Folk En Country Bob Dylan It Ain't Me Babe Bob Dylan All Along The

Total Page：16

File Type：pdf, Size：1020Kb

Folk en Country Bob Dylan It ain't me babe Bob Dylan All along the watchtower Bob Dylan Blowin in the wind Bob Dylan Like a rolling stone Bruce Springsteen Born to Run Bruce Springsteen I'm on fire Charles E. Pratt My Bonnie Common Linnets Calm after the storm Damien rice Lonely soldier Dylan/Guns 'n roses Knocking on heaven's door Ewan MacColl Dirty old town Hugo Matthysen Als een cowboy Ilse de Lange When we don't talk Instrumentaal Danny Boy Instrumentaal Thema van The Godfather Irish traditional Carrickfergus Irish traditional Drunken sailor Irish traditional Molly Malone Irish traditional The rising of the moon Jack Johnson Do you remember Janis Joplin Mercedes Benz Jim Reeves Adios amigo John Denver Annie's song John Denver Back home again John Denver Country roads John Denver Leaving on a jet plane John Denver Perhaps love John Denver Thank god I'm a country boy John Denver This old guitar John Lennon Working class hero Johnny Cash Hurt Johnny Cash Ring of fire Johnny Cash Thing called love Joni Mitchell A case of you Kermit (Muppets) The rainbow connection Kris Kristofferson Casey's last ride Limelighters Those were the days Loudon Wainwright I'd rather be lonely Neil Diamond Solitary man Neil Young Four strong winds Neil Young Heart of gold Neil young Hey hey my my Neil Young Keep on rocking Neil Young Like a hurricane Neil Young Long may you run Neil Young Needle and the damage done Neil Young Out on a weekend Neil Young Pocahontas Norah Jones Come away with me Passenger Life's for the living Pat Boone Love letters in the sand Simon & Garfunkel The boxer Stevie Nicks Landslide The Beatles When I'm 64 The Dubliners The town I loved so well The Dubliners The Wild rover The Pogues A pair of brown eyes The Pogues Dirty old town Thin Lizzy Whiskey in the jar Traditional The drunken sailor Traditional Walzing Mathilda Traditioneel lied De dronken zeeman Traditioneel lied Dubbele Jan Traditioneel lied Kaap'ren varen Traditioneel lied Meisje loos Vera Lynn We'll meet again Wings Mull of Kintyre.

Copy Link

Recommended publications

Songwriter Mike O'reilly
Interviews with: Melissa Sherman Lynn Russwurm Mike O’Reilly, Are You A Bluegrass Songwriter? Volume 8 Issue 3 July 2014 www.bluegrasscanada.ca TABLE OF CONTENTS BMAC EXECUTIVE President’s Message 1 President Denis 705-776-7754 Chadbourn Editor’s Message 2 Vice Dave Porter 613-721-0535 Canadian Songwriters/US Bands 3 President Interview with Lynn Russworm 13 Secretary Leann Music on the East Coast by Jerry Murphy 16 Chadbourn Ode To Bill Monroe 17 Treasurer Rolly Aucoin 905-635-1818 Open Mike 18 Interview with Mike O’Reilly 19 Interview with Melissa Sherman 21 Songwriting Rant 24 Music “Biz” by Gary Hubbard 25 DIRECTORS Political Correctness Rant - Bob Cherry 26 R.I.P. John Renne 27 Elaine Bouchard (MOBS) Organizational Member Listing 29 Gord Devries 519-668-0418 Advertising Rates 30 Murray Hale 705-472-2217 Mike Kirley 519-613-4975 Sue Malcom 604-215-276 Wilson Moore 902-667-9629 Jerry Murphy 902-883-7189 Advertising Manager: BMAC has an immediate requirement for a volunteer to help us to contact and present advertising op- portunities to potential clients. The job would entail approximately 5 hours per month and would consist of compiling a list of potential clients from among the bluegrass community, such as event-producers, bluegrass businesses, music stores, radio stations, bluegrass bands, music manufacturers and other interested parties. You would then set up a systematic and organized methodology for making contact and presenting the BMAC program. Please contact Mike Kirley or Gord Devries if you are interested in becoming part of the team. PRESIDENT’S MESSAGE Call us or visit our website Martha white brand is due to the www.bluegrassmusic.ca.
[Show full text]
7. Annie's Song John Denver
Sing-Along Songs A Collection Sing-Along Songs TITLE MUSICIAN PAGE Annie’s Song John Denver 7 Apples & Bananas Raffi 8 Baby Beluga Raffi 9 Best Day of My Life American Authors 10 B I N G O was His Name O 12 Blowin’ In the Wind Bob Dylan 13 Bobby McGee Foster & Kristofferson 14 Boxer Paul Simon 15 Circle Game Joni Mitchell 16 Day is Done Peter Paul & Mary 17 Day-O Banana Boat Song Harry Belafonte 19 Down by the Bay Raffi 21 Down by the Riverside American Trad. 22 Drunken Sailor Sea Shanty/ Irish Rover 23 Edelweiss Rogers & Hammerstein 24 Every Day Roy Orbison 25 Father’s Whiskers Traditional 26 Feelin’ Groovy (59th St. Bridge Song) Paul Simon 27 Fields of Athenry Pete St. John 28 Folsom Prison Blues Johnny Cash 29 Forever Young Bob Dylan 31 Four Strong Winds Ian Tyson 32 1. TITLE MUSICIAN PAGE Gang of Rhythm Walk Off the Earth 33 Go Tell Aunt Rhody Traditional 35 Grandfather’s Clock Henry C. Work 36 Gypsy Rover Folk tune 38 Hallelujah Leonard Cohen 40 Happy Wanderer (Valderi) F. Sigismund E. Moller 42 Have You ever seen the Rain? John Fogerty C C R 43 He’s Got the Whole World in His Hands American Spiritual 44 Hey Jude Beattles 45 Hole in the Bucket Traditional 47 Home on the Range Brewster Higley 49 Hound Dog Elvis Presley 50 How Much is that Doggie in the Window? Bob Merrill 51 I Met a Bear Tanah Keeta Scouts 52 I Walk the Line Johnny Cash 53 I Would Walk 500 Miles Proclaimers 54 I’m a Believer Neil Diamond /Monkees 56 I’m Leaving on a Jet Plane John Denver 57 If I Had a Hammer Pete Seeger 58 If I Had a Million Dollars Bare Naked Ladies 59 If You Miss the Train I’m On Peter Paul & Mary 61 If You’re Happy and You Know It 62 Imagine John Lennon 63 It’s a Small World Sherman & Sherman 64 2.
[Show full text]
Osome People Are Born to Live with Horses," the Renowned
PROFILE ffi,u#kffi The Sin ng Oo oy 'oSomepeople are bornto live with horses,"the renowned singer-songwritersays By Peter Feniak an Tysonwrote his first songback in 1962at his manager's apartmentin NewYorkCity. Impressedbythe precocious songwritingofhis youngfriend BobDylan, Tysoncrafted "Four StrongWinds," a wistfi.rlsong about fading love, set in Canada'svast spaces. It becamea classic. A11these years later, as winter closesin on fie ranchlands ofsouthwesternAlbertat EasternSlopes, where the foothills trying to takecare ofmy lir'estockand keep them fed.Itt not rise to meetthe Rockies,itt nearing-20"C (-a'F). In his fa- a big job. I donl havea lot herein the winter-my horses 'And mous song,Tlson wrote, thosewinds sure can blow and a few longhorns.Most of my livestockstuff is in the cold way out there."As we connecton this frosty moming, summerseason. They comein in May and go out in Octo- ' he is living thosewords. "Yeah, brutal. Brutal heretoday, he ber. In this weather,they just try to get out of the wind, get 'Wind, says. too." behind a windbreak lt's amazinghow they handleit. But if 'em 'em It's early,but the voiceofa hundred songsand more has you cankeep fed,get out of the whd, and keep'em beenup for a while, doing rancher'swork "TodayI'm just watered,they cantake a 1otofit." 14 cooDTrMEs 'va,c 20rb \d &iF- 'fyson I n 1959,Tyson passed thr ough this cor.rntry,heading east ln 1976,a frustrated ,rtrll<edaway from his music ca- from Vancouver a rugged young Westerner carrying a reerand movedbackwest.
[Show full text]
The Maple Leaf Dog
“There’s some played harder, and there’s some played smarter, but nobody played like you.” The Life and Times of Stringband By Gary Cristall Gary Cristall wrote this essay in 2002 as the liner notes – possibly the world’s longest – for the Indispensable Stringband box set. Someone asked me if I had read them before publication. I said I had and I thought they were terrific. He was surprised. “You don’t come off very well,” he said. “I thought I did,” I said. To my ear, Gary’s account rings remarkably true. - Bob Bossin IF YOU HAD WANDERED through downtown Toronto on a summer’s evening in 1972, you might have wound up on the Yonge Street mall. A half dozen blocks of Toronto’s main thoroughfare had been closed to traffic that summer and turned into a cross between a European boulevard and an Arab souk. There were hippie jewellers and sellers of tie-dyed T-shirts. There was also a profusion of buskers. As you walked along, one quartet might have caught your ear. They were your typical folk band–banjo, guitar, fiddle, and washtub bass–played by three long-haired young men and a comely young woman with a beguiling voice. The banjo player exuded energy and chutzpah; the lanky fiddler sawed his violin with passion and skill. A dog of undetermined breed snoozed at their feet. They would play two or three hot tunes to gather a crowd and then the bass player would flip over his washtub to reveal the legend “Fight Muzak” painted on the bottom.
[Show full text]
September 2019 New Releases
September 2019 New Releases what’s inside featured exclusives PAGE 3 RUSH Releases Vinyl Available Immediately! 72 Vinyl Audio 3 CD Audio 13 FEATURED RELEASES SUBHUMANS - KMFDM - FIDDLER ON THE ROOF: CRISIS POINT PARADISE 2018 CAST ALBUM Music Video DVD & Blu-ray 45 Non-Music Video DVD & Blu-ray 49 Order Form 75 Deletions and Price Changes 78 800.888.0486 THE HILLS HAVE EYES 2 NOIR ARCHIVE VOLUME TO HELL AND BACK: 203 Windsor Rd., Pottstown, PA 19464 [LIMITED EDITION] 3: 1957-1960 (9-FILM THE KANE HODDER SUBHUMANS - DEIDRE & THE DARK - KMFDM - www.MVDb2b.com COLLECTION) STORY CRISIS POINT VARIETY HOUR PARADISE HILLS HAVE EYES 2, SEE YOU IN SEPTEMBER! THE HILLS HAVE EYES 2, Wes Craven’s 1984 follow up to his classic original 1977 film, finds the lone survivor of a cannibal tribe detouring a motocross team across the desert straight into a pack of devouring ogres! The Hills are alive with the sound of screaming! From ARROW VIDEO, THE HILLS HAVE EYES 2 bluray is packed with extras that includes a limited edition 40-page book. If blinding horror is what you’re Craven, then this sequel delivers the goods! THE HILLS HAVE EYES 2 will see you in September, and the ogres will sing ‘Bye-bye, so long, farewell!’ Priests who are able to turn into dinosaurs may be an overused theme in film (!) but nobody does it better than WILD EYE films! THE VELOCIPASTOR DVD and bluray finds a despondent priest moving to China to find himself, only to find he can turn into a giant dinosaur.
[Show full text]
(561) 799-8547 Or (561) 799-8667 • LUXUR Y RENT AL RETI REMENT L IVIN G
wInter 201 8 no Homework • no tests • no stress JupIter spend an evening with political satirist and New York Times Best-selling author, p.J. o’rourke See page 31 edgar award-winning author and sports commentator John Feinstein returns to present “Backfield Boys: a Football mystery in Black and white” See page 47 winner of the 2009 pulitzer prize Important: in commentary, eugene robinson new parkIng presents “covering the presidency polIcIes in the modern media age” See page 51 See page 3 (561) 799-8547 or (561) 799-8667 • www.fau.edu/osherjupiter LUXUR Y RENT AL RETI REMENT L IVIN G A w orry-free w ay t o l ive a t t his g reat t ime i n y our l ife! No U pfront F ee ◆ E ndle ss O pportunitie s fo r S ocializ ing ◆ F in e D inin g ◆ P am per ing D ay S pa Tennis / P rivate G olf M embers hips ◆ C oncier ge S er vices ◆ Pe ts W el come ! Preferred r esiden ces going fa st! 800.49.Tow er Explore o ur ﬂ oo r p lans a nd t ake a v irtual t our a t mo rselifetower .com/fau Marilyn & S tanley M . K atz S eniors C ampus 4850 Ryna Greenbaum Driv e, W est P alm Beach, Florida 334 17 We are pledged to the letter and spirit of U.S. policy f or the achievement of equal housing opportunity throughout the Na tion. We encoura ge and support an afﬁ rma tive advertising and marketing prog ram in which there are no barriers to obtaining housing because of race, color , relig ion, sex, handica p, familial sta tus, or na tional orig in.
[Show full text]
“I Didn't Consider Myself an Authentic Backwoods Folksinger, Never
or the last four decades or so, Ian Tyson while Fricker leaned toward English ballads. of his best-known and most-loved songs, Ian has lived on the eastern slope of the Though their musical tastes were somewhat sometimes has found that a burden over the Canadian Rockies in Alberta. It’s ranch different, they found common ground in the years. “I’ve written a lot of other songs since country, mountain and prairie, and blend of their voices and in songs that ranged then,” he said recently. although it is changing, still a place from ballads to blues, and soon included songs With a mix of their own songs, covers Fwhere those who live there both wrest their by other rising stars of the folk community, of other contemporary songwriters, and livings out of the land and know they have to among them Joni Mitchell, Gordon Light- traditional music with imaginative arrange- work with land and weather to survive. “It’s foot, and Phil Ochs. “We soon became sort ments, the couple, who married in 1964, just a mosaic of Western values and emblems,” of the Kansas City Stars of Toronto,” Sylvia kept on forging their own path through the Tyson said. recalled in an earlier conversation, describing folk-music scene. Keeping the energy they’d He should know. Some years ago, he had their popularity back then, “so we thought it shown on folk songs such as “Nova Scotia a hand in re-inventing the image of the West was time to hit the big time.” They auditioned Farewell” and “Jesus Met the Woman at the and rewriting the history of cowboy music.
[Show full text]
“Missing” Recordings
NEIL YOUNG UNRELEASED - ARCHIVE INFORMATION NEIL YOUNG’S “MISSING” RECORDINGS including Songs officially released on audio media but not released as audio files in Neil Young Archives Songs, official outtakes and demos released as audio files in Neil Young Archives but not released on official Neil Young Albums An NYU Publication facebook.com/groups/ny.unreleased.nyu twitter.com/UnreleasedNeil @UnreleasedNeil Robert Broadfoot [email protected] Version 4.0, 21 May 2021 © Robert Broadfoot 2021 ............................................................................................................................................................................................ NEIL YOUNG’S “MISSING” RECORDINGS ©Robert Broadfoot 2021 • [email protected] 1 Version 4.0, 21 May 2021 CONTENTS I. SONGS OFFICIALLY RELEASED ON AUDIO MEDIA BUT NOT RELEASED AS AUDIO FILES IN NEIL YOUNG ARCHIVES PART ONE NEIL YOUNG RECORDINGS ....................................................................................... 4 PART TWO GUEST APPEARANCES ............................................................................................. 27 PART THREE MEDIA NETWORK OFFICIAL RELEASES .................................................................... 38 II. SONGS, OFFICIAL OUTTAKES AND DEMOS RELEASED AS AUDIO FILES IN NEIL YOUNG ARCHIVES BUT NOT RELEASED ON OFFICIAL NEIL YOUNG ALBUMS .................................................................. 47 NOTES Version 4.0 This version of ‘Missing’ represents a complete restructuring
[Show full text]
November / December
CONCERT & DANCE LISTINGS • CD REVIEWS FREE BI-MONTHLY Volume 6 Number 6 November-December 2006 THESOURCE FOR FOLK/TRADITIONAL MUSIC, DANCE, STORYTELLING & OTHER RELATED FOLK ARTS IN THE GREATER LOS ANGELES AREA “Don’t you know that Folk Music is illegal in Los Angeles?” — WARREN C ASEY of the Wicked Tinkers LIFE,LIFE, DEATHDEATH ANDAND DRUMMINGDRUMMING ININ THETHE HEARTHEART OFOF AFRICAAFRICA inside this issue: BY RIC ALVISO inside this issue: In the Kirundi language of Burundi the words for drum and king are the same. BobBob Dylan:Dylan: t was near the end of Peter Gabriel’s set at the ModernModern Times,Times, WOMAD Festival on September 18, 1993, in Dominguez Hills, California, where I, along with Ancient thousands of others, had gathered to sample sounds Ancient from some of the world’s finest musicians. There I was a sudden prolonged silence in the middle of a FootprintsFootprints song. For a moment I wondered if there were tech- nical difficulties on stage. Then I heard it. At first a low rumble from the back of the stage, it grew stronger and stronger until it thundered in my eardrums. Then, as the audi- PLUS:PLUS: ence watched in amazement, a line of men began to appear on stage, swaying from side to side, with enormous barrel-shaped Ross Altman’s drums balanced precariously on their heads. Without missing a Ross Altman’s beat, the drums were lowered to the ground in a large semi-cir- HowHow CanCan II KeepKeep FromFrom TalkingTalking cle, and one-by-one each drummer took turns ferociously pounding the largest, most-colorful drum placed in the center.
[Show full text]
Country Music Legend Ian D. Tyson to Receive University of Lethbridge Honorary Degree
For Immediate Release — Thursday, May 21, 2015 Country music legend Ian D. Tyson to receive University of Lethbridge Honorary Degree The University of Lethbridge Senate is pleased to announCe its fourth 2015 Honorary Degree reCipient – Canadian musiC iCon Ian D. Tyson. “It’s very exCiting to have one of our Country’s foremost musiCians and entertainers acCept our offer of an honorary degree,” says University of Lethbridge ChanCellor JaniCe Varzari. “His musiC has long refleCted the values and lifestyles of southern Albertans and his Contribution to Canadian Culture is indelible.” The U of L will present Ian D. Tyson with the degree of DoCtor of Laws, honouris Causa, at the Spring 2015 ConvoCation Ceremony IV on Friday, May 29, 2015 at 2:30 p.m. in the 1st ChoiCe Savings Centre for Sport and Wellness. Fellow southern Alberta Country entertainer Corb Lund will read Tyson’s Citation at the offiCial Ceremony. Ian D. Tyson Western musiC singer and songwriter Ian D. Tyson is a Canadian musiC iCon who has produCed many popular and CritiCally acClaimed folk songs refleCting rural Culture in Alberta. In the early 1960s, Ian Tyson was half of the singing sensation Ian & Sylvia. Together, they produCed some of Canada’s best-loved songs, including Four Strong Winds. Later, as the band Great SpeCkled Bird, they produCed pioneering Country roCk musiC and toured worldwide. The musiC of Ian Tyson has been Covered by several renowned artists, and been honoured with awards from the Canadian Country MusiC AssoCiation, the Country MusiC AssoCiation of Calgary and the Alberta ReCording Industry AssoCiation.
[Show full text]
Columbus Folk Music Society, Inc.! February, 2015
THE COLUMBUS FOLK MUSIC SOCIETY, INC.! FEBRUARY, 2015 Scottish Band Mad Maudlin to entertain at Feb. 28 Coffeehouse Interview by Bill Cohen With the energetic vocals and Cape Breton of Carter Jastram and the music as well. We are masterful piping of Glenn always looking for WHAT’S INSIDE: Mackie, the band Mad new music. Maudlin will have you MAD MAUDLIN Carter: We tend to FEATURED AT FEBRUARY 28 singing great Robert Burns alternate between FOLKSIDE COFFEEHOUSE PG. 1 songs, tapping right out of vocal songs and your chair, and dancing a instrumental tunes, Highland jig! Mad Maudlin drawing on the SONGS AT THE CENTER: is a 5 piece traditional Scottish tradition as COLUMBUS BASED SINGER- Scottish band which much as possible, but SONGWRITER PROGRAM PG. 1 brings more than just your utilizing the Irish normal Celtic fare. Mad Band members (clockwise starting at lower le): material we also know. ALL OF YOUR BEST Maudlin performs a great Glen Mackie – multi-instrumentalist; Dave Scardena – percussion; Rachel Motsinger – ﬁddle; Carter Jastram – guitar. Along with the fast LOVED FOLK SONGS PG. 4 blend of traditional jigs, Pete Dabaie (lower right) is currently not part of the music, there are some marches and reels, and performance due to health reasons. lovely slow airs and CALENDAR OF EVENTS great folk songs that are songs that we also AND ANNOUNCEMENTS PG. 5 sure to entertain! Bill Cohen interviews a few of enjoy. We consider the Tannahill Weavers to the band members in the following article. be the band for us to emulate. MOVIE REVIEW: THE Bill Cohen: For folks who've never heard Bill: Who is in your group? Tell us a little INSIDE OF Mad Maudlin before, how would you about their role and their background.
[Show full text]
Paul Newman's Greatest Scene by Ross Altman (Reprinted By
ARTICLE Paul Newman’s Greatest Scene By Ross Altman (Reprinted by permission from FolkWorks) “You better kill me this time, Burt…you better have your goons go all the way with me; because if you just break my thumbs again, or my arms and legs, I’m going to wait until I’m all patched up and I’m going to come and find you and I’m going to kill you. Because if I just walk away then she never lived, and she never died; and we both know that isn’t true, don’t we Burt? She lived; she died. And I loved her, Burt; I loved her and I threw her away for a pool game." That was Fast Eddie Felson, played by Paul Newman, in his 1961 movie The Hustler, based on the novel by Walter Tevis. And it’s the greatest one-minute of film in his career; worthy of an Oscar all by itself, which of course he didn’t get. (George C. Scott played Burt.) But, borrowing a line from Arlo Guthrie in Alice’s Restaurant, I didn’t come here to talk about Paul Newman, I came to talk about who wrote what—and the responsibility of a singer towards his or her songs. Does it matter? Not according to some Songmakers—who were performing at a Hoot I attended recently. They will never see this essay, so there is no reason to reveal their names. Besides, they represent a larger problem, and it is the problem that interests me. They sang an Ian and Sylvia song, not in the sense that one of them wrote it, but they introduced it to the modern folk repertoire.
[Show full text]