One Piece – Race – Giants
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Pirates, Justice and Global Order in the Anime 'One Piece '
PIRATES, JUSTICE AND GLOBAL ORDER IN THE ANIME ‘ONE PIECE ‘ "Remove justice, and what are kingdoms but gangs of criminals on a large scale? (St. Augustine City of God, Book 4, Ch. 4). DRAFT, work in progress…do not quote without permission I. INTRODUCTION The manga/anime (Japanese cartoon) titled ONE PIECE telling the story of the pirate Monkey D. Luffy and his crew is one of the most successful Japanese cultural products of all time. The first volume of One Piece was published in 1997 and it has been published weekly ever since. It has sold over 430.000.000 million copies worldwide (70.000.000 outside Japan) and it has set already years ago the world record for "The most copies published for the same comic book series, by a single author."1 Although One Piece is the most successful Japanese manga series there are many others -like Dragon Ball or Full Metal Alchemist 2 - with fans around the World, making Japanese manga not only a successful export product, but many believe also a source of Japanese soft power (Bouissou 2006). This in the case of One Piece is especially true for East Asia, with many young readers in the region being inspired by the manga to turn their interest towards Japan (Hirai et al. 2014). Although such products of popular culture are produced mainly for entertainment purposes, we should not dismiss the reflections they make about the social and the political world, as it is recognized that they do not only depict, but also construct identities, shape security narratives and form our world, explaining why scholars increasingly turned their attention to their study (Weldes and Rowley 2015). -
Annual Report 2018
2018 Annual Report 4 A Message from the Chair 5 A Message from the Director & President 6 Remembering Keith L. Sachs 10 Collecting 16 Exhibiting & Conserving 22 Learning & Interpreting 26 Connecting & Collaborating 30 Building 34 Supporting 38 Volunteering & Staffing 42 Report of the Chief Financial Officer Front cover: The Philadelphia Assembled exhibition joined art and civic engagement. Initiated by artist Jeanne van Heeswijk and shaped by hundreds of collaborators, it told a story of radical community building and active resistance; this spread, clockwise from top left: 6 Keith L. Sachs (photograph by Elizabeth Leitzell); Blocks, Strips, Strings, and Half Squares, 2005, by Mary Lee Bendolph (Purchased with the Phoebe W. Haas fund for Costume and Textiles, and gift of the Souls Grown Deep Foundation from the William S. Arnett Collection, 2017-229-23); Delphi Art Club students at Traction Company; Rubens Peale’s From Nature in the Garden (1856) was among the works displayed at the 2018 Philadelphia Antiques and Art Show; the North Vaulted Walkway will open in spring 2019 (architectural rendering by Gehry Partners, LLP and KXL); back cover: Schleissheim (detail), 1881, by J. Frank Currier (Purchased with funds contributed by Dr. Salvatore 10 22 M. Valenti, 2017-151-1) 30 34 A Message from the Chair A Message from the As I observe the progress of our Core Project, I am keenly aware of the enormity of the undertaking and its importance to the Museum’s future. Director & President It will be transformative. It will not only expand our exhibition space, but also enhance our opportunities for community outreach. -
Customer Order Form
#386 | NOV20 PREVIEWS world.com Name: ORDERS DUE NOV 18 THE COMIC SHOP’S CATALOG PREVIEWSPREVIEWS CUSTOMER ORDER FORM Nov20 Cover ROF and COF.indd 1 10/8/2020 8:23:12 AM Nov20 Ad DST Rogue.indd 1 10/8/2020 11:07:39 AM PREMIER COMICS HAHA #1 IMAGE COMICS 30 RAIN LIKE HAMMERS #1 IMAGE COMICS 34 CRIMSON FLOWER #1 DARK HORSE COMICS 62 AVATAR: THE NEXT SHADOW #1 DARK HORSE COMICS 64 MARVEL ACTION: CAPTAIN MARVEL #1 IDW PUBLISHING 104 KING IN BLACK: BLACK KNIGHT #1 MARVEL COMICS MP-6 RED SONJA: THE SUPER POWERS #1 DYNAMITE ENTERTAINMENT 126 ABBOTT: 1973 #1 BOOM! STUDIOS 158 Nov20 Gem Page ROF COF.indd 1 10/8/2020 8:24:32 AM COMIC BOOKS · GRAPHIC NOVELS · PRINT Gung-Ho: Sexy Beast #1 l ABLAZE FEATURED ITEMS Serial #1 l ABSTRACT STUDIOS I Breathed A Body #1 l AFTERSHOCK COMICS The Wrong Earth: Night and Day #1 l AHOY COMICS The Three Stooges: Through the Ages #1 l AMERICAN MYTHOLOGY PRODUCTIONS Warrior Nun Dora Volume 1 TP l AVATAR PRESS INC Crumb’s World HC l DAVID ZWIRNER BOOKS Tono Monogatari: Shigeru Mizuki Folklore GN l DRAWN & QUARTERLY COMIC BOOKS · GRAPHIC NOVELS Barry Windsor-Smith: Monsters HC l FANTAGRAPHICS BOOKS Gung-Ho: Sexy Beast #1 l ABLAZE Aster of Pan HC l MAGNETIC PRESS INC. Serial #1 l ABSTRACT STUDIOS 1 Delicates TP l ONI PRESS l I Breathed A Body #1 AFTERSHOCK COMICS 1 The Cutting Edge: Devil’s Mirror #1 l TITAN COMICS The Wrong Earth: Night and Day #1 l AHOY COMICS Knights of Heliopolis HC l TITAN COMICS The Three Stooges: Through the Ages #1 l AMERICAN MYTHOLOGY PRODUCTIONS Blade Runner 2029 #2 l TITAN COMICS Warrior Nun Dora Volume 1 TP l AVATAR PRESS INC Star Wars Insider #200 l TITAN COMICS Crumb’s World HC l DAVID ZWIRNER BOOKS Comic Book Creator #25 l TWOMORROWS PUBLISHING Tono Monogatari: Shigeru Mizuki Folklore GN l DRAWN & QUARTERLY Bloodshot #9 l VALIANT ENTERTAINMENT Barry Windsor-Smith: Monsters HC l FANTAGRAPHICS BOOKS Vagrant Queen Volume 2: A Planet Called Doom TP l VAULT COMICS Aster of Pan HC l MAGNETIC PRESS INC. -
2019 Annual Report to the Community and Report on Philanthropy 2019 Annual Report to the Community and Report on Philanthropy
2019 Annual Report To the Community and Report on Philanthropy 2019 Annual Report To the Community and Report on Philanthropy Cover: Leading UH research on COVID-19, Grace McComsey, MD, Vice President of Research and Associate Chief Scientific Officer, UH Clinical Research Center, Rainbow Babies & Children's Foundation John Kennell Chair of Excellence in Pediatrics, and Division Chief of Infectious Diseases, UH Rainbow Babies and Children’s Hospital; and Robert Salata, MD, Chairman, Department of Medicine, STERIS Chair of Excellence in Medicine and and Master Clinician in Infectious Disease, UH Cleveland Medical Center, and Program Director, UH Roe Green Center for Travel Medicine and Global Health, are Advancing the Science of Health and the Art of Compassion. Photo by Roger Mastroianni The 2019 UH Annual Report to the Community and Report on Philanthropy includes photographs obtained before Ohio's statewide COVID-19 mask mandate. INTRODUCTION REPORT ON PHILANTHROPY 5 Letter to Friends 38 Letter to our Supporters 6 UH Statistics 39 A Gift for the Children 8 UH Recognition 40 Honoring the Philanthropic Spirit 41 Samuel Mather Society UH VISION IN ACTION 42 Benefactor Society 10 Building the Future of Health Care 43 Revolutionizing Men's Health 12 Defining the Future of Heart and Vascular Care 44 Improving Global Health 14 A Healing Environment for Children with Cancer 45 A New Game Plan for Sports Medicine 16 UH Community Highlights 48 2019 Endowed Positions 18 Expanding the Impact of Integrative Health 54 Annual Society 19 Beating Cancer with UH Seidman 62 Paying It Forward 20 UH Nurses: Advancing and Evolving Patient Care 63 Diamond Legacy Society 22 Taking Care of the Browns. -
Fjohnsen Saolsen.Pdf (1.972Mb)
BACHELOROPPGAVE: American animation VS. Japanese Animation FORFATTER(E): Stian Olsen Frank Johnsen Dato: 23.05.2012 Summary This bachelor thesis is a comparative study between American animation and Japanese animation. We take a look into differences, taking into account the culture, history, production- and the animation techniques employed. The main theoretical questions that are answered in this study are: - How has each side of animation influenced the culture surrounding it, and vice versa? -Why can Japanese animation studios presumably produce more than twice the amount that an American animation studio produces? - What are some of the structural differences when looking at similar, but ultimately different, productions from each side of animation? We have come to decisive conclusions to each theoretical question. The biggest cultural influence for Japanese animation is the Shinto religion. It is at the core of Japanese animation, and influences both storytelling and visual elements. In American animation, a shift happened in the culture, making its animation oriented towards children. In later years, it shifted again towards adults. This gave birth to adult-oriented animated sitcoms, which has become the norm in America. Japanese animation studios produce content faster than American animation studios. The biggest reasons for this is their budgets, how detailed the work is, and how hard the studio pushes themselves. Japanese anime is not as detailed as American animation, therefore it doesn’t take as long to produce. On average, 30 minutes of Japanese animation takes 1-3 months to produce, while 30 minutes of American animation takes 6-9 months to produce. Some of the biggest structural differences between Japanese and American animation is how they blur the line between good and evil, and how they pace their stories. -
One Piece ...Dst...One Piece 615 (Punk Hazard Arc)
One Piece ....dst.............. One Piece 615 (Punk Hazard Arc) - Kesedihan Chahige! Pukulan Penuh Amarah Luffy! One Piece 614 (Punk Hazard Arc) - Melindungi Teman-teman! Mocha Mengorbankan Dir inya Sendiri! One Piece 613 (Punk Hazard Arc) - Teknik Rahasia! Teknik Satu Pedang Terhebat Zo ro! One Piece 612 (Punk Hazard Arc) - Pertarungan Sengit di Badai Salju! Kelompok To pi Jerami Melawan Wanita Salju One Piece 611 (Punk Hazard Arc) - Naga Kecil! Kemunculan Momonosuke! One Piece 610 (Punk Hazard Arc) - Bentrokan Dua Pukulan! Pertarungan Dua Wakil A dmiral! One Piece 609 (Punk Hazard Arc) - Luffy Mati Membeku?! Wanita Salju Menakutkan, Monet! One Piece 608 (Punk Hazard Arc) - Dalang Kegelapan!Doflaminggo Telah Melakukan P ergerakan! One Piece 607 (Punk Hazard Arc) - Pertarungan Sengit Dimulai! Luffy Melawan Caes ar! One Piece 606 (Punk Hazard Arc) - Wakil Admiral Penghianat! Iblis Bambu, Vergo! One Piece 605 (Punk Hazard Arc) - Air Mata Tashigi! Penerobosan Penuh Keputus-as aan G-5! One Piece 604 (Punk Hazard Arc) - Bergegas Menuju Bangunan R! Aliansi Bajak Laut Telah Melakukan Penyerangan! One Piece 603 (Punk Hazard Arc) - Melancarkan Serangan Balik! Penyelamatan Luff dan Law! One Piece 602 (Punk Hazard Arc) - Senjata Pemusnah Massal Mematikan! Shinokuni! One Piece 601 (Punk Hazard Arc) - Mengguncangkan Dunia Baru! Eksperimen Mengejut kan Caesar! One Piece 600 (Punk Hazard Arc) - Menyelamatkan Anak-anak! Tangan Iblis Master M endekat! One Piece 599 (Punk Hazard Arc) - Kenyataan yang Mengejutkan! Identitas Sebenarn ya dari Orang yang Bernama -
White Wolf Npcs
VOLUME 3: KINDRED AND RELATED Assamites ................................................................................................................................................... 4 Ahmed ..................................................................................................................................................... 4 Al-Ashrad (Amr of Alamut) ......................................................................................................................... 4 Coven, Montgomery (Once and Forever Prince) ............................................................................................. 5 Djuhah (Seraph of the Black Hand) ............................................................................................................ 6 al-Faqadi, Fatima (Hand of Vengeance) ........................................................................................................ 8 Izhim Ur-Baal (Seraph of the Black Hand) ................................................................................................... 8 Osiris (Unbound Bodyguard) ....................................................................................................................... 9 Solinda (Chicago Bishop and Dominion) ....................................................................................................... 9 Tariq the Silent (1996 Onward, Dominion) .................................................................................................. 10 Ur-Shulgi (The Shepherd) ........................................................................................................................ -
Uma Análise Do Feminino Através Das Personagens Nami E Nico Robin No Anime
UNIVERSIDADE FEDERAL DE SANTA MARIA CENTRO DE CIÊNCIAS SOCIAIS E HUMANAS DEPARTAMENTO DE CIÊNCIAS DA COMUNICAÇÃO CURSO DE COMUNICAÇÃO SOCIAL – PRODUÇÃO EDITORIAL O FENÔMENO MIDIÁTICO ONE PIECE: UMA ANÁLISE DO FEMININO ATRAVÉS DAS PERSONAGENS NAMI E NICO ROBIN NO ANIME MONOGRAFIA Francieli Jordão Fantoni Santa Maria, RS, Brasil 2015 Francieli Jordão Fantoni O FENÔMENO MIDIÁTICO ONE PIECE: UMA ANÁLISE DO FEMININO ATRAVÉS DAS PERSONAGENS NAMI E NICO ROBIN NO ANIME Monografia apresentada à Comissão de Trabalho de Conclusão de Curso, do Departamento de Ciências da Comunicação da Universidade Federal de Santa Maria como requisito para obtenção do Grau de Bacharel em Comunicação Social – Produção Editorial. Santa Maria, RS 2015 Universidade Federal de Santa Maria Centro de Ciências Sociais e Humanas Departamento de Ciências da Comunicação Curso de Comunicação Social – Produção Editorial A Comissão Examinadora, abaixo assinada, aprova a Monografia O FENÔMENO MIDIÁTICO ONE PIECE: UMA ANÁLISE DO FEMININO ATRAVÉS DAS PERSONAGENS NAMI E NICO ROBIN NO ANIME elaborada por Francieli Jordão Fantoni como requisito parcial para obtenção do grau de Bacharel em Comunicação Social – Produção Editorial COMISSÃO EXAMINADORA: ______________________________________ Dra. Cristina Marques Gomes (Presidente/Orientadora) _______________________________________ Dra. Marília Barcellos __________________________________________ Me. Janayna Barros Santa Maria, RS 2015 É sempre para e por vocês: Maritê Jordão e Eligio Fantoni AGRADECIMENTOS Após cinco anos finalizo o curso de Produção Editorial. Durante este período fiz amigos, convivi com pessoas maravilhosas, aprendi e ensinei. Ingressei na primeira turma do curso (2010) e depois de um recesso de um ano, devido ao ingresso no mestrado em comunicação, retorno para me graduar como produtora editorial. Neste sentido, agradeço a coordenadora do curso de Produção Editorial, Marília Barcellos, por me auxiliar neste período de readaptação ao curso. -
The Relation Between One Piece and the History of Pirates
報名類別:英文寫作 篇名: 探索漫畫〝航海王〞與海盜歷史的相關性 The Relation between One Piece and the History of Pirates. 作者: 鄔家源。台北市立士林高級商業職業學校。二年十一班 陳曉芬。台北市立士林高級商業職業學校。二年十一班 廖翊辰。台北市立士林高級商業職業學校。二年十一班 指導老師: 惠風 PDF created with pdfFactory trial version www.pdffactory.com The Relation between One Piece and the History of Pirates.[鍵入文字] I. Introduction One Piece is one of the most famous Manga series worldwide. It attracts children and teenagers and its popularity ascends gradually. According to an oral survey, most of students in our class are interested in One Piece. The background of One Piece corresponds to the real history “Voyage Time”, when there were many pirates running wild on the sea. Therefore, we resolve to look into the inner background of One Piece and investigate the similarities and relation between One Piece and the history of pirates of Voyage Time. The author of One Piece, Eiichiro Oda is one of the greatest caricaturists in Japan. When Eiichiro Oda was 17 years old, he won the Tezuka Award offered by the Japanese publisher Shueisha with his work “WANTED”. Later, in 1997, he composed the comic “Romance Dawn” which became the origin of One Piece. Before long, the comic “One Piece” came off the press. The content of One Piece is talking about an innocent boy whose name is “Luffy”. When Luffy was little, he was affected by a pirate, called “Red-Hair”, and determined to gain the treasure “One Piece”, which settled on the end of Grand Line, the most grand and dangerous ocean in the world. What’s more interesting, some of characters relate to the real figures in Voyage Time. -
Abstrak Tokoh Dan Penokohan Nico Robin
ABSTRAK TOKOH DAN PENOKOHAN NICO ROBIN DALAM KOMIK ONE PIECE KARYA ODA EIICHIRO: ANALISIS UNSUR INTRINSIK Oleh: M. FADLI HARDIAN Kata kunci: Komik, Unsur Intrinsik, Penokohan Skripsi ini merupakan penelitian tentang komik One Piece karya Oda Eiichiro. Komik ini adalah komik fiksi pertualangan yang menceritakan kisah bajak laut Luffy dalam mencapai tujuannya menjadi raja bajak laut dengan merekrut sepuluh orang anggota. Salah satu anggotanya adalah Nico Robin. Penelitian ini membahas tokoh dan penokohan Nico Robin. Penelitian terhadap komik One Piece ini menggunakan teori dari Altenberd & Lewis dengan tinjauan struktural dan dengan objek kajian berupa unsur intrinsik. Dalam penelitian ini dibatasi pada tokoh dan penokohan Nico Robin. Penelitian menggunakan metode kualitatif yang menghasilkan data deskriptif berupa kata-kata tertulis. Dari penelitian yang telah dilakukan, diperoleh kesimpulan bahwa tokoh Nico Robin adalah salah satu tokoh utama yang terdapat dalam komik One Piece ini. Tokoh Nico Robin memiliki masa lalu yang suram sehingga membuatnya tidak mudah percaya terhadap orang lain. Tokoh Nico Robin mengalami perubahan peran, dari peran antagonis menjadi peran protagonis setelah bergabung dengan kelompok bajak laut Luffy. Nico Robin juga mengalami perubahan watak setelah mendapat pertolongan dari kelompok bajak laut Luffy dari masa lalunya yang kelam. Sehingga tokoh Nico Robin tergolong pada tokoh berkembang. v ABSTRACT CHARACTER AND CHARACTERIZATION NICO ROBIN IN COMIC ONE PIECE WORKS ODA EIICHIRO INTRINSIC ELEMENTS ANALYSIS By M. FADLI HARDIAN Keywords: Comics, Intrinsic Elements, Characterizations This research is a study about comic by Eiichiro Oda with title One Piece. This comic is a fiction adventure that tells the story a pirate named Luffy in achieving its goal to become be the pirate king by recruiting ten members. -
Volume 3 Issue 1 Expression Analysis of Big Mom Characters in One
Volume 3 Issue 1 Expression Analysis of Big Mom Characters in One Piece Comic 89 (Badend Musical) Yeni Nurlatifah1, Kankan Kasmana2 1, 2Program Studi Magister Desain Fakultas Pascasarjana Universitas Komputer Indonesia Jl. Dago (Ir. H. Djuanda) 160 – 162, Bandung, 40132 email: [email protected] Abstract One Piece comics are about the world of pirates, and are the best-selling comics in history. Like most comics, One Piece comics consist of protagonist and antagonist. The depiction of One Piece comics is the same as the usual depiction of Japanese comics, namely using Mango style with narrative content and the use of black and white. Depictions of moments, image details and character expressions become important in black and white comics to bring the narrative to life. For character portrayals, comics look for alternatives to emphasize expression in their comic images. This research focuses on the analysis of one of the most antagonists in the one piece comic is Big Mom. This study aims to find out the characteristics of visualizing the expression of Big Mom characters in One Piece comics using visual language by means of wimba 4 (depiction). The research method used is Bahasa Rupa by classifying images of Big Mom's expression through a form language method. The results of the analysis showed a depiction of expression, using a detailed draw of lines on the eyes, eyebrows, nose and mouth. The way it is portrayed in Big Mom's expressions uses expressive depictions, distortions and lines. Expressive depictions use thick lines that give a wrinkle effect on the forehead, eyes, nose and around the mouth. -
Humanitatis Journal on Language and Literature Vol
Humanitatis Journal on Language and Literature Vol. 6 No. 2 June 2020 THE MORAL VALUE IN ONE PIECE ANIME MOVIE OF CHOPPER PLUS BLOOM IN THE WINTER Hilda Hastuti1, Puspita Dewi2 [email protected], [email protected] Universitas Bumigora ABSTRACT This research aims to describe moral value in One Piece Anime Movie of Chopper Plus Bloom in The Winter created by Eiichiro Oda. The researchers obtained the data from the movie Video through watching, screenshot the video and copied every single of scene in the movie video. Researchers took data only the appropriate the data which contained the moral value. The method used of this research was descriptive analysis method. The result of the research found that moral value was intrinsic moral value and three types of moral values that were the issue of human relationship with themselves, the human relationship with others, and relationship with God. Three types of those moral values shown (1) Chopper couldn’t accepted by others and It was shot by inhabitants (2) Luffy as a captain of the straw hat Pirate crew took responsibility to his crew by taking care of his crew (3) Chopper was considered as disgrace of his family because chopper has got blue nose and he was isolated by others and he found his the first friend dr Hiluluk as a form gratitude. Keywords: Anime, moral values, one piece A. INTRODUCTION Several of industrial mark the development of technology, one of them is television industry. The emergence of One Piece anime on one side also shows the development of the television industry.