Die Hard with a Vengeance 1995
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
See It Big! Action Features More Than 30 Action Movie Favorites on the Big
FOR IMMEDIATE RELEASE ‘SEE IT BIG! ACTION’ FEATURES MORE THAN 30 ACTION MOVIE FAVORITES ON THE BIG SCREEN April 19–July 7, 2019 Astoria, New York, April 16, 2019—Museum of the Moving Image presents See It Big! Action, a major screening series featuring more than 30 action films, from April 19 through July 7, 2019. Programmed by Curator of Film Eric Hynes and Reverse Shot editors Jeff Reichert and Michael Koresky, the series opens with cinematic swashbucklers and continues with movies from around the world featuring white- knuckle chase sequences and thrilling stuntwork. It highlights work from some of the form's greatest practitioners, including John Woo, Michael Mann, Steven Spielberg, Akira Kurosawa, Kathryn Bigelow, Jackie Chan, and much more. As the curators note, “In a sense, all movies are ’action’ movies; cinema is movement and light, after all. Since nearly the very beginning, spectacle and stunt work have been essential parts of the form. There is nothing quite like watching physical feats, pulse-pounding drama, and epic confrontations on a large screen alongside other astonished moviegoers. See It Big! Action offers up some of our favorites of the genre.” In all, 32 films will be shown, many of them in 35mm prints. Among the highlights are two classic Technicolor swashbucklers, Michael Curtiz’s The Adventures of Robin Hood and Jacques Tourneur’s Anne of the Indies (April 20); Kurosawa’s Seven Samurai (April 21); back-to-back screenings of Mad Max: Fury Road and Aliens on Mother’s Day (May 12); all six Mission: Impossible films -
PDF of This Issue
MlT's The Weather Oldest and Largest Today: Cloudy, windy, 58°F (14°C) Tonight: Cloudy, drizzle, 52°F (11 0c) Newspaper Tomorrow: Cloudy, rainy, 58°F (14°C) Details, Page 2 Friday, October 20, 199 lIanrard, Duke Official New Dean of Student Life By Christopher L. Failing time to meet the staff of the Dean's tration and finance, strengths that things work here, my knowledge [of ASSOCIA TE NEWS EDITOR Office and prepare for the job. would help in the ongoing re-engi- M IT] makes me want to learn Margaret, R. Bates, an academic Bates said she had no knowledge neering of student services, she said. more," Bates said. and financial planning officer at concerning the amount of student Williams was "hired to provide Bates said her knowledge of the Harvard University and a former contact the job would allow versus leadership on academic issues. It Institute could be described as hav- vice provost of Duke University, the 'amount of administrative work, would be impossible for me to do ing MIT in her "peripheral vision was named to the new position of but she said she was looking for- this unless I had someone I could for most of my life," and is looking dean for student life on Tuesday. ward to the opportunity to work count on" in the dean of student life forward to "joining the community The appointment comes one year with students, faculty members, and position, she said. that Iadmire." She has worked with after former Dean for Undergradu- administrators. Both Williams and Bates MIT administrators in the past, and ate Education and Student Affairs expressed the importance of build- her husband received a doctorate rthur C. -
International Journal of Engineering, Social Justice, and Peace
International Journal of Engineering, Social Justice, and Peace Fall 2012 | Volume 1 | Number 2 ISSN 1927-9434 Editors Jens Kabo, Chalmers University of Technology, Sweden Usman Mushtaq, MSc Queen’s University, Canada Dean Nieusma, Rensselaer Polytechnic Institute, USA Donna Riley, Smith College, USA Editorial Board Asad Aziz, Colorado State University, USA Sylvat Aziz, Queen's University, Canada Margaret Bailey, Rochester Institute of Technology, USA Caroline Baillie, University of Western Australia, Australia Jenni Case, Cape Town University, South Africa George Catalano, Binghamton University, USA Mariano Fressoli, National University of Quilmes, Argentina Elizabeth Godfrey, University of Technology, Australia Rebekah Green, Western Washington University, USA Katy Haralampides, University of New Brunswick, Canada Jon Leydens, Colorado School of Mines, USA Juan Lucena, Colarado School of Mines, USA Darko Matovic, Queen's University, Canada Alice Pawley, Purdue University, USA Jane Pritchard, London School of Economics, United Kingdom Chris Rose, Rhode Island School of Design, United Kingdom Nasser Saleh, Queen's University, Canada Carmen Schifellite, Ryerson University, Canada Jen Schneider, Colorado School of Mines, USA Amy Slaton, Drexel University, USA Technical Assistance Nasser Saleh, Queen’s University, Canada Martin Wallace, University of Maine, USA International Journal of Engineering, Social Justice, and Peace esjp.org/publications/journal CONTENTS ARTICLES* GUEST INTRODUCTION TO SPECIAL ISSUE ON NAE’S GRAND CHALLENGES FOR ENGINEERING Great Problems of Grand Challenges: Problematizing Engineering’s Understandings of Its Role in Society 85–94 Erin Cech Engineering Improvement: Social and Historical Perspectives on the NAE’s “Grand Challenges” 95–108 Amy E. Slaton I Have Seen the Future! Ethics, Progress, and the Grand Challenges for Engineering 109–122 Joseph R. -
D5310 DIE HARD (USA, 1988) (Other Titles: Piege De Cristal; Stirb Langsam; Trappola Di Cristallo)
D5310 DIE HARD (USA, 1988) (Other titles: Piege de cristal; Stirb langsam; Trappola di cristallo) Credits: director, John McTiernan ; writers, Jeb Stuart, Steven E. de Souza ; story, Roderick Thorp. Cast: Bruce Willis, Bonnie Bedelia, Reginald Veljohnson, Robert Davi, Grand L. Bush. Summary: Action/adventure film set in contemporary Los Angeles. A team of terrorists thieves has seized an office building in L.A. and taken hostages. A New York cop (Willis), in town to spend Christmas with his estranged wife (Bedelia), is the only hope for the people held by the thieves. Two FBI agents assigned to the case (Davi and Bush) are Vietnam veterans. Ansen, David. “The arts: movies: reactivating action heroes” Newsweek 112 (Jul 25, 1988), p. 58. [Reprinted in Film review annual 1989] Breuning, Ulrich. “Die hard” Levenede billeder 5 (Feb 1989), p. 46-7. Broesky, Pat H. “Death is hard ... reincarnation is easy” New York times 143 (Jun 12, 1994), sec. 2, p. 15. Canby, Vincent. “Film view: ‘Die hard’ calls to the kidult” New York times 137 (Jul 31, 1988), sec. 2, p. 19-20. Carr, Jay. “Bruce Willis’ ‘Die hard’: Stylized terror” Boston globe (Jul 15, 1988), p. 29. _______. “Star Bonnie Bedelia keeping her cool” Boston globe (Jul 21, 1988), Calendar, p. 9. Cherchi Usai, Paolo. “Trappola di cristallo” Segnocinema 36 (Jan 1989), p. 26-7. Chiacchiari, Federico. “Trappola di cristallo” Cineforum 28/278 (Oct 1988), p. 92-3. Cieutat, Michel. “Piege de cristal” Positif 334 (Dec 1988), p. 73. Combs, Richard. “Die hard” Monthly film bulletin 56 (Feb 1989), p. 45-6. -
Report and Opinion
Report and Opinion Concerning the Impact of the Proposed Obama Presidential Center on the Cultural Landscape of Jackson Park, Chicago, Illinois Including the Project’s Compatibility with Basic Policies of the Lakefront Plan of Chicago and the Purposes of the Lake Michigan and Chicago Lakefront Protection Ordinance By: Malcolm D. Cairns, FASLA Ball State University Muncie, Indiana May 15, 2018 Assessing the Effect of the Proposed Obama Presidential Center on the Historic Landscape of Jackson Park Prepared by: Malcolm Cairns, FASLA; Historic Landscape Consultant For: The Barack Obama Foundation Date: May 15, 2018 Statement of purpose and charge: To develop the historic landscape analysis that places the proposal to locate the Obama Presidential Center in Chicago’s Jackson Park in its proper historic context. This investigation was undertaken at the request of Richard F. Friedman of the law firm of Neal & Leroy, LLC, on behalf of the Barack Obama Foundation. The assignment was to investigate the proposed Obama Presidential Center master plan and to assess the effect of the project on the historic cultural landscape of Jackson Park, Chicago, a park listed on the National Register of Historic Places. This investigation has necessitated a thorough review of the cultural landscape history of Jackson Park, the original South Park, of which Jackson Park was an integral part, and of the history of the Chicago Park and Boulevard system. Critical in this landscape research were previous studies which resulted in statements of historic landscape significance and historic integrity, studies which listed historic landscape character-defining elements, and other documentation which provided both large and small scale listings of historic landscape form, structure, detail, and design intent which contribute to the historic character of the Park. -
Central Park Conservancy 2017 MEDIA KIT
Central Park Conservancy 2017 MEDIA KIT centralparknyc.org Company Overview CENTRAL PARK CONSERVANCY MEDIA KIT The mission of the Central Park Conservancy is to restore, manage, and enhance Central Park in partnership with the public. We aspire to build a great organization that sets the standard for and spreads the principles of world-class park management — emphasizing environmental excellence — to improve the quality of open space for the enjoyment of all. The Central Park Conservancy is committed to sustaining this operating model to provide a legacy for future generations of park users. Urban Park Maintenance Forever Green Central Park Conservancy is an international leader in Forever Green: Ensuring the Future of Central Park urban park management, having dedicated more than is a ten-year fundraising campaign to restore and three decades to maintaining Central Park even as up to preserve the historic Frederick Law Olmsted / Calvert 250,000 visitors explore the Park on a daily basis. Part Vaux vision for the extraordinary landscape of of our success in urban park maintenance is the result Central Park. Following decades of investment by the of a unique zone management system, which separates Central Park Conservancy in essential rebuilding and the Park into 49 zones. A select team, composed of infrastructure, this ambitious project will raise $300 gardeners, arborists, and technicians, is responsible million to enable vital long-term planning for the entire for the care of each zone; the resulting familiarity with Park, its woodlands, historically and architecturally the zone’s landscapes and regular visitors, along with significant structures, playgrounds, and more — a individual accountability, helps Central Park continue cultural renaissance for Central Park. -
Central Park the Upper East Side
Hunter College High School The Jewish Museum Pascalou Sarabeth’s DINING & HOTELS Nightingale-Bamford School jacqueline kennedy onassis reservoir Yura on Madison The Dalton School RETAIL & SPECIALTY SHOPS Convent of the Sacred Heart First Program The Spence School Cooper-Hewitt, Smithsonian Design Museum SCHOOLS MUSEUMS & INSTITUTIONS National Academy Museum National Academy School of Fine Art SALONS Solomon R. Guggenheim Museum Saint David’s School ART GALLERIES The Dalton School museum mile 86th Neue Gallerie Morgenthal Frederics Theory Park Avenue Christian Church Day School the great lawn Lululemon Athletica Ramaz James Perse School Regis High School Grazie madison ave The Metropolitan Museum of Art Warren Tricomi Salon . fifth ave Marymount School delacourt theater Tambaran Gallery William Greenberg Desserts . American Museum of Natural History Loyola School & Hayden Planetarium turtle pond Crawford Doyle Booksellers belvedere castle Aesop PS 6 E.A.T. Adam Williams Fine Art New York Rudolf Steiner School Barbour . park ave Historical Society l’Occitane Skarstedt Gallery 79th Acquavella Gallery Gallery Mourlot Serafina All Souls School Almine Rech Gallery Lilly Pulitzer La Maison du Chocolat Alain Mikli Saint James Clothing Boutique Lady M Cake Boutique Sant Ambroeus Missoni central park The Mark Hotel Castelli Gallery Vera Wang Bride Allen Stevenson Gagosian Gallery Bemelmans Bar School the lake Vince The Carlyle Hotel Juice Press Cafe Boulud & Bar Pleiades loeb boathouse The Surrey Hotel Safani Gallery John Freida Salon Lenox Hill Hospital Christian Louboutin Carolina Herrera Diptyque Kilian strawberry fields French Consulate Apple The Met Breuer The Hewitt School David Webb bethesda fountain . Caravaggio Nancy Wiener Gallery Marché Madison Maison du Vin . -
80S Movie Trivia Questions and Answers
80s Movie Trivia Questions From: conversationstartersworld.com/80s-movie-trivia 1. Which 80s movie was the highest grossing film of the decade? E.T. The Extraterrestrial The 1982 movie surpassed Star Wars to become the highest grossing film of all time. The movie held that record for 11 years until it was surpassed by Jurassic Park in 1993. 2. Which 80s movie was Alan Rickman’s first feature film role? Die Hard The 1988 film grossed over $140 million worldwide and turned Bruce Willis into an action star. Before then he had been known only as a comedy actor. Willis filmed the comedy television series Moonlighting at the same time as Die Hard. Beethoven’s Ode to Joy is the terrorist’s theme song in the movie, and Rickman can be seen humming the song during his elevator scene with Mr. Takagi. 3. Which 80s movie spawned 6 sequels and a T.V. series? Police Academy The comedy film grossed $146 million worldwide and became the sixth highest grossing film of 1984. The film was inspired by real life police cadets. During the filming of The Right Stuff Paul Maslansky witnessed a diverse group of police cadets ineffectively doing crowd control for the filming. He found the situation humorous, and that night he wrote up two pages to give to the Ladd Company. They loved the concept and agreed to develop the movie. 4. Which 80’s movie was the first to become a hit largely due to MTV? Flashdance The 1983 film had a decent opening weekend but the soundtrack was what catapulted the film to success. -
Mature Masculinity and the Ageing Action Hero
Meijer Rebecca Feasey Mature masculinity and the ageing action hero The ageing male action hero is a figure many are familiar with through the character of Bruce Willis in the Die Hard series. However, physical strength, speeds and agility are usually not associated with old age. Whether age makes a difference in the action hero genre is a question Rebecca Feasey deals with in this article. Introduction Much work within the field of film and gender studies has attempted to theorise, unmask and deconstruct the representation of the male action hero, paying particular attention to the spectacular body and the herculean physical performances of characters such as John McClane/Bruce Willis, Martin Riggs/Mel Gibson and Indiana Jones/Harrison Ford. And yet, at a time when these stars are returning to the action roles that made them famous, in some cases, several decades later, scholars continue to ignore and overlook the fundamental notion of age in their discussions of the hard bodied, hegemonic hero. After all, hegemonic masculinity has associations with physical prowess, sexual virility, social dominance and aggression, which are potentially at odds with the image of the ageing male. With this in mind, I propose to examine the representation of the ageing action hero in the popular and long running Die Hard (1988, 1990, 1995, 2007) franchise, and consider the ways in which the mature masculinity on offer is seen to either be confirming to or challenging the hegemonic ideal. Hegemonic masculinity and male hierarchies Although there are a myriad of masculinities in existence at any one moment, this is not to say that each one is treated equally or granted the same level of social, sexual or economic power. -
Department of Parks & Recreation
DEPARTMENT OF PARKS & RECREATION Notice of Opportunity to Comment on Proposed Rule Revision of §2-08 of Title 56 of the Official Compilation of Rules of the City of New York NOTICE IS HEREBY GIVEN PURSUANT TO THE AUTHORITY VESTED IN the Commissioner of the Department of Parks & Recreation (“Parks”) by Section 533 (a) (9) of the New York City Charter and in accordance with the requirement of Section 1043 of the New York City Charter, that Parks proposes to amend §2-08 of Title 56 of the Official Compilation of Rules of the City of New York. Written comments regarding the proposed rules may be sent to Alessandro G. Olivieri, Counsel, Department of Parks & Recreation, The Arsenal, Central Park, 830 Fifth Avenue, New York, New York 10021, by May 19, 2005. A public hearing shall be held on May 20, 2005 at Chelsea Recreation Center at 430 West 25th Street, New York, New York at 11:00 a.m. Persons seeking to testify are requested to notify Assistant Counsel Laura LaVelle at the address stated above. Persons who request that a sign language interpreter or other form of reasonable accommodation for a disability be provided at the hearing are asked to notify Laura LaVelle at the foregoing address by May 11, 2005. Written comments and a tape recording of oral comments received at the hearing will be available for public inspections, within a reasonable time after receipt, between the hours of 9:00 a.m. and 5:00 p.m. at The Arsenal, Room 313, telephone number (212) 360-1313. -
Student # 70673933 Exam # 50050600
Manuel Ramos da Cruz Exam # 50050600 1 Student #706793933 [email protected] 524 Unit D Greenfield Avenue Kitchener, Ontario N2C 1G2 Ontario Canada Dear Manuel, Your thesis is off to a very good start but needs some improvement. List the types of differences you’ll discuss, condense and simply your existing ideas to get right to the argument you want to make, and push a little further to make an argument about the significance or effect of the book being “darker.” Then, revise your body paragraphs so each one explains how a single difference between the book and movie proves your thesis points. First, include a topic sentence that indicates the focus of the paragraph (i.e. the difference you’ll discuss). See the 12th marginal comment, below, for an example topic sentence template. Second, include evidence from the book and movie to prove the difference exists. Third, analyze to explain how the difference in question 1) makes the book darker than the movie and 2) leads to whatever effect or significance you’ll argue the “darker book” situation causes. Please see the marginal comments on the first half of your outline for more revision guidance. If you have questions on this feedback or how to revise, please contact the school. Instructor (VGG) Penn Foster Essay: Comparison And Contrast Commented [VGG1]: Include a header only (above) and then a title just before the start of your essay. Do not include a full title page (as the info in this title page is already included in the header). Student # 70673933 Exam # 50050600 Manuel Ramos da Cruz Exam # 50050600 2 Student #706793933 [email protected] 524 Unit D Greenfield Avenue Kitchener, Ontario N2C 1G2 Ontario Canada Ramos da Cruz, Manuel February 17th, 2016 IntroductionTitle Goes Here Commented [VGG2]: Once you are at the essay stage, do not include sub-titles to indicate the different sections of your essay. -
Movielistings
The Goodland Star-News / Friday, August 31, 2007 5 Like puzzles? Then you’ll love sudoku. This mind-bending puzzle will have FUN BY THE NUMBERS you hooked from the moment you square off, so sharpen your pencil and put your sudoku savvy to the test! Here’s How It Works: Sudoku puzzles are formatted as a 9x9 grid, broken down into nine 3x3 boxes. To solve a sudoku, the numbers 1 through 9 must fill each row, col- umn and box. Each number can appear only once in each row, column and box. You can figure out the order in which the numbers will appear by using the numeric clues already provided in the boxes. The more numbers you name, the easier it gets to solve the puzzle! ANSWER TO TUESDAY’S SATURDAY EVENING SEPTEMBER 1, 2007 SUNDAY EVENING SEPTEMBER 2, 2007 6PM 6:30 7PM 7:30 8PM 8:30 9PM 9:30 10PM 10:30 6PM 6:30 7PM 7:30 8PM 8:30 9PM 9:30 10PM 10:30 E S E = Eagle Cable S = S&T Telephone E S E = Eagle Cable S = S&T Telephone The Sopranos: Calling All (:11) The Sopranos: Eloise Carmela (:22) The Sopranos: Whitecaps A new The Sopranos: Calling All Flip This House: The Flip This House: The Flip This House: Building Flip This House Myrtle Flip This House: The 36 47 A&E 36 47 A&E Rookie (TV G) (R) Montelongo Bunch (R) Blocks (TV G) (R) Beach, SC. (TV G) (R) Rookie (TV G) (R) Cars (TVMA) (HD) picks fight.