Jack Davenport

Total Page:16

File Type:pdf, Size:1020Kb

Jack Davenport www.hamiltonhodell.co.uk Jack Davenport Talent Representation Telephone Christian Hodell +44 (0) 20 7636 1221 [email protected], Address [email protected], Hamilton Hodell, [email protected] 20 Golden Square London, W1F 9JL, United Kingdom Television Title Role Director Production Company CALL MY AGENT Jonathan John Morton Bron Studios THE MORNING SHOW Jason Craig Various Apple TV+ WHY WOMEN KILL Karl Grove Various CBS NEXT OF KIN Guy Grayling Justin Chadwick Mammoth Screen/ITV PROTOTYPE Edward Conway Juan Carlos Fresnadillo Silver Screen Pictures/Syfy UNTITLED SARAH SILVERMAN PROJECT Blake Charlie McDowell HBO LIFE IN SQUARES David 'Bunny' Garnett Simon Kaijser BBC BREATHLESS Otto Powell Paul Unwin ITV THE GOOD WIFE Series 5 Frank Asher Matt Shankman CBS ABC Studios/Sony Pictures SEA OF FIRE Marty Kesowich Allison Liddi-Brown Television SMASH Series 1 & 2 Derek Wills Various NBC FLASH FORWARD Lloyd Simcoe David Goyer Touchstone Television SWINGTOWN Bruce Miller Alan Paul CBS Paramount THIS LIFE + 10 Miles Joe Ahearne World Productions/BBC MARY BRYANT Clarke Peter Andrikidis Granada MISS MARPLE: THE BODY IN THE LIBRARY Harper Andy Wilson ITV EROICA Prince Lobkovitz Simon Cellan Jones BBC COUPLING Winner of Best TV Comedy, British Comedy Awards 2003 Steve Martin Dennis BBC THE REAL JANE AUSTEN Henry Austen Nicky Pattison BBC4 DICKENS Charley Dickens Chris Granlund BBC THE ASYLUM Nick Copus FictionLab THE WYVERN MYSTERY [TV movie] Harry Fairfield Alex Pillai BBC ULTRA-VIOLET Det. Michael Colefield Joe Ahearne Channel 4 THIS LIFE Series 1 & 2 Miles Various BBC THE MOTH Robert Bradley Roy Battersby Tyne Tees MACBETH Malcolm Michael Bogdanov Granada Film Title Role Director Production Company WILDE WEDDING Rory Damian Harris Baby Mugs Films GERNIKA Vasyl Koldo Serra Pecado Films A UNITED KINGDOM Sir Alistair Canning Amma Asante Pathé AMERICANA Calib Zachary Shedd Flies THE TANK Will Sacks Kellie Madison Glacier Films KINGSMAN: THE SECRET SERVICE Lancelot Matthew Vaughn Twentieth Century Fox MOTHER'S MILK Patrick Joel Fox Foxy Films THE KEY MAN Bobby Peter Himmelstein Occupant Entertainment THE BOAT THAT ROCKED Twatt Richard Curtis Working Title PIRATES OF THE CARIBBEAN: AT WORLD'S END Norrington Gore Verbinski Walt Disney Pictures PIRATES OF THE CARIBBEAN: DEAD MAN'S CHEST Norrington Gore Verbinski Pirates Prods Winner of Teen Choice Award (shared with Orlando Bloom), 2006 THE LIBERTINE Harris Lawrence Dunmore Stanley Prods THE WEDDING DATE Edward Fletcher-Wooten Claire Kilner Something Borrowed Ltd PIRATES OF THE CARIBBEAN: THE CURSE OF THE BLACK PEARL Norrington Gore Verbinski Walt Disney Pictures 3 MEN IN A RESTAURANT Mark Ubsdell Restaurant Prods GYPSY WOMAN Leon Sheree Folkstone Starfield Prods/Sky OFFENDING ANGELS Rory Andrew Rajan Pants Prods UK THE BUNKER Ebert Rob Green Millennium Pictures NOT AFRAID, NOT AFRAID Michael Annette Carducci Fearless Films Ltd THE TALENTED MR RIPLEY Peter Smith-Kingsley Anthony Minghella Miramax Films THE WISDOM OF CROCODILES Sergeant Roche Po-Chih Leong Zenith Prods TALE OF THE MUMMY Detective Bartone Russell Mulcahy 7th Voyage FIERCE CREATURES Student Zoo Keeper Fred Schepisi/Robert Young Fish Prods CAREER GIRLS Mike Leigh Thin Man Prods Short Film Title Role Director Production Company DEATH KNIGHT LOVE STORY Zelieck (Voice) Hugh Hancock Strange Company HAVEN'T WE MET BEFORE? Man Anjelica Huston Agile Films A HIGHER AGENCY John Oliver Cheetham Fox Searchlight TERRIBLE KISSES Man Jill Robertson Kissing Cousins LOOK Stanley Cordelia Beresford F4 Jump Cuts THE COOKIE THIEF A Man Hugo Currie/Toby Leslie Big Daddy Film Company Theatre Title Role Director Theatre/ Producer ENEMIES Yakov Bardin Michael Attenborough Almeida Theatre HOW TO LOSE FRIENDS AND ALIENATE PEOPLE Toby Young Owen Lewis Soho Theatre LADY WINDERMERE'S FAN Lord Darlington Peter Hall Theatre Royal Haymarket THE SERVANT Tony Neil Bartlett Lyric Hammersmith Nominated for the Most Promising Performer Award, Laurence Olivier Awards, 2002 THE TEMPEST Toby Gough Holders Festival Barbados HAMLET Toby Robertson Theatre Clwyd Radio Title Role Director Production Company ON THE ROAD AGAIN Narrator Sara Davies BBC Radio 4 BOOK OF THE WEEK: ALISTAIR COOKE'S AMERICAN JOURNEY Narrator Jane Morgan BBC Radio 4 THIS SCEPTERED ISLE Narrator Pete Aitken BBC Radio 4 ESCAPEMENT Philip Sally Avens BBC Radio 4 THE PATRICK AND MAUREEN MAYBE MUSIC EXPERIENCE Guest BBC Radio 4 EASY VIRTUE Hugh Petworth Maria Aitken BBC Radio 3 A CLOCKWORK ORANGE Narrator BBC Radio 4 THE CRUEL SEA Gregg Jonathan Ruffle BBC Radio 2 THE AIRMAN WHO WOULD NOT DIE Villiers Michael Crompton BBC Radio 4 MAN AND SUPERMAN With Judi Dench, Juliet Stevenson & Ralph Fiennes Hector Malone Sir Peter Hall BBC Radio 3 Characteristics Characteristic Info Height 6'1" Hair Brown Eyes Green [email protected] +44 (0) 20 7636 1221.
Recommended publications
  • Gotham Knights
    University of Denver Digital Commons @ DU Electronic Theses and Dissertations Graduate Studies 11-1-2013 House of Cards Matthew R. Lieber University of Denver Follow this and additional works at: https://digitalcommons.du.edu/etd Part of the Screenwriting Commons Recommended Citation Lieber, Matthew R., "House of Cards" (2013). Electronic Theses and Dissertations. 367. https://digitalcommons.du.edu/etd/367 This Thesis is brought to you for free and open access by the Graduate Studies at Digital Commons @ DU. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Digital Commons @ DU. For more information, please contact [email protected],[email protected]. House of Cards ____________________________ A Thesis Presented to the Faculty of Social Sciences University of Denver ____________________________ In Partial Requirement of the Requirements for the Degree Master of Arts ____________________________ By Matthew R. Lieber November 2013 Advisor: Sheila Schroeder ©Copyright by Matthew R. Lieber 2013 All Rights Reserved Author: Matthew R. Lieber Title: House of Cards Advisor: Sheila Schroeder Degree Date: November 2013 Abstract The purpose of this thesis is to approach adapting a comic book into a film in a unique way. With so many comic-to-film adaptations following the trends of action movies, my goal was to adapt the popular comic book, Batman, into a screenplay that is not an action film. The screenplay, House of Cards, follows the original character of Miranda Greene as she attempts to understand insanity in Gotham’s most famous criminal, the Joker. The research for this project includes a detailed look at the comic book’s publication history, as well as previous film adaptations of Batman, and Batman in other relevant media.
    [Show full text]
  • Growing up Indian: an Emic Perspective
    GROWING UP INDIAN: AN EMIC PERSPECTIVE By GEORGE BUNDY WASSON, JR. A DISSERTATION Presented to the Department of Anthropology and the Graduate School of the University of Oregon in partial fulfillment of the requirements for the degree of Doctor of Philosophy june 2001 ii "Growing Up Indian: An Ernie Perspective," a dissertation prepared by George B. Wasson, Jr. in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Anthropology. This dissertation is approved and accepted by: Committee in charge: Dr. jon M. Erlandson, Chair Dr. C. Melvin Aikens Dr. Madonna L. Moss Dr. Rennard Strickland (outside member) Dr. Barre Toelken Accepted by: ------------------------------�------------------ Dean of the Graduate School iii Copyright 2001 George B. Wasson, Jr. iv An Abstract of the Dissertation of George Bundy Wasson, Jr. for the degree of Doctor of Philosophy in the Department of Anthropology to be taken June 2001 Title: GROWING UP INDIAN: AN EMIC PERSPECTN E Approved: My dissertation, GROWING UP INDIAN: AN EMIC PERSPECTN E describes the historical and contemporary experiences of the Coquille Indian Tribe and their close neighbors (as manifested in my own family), in relation to their shared cultures, languages, and spiritual practices. I relate various tribal reactions to the tragedy of cultural genocide as experienced by those indigenous groups within the "Black Hole" of Southwest Oregon. My desire is to provide an "inside" (ernie) perspective on the history and cultural changes of Southwest Oregon. I explain Native responses to living primarily in a non-Indian world, after the nearly total loss of aboriginal Coquelle culture and tribal identity through v decimation by disease, warfare, extermination, and cultural genocide through the educational policies of the Bureau of Indian Affairs, U.S.
    [Show full text]
  • Publication 573:7/17:New York State Registered Distributors of Beer
    Publication 573 New York State Registered Distributors of Beer NEW YORK STATE DEPARTMENT OF TAXATION AND FINANCE PAGE NO: 1 REPORT NO: MA0008R2 07/10/2017 REGISTERED DISTRIBUTORS - - - BEER B 2312 63 B 2730 61 B 2642 61 "DOYNA, LTD." 12 GATES BREWING COMPANY, LLC 1940'S BREWING COMPANY LLC 1055 HYLAN BLVD STE 11 378 PARK CLUB LN 1337 LINCOLN AVE UNIT 1 STATEN ISLAND NY 10305-2025 WILLIAMSVILLE NY 14221-5007 HOLBROOK NY 11741-2275 B 2544 61 B 2473 44 B 2655 14 2 WAY BREWING COMPANY, INC. 301 FRANKLIN STREET CAFE, INC. 42 NORTH BREWING COMPANY, LLC 2 WAY BREWING COMPANY 109 N FRANKLIN ST # 111 25 PINE ST 18 W MAIN ST STE 1 WATKINS GLEN NY 14891-1222 EAST AURORA NY 14052-1827 BEACON NY 12508-2512 B 2740 61 B 2506 61 B 2629 61 5 BOROUGHS BREWERY, INC. 7 N 15TH ST., CORP. A TASTE OF LONG ISLAND INC. FIVE BOROUGHS BREWING CO. 815 DITMAS AVE 159 SMITH ST 215 47TH ST BROOKLYN NY 11218-5203 MASSAPEQUA PK NY 11762-2041 BROOKLYN NY 11220-1009 B 1481 45 B 1296 40 B 2288 31 A. CAPPIONE, INC. A. J. MISSERT, INC. A.J. SUDS, INC. 54 LIBERTY AVE 1001 CHAMPLAIN ST SYRACUSE SUDS FACTORY MASSENA NY 13662-1597 OGDENSBURG NY 13669-3483 320 S CLINTON ST SYRACUSE NY 13202-1220 B 2432 03 B 2493 57 B 2449 52 A.L. GEORGE, LLC ABANDON BREWING COMPANY, LLC ADIRONDACK PUB AND BREWERY, IN A.L. GEORGE 2994 MERRITT HILL RD 33 CANADA ST 1 LINK DR PENN YAN NY 14527-8938 LAKE GEORGE NY 12845-1603 BINGHAMTON NY 13904-3218 B 2488 26 B 2027 55 B 2618 61 AJ'S BEER WAREHOUSE LLC ALL STAR BEVERAGES, INC.
    [Show full text]
  • Lnußi[?| Tn 'IT STARTED with EVE.' Kay Kyter, and Loy M “SHADOW of the •TANKS MILLION.” James Oleaaon
    Monday, March SO, 1942 DETROIT EVENING TIMES (PHONE CHERRY MfOO) PAGE 7 to of quartermaster or possibly which he would like to serve and pencil, shaving soap, toilet that he Is deemed unauitsble for in Illinois and had planned b# Service Briefs Fighting Men's Friend socks, military necessary boatsswain’s mate or boatswain. If there are vacancies and he can water, handkerchief* and Active nervier. married. Is a blood teat very LIBERTY LIMERICKS time you would be be spared from his own outfit, the like are acceptable. • Mrs. J. Barnes. Q—l was bom Illinois? What are the require- _ At the same in ¦ . might be approved. entitled to all the privileges and the transfer Worried. Q—ls a man Is wanted in Poland and at the at*e of 5 ments to obtain a marriage license T protection way of insur- in another state for a felony and years came to the United States in the GIFTS FOR SOLDIF.R \—You must take • blood ance, etc., afforded men in the is called into service in the army, with my parents. In June, I Michigan a brother In but certificate from w Wife Sister. —l have Am a Man Job for regular Q would the government turn him married an American citizen. timt. navy or any other branch of the country's armed forces. the marines of whom we are all over to the state in which he is 1 an American citizen? reputable physician In Michigan wanted? your father out his by the Illinois WANTS TRANSFER very proud.
    [Show full text]
  • George R. R. Martin
    Tuf Voyaging George R.R. Martin Contents Prologue Chapter 1:The Plague Star Chapter 2:Loaves And Fishes Chapter 3:Guardians Chapter 4:Second Helpings Chapter 5:A Beast For Norn Chapter 6:Call Him Moses Chapter 7:Manna From Heaven Prologue CATALOG SIX ITEM NUMBER 37433-800912-5442894 Shandellor Center For The Advancement Of Culture And Knowledge, Xenoanthropology Division Item description:crystal voice coding Item found:Hro B’rana (co/ords SQ19, V7715,121) Tentative dating:recorded approx. 276 standard years ago Classify under:slave races, Hrangan legends & myths, Hruun medical, —disease, unidentified, trade bases, abandoned Hello? Hello? Yes, I see it works. Good. I am Rarik Hortvenzy, apprentice factor, speaking a warning to whomever finds my words. Dusk comes now, for me the last. The sun has sunk beneath the western cliffs, staining the land with blood, and now the twilight eats its way toward me inexorably. The stars come out, one by one, but the only star that matters burns night and day, day and night. It is always with me, the brightest thing in the sky but for the sun. It is the plague star. This day I buried Janeel. With my own hands I buried her, digging in the hard rocky ground from dawn through late afternoon, until my arms were afire with pain. When my ordeal was done, when the last spadeful of this wretched alien dirt had been thrown upon her head, when the last stone had been placed atop her cairn, then I stood over her and spat upon her grave. It is all her fault.
    [Show full text]
  • Superman Classic: the Incredible Shrinking Super Hero!: with Wonder Woman Pdf
    FREE SUPERMAN CLASSIC: THE INCREDIBLE SHRINKING SUPER HERO!: WITH WONDER WOMAN PDF Zachary Rau,Steven E Gordon | 24 pages | 01 Jan 2010 | HarperCollins Publishers Inc | 9780061878558 | English | New York, NY, United States [PDF] The Ultimate DC Super Hero Collection eBook Download Full HQ Mark my word, these books feature the classic characters and their usual good-guy-bad-guy anecdotes. I love that Wonder Woman makes an appearance. Some of the books have been made into level 2 readers for the kids that are gaining confidence with independent reading some help may be needed. Holy books, Batman! But beware! Can Superman fly back to the city in time to stop Lex and save the day? What will it take to show this backward hero the way home? Spider-Man thinks he has him all figured out. But there may be more to the Lizard than Spidey can imagine! Leave us a comment: If you could be any superhero, which one would you be? Superman Classic: The Incredible Shrinking Super Hero!: With Wonder Woman aspire to be Wonder Woman—if only to wear that costume for a day! Born and raised in Sydney, Australia, she now lives with her husband and three children near Boulder, Colorado. These books are hit and miss. I have two young sons and we reviewed several of them for Amazon. Personally, I like the older books Level 4 more than the early readers. There are better and cheaper options for parents. For one, Mile High Comics carries old copies of kid-friendly G-rated comic books that can be purchased for as little as 75 cents per copy.
    [Show full text]
  • American Independent Cinema 1St Edition Pdf, Epub, Ebook
    AMERICAN INDEPENDENT CINEMA 1ST EDITION PDF, EPUB, EBOOK Geoff King | 9780253218261 | | | | | American Independent Cinema 1st edition PDF Book About this product. Hollywood was producing these three different classes of feature films by means of three different types of producers. The Suburbs. Skip to main content. Further information: Sundance Institute. In , the same year that United Artists, bought out by MGM, ceased to exist as a venue for independent filmmakers, Sterling Van Wagenen left the film festival to help found the Sundance Institute with Robert Redford. While the kinds of films produced by Poverty Row studios only grew in popularity, they would eventually become increasingly available both from major production companies and from independent producers who no longer needed to rely on a studio's ability to package and release their work. Yannis Tzioumakis. Seeing Lynch as a fellow studio convert, George Lucas , a fan of Eraserhead and now the darling of the studios, offered Lynch the opportunity to direct his next Star Wars sequel, Return of the Jedi Rick marked it as to-read Jan 05, This change would further widen the divide between commercial and non-commercial films. Thanks for telling us about the problem. Until his so-called "retirement" as a director in he continued to produce films even after this date he would produce up to seven movies a year, matching and often exceeding the five-per-year schedule that the executives at United Artists had once thought impossible. Very few of these filmmakers ever independently financed or independently released a film of their own, or ever worked on an independently financed production during the height of the generation's influence.
    [Show full text]
  • The Complete Stories
    The Complete Stories by Franz Kafka a.b.e-book v3.0 / Notes at the end Back Cover : "An important book, valuable in itself and absolutely fascinating. The stories are dreamlike, allegorical, symbolic, parabolic, grotesque, ritualistic, nasty, lucent, extremely personal, ghoulishly detached, exquisitely comic. numinous and prophetic." -- New York Times "The Complete Stories is an encyclopedia of our insecurities and our brave attempts to oppose them." -- Anatole Broyard Franz Kafka wrote continuously and furiously throughout his short and intensely lived life, but only allowed a fraction of his work to be published during his lifetime. Shortly before his death at the age of forty, he instructed Max Brod, his friend and literary executor, to burn all his remaining works of fiction. Fortunately, Brod disobeyed. Page 1 The Complete Stories brings together all of Kafka's stories, from the classic tales such as "The Metamorphosis," "In the Penal Colony" and "The Hunger Artist" to less-known, shorter pieces and fragments Brod released after Kafka's death; with the exception of his three novels, the whole of Kafka's narrative work is included in this volume. The remarkable depth and breadth of his brilliant and probing imagination become even more evident when these stories are seen as a whole. This edition also features a fascinating introduction by John Updike, a chronology of Kafka's life, and a selected bibliography of critical writings about Kafka. Copyright © 1971 by Schocken Books Inc. All rights reserved under International and Pan-American Copyright Conventions. Published in the United States by Schocken Books Inc., New York. Distributed by Pantheon Books, a division of Random House, Inc., New York.
    [Show full text]
  • Representations of Mental Illness in Women in Post-Classical Hollywood
    FRAMING FEMININITY AS INSANITY: REPRESENTATIONS OF MENTAL ILLNESS IN WOMEN IN POST-CLASSICAL HOLLYWOOD Kelly Kretschmar, B.A. Thesis Prepared for the Degree of MASTER OF ARTS UNIVERSITY OF NORTH TEXAS May 2007 APPROVED: Harry M. Benshoff, Major Professor Sandra Larke-Walsh, Committee Member Debra Mollen, Committee Member Ben Levin, Program Coordinator Alan B. Albarran, Chair of the Department of Radio, Television and Film Sandra L. Terrell, Dean of the Robert B. Toulouse School of Graduate Studies Kretschmar, Kelly, Framing Femininity as Insanity: Representations of Mental Illness in Women in Post-Classical Hollywood. Master of Arts (Radio, Television, and Film), May 2007, 94 pp., references, 69 titles. From the socially conservative 1950s to the permissive 1970s, this project explores the ways in which insanity in women has been linked to their femininity and the expression or repression of their sexuality. An analysis of films from Hollywood’s post-classical period (The Three Faces of Eve (1957), Lizzie (1957), Lilith (1964), Repulsion (1965), Images (1972) and 3 Women (1977)) demonstrates the societal tendency to label a woman’s behavior as mad when it does not fit within the patriarchal mold of how a woman should behave. In addition to discussing the social changes and diagnostic trends in the mental health profession that define “appropriate” female behavior, each chapter also traces how the decline of the studio system and rise of the individual filmmaker impacted the films’ ideologies with regard to mental illness and femininity. Copyright 2007 by Kelly Kretschmar ii TABLE OF CONTENTS Page Chapter 1. INTRODUCTION ......................................................................................... 1 Historical Perspective ........................................................................ 5 Women and Mental Illness in Classical Hollywood ...............................
    [Show full text]
  • Not for Publication United States Court of Appeals
    FILED NOT FOR PUBLICATION OCT 30 2013 MOLLY C. DWYER, CLERK UNITED STATES COURT OF APPEALS U.S. COURT OF APPEALS FOR THE NINTH CIRCUIT WARNER BROS ENTERTAINMENT, No. 13-55352 INC., a Delaware corporation; et al., D.C. No. 2:12-cv-09547-PSG-CW Plaintiffs - Appellees, v. MEMORANDUM* THE GLOBAL ASYLUM, INC., a California corporation, DBA The Asylum, Defendant - Appellant. Appeal from the United States District Court for the Central District of California Philip S. Gutierrez, District Judge, Presiding Argued and Submitted October 7, 2013 Pasadena, California Before: FERNANDEZ, PAEZ, and HURWITZ, Circuit Judges. Defendant The Global Asylum, Inc. (“Asylum”) appeals the district court’s order granting Plaintiffs Warner Brothers Entertainment, Inc., New Line Productions, Inc., Metro-Goldwyn-Mayer Studios, Inc., Saul Zaentz Company, and * This disposition is not appropriate for publication and is not precedent except as provided by 9th Cir. R. 36-3. New Line Cinema, LLC’s (collectively “Studios”) motion for a preliminary injunction. 1. “A plaintiff seeking a preliminary injunction must establish that he is likely to succeed on the merits, that he is likely to suffer irreparable harm in the absence of preliminary relief, that the balance of equities tips in his favor, and that an injunction is in the public interest.” Winter v. Natural Res. Def. Council, Inc., 555 U.S. 7, 20 (2008). The district court found that all four Winter elements were met. 2. On appeal, Asylum challenges only the district court’s ruling that the Studios are likely to succeed on their trademark infringement claim under 15 U.S.C.
    [Show full text]
  • Arts: Food: Feature
    FEATURE: VOLUME 28 | ISSUE 15 | APRIL 11-17, 2019 | FREE 2019 | ISSUE 15 APRIL 11-17, 28 VOLUME SEEKING ASYLUM FINDING MERCY PAGES 8 AND 9 PHOTO BY ERIC WILLIAMS BY PHOTO THE INESCAPABLE STORY VEGAN SOUP BoBM WINNER OF ONE IN TWO FOR THE SOUL M.O. MUSIC ARTS: PAGE 19 FOOD: PAGE 21 MUSIC: PAGE 27 STIRRING THE MELTING POT SINCE 1992 SINCE 1992 POT THE MELTING STIRRING [ 2] WEEKLY ALIBI APRIL 11-17, 2019 APRIL 11-17, 2019 WEEKLY ALIBI [3] alibi VOLUME 28 | ISSUE 15 | APRIL 11-17, 2019 EDITORIAL MANAGING EDITOR/ FILM EDITOR: Devin D. O’Leary (ext. 230) [email protected] MUSIC EDITOR/NEWS EDITOR: August March (ext. 245) [email protected] FOOD EDITOR: Email letters, including author’s name, mailing address and daytime phone number to [email protected]. Dan Pennington (Ext. 255) [email protected] Letters can also be mailed to P.O. Box 81, Albuquerque, N.M., 87103. Letters—including comments posted ARTS AND LIT.EDITOR: Clarke Condé [email protected] on alibi.com—may be published in any medium and edited for length and clarity; owing to the volume of COPY EDITOR: correspondence, we regrettably can’t respond to every letter. Samantha Carrillo (ext. 223) [email protected] CALENDARS EDITOR: Ashli Kesali [email protected] STAFF WRITER: Joshua Lee (ext. 243) [email protected] Methane Goes Bust the gas pump. Why should citizens have to SOCIAL MEDIA COORDINATOR: Samantha Carrillo (ext. 223) [email protected] have lung-destroying toxics forming in New CONTRIBUTING WRITERS: Dear Editor, Mexico’s air? Those are fugitive emissions Robin Babb, Rob Brezsny, Carolyn Carlson, Samantha On “Methane Goes Boom!” [Alibi v28 i14]: Carrillo, Desmond Fox, Maggie Grimason, Steven Luthy, going on for decades.
    [Show full text]
  • Video 108 Media Corp 9 Story A&E Networks A24 All Channel Films
    Video 108 Media Corp 9 Story A&E Networks A24 All Channel Films Alliance Entertainment American Cinema Inspires American Public Television Ammo Content Astrolab Motion Bayview Entertainment BBC Bell Marker Bennett-Watt Entertainment BidSlate Bleecker Street Media Blue Fox Entertainment Blue Ridge Holdings Blue Socks Media BluEvo Bold and the Beautiful Brain Power Studio Breaking Glass BroadGreen Caracol CBC Cheng Cheng Films Christiano Film Group Cinedigm Cinedigm Canada Cinema Libre Studio CJ Entertainment Collective Eye Films Comedy Dynamics Content Media Corp Culver Digital Distribution DBM Films Deep C Digital DHX Media (Cookie Jar) Digital Media Rights Dino Lingo Disney Studios Distrib Films US Dreamscape Media Echelon Studios Eco Dox Education 2000 Electric Entertainment Engine 15 eOne Films Canada Epic Pictures Epoch Entertainment Equator Creative Media Everyday ASL Productions Fashion News World Inc Film Buff Film Chest Film Ideas Film Movement Film UA Group FilmRise Filmworks Entertainment First Run Features Fit for Life Freestyle Digital Media Gaiam Giant Interactive Global Genesis Group Global Media Globe Edutainment GoDigital Inc. Good Deed Entertainment GPC Films Grasshopper Films Gravitas Ventures Green Apple Green Planet Films Growing Minds Gunpowder & Sky Distribution HG Distribution Icarus Films IMUSTI INC Inception Media Group Indie Rights Indigenius Intelecom Janson Media Juice International KDMG Kew Media Group KimStim Kino Lorber Kinonation Koan Inc. Language Tree Legend Films Lego Leomark Studios Level 33 Entertainment
    [Show full text]