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Productor No Identificado 1-2009R
Código Titulo Interprete 1887 I AM NOT IN LOVE 10 CC 90447 CANDY EVERYBODY 10,000 MANIACS 93260 TROUBLE 10,000 MANIACS 110619 BICICLETAS 11 Y 20 83485 QUITATE TU PA PONERME YO 12 DISCIPULOS 111526 SIMON SAYS 1910 FRUITGUM COMPANY 105716 MIRAR BIEN 1ERA EDICION 111527 PANDORA BOX 2 MINUTOS 111528 ALLEY OOP 2 PAC 111529 BROKEN WINGS 2 PAC 87755 CALIFORNIA 2 PAC 105717 CHANGES 2 PAC 111530 KEEP YA HEAD UP 2 PAC 105719 SMILE 2 PAC 111531 THUGZ MANSION 2 PAC 101756 GET READY FOR THIS 2 UNLIMITED 88637 FAT BOY 20 FINGERS 81734 YOU ARE LIKE 20 FINGERS 99975 YOU GOTTA LIECK IT 20 FINGERS 102698 CERCA DE MI 20/20 111532 CONVERSANDO EN UNA MESA 20/20 81199 CUANTO MAS 20/20 98906 DEPENDE DE TI 20/20 102699 EL APOSTADOR 20/20 111533 NOCHE FRUSTRADA 20/20 111534 SIN DIRECCION 20/20 101757 YA NO PUEDO MAS 20/20 74829 ANGUSTIA 3 CABALLEROS LOS 79361 CUANDO TU ME QUIERAS 3 CABALLEROS LOS 75889 EL RELOJ 3 CABALLEROS LOS 67319 REGALAME ESTA NOCHE 3 CABALLEROS LOS 101758 TU ME OLVIDAS 3 CABALLEROS LOS 98848 CRIPTONITA 3 DOORS DOWN 110621 DONT TRUST ME 3 OH 3 104573 ATTACK 30 SECONDS TO MARS 103505 FROM YESTERDAY 30 SECONDS TO MARS 100754 THE KILL 30 SECONDS TO MARS 106854 LA PANTERA MAMBO 33 ORQUESTA LA 64848 CAUGHT UP IN YOU 38 SPECIAL 100755 Anything 3T 79883 STUCK ON YOU 3T 98574 DESPUES QUE ME AMES 4 EVER 110622 DONT YOU LOVE ME 49 ERS 87745 CANDY SHOP 50 CENT 110623 GET UP 50 CENT 103506 AYO TECHNOLOGY 50 CENT FEAT JUSTIN TIMBERLAKE 90209 I M ON FIRE 5000 VOTIOS 79253 DONDE IRAN 5ta ESENCIA LA 105724 EL MUNDO SE EQUIVOCA 5TA ESTACION 97502 PENSANDO -
Retorciendo Palabras. Enseñar Variedades
“retorciendo palabras” enseñando variaciones dialectales con canciones Mª CELESTE DELGADO-LIBRERO UNIVERSITY OF AUCKLAND A) INTRODUCCIÓN En general, los autores y/o intérpretes de canciones neutralizan muchas de las características dialectales que están presentes en su habla cotidiana normal. Ello es porque escribir y cantar no son procesos comunicativos espontáneos y normales, sino producciones artísticas que interesa que sean comprensibles para un número elevado de receptores (consumidores). Sin embargo, algunos rasgos dialectales sí son perceptibles en muchas canciones y se pueden usar en la clase de lengua española intermedia o avanzada para mostrar a los estudiantes que el español no es una entidad monolítica y uniforme, sino que hay una gran variedad lingüística en varios niveles (fónico, morfológico, sintáctico y léxico), que esta variedad es causa y efecto de una riqueza cultural, y que todas las variedades son igualmente aceptables y válidas como vehículos de comunicación. Aparte de exponer a los estudiantes a hablantes de diversos dialectos del español, mediante canciones se pueden explorar otros aspectos interdisciplinarios: política, música, cultura, geografía, etc. El medio audiovisual, además, ofrece la ventaja de ser atractivo para los estudiantes. Las actividades que se proponen aquí se enfocan en los aspectos dialectales de las canciones, pero también he incluido otros aspectos que pueden y deben complementar el estudio de cada canción. Estos enfoques no son más que sugerencias, y cada profesor tendrá que diseñar sus propias actividades. Aunque cada canción se puede usar independientemente de las demás, he concebido este proyecto como una especie de continuo que se puede desarrollar a lo largo de un semestre o de un año y en el que cada canción se beneficia del estudio comparativo con otras canciones. -
New Park's Efforts Earn New Contract
An Associated Collegiate Press Pacemaker Award Winner FRIDAY April 3, 1998 • • Volume 124 THE Number 44 on-Profit Org. U. S. Postage Paid ewark, DE Permit No. 26 250 Student Center• University of Delaware • Newark, DE 19716 Candidates square off First-ever mayoral debate features Godwin, Ashley BY ROBERT ARMENGOL "It wasn't really a debate," said Mayor properties was not as important to Ashley Ma11.aging Maga:.ine &litnr Ro nald L. G ardner, o ne of abo ut 80 as encouraging more family home An unprecedented mayoral debate people - mostly city residents - who ownership through mongage and loan he ld on campus Tuesday nig ht left atte nded the event at the Trabant incentives. Newarl<'s two candidates pretty tired and University Center Theatre. "But that's all Godwin also said he is not interested some voters a little confused. right. It gave us the opportunity to hear in fiddling with current regulations tliat "I'm pooped," councilman Harold F. the candidates· opinions and for them to forbid more than three unrelated tenant God win said afte r the two-ho ur ~----~ he a r the people ' s per rental unit except on some properties discussion of the c ity's most pressing concerns'' g ra ndfathe red to al low fo r four issues. editorial After their five housemates. Political newco m er M a rg ue rite pageA6 minute opening But that confusing disparity, Ashley Ashley, his opponent, also said she was s ta te m e nts. Ashley said. may lure rental bu iness to those exhausted. -
Karaoke Mietsystem Songlist
Karaoke Mietsystem Songlist Ein Karaokesystem der Firma Showtronic Solutions AG in Zusammenarbeit mit Karafun. Karaoke-Katalog Update vom: 13/10/2020 Singen Sie online auf www.karafun.de Gesamter Katalog TOP 50 Shallow - A Star is Born Take Me Home, Country Roads - John Denver Skandal im Sperrbezirk - Spider Murphy Gang Griechischer Wein - Udo Jürgens Verdammt, Ich Lieb' Dich - Matthias Reim Dancing Queen - ABBA Dance Monkey - Tones and I Breaking Free - High School Musical In The Ghetto - Elvis Presley Angels - Robbie Williams Hulapalu - Andreas Gabalier Someone Like You - Adele 99 Luftballons - Nena Tage wie diese - Die Toten Hosen Ring of Fire - Johnny Cash Lemon Tree - Fool's Garden Ohne Dich (schlaf' ich heut' nacht nicht ein) - You Are the Reason - Calum Scott Perfect - Ed Sheeran Münchener Freiheit Stand by Me - Ben E. King Im Wagen Vor Mir - Henry Valentino And Uschi Let It Go - Idina Menzel Can You Feel The Love Tonight - The Lion King Atemlos durch die Nacht - Helene Fischer Roller - Apache 207 Someone You Loved - Lewis Capaldi I Want It That Way - Backstreet Boys Über Sieben Brücken Musst Du Gehn - Peter Maffay Summer Of '69 - Bryan Adams Cordula grün - Die Draufgänger Tequila - The Champs ...Baby One More Time - Britney Spears All of Me - John Legend Barbie Girl - Aqua Chasing Cars - Snow Patrol My Way - Frank Sinatra Hallelujah - Alexandra Burke Aber Bitte Mit Sahne - Udo Jürgens Bohemian Rhapsody - Queen Wannabe - Spice Girls Schrei nach Liebe - Die Ärzte Can't Help Falling In Love - Elvis Presley Country Roads - Hermes House Band Westerland - Die Ärzte Warum hast du nicht nein gesagt - Roland Kaiser Ich war noch niemals in New York - Ich War Noch Marmor, Stein Und Eisen Bricht - Drafi Deutscher Zombie - The Cranberries Niemals In New York Ich wollte nie erwachsen sein (Nessajas Lied) - Don't Stop Believing - Journey EXPLICIT Kann Texte enthalten, die nicht für Kinder und Jugendliche geeignet sind. -
17LG Nominees ENGLISH
Nominee_Export Latin Academy of Recording Arts & Sciences, Inc. List of Nominees for the 17th Annual Latin GRAMMY Awards Nominee Name Category #s Combined Category Names A Corte Musical 42 Best Classical Album Enrique Abdón Collazo 18 Best Traditional Tropical Album Sophia Abrahão 4 Best New Artist Raúl Acea Rivera 18 Best Traditional Tropical Album Dani Acedo 47 Best Short Form Music Video Héctor Acosta "El Torito" 17 Best Contemporary Tropical Album Dario Adames 11 Best Pop/Rock Album Mario Adnet 31 Best Latin Jazz Album Antonio Adolfo 31 Best Latin Jazz Album Adrián 6 Best Traditional Pop Vocal Album Raul Agraz 31 Best Latin Jazz Album Gustavo Aguado 17 Best Contemporary Tropical Album Lino Agualimpia Murillo 19 Best Tropical Fusion Album Pepe Aguilar 1 Record Of The Year José Aguirre 15 Best Salsa Album Lisa Akerman Stefaneli 44 Best Recording Package Bori Alarcón 2 Album Of The Year Pablo Alborán 1, 2, 5 Record Of The Year, Album Of The Year, Best Contemporary Pop Vocal Album Rolando Alejandro 2 Album Of The Year Álvaro Alencar 2 Album Of The Year Alexis 7 Best Urban Fusion/Performance Alexis y Fido 7 Best Urban Fusion/Performance Omar Alfanno 20 Best Tropical Song Sergio Alvarado 47 Best Short Form Music Video Page 1 Nominee_Export Andrea Álvarez 10 Best Rock Album Diego Álvarez 48 Best Long Form Music Video Julión Álvarez 23 Best Banda Album Laryssa Alves 39 Best Brazilian Roots Album Lizete Alves 39 Best Brazilian Roots Album Lucy Alves & Clã Brasil 39 Best Brazilian Roots Album Lucy Alves 39 Best Brazilian Roots Album Jorge Amaro 11 Best Pop/Rock Album Remedios Amaya 30 Best Flamenco Album Elvis "Magno" Angulo 15 Best Salsa Album Juan Alonzo V. -
Race, Nation, and Popular Culture in Cuban New York City and Miami, 1940-1960
Authentic Assertions, Commercial Concessions: Race, Nation, and Popular Culture in Cuban New York City and Miami, 1940-1960 by Christina D. Abreu A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (American Culture) in The University of Michigan 2012 Doctoral Committee: Associate Professor Jesse Hoffnung-Garskof Associate Professor Richard Turits Associate Professor Yeidy Rivero Associate Professor Anthony P. Mora © Christina D. Abreu 2012 For my parents. ii Acknowledgments Not a single word of this dissertation would have made it to paper without the support of an incredible community of teachers, mentors, colleagues, and friends at the University of Michigan. I am forever grateful to my dissertation committee: Jesse Hoffnung-Garskof, Richard Turits, Yeidy Rivero, and Anthony Mora. Jesse, your careful and critical reading of my chapters challenged me to think more critically and to write with more precision and clarity. From very early on, you treated me as a peer and have always helped put things – from preliminary exams and research plans to the ups and downs of the job market – in perspective. Your advice and example has made me a better writer and a better historian, and for that I thank you. Richard, your confidence in my work has been a constant source of encouragement. Thank you for helping me to realize that I had something important to say. Yeidy, your willingness to join my dissertation committee before you even arrived on campus says a great deal about your intellectual generosity. ¡Mil Gracias! Anthony, watching you in the classroom and interact with students offered me an opportunity to see a great teacher in action. -
March 09 WRIR World Music Playlists
Global A Go-Go <[email protected]> WRIR World Music Playlists March 22, 2009 9:56:07 PM EDT Global A Go-Go <[email protected]> Bill Lupoletti Assistant Music Director for World Music Host, "Global A Go-Go" (Friday 5-7 PM Eastern time USA) WRIR 97.3 FM Richmond Independent Radio PO Box 4787 Richmond, VA 23220 USA www.wrir.org www.globalagogo.com EOL"Pgy"Yqtnf"Vqr"Vgp 1 LOS FABULOSOS CADILLACS - La Luz Del Ritmo - Nacional 2 AMADOU AND MARIAM - Welcome To Mali - Nonesuch 3 LUMINESCENT ORCHESTRII - Neptune's Daughter - Nine Mile 4 VARIOUS ARTISTS - Pacifico Colombiano - Otrabanda 5 JAYME STONE AND MANSA SISSOKO - Africa To Appalachia - Jayme Stone 6 PAUL SHAPIRO - Essen - Tzadik 7 EXTRA GOLDEN - Thank You Very Quickly - Thrill Jockey 8 SOOTHSAYERS - One More Reason - Red Earth 9 TOUBAB KREWE - Live At The Orange Peel - Upstream 10 ROKIA TRAORE - Tchamantche - Nonesuch EOL"Pgy"Yqtnf"Cffu 1 AMADOU AND MARIAM - Welcome To Mali - Nonesuch 2 CULTURE MUSICAL CLUB - Shime! - World Village 3 ABDOULAYE DIABATE - Sara - Completelly Nuts 4 GOLEM - Citizen Boris - JDub 5 MIDIVAL PUNDITZ - Hello Hello - Six Degrees Pgy"("Tgeqoogpfgf"Cv"YTKT Amadou & Mariam - Welcome To Mali - Nonesuch The followup to Dimanche A Bamako is just as rocking, soulful and tuneful as its predecessor; this is rock 'n' roll West African style at its best. RIYL Manu Chao, Damon Albarn's Mali Music, John Lee Hooker. Diabate, Abdoulaye "Djoss" - Sara - Completelly Nuts The brother of Malian superstar Kasse Mady Diabate, based in New York City, is one of the world's finest jelis (traditional singers), and he shows it in the superb session. -
Codigo Nombre Categoria Autor Precio
Codigo Nombre Categoria Autor Precio 102931 cenizas Cumbia 18 kilates Precio Compra Bs 3.5 102932 Me olvide de ti Cumbia 18 kilates Precio Compra Bs 3.5 103793 18 KILATES Cumbia 18 kilates Precio Compra Bs 3.5 105014 La chica del Este Cumbia 18 kilates Precio Compra Bs 3.5 105657 Me pones loco Cumbia 18 kilates Precio Compra Bs 3.5 105658 Ojitos Cafe Cumbia 18 kilates Precio Compra Bs 3.5 105659 Rompiste mi corazon Cumbia 18 kilates Precio Compra Bs 3.5 138459 Como olvidarte Cumbia 18 kilates Precio Compra Bs 3.5 138461 Cuerpo Criminal Cumbia 18 kilates Precio Compra Bs 3.5 138463 Me pones loco Cumbia 18 kilates Precio Compra Bs 3.5 138465 Ojitos cafes Cumbia 18 kilates Precio Compra Bs 3.5 138466 Rompiste mi corazon Cumbia 18 kilates Precio Compra Bs 3.5 138468 Chica especial Cumbia 18 kilates Precio Compra Bs 3.5 146242 Intentalo Musica Latinas 3BallMTY Precio Compra Bs 3.5 146557 Intentalo Latinas 3BallMTY Precio Compra Bs 3.5 146559 Todos A Bailar Latinas 3BallMTY Precio Compra Bs 3.5 146561 Tribal Guarachoso Latinas 3BallMTY Precio Compra Bs 3.5 146563 Ritmo Alterado Latinas 3BallMTY Precio Compra Bs 3.5 155464 Hipsters Con Botas Latinas 3BallMTY Precio Compra Bs 3.5 160068 Hipsters Con Botas Pop 3BallMTY Precio Compra Bs 3.5 160069 Solos Tú Y Yo Reggaeton 3BallMTY Precio Compra Bs 3.5 160314 Vive Hoy Reggaeton 3BallMTY Precio Compra Bs 3.5 160480 Porque El Amor Manda Latinas 3BallMTY Precio Compra Bs 3.5 257 In the club HipHop 50 cent Precio Compra Bs 3.5 105268 Come & Go Hip hop 50 cent Precio Compra Bs 3.5 105269 Peep show Hip hop 50 cent Precio Compra Bs 3.5 105270 All of me (f. -
Andrés Cepeda Estrena “Magia” Junto a Sebastián Yatra
26 • AGOSTO 30, 2018 MÚSICA Y ESPECTÁCULOS Andrés Cepeda estrena “Magia” junto a Sebastián Yatra Por: redacción “Hablamos tanto de música con Se- [email protected] bastián durante las grabaciones que necesariamente teníamos que llegar a espués del éxito “Te voy a hacer algo juntos y “Magia” es el resul- amar” llega “Magia” el nuevo tado”, dijo Andrés Cepeda. D lanzamiento de Andrés Cepeda, La idea original del videoclip fue de quién esta vez invitó a su gran amigo Andrés Cepeda, quien quiso contar una y colega Sebastián Yatra. Ambos artis- historia de amor de dos niños que son tas; talentosos, carismáticos, sencillos vecinos y compañeros de colegio. La y con trayectorias artísticas impeca- niña es víctima de bullying, un tema bles, le dan vida a este proyecto que que actualmente es recurrente en nues- a nivel musical se pone a tono con tra sociedad, y el niño, muy valiente el sonido actual, pues, aunque tiene la rescata de esta situación. La magia tintes urbanos, no pierde su principal ocurre al fi nal del video con un inocen- característica: cantarle al amor. te y cariñoso beso entre los dos niños. La magia de este single no hace alu- “Como adultos nos pasamos la vida sión a los trucos, magos, cartas, conejitos buscando revivir el momento mágico y varitas encantadas sino más bien a la de nuestro primer amor. Después de magia del día a día; la que hay en las pe- haber compartido tanto con los niños queñas cosas, la que está presente en un en el programa nos pareció que los pro- pequeño detalle, en un lindo recuerdo, en tagonistas de este video debían ser ellos dejarse sorprender con un beso y nunca mismos”, agregó Cepeda. -
Facultad De Artes Y Humanidades Carrera De Música Interpretación De Temas De Pop Rock Y Reggae Reproducidos En Conciertos En V
Facultad de Artes y Humanidades Carrera de Música Interpretación de Temas de Pop Rock y Reggae Reproducidos en Conciertos en Vivo. Concierto de Grado - Performance Trabajo de titulación presentado en conformidad con los requisitos establecidos para la obtención del título de Licenciatura en Música Andrés Julián Rodríguez Carabalí Tutor: Mgstr. Luis Ricardo Eguiguren Montenegro Febrero/2018 Declaratoria El presente documento se ciñe a las normas éticas y reglamentarias de la Universidad de Los Hemisferios. Así, declaro que lo contenido en éste ha sido redactado con entera sujeción al respeto de los derechos de autor, citando adecuadamente las fuentes. Por tal motivo, autorizo a la Biblioteca a que haga pública su disponibilidad para lectura, a la vez que cedo los derechos de publicación a la Universidad de Los Hemisferios. De comprobarse que no cumplí con las estipulaciones éticas, incurriendo en caso de plagio, me someto a las determinaciones que la propia Universidad plantee. Asimismo, no podré disponer del contenido de la presente investigación a menos que eleve por escrito el requerimiento para su evaluación a la Comisión Permanente de la Universidad de Los Hemisferios. Firma del autor _________________ Andrés Julián Rodríguez Carabalí CI: 1716108806 2 Dedicatoria A mi madre quién con su humildad me ha dado todo en la vida, los valores, el apoyo y el amor para alcanzar mis metas y sueños, lo que soy es por ti. A mis hermanos Tatiana y Diego por cuidarme y enseñarme con sus familias el camino a seguir, a mi padre por ser un ejemplo, y a mis sobrinos Macarena, Daniel, Tiffany, Emily y mi pequeña Samy. -
Rubén Blades
Rubén Blades Rubén Blades Bellido de Luna (born July 16, 1948), professionally known as Rubén Blades (Spanish pronunciation: [ruˈβen ˈblaðes], but [ˈbleðz] in Panama and within the family[1]), is a Panamanian salsa singer, songwriter, actor, Latin jazz musician, and activist, performing musically most often in the Afro-Cuban and Latin jazz genres. As songwriter, Blades brought the lyrical sophistication of Central American nueva canción and Cuban nueva trova as well as experimental tempos and politically inspired Nuyorican salsa to his music, creating thinking persons’ (salsa) dance music. Blades has composed dozens of musical hits, the most famous of which is “Pedro Navaja,” a song about a neighborhood thug who appears to die during a robbery (his song “Sorpresas” continues the story), inspired by “Mack the Knife.” He also composed and sings “Patria” (Fatherland), which many Panamanians consider their second national anthem. He is an icon in Panama and is much admired throughout Latin America and Spain, and managed to attract 18% of the vote in his failed attempt to win the Panamanian presidency in 1994. In September 2004, he was appointed minister of tourism by Panamanian president Martín Torrijos for a five-year term. He holds a Licenciado en Derecho law degree from the University of Panama and an LL.M in International Law from Harvard University. He is married to singer Luba Mason. Family history and early life Blades was born in Panama City, Panama, the son of Cuban musician and actress Anoland Díaz (real surname Bellido de Luna), and Colombian Rubén Darío Blades, Sr., a gifted athlete, percussionist and later a graduate of the Federal Bureau of Narcotics in Washington, DC. -
Renato Sets It Straight: the Panamanian Roots of Reggaetón
Peter Szok Renato Sets It Straight: An Interview on the Diffuse Roots of Reggaeton Texas Christian University, EE.UU. [email protected] Introduction An intense debate has arisen over the last decade regarding the origins and the development of reggaeton. As Wayne Marshall notes in a recent publication, the discussion has often taken on a heated and “linear” quality, with participants linking the genre’s spectacular emergence to pre- existing, nationalist narratives, while ignoring its global and fluid character, the “migration” of its artists, and the “reach of the media” which impacts its subjects simultaneously in various regions (Marshall 22). Puerto Ricans have most successfully produced this dance music which draws heavily on aspects of commercialized African diasporic culture and which is now heard and performed across Latin America, the United States, Europe, and many other parts of the world. As a result, they and others tend to present the rhythm as having come “straight outta Puerto Rico,” as implied in a 2008 documentary which ties reggaeton’s rise to the island’s youth and popular culture (Savidge and Chankin). However, Panamanian musicians are equally adamant that the musical form is essentially their creation and that its roots lie firmly in the traditions of the isthmus’ Afro-Antillean population. “We invented it in Panama,” insisted salsero Rubén Blades, during a press conference in Puerto Rico, while serving as his country’s Minister of Tourism. Speaking in what might be regarded as enemy territory, Blades identified reggaeton as part of his republic’s patrimony, and he called on Panamanians to abandon any prejudices and to recognize its importance in their society (“Rubén Blades” s.p.).