and Auroni Gupta 1. The first NCAA basketball game to be broadcast in primetime was played at this venue in 1968. From 1971 to 1975, this venue served as the home of its city's namesake professional baseball, football, and basketball teams. Bobby Riggs lost to Billie Jean King in the Battle of the Sexes in this venue. Before becoming the Titans in 1996, the NFL's (*) Oilers played in this stadium, which inspired the name of a form of artificial turf. A team oncecalled the "Colt 45s" later played in, for 10 points, what pioneering domed stadium in Houston, Texas? ANSWER: (NRG) Astrodome [or Houston Astrodome] <Vopava> 2. In 2005 this band's drummer and bassist formed a supergroup with Shane Gallagher while its guitarist coped with painkiller addiction. That former member of this group also formed the band Box Car Racer. A 2008 plane crash in California nearly killed both DJ A.M. and this band's (*) drummer. The lyric "she left me roses by the stairs" comes from a gift received by this band's former singer, who now spends time searching for aliens. Tom DeLonge was a member of, For 10 points, what rock band that sang "Say it ain't so / I will not go" in their hit "All the Small Things"? ANSWER: Blink-182 <Vopava> 3. A woman who married into this family resorts to performing Adele hits as singing telegrams to make money. As an adult, one member of this familytakes in Deja as a foster child, inspired by the fact that he himself was abandoned as a baby at afire station. -
Coconuthead -.:: GEOCITIES.Ws
Dave Pittman aka CoconutHead From 1995 to 2001, the band CoconutHead supplied the gulf coast panhandle with top-notch acoustic Jimmy Buffett music. Now based out of the upstate of South Carolina, Dave Pittman, the lead singer and acoustic guitar player, continues to perform solo as CoconutHead. CoconutHead is just what the parrot heads ordered! Playing a large selection of acoustic Jimmy Buffett tunes, Dave Pittman covers everything from the popular “Songs You Know By Heart” to the more obscure parrot head favorites. His song list includes music related to Jimmy Buffett such as In the Meantime, Chain of Love, and Suzannah by Buffett’s guitarist Peter Mayer, crowd favorite hits by Bob Marley such as No Woman, No Cry and Redemption Song, and the Eagles' Tequila Sunrise served up right along side Margaritaville. A long time parrot head himself, Dave Pittman knows exactly what Jimmy Buffett fans want: Acoustic performances with the intensity and freshness that Jimmy Buffett had when he started in the 1970’s. Let CoconutHead excite your crowd into a Feeding Frenzy with requests and audience sing-alongs. Far left: Dave plays on St. George Island, FL Left: Greg “Fingers” Taylor plays with CoconutHead in Tallahassee, FL. Right: Dave entertains the parrotheads in W. Palm Beach at Mars Amphitheater before a Jimmy Buffett concert. Dave Pittman supplies his own PA equipment providing DJ music before & after each set. Contact Dave about playing your private party or live music venue! Web site: http://CoconutHead.ontheweb.nu E-mail: [email protected] -
Night Owls Index 2013 Rev 2.Xlsx
song A Foggy Day A Lot Of Livin' To Do A Night In Tunisia a Smooth one a taste of honey after you’ve gone afternooon in Paris Aint Misbehavin airmail special Alexanders rag time band chorus only All Blues All Of Me almost like being in love American patrol at the jazz band ball Au Privave Autumn Leaves Bad Habits Begin The Beguine Benny's Bugle ( no chart) Bernies Tune Bill Bailey Black Orpheus Blue Bossa Blue Skies Blues In The Closet Blues Walk bluesette ( waltz) Body And Soul Bucket O Blues Bye Bye Blackbird c jam blues Caravan charlston Chattanooga Choo Choo Cherokee come fly with me COME TOGETHER Cute Desifinado Don't Get 'Round Much Anymore down by the riverside Doxy evrybody needs somebody to love fever Flip Flop Fly Fly me to the moon Four Four Brothers Georgia get happy Girl from ipanama Golden wedding Green Dolphin Street have you met miss jones Hello Dolly hernandos hideaway hit that jive jack Honeysuckle Rose how high the moon im beginning to see the light im confession that I love you I'm Gonna Sit Right Down and Write Myself a Letter In A Mellow Tone Indiana In The Mood Is You Is Or Is You Ain't My Baby it don’t mean a thing It Had To Be You its only a Paper Moon I've Got You Under My Skin Jada jumpin at the woodside Jumpin' With Symphony Sid June Bug Just A gigolo Killer joe king of the road Lady be good Lady Is a Tramp Ladybird Lester leaps in light my fire Little Brown Jug Love lullaby of birdland Mack the knife mercy mercy mercy Minnie The Moocher Misty mood indigo Moon dance Moonglow Moonlight in Vermont moonlight serenade -
Multi-Platinum Country Music Legend Billy Ray Cyrus Salutes the Troops on Siriusxm's "I'm American" Veterans Day Special
Multi-Platinum Country Music Legend Billy Ray Cyrus Salutes the Troops on SiriusXM's "I'm American" Veterans Day Special Cyrus joins forces with SiriusXM Patriot host Mike Slater at Marine Corps Base Camp Pendleton to honor our nation's servicemen and women Miley Cyrus calls in to surprise the Lance Corporal who invited her to his Marine Corps Ball NEW YORK, Nov. 9, 2011 /PRNewswire/ -- Sirius XM Radio (NASDAQ: SIRI) announced that multi-platinum artist Billy Ray Cyrus joined forces with SiriusXM Patriot host Mike Slater at Marine Corps Base Camp Pendleton in San Diego to salute the brave men and women serving our nation for SiriusXM's "I'm American" Veterans Day special premiering on Veterans Day , November 11, at 2:00 pm ET on SiriusXM Patriot channel 125. (Logo: http://photos.prnewswire.com/prnh/20101014/NY82093LOGO ) The one-hour special features Cyrus performing acoustic versions of "Some Gave All," "I'm American," "Achy Breaky Heart" and "Nineteen" and conversations on-site with the servicemen and women of Camp Pendleton. "When I see these young men... the troops that I've been with this year doing the homecoming show [and] the various USO tours that I've done... from Iraq to Afghanistan and all around the world, seeing our military, our men and women in uniform-- that's why we live in the greatest land in all the world, the United States of America," said Billy Ray Cyrus on SiriusXM Patriot. "It's their service, their sacrifice, their family's sacrifice. One thing that I've seen over the past year is the children, the kids [and] their moms and dads that go away to serve our country.