ANABEL VELOSO Dance Company the Company

ANABEL VELOSO Dance company The Company

‘Fifth Anniversary of the Anabel Veloso Dance Company: courageous, brave and natural’

“Anabel Veloso’s prolific artistic portfolio reflects the courageous nature of those who feel -fla pauses before getting on stage, a need to tell stories and reveal aesthetic and choreogra- menco is a force, a creative necessity and almost a clear sign of a cultural demand. Her five-year phed worlds laden with new resources for flamenco, which take shape naturally when career has shown, since its celebrated beginnings with Nacidos del mar to today’s lively trajec- heard, but without losing sight of their intrinsic light. What’s more, Anabel Veloso does more tory through foreign lands, that the energy of youth can be as mature and responsible as the than dance and choreograph movement phrases, because she believes that shows should minds of those who possess it. Five years have been enough to bring maturity to the artistic be much more, that they need to tell, teach and help people to love the stage and dance. To content of this young creator and flamenco bailaora. Time and age cease to be of consequence watch her work is to understand that her mind, vision and body are bubbling over, ready to in the face of such ambition and such an amazing need to create. A beautiful, admirable ambi- devote themselves entirely to culture and dance. She can do this because she is courageous tion and because she has a gift, the gift of being fearless because she gives herself up naturally to what she loves above all else”. PRODUCTIOIdea & Art Direction NS Anabel Veloso

Play-writting & Scenography Flamencoland 2014 Anabel Veloso (La vuelta al mundo) Choreography Anabel Veloso, Alberto Ruiz Show for children and young people “Like the stories we read as children, the ones that whisked us away to other worlds, to different cultu- Choreography assesment res, Flamencolandia is a new universe based on the illusion that flamenco is found all over the world. Alberto Ruiz It is a cry against its loss with happy footwork and a cheerful demand. We embark on a fascinating, Soloist dancers epic story with dancers, musicians and actors, discovering other cultures and loving our own. And we Anabel Veloso & Alberto Ruiz laugh and want to jump up onto the stage to become part of the adventure and celebrate the victory of dance with them”. Musicians Guitar: Javier Patino Premiered at the 2014 African Tour, Flamencoland is a full show including music, dance and avant-garde visual Voice Naique Ponce arts. Through Flamencoland, the most universal Spanish cultural heritage, Flamenco, travels back in the influen- Flute, Saxo & Harmonica: Diego Villegas ces that forged its spirit. From India to Southern America, including the rythmns in Africa, tunes and melodies Piano: Sergio Monroy have moulded what today is Flamenco, a world cultural gathering with the Spanish stamp that added its asthe- Percussion: Miguel Ortiz, ‘Nene’ tics and main characteristics. This is a show of cultural understanding and unity through dance and music. Musics “It is said that is difficult to define flamenco. It might be, as Flamenco is able to recreate an intangible land, a Javier Patino, Diego Villegas, Ruiz, Veloso & Po- unique experience. In Flamenco feelings are tangled and put down their roots in the deepest part of our souls. pular That is why it becomes a universal form of art, borders cannot be applied as from its very beginning it overcome every boderline. In that moment of cultural sublimation, one culture embraces the other and different nations 75 MIN acknoledge their ancestral melodies, aesthetics and feelings without the need of words. Flamenco, world cultural heritage. The world, a land of Flamenco. Flamencoland.” Produced in collaboration with the Excmo. Ayto de Roquetas de Mar and IAF (Andalusian By Jose Mª Martínez de Haro (Writer and journalist. Madrid, August 2014). Flamenco Institute) Idea & Art Direction Anabel Veloso, Paco Cañizares

Authors Flamencolandia 2014 Anabel Veloso & Enrique Linera (La vuelta al mundo: una aventura a compás) Choreography Premiered on the 18th edition of La Bienal de Flamenco, the biggest flamenco event worldwide, Anabel Veloso Anabel Veloso, Alberto Ruiz designs a tribute to Jules Verne’s play througout “Around the World in Eighty Days”, “Twenty Thousand Leagues Under the Sea” and “Journey to the Center of the Earth”. Soloist dancers This time, children will live an exciting trip around the world. In this trip, they will get to know different types of Anabel Veloso & Alberto Ruiz music and cultures helped by all the musicians in the company, who have to rescue the flamenco dancers kid- napped by the despicable peasant “Choreopatographer”. In the meantime, the adult audience will enjoy beau- Performers tiful musical compositions by the guitarist JAVIER PATINO, the pianist SERGIO MONROY (winner of the National Anabel Veloso, Alberto Ruiz, Francisco Caparrós Award in the flamenco Festival of La Unión) and flamenco dancing by the company’s soloists ANABEL VELOSO and ALBERTO RUIZ, all this conducted by the actor FRANCISCO CAPARRÓS following the script developed by Music ENRIQUE LINERA. Javier Patino, Diego Villegas, Ruiz & Veloso & Popular

A very entertaining journey which combines theatre and flamenco dancing and with the aim of promoting the 55MIN value of our most universal cultural expression and our admiration for music and dances in the world with EIGHT ARTISTS ON STAGE. For Children Age 6 -12

Produced in collaboration with Almeria’s Delegacion de Cultura and IAF (Andalusian Flamenco Institute) Idea & Art Direction Anabel Veloso

Play-writting & Scenography Anabel Veloso

Choreography Anabel Veloso, Alberto Ruiz

Guest choreographers Rubén Olmo, Concha Jareño, Andrés The 80’s generation, Marín, Jesús Carmona & Chevi Muraday Choreography assesment Alberto Ruiz

Soloist dancers grandsons from the 27’s generation, 2013 Anabel Veloso & Alberto Ruiz guest dancer: Chevi Muraday

Poems reciting “No challenge is too daunting for Anabel Veloso when it comes to ambitious stage production. This work, Francisco Caparrós a finalist in the PAD Awards, takes the company in a new direction with an unexpected, masterly twist that brings new points of view to the ever-present influence of the generation of 1927. A grand production with Musicians breathtaking audio visuals and theatrical devices. With a carefully paced plot and choreography, two sig- Guitar: José Manuel León nificant generations meet and touch. Young choreographers and important colleagues of the generation Voice Naique Ponce enable us to relive the imposing presence of those who wrote, painted and danced today’s culture. They feel Flute, Saxo & Harmonica: Diego Villegas so close, they appear and disappear, they speak... What a pleasure to be invited to this masterly meeting”. Violin: José Vélez Percussion: Miguel Ortiz, ‘Nene’

Musics Manuel de Falla, José Manuel León, Javier Patino, Diego Vi- llegas, José Vélez, Manuel, Jesús Guerrero, Pablo Rubén M., Ruiz, Veloso & Popular

75 MIN

Produced in collaboration with the Excmo. Ayto de Roque- tas de Mar and IAF (Andalusian Flamenco Institute)

5 Nominaciones a los Premios PAD de Andalucía. Idea & Art Direction Anabel Veloso

Play-writting & Scenography Anabel Veloso

Choreography Mediterranean way 2012 Anabel Veloso & MºJosé Rodriguez “Shirin” Soloist dancers “This work clearly shows that bringing together the cultures, art and histories of sister countries one can Anabel Veloso, Mª José Rodríguez, Clara Checa create the most beautiful sensations. Anabel Veloso tackles this challenge naturally and with ease, revea- ling the myriad feelings, universes and forms of expression offered by flamenco dance and Arabic dance and music. Al-Ándalus and our own land, bridged by the Mediterranean, different and together as Musicians one. A dynamic, aesthetic production with 12 musicians on the stage and dances that touch us, gran- Pedro Tores, Norberto Torres, Jose ting us the privilege to experience and savour the cultural essence of these peoples. An absolute delight”. Manuel León, Javier Patino, Diego Villegas, José Velez, Sonia Miranda, This is a flamenco and Raqs Sharqi (Arab dance) music-dance show. Twelve artists on stage from Morocco and Suhail Serghini & Naiti Abdesselam Spain recreate singing, toque and dance, melting both cultures into one that emerges richer and more colour- ful. The Al-Andalus spirit fills the theatre with the Mediterranean Sea as the main element that unites both sho- 75 MIN res and cultures. Feelings, expressions and arts bond this people while the Sea becomes an eternal mesmerizing witness. This dance theatre show was performed and or- The essence of both cultures and the utterly importance of the Sea will be on the stage thanks to the outstan- ganised at POCTEFEX: PARALELO 36 project by ding work of Anabel Veloso, that created this show as part of a Collaboration programme between Spain and the CEMYRI as part of a Spanish-Moroccan collabo- Morocco celebrating both cultures in the Spanish-Morocaan Heritage Meeting. ration programme.

In addition the show includes the awarded coreography “El embarcadero” (The pier), honored at the XVI Madrid’s Certamen de Coreografia with Best Musical Composition and Best Scenography. Idea & Art Direction Anabel Veloso

Play-writting & Scenography Anabel Veloso

Choreography Anabel Veloso, Alberto Ruiz

Choreography for Javier Latorre Alberto Ruiz Symphonic Poem number 2, 2010 “Por una cabeza”: Javier Latorre

Soloist dancers “Nothing is forgotten if we remember it, there is no silence if we breathe life into what we believe is abando- Anabel Veloso & Alberto Ruiz ned. And so they take to the stage, with this work, memories, melancholy and fascination with a time when everything was music and dance, a time they bring back to the present. The stage language, the surprise Guest dancer when an instrument comes to life, the choreographic details and dance performances, a selection of music Javier Latorre and audiovisual effects that remind us that life is nothing without culture. There are magical moments that merit special attention, full of slow, restrained flamenco from the excellent duo consisting of Anabel Veloso Musicians and Alberto Ruiz”. Javier Patino Diego Villegas This is the story of an abandoned orchestra visited by its director in former times to remember his old days. Maria José Pérez While recalling old memories and glorious moments full of romance, he starts feeling both fascinated and José Velez melancholic. Nacho López

Coreography after coregraphy, the instruments come alive through the dancers’ bodies. Their souls are pos- Musics sessed by music and they dance to the rythmn of every instrument, while they long for another chance to be Javier Patino, Gardel, Deigo Villegas, Wang played. Feng, Vivaldi, Veloso & Ruiz, Virus String Quartet & popular The scenography includes a wide musical selection (piano, violin, guitar, flute...), audio visual projections and cinema costumes, as well as a homage to master dancer Fred Astare. Everything is carefully set and performed to 70 MIN make sure the audience feel the passion within the music. Idea & Art Direction Anabel Veloso

Authors Anabel Veloso, Alberto Ruiz & Josema Diez-Perez

Choreography Anabel Veloso, Alberto Ruiz Ghostly Symphony, 2010 Soloist dancers “Tono and Mimí’s are fascinated when the instruments come to live. They experience the surprise and Anabel Veloso & Alberto Ruiz enchantment of dance, delightful sounds and the mystery of a life that sings and dances. Because it isn’t only children that can get back that feeling of excitement, because the phantoms of the orches- Performers tra can only be friends. It is with this and a perfect blend of flamenco, music, audio visual effects and Anabel Veloso, Alberto Ruiz, María Gallardoy Francisco Ca- performance that the theatre becomes a place to which an already faithful young audience will always parrós want to return. It’s a pleasure to hear this audience laugh and sigh; they have a new friend: flamenco”. Music Javier Patino, Gardel, Deigo Villegas, Wang Feng, Vivaldi, Ruiz & Veloso, Virus String Quartet & Popular

55MIN

For Children Age 6 -12

Produced in collaboration with Almeria’s Delegacion de Cultura and IAF (Andalusian Flamenco Institute) Idea & Art Direction Anabel Veloso 2010 Authors Flamenquines Nacidos del mar, Anabel Veloso, Alberto Ruiz & Josema Diez-Perez

Little flamenco dancers that came from the sea Choreography Anabel Veloso, Alberto Ruiz

(Adaptation for children) Soloist dancers “When well-produced theatre and dance are combined with a clear mission to educate, the result is work Anabel Veloso y Alberto Ruiz that we want to see with our children. Mariola and Marino’s entertaining travels around Almería teach the audience to recognise and appreciate the history that hides in every nook and cranny, landscape and Performers every memory and, with it, its music and dance. Mermaids, fish and waves accompany these cheerful cha- Anabel Veloso, Alberto Ruiz, María racters on an enchanting journey. Flamenco surprises, teaches and entrances us along the way. It is not by Gallardo & Francisco Caparrós chance that this is one of the most successful dance works for children of recent years”. Music Javier Patino, Jorge Pardo, Diego This is the story of Mariola, flamenco number one fan and her friend Marino, who does not know anything about Villegas, Pablo Maldonado, Ruiz & it. Marino becomes fascinated after watching a live flamenco dance performance; however the flamenco dance Veloso, Virus String Quartet & Popular saddens Marino when he thinks he will never watch again such a passionate and beautiful dance. Mariola proves him wrong and shows him that he can find flamenco anywhere anytime and how it was born from feelings. 55 MIN Mariola and Marino will take a fun trip around Andalusia, the beach, forests and also seafloor to live adventures For children with sirens, fish, giant waves and many more creatures in their quest to find the origins of flamenco. They will find Age 6 -12 out that flameco music and dance can be found anywhere. Idea & Art Direction Anabel Veloso

Play-writting & Scenography Anabel Veloso

Choreography Anabel Veloso, Alberto Ruiz

Born of the sea 2009 Choreography assesment Alberto Ruiz

“Travelling the length and breadth of the province of Almeria, over the land and under the sea, lapped by the constant movements of the waves and the echoes of voices and feelings from the past awakened by the rustle of a flamenco Dancers dress or the steps of bare feet. True Mediterranean flamenco floods the stage with the life of this land where it has Anabel Veloso, Alberto Ruiz, Alejandra Gudí, Jose a thrown down deep roots, with strength, exquisite beauty and a personality all its own. It has received well-deserved Jurado, Javier Patino, Diego Villegas, Juan Debel, awards such as the National Fotoescena Prize for the Best Staging and the Prize for the Best Original Composition at Barnabas Hangonyi the 16th Choreography Competition of Madrid that recognise the opera prima of this promising young company”. Guest performer This is a journey through the coast of Almeria, from the deep sea to the shore and the love stories between sailors and Jorge Pardo sirens in this breathtaking landscape. The scenes will take the spectator into the different feelings that emerge from the Sea and flood deep into one’s soul with the emotional flamenco dance experience. Music Javier Patino, Jorge Pardo, Diego A show that will set the whole audience at the coast without moving from their seat Villegas y Pablo Maldonado, Ruiz & Veloso, Virus Strig Quartet & Popular

70 MIN ANABEL VELOSO Anabel Veloso Dance Company was settled in 2009. As director and main coreographer and dancer, Anabel has Passionate and talented dancer, Anabel Veloso made a company out of her love for succesfully produced six big shows for her own Company and flamenco and entrepreneur spirit. Her powerful presence fills the stage with her composed for Chico Castillo “the Gipsy King” for the “Gipsy emotional and delicate movements that she learnt as a child and mastered as a fusion Tour” at Adrianne Arts Center in Miami. woman. Her most important performances took place with the Anda- Anabel has studied at the best schools starting at Centro de Danza Española y Fla- lusian Dance Company under the direction of the well-known menca de Rafael de Cordoba in Madrid, and Centro Homologado de Danza de la flamenco master, Cristina Hoyos; the Nuevo Ballet Español maestra Matilde Coral, in Seville where she was awarded as Outstanding Alumni by with Carlos Rodriguez and Miguel Angel Rojas; Maria Pages’ Matilde Coral herself. After that she kept her formation as a professional flamenco Company and the most highlited work for Carmen Cortes dancer in Jerez Flamenco Festival with the greatest artists in Spanish flamenco Company, a soloist performance in the play “Burlador” at the such as Manolo Marín, Eva la Yerbabuena, Merche Esmeralda, Angelita Gomez, or Joyce Theatre in New York City. Javier Latorre among many others. She returned to Madrid to attend the famous and prestigous flamenco school “Amor de Dios” under the direction of Rafaela Ca- Anabel’s talent spreads beyond the stage, not only she can rrasco with acclaimed artists as Belen Maya, Ciro, Manuel Liñan, Marcos Flores, la dance but she creates intrincate lively coreographies and China, Alfonso Losa and Manuel Reyes. unique visual emotions for every play. Consequently, she was honored at the XVI Certamen de Coreografía de Danza in Ma- By that time she began her career as a soloist dancer at the best national and in- drid with both Best Original Composition and Best Scenogra- ternational Flamenco stages, “Tablaos”, as “Corral de la Moreria”,“El Corral de la phy awards for her premiere “El Embarcadero”. At this point Pacheca”,“El Cafe de Chinitas”,“Viernes Flamenco” in Japan or “La Bodega” in Mo- the Company was about to be born. rocco. As director and main coreographer and dancer, Anabel has Her most important performances took place with the Andalusian Dance Company succesfully produced six big shows for her own Company and under the direction of the well-known flamenco master, Cristina Hoyos; the Nuevo composed for Chico Castillo “the Gipsy King” for the “Gipsy Ballet Español with Carlos Rodriguez and Miguel Angel Rojas; Maria Pages’ Com- fusion Tour” at Adrianne Arts Center in Miami. pany and the most highlited work for Carmen Cortes Company, a soloist performance in the play “Burlador” at the Joyce Theatre in New York City. ALBERTO

The dancer has graduated in Spanish contemporary danceRUIZ and flamenco at the Institut del Teatre in Barcelona and six years at the Royal Academy of Dance, but he became a professional dancing for Eva “la Yerbabuena”, Maria Pages, Israel Galvan, Javier Latorre, Merche Esmeralda, Antonio Márquez,Carlos Rodriguez y Miguel Ángel Rojas or Antonio Najarro. He has been teaching and giving flamenco workshops in Japan, Switzerland, Poland and Taiwan.

Nowadays he is a soloist dancer and coreographer at the Anabel Veloso Company with guest appearances on national and international dance companies.

From his previous works we can highlight “La Fura dels Baus”, “Compañía María Pagés”, “Els Comediants”, “Compañía Joaquín Cortés”, “Nuevo Ballet Español”, “Compañía Antonio Najarro” and his performances at different Tablaos such as “Corral de la Pacheca”, “Corral de la Moreria” with famous dancer Blanca del Rey, “Café de Chinitas”, “tablao Los Ta- rantos” or “Casa Patas”

One of his most famous performances came as a soloist dancer in Maria Pages’ “Don Juan” and coregrapher for the show “Divinas Palabras” and as soloist dancer with Ballet de Rafael Aguilar”. Alberto has performed on many stages and festivals as “Teatro Real”; “Teatro de la Zarzuela”, “Bienal de Flamenco de Sevilla”, “Joyce Theatre” in New York City, “Sadler´s Wells Theatre” in London, “Théâtre National Chaillot” in Paris ,“Bunka Mura Orchad Hall” in Tokyo, “Esplanade Theatre” in Singapore, “Operetta theatre” in Moscow, “Festival Cervan- tino” in Mexico or the “Jazz Festival” in Montreal.

As a coreographer he has succesfully performed in well-known festivals as Festival Flamenco Jerez, Bienal de Fla- menco in Sevilla and Flamenco viene del sur with Ghostly Symphony number 2; Bienal de Flamenco in Sevilla and more recently with Andres Marín, Chevi Muraday and Ruben Olmo in The 80’s Generation: grandsons from the 27’s generation. ART TEAM MUSICIANS

Guitars: Jose Manuel Leon and Javier Patino Voice: Naique Ponce and Alicia Carrasco Saxo, flueta & harmonica: Diego Villegas Lighting design: Pau Fullana Violin: Jose Velez Costume design: Anuschka Brawn Percussion: Miguel Ortiz “Nene” Decoration design: Anabel Veloso & Alberto Ruiz Video editing: Natalia Moreno & Jero Carrascal Screen adaptation: Antonio Lorente Original pictures: Diego Agudo Pinilla & Antonio Lorente GENTE Número 51 THE MEDIA SAYS

“Veloso, with her characteristic generosity and alone or accompanied by his never disappointing ESPECTÁCULO partenaire, dances several rhythms (fandangos, soleá, guajira, alegrías...) with her stylized and beautiful dancing. La bailaora Rosalía Gómez, DIARIO DE SEVILLA almeriense “Suggestive”... “Anabel Veloso commits herself to an enriched, open, personal and different dancing. Slenderness and sinuosity, con más arte Anabel Veloso ha recorrido los mejores escenarios del mundo. rotundity and transmission; she shows her elegance and suggestive classicism with her half tailed Posee compañía propia y estable en el Auditorio de Roquetas

gown and her fan.” TOROS CARNAVAL ADEMÁS... GRANADAESFLAMENCO.COM ONCE ARTISTAS

CONFIRMACIONES

JOSÉ MAGAÑA CONCEDIDO EL CARNAVAL Y HOMENAJE DE CATA LITERARIA “Elegance and sensuality” “Anabel Veloso’s company evokes a PREMIO AL MEJOR NOVILLERO ALMERÍA A SERGIO SANTIAGO referent artists flamenco, which touches the audience with the

avant-garde impulses of a generation considered as unrepeatable. 28 La Voz de Almería 24.10.2014 Vivir The company brings this generation again to life on stage with a show that will not leave anybody indifferent.” Antonio Sevillano DIARIO DE ALMERÍA

“Brave and elaborated. It says a lot for Anabel Veloso...she took LA BAILAORA de Garrucha lleva el ﬂamenco por bandera. care of every single detail.” Fran Pereira DIARIO DE JEREZ

LA COMPAÑÍA llevó a cabo un intercambio artístico con músicos y bailarines africanos. FOTOS: ERNESTO VILLALBA “Live music reflects the kindness and the sweetness of the concept behind the work.” Gira africana de ‘FLAMENCOLAND’ es el nuevo espectáculo de la compañía. Muñoz FLAMENCO-WORLD Anabel Veloso “Anabel Veloso has proven that flamenco singing, dancing and Su compañía actúa y enseña guitar trinomial is the best argument to succeed. Anabel has the ﬂamenco en tres países

VELOSO y su equipo participaron en la Bienal de Sevilla.

virtue of being figurative but without hackneyed aesthetic el viaje del flamenco por el Cultura La Embajada de España en Abuya y mundo y su hermanamiento A fondo Cooperación Internacional organizaron el con otras músicas”, señala. La otra obra que ha podido La gira ha coincidido con la crisis del ébola elements... And here is her quality: concise, mature and calm tour por Nigeria, Senegal y Guinea Ecuatorial verse en el continente africano es ‘Generación del 80: los La gira por África de la MARTA RODRÍGUEZ culos, ‘La generación del 80’ tán basados en la misma nietos del 27’, cuyo hilo argu- Compañía Anabel Veloso Redacción y ‘Flamencoland’, un estreno idea, pero el de niños incluye mental gira en torno de algu- ha coincidido con la crisis dancing. An outstanding performance.” absoluto”, expresa. teatro y el de adultos sólo mú- nos de los artistas españoles del ébola. “Antes de ir, La Compañía Anabel Veloso Abuya, Dakar y Malabo han sica y danza”, indica. más universales de todos los preguntamos si corría- no cesa de cosechar éxitos sido las ciudades africanas Producida como compa- tiempos (Dalí, Federico Gar- mos algún riesgo y desde y de dar alegrías. Tras cua- que han acogido los montajes ñía residente del Teatro Au- cía Lorca, Manuel de Falla). la Embajada nos tranqui- tro años consecutivos ac- gracias a la Embajada de Es- ditorio de Roquetas con la Aparte de sus artistas ha- lizaron asegurándonos DEFLAMENCO.COM tuando en Nigeria con mo- paña en Nigeria y la Agencia ayuda del Instituto Andaluz bituales, Anabel Veloso ha in- que ellos están allí para tivo del Día de la Hispani- Española de Cooperación In- del Flamenco y fondos FE- corporado a dos músicos al- proteger a los ciudadanos dad (que se conmemora el ternacional para el Desarro- DER ( Fondo Europeo de Des- merienses para su gira por españoles”, explica la jo- 12 de octubre), el elenco de llo (AECID). arrollo Regional), la función Nigeria, Senegal y Guinea ven bailaora. Finalmente, el tour por artistas que dirige la bailao- constituye un homenaje a las Ecuatorial. Se trata del gui- El aspecto que más pre- Nigeria, Senegal y Guinea ra no sólo ha vuelto a África, ‘Flamencoland’‘Flamenco- obras de Julio Verne. “Recrea tarrista Gabriel Pérez y la ocupaba a los artistas al- Ecuatorial no sólo se ha sino que ha ampliado su gi- land’, espectáculo que han es- flautista Trinidad Jiménez. merienses era el viaje, ya desarrollado sin inciden- ra a otros dos países, Sene- trenado en el marco de este La compañía almeriense que tenían que coger va- cias, sino que ha resulta- gal y Guinea Ecuatorial. tour africano, es una versión ha impartido clases magis- rios vuelos. “Ha habido do un éxito. La compañía Con la imagen aún fresca dirigida al público general del Uno de los trales de flamenco en los tres controles de temperatura con residencia en el Audi- en la retina y el corazón en- montaje infantil ‘Flamenco- montajes que han países. “La experiencia se ha pasajero por pasajero. De torio de Roquetas ha pre- cogido por la emoción, Ve- landia. Una aventura a com- visto todavía más enriqueci- hecho, muchos nos pre- sentado dos montajes, ha loso (Garrucha, 1980) relata pás’, que pudo verse en el Te- representado en do porque hemos llevado a guntaban a nosotros si es- impartido clases magis- a LA VOZ el viaje del que es- atro Alameda en la última el continente cabo un intercambio artísti- tábamos contagiados por trales de flamenco y ha tá recién llegada. “Hemos edición de la Bienal de Fla- africano es un co con músicos y bailarines el caso de ébola confirma- realizado un intercambio representado dos espectá- menco de Sevilla. “Ambos es- estreno absoluto africanos”, concluye. do en Madrid”, afirma. con artistas locales. ANABEL VELOSO Dance Company Contact Information: [email protected] [email protected] Distribution: Creatividad Solidaria

Bailando, tienes algo de sultana, y en la penumbra de tus ojos brilla el fulgor del mirar de una gitana embriagada de sol y manzanilla.

Rogelio Buendía