Old Loves Die Hard
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Student # 70673933 Exam # 50050600
Manuel Ramos da Cruz Exam # 50050600 1 Student #706793933 [email protected] 524 Unit D Greenfield Avenue Kitchener, Ontario N2C 1G2 Ontario Canada Dear Manuel, Your thesis is off to a very good start but needs some improvement. List the types of differences you’ll discuss, condense and simply your existing ideas to get right to the argument you want to make, and push a little further to make an argument about the significance or effect of the book being “darker.” Then, revise your body paragraphs so each one explains how a single difference between the book and movie proves your thesis points. First, include a topic sentence that indicates the focus of the paragraph (i.e. the difference you’ll discuss). See the 12th marginal comment, below, for an example topic sentence template. Second, include evidence from the book and movie to prove the difference exists. Third, analyze to explain how the difference in question 1) makes the book darker than the movie and 2) leads to whatever effect or significance you’ll argue the “darker book” situation causes. Please see the marginal comments on the first half of your outline for more revision guidance. If you have questions on this feedback or how to revise, please contact the school. Instructor (VGG) Penn Foster Essay: Comparison And Contrast Commented [VGG1]: Include a header only (above) and then a title just before the start of your essay. Do not include a full title page (as the info in this title page is already included in the header). Student # 70673933 Exam # 50050600 Manuel Ramos da Cruz Exam # 50050600 2 Student #706793933 [email protected] 524 Unit D Greenfield Avenue Kitchener, Ontario N2C 1G2 Ontario Canada Ramos da Cruz, Manuel February 17th, 2016 IntroductionTitle Goes Here Commented [VGG2]: Once you are at the essay stage, do not include sub-titles to indicate the different sections of your essay. -
Inventory to Archival Boxes in the Motion Picture, Broadcasting, and Recorded Sound Division of the Library of Congress
INVENTORY TO ARCHIVAL BOXES IN THE MOTION PICTURE, BROADCASTING, AND RECORDED SOUND DIVISION OF THE LIBRARY OF CONGRESS Compiled by MBRS Staff (Last Update December 2017) Introduction The following is an inventory of film and television related paper and manuscript materials held by the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress. Our collection of paper materials includes continuities, scripts, tie-in-books, scrapbooks, press releases, newsreel summaries, publicity notebooks, press books, lobby cards, theater programs, production notes, and much more. These items have been acquired through copyright deposit, purchased, or gifted to the division. How to Use this Inventory The inventory is organized by box number with each letter representing a specific box type. The majority of the boxes listed include content information. Please note that over the years, the content of the boxes has been described in different ways and are not consistent. The “card” column used to refer to a set of card catalogs that documented our holdings of particular paper materials: press book, posters, continuity, reviews, and other. The majority of this information has been entered into our Merged Audiovisual Information System (MAVIS) database. Boxes indicating “MAVIS” in the last column have catalog records within the new database. To locate material, use the CTRL-F function to search the document by keyword, title, or format. Paper and manuscript materials are also listed in the MAVIS database. This database is only accessible on-site in the Moving Image Research Center. If you are unable to locate a specific item in this inventory, please contact the reading room. -
Required Retake Instructions
Manuel Ramos da Cruz Exam # 50050600 1 Student #706793933 [email protected] 524 Unit D Greenfield Avenue Kitchener, Ontario N2C 1G2 Ontario Canada REQUIRED RETAKE INSTRUCTIONS ENG300: 500506 Comparison/Contrast Essay Student name: Manuel Ramos da Cru Student number: 70673933 Grade: 33% Date: 4/4/17 Evaluator: VGG Dear Manuel, Unfortunately, you earned a failing grade on this submission. According to the Academic Policies in the Penn Foster Student Handbook, you must prepare a retake submission. Since the goal of this course is to help you improve your writing, you will continue working with your current submission, completely revising and editing it at all levels. Merely applying the instructor’s corrections in grammar, spelling, or format will not show sufficient evidence that you have improved your skill level and therefore will not result in a change to your grade. Please carefully review all rubric, marginal, and in-text comments below for specific revision guidance. Review the textbook and assignment directions. Following are key revisions you must make to ensure a passing grade on your retake. If you do not understand how to rewrite your paper in order to accomplish these goals, please contact the school. Purpose: Compare or contrast a novel and the movie based on the novel, drawing conclusions about what effects the changes have on plot, characterization, and theme. Strong thesis: State a specific thesis in your introduction which states the novel’s title and author as well as the movie’s title and director, especially if the title of the movie differs from that of the novel. -
BURNT out COP – Design Overview
NOTE - THIS DOCUMENT SHOULD BE VIEWED TWO PAGES AT A TIME. IF YOU INTEND TO PRINT THIS PLEASE PRINT PAGES 03~70 AS A DOUBLE- SIDED DOCUMENT 2 Commercial, in confidence copyright Infinite Lives 2003 3 Commercial, in confidence copyright Infinite Lives 2003 4 Commercial, in confidence copyright Infinite Lives 2003 Burnt Out Cop DDeessiiggnn OOvveerrvviieeww Copyright Infinite Lives 2003 5 Commercial, in confidence copyright Infinite Lives 2003 Table of Contents EXECUTIVE SUMMARY ............................................................................................. 2 High Concept ............................................................................................................................................. 2 Demographic ............................................................................................................................................. 2 Overview ..................................................................................................................................................... 2 Unique Selling Points ............................................................................................................................... 2 Key Features .............................................................................................................................................. 2 A TASTE OF THE ACTION .......................................................................................... 3 GAMEPLAY SUMMARY ............................................................................................ -
Die Hard with a Vengeance 1995
I SIMONSAYS: DIE HARDIII by Jonathan Henaleigh FOREDUCATIONAL PURPOSESONLY FIRST DRAFT REVISED March 29, 1994 l. A BLACKSCREEN throughout title sequence. An assembly room of people are LAUGHING. 1ST TITLES UP. The laughter dies. A voice into a microphone: DIGNITARY (v.o.} Suffice it to say that that rookie cop from New Jersey finally did learn how to read a suspect his rights. (more laughter} It is my great pleasure to ·present the City of New 'York's Distinguished Service Medal for nineteen ninety three to Lieutenant John Mcclane. Cheering, flashbulbs popping, etc .... 2NO TITLES UP. A lawyer is conferring with his client: LAWYER (v.o.} I understand your frustration but I can't work miracles. There's no way you can patch things up? A cough. The client clears his throat. A Zippe lighter flicks. An exhale of smoke. Another cough. MCCLANE (V. o.) No. LAWYER (v.o.} A court always favors the mother unless it's proven she's unfit. Is she unfit? MCCLANE (v. o.) No. She's not unfit. LAWYER (v.o.) Then there's no chance you'll get custody. I'm sorry, ~ohn. 3RD TITLES UP. Rowdy voices in a crowded bar. A juke box plays Frank Sinatra's "Summer Wind." BARTENDER ( v. o. } Last call! Dr.ink up! we hear the bartender's footsteps coming closer •••• 2. BARTENDER(v. o.) Another Johnny? · MCCLANE (v. o.) (fatigued) Yeah. BARTENDER ( v. o. ) Why doncha go home. MCCLANE (v.o.) Home? What's that? The bartender sighs and says, resignedly: BARTENDER ( v. o. ) Okay, Johnny. 4TH TITLES UP.