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Heather Moreton Abounader Consignment Description
Heather Moreton Abounader consignment description: The first part of this set is a hand-woven "Native" Arabian Halter. This halter took Heather two solid weeks to make. The most difficult part was weaving the headstall, and therefore that is the part that took the longest. The throatlatch and the lead rope are hand braided, and each tassel was hand tied. The "flowers" on the side of the halters are hand made using pearl sculpey and have a leather backing on them. The "sharks teeth" on the noseband were hand made out of "Yellow Silver Solder" using a dremel. This halter fits the Breyer Proud Arabian Mare AND the Stone Arabian. Surprise! Heather decided to add a second component, an Arabian show halter, to her consignment. This show halter will fit the Breyer Proud Arabian Mare as well as similar sized resins (for example Aisha) and plastics. It has a roller buckle at the poll and is adjustable. All of the beads, jump rings and conchos on this halter are real silver and have been coated to retard tarnishing. Heather’s Arabian Show halters have won several championships and top tens at NAN's in past years. Heather is a returning consignor to the NAN Auction and we are grateful for her continued support. Heather does not take orders, so this is the ONLY way you can get her tack! Tom Bainbridge consignment description: Thomas Bainbridge proudly presents “Valentino", a traditional scale cantering Warmblood stallion. He was sculpted by Brigitte Eberl as an exclusive resin for Thomas Bainbridge. The resin edition will be 68 (8 retained by sculpting artist), with this handsome chap being #1/60 in the edition. -
Pirates, Justice and Global Order in the Anime 'One Piece '
PIRATES, JUSTICE AND GLOBAL ORDER IN THE ANIME ‘ONE PIECE ‘ "Remove justice, and what are kingdoms but gangs of criminals on a large scale? (St. Augustine City of God, Book 4, Ch. 4). DRAFT, work in progress…do not quote without permission I. INTRODUCTION The manga/anime (Japanese cartoon) titled ONE PIECE telling the story of the pirate Monkey D. Luffy and his crew is one of the most successful Japanese cultural products of all time. The first volume of One Piece was published in 1997 and it has been published weekly ever since. It has sold over 430.000.000 million copies worldwide (70.000.000 outside Japan) and it has set already years ago the world record for "The most copies published for the same comic book series, by a single author."1 Although One Piece is the most successful Japanese manga series there are many others -like Dragon Ball or Full Metal Alchemist 2 - with fans around the World, making Japanese manga not only a successful export product, but many believe also a source of Japanese soft power (Bouissou 2006). This in the case of One Piece is especially true for East Asia, with many young readers in the region being inspired by the manga to turn their interest towards Japan (Hirai et al. 2014). Although such products of popular culture are produced mainly for entertainment purposes, we should not dismiss the reflections they make about the social and the political world, as it is recognized that they do not only depict, but also construct identities, shape security narratives and form our world, explaining why scholars increasingly turned their attention to their study (Weldes and Rowley 2015). -
Annual Report 2018
2018 Annual Report 4 A Message from the Chair 5 A Message from the Director & President 6 Remembering Keith L. Sachs 10 Collecting 16 Exhibiting & Conserving 22 Learning & Interpreting 26 Connecting & Collaborating 30 Building 34 Supporting 38 Volunteering & Staffing 42 Report of the Chief Financial Officer Front cover: The Philadelphia Assembled exhibition joined art and civic engagement. Initiated by artist Jeanne van Heeswijk and shaped by hundreds of collaborators, it told a story of radical community building and active resistance; this spread, clockwise from top left: 6 Keith L. Sachs (photograph by Elizabeth Leitzell); Blocks, Strips, Strings, and Half Squares, 2005, by Mary Lee Bendolph (Purchased with the Phoebe W. Haas fund for Costume and Textiles, and gift of the Souls Grown Deep Foundation from the William S. Arnett Collection, 2017-229-23); Delphi Art Club students at Traction Company; Rubens Peale’s From Nature in the Garden (1856) was among the works displayed at the 2018 Philadelphia Antiques and Art Show; the North Vaulted Walkway will open in spring 2019 (architectural rendering by Gehry Partners, LLP and KXL); back cover: Schleissheim (detail), 1881, by J. Frank Currier (Purchased with funds contributed by Dr. Salvatore 10 22 M. Valenti, 2017-151-1) 30 34 A Message from the Chair A Message from the As I observe the progress of our Core Project, I am keenly aware of the enormity of the undertaking and its importance to the Museum’s future. Director & President It will be transformative. It will not only expand our exhibition space, but also enhance our opportunities for community outreach. -
Read Book Through England on a Side-Saddle Ebook, Epub
THROUGH ENGLAND ON A SIDE-SADDLE PDF, EPUB, EBOOK Celia Fiennes | 96 pages | 02 Apr 2009 | Penguin Books Ltd | 9780141191072 | English | London, United Kingdom Sidesaddle - Wikipedia Ninth century depictions show a small footrest, or planchette added to the pillion. In Europe , the sidesaddle developed in part because of cultural norms which considered it unbecoming for a woman to straddle a horse while riding. This was initially conceived as a way to protect the hymen of aristocratic girls, and thus the appearance of their being virgins. However, women did ride horses and needed to be able to control their own horses, so there was a need for a saddle designed to allow control of the horse and modesty for the rider. The earliest functional "sidesaddle" was credited to Anne of Bohemia — The design made it difficult for a woman to both stay on and use the reins to control the horse, so the animal was usually led by another rider, sitting astride. The insecure design of the early sidesaddle also contributed to the popularity of the Palfrey , a smaller horse with smooth ambling gaits, as a suitable mount for women. A more practical design, developed in the 16th century, has been attributed to Catherine de' Medici. In her design, the rider sat facing forward, hooking her right leg around the pommel of the saddle with a horn added to the near side of the saddle to secure the rider's right knee. The footrest was replaced with a "slipper stirrup ", a leather-covered stirrup iron into which the rider's left foot was placed. -
SHOW HUNTER INFORMATION BOOKLET Compiled by ESNZ Showhunter
SHOW HUNTER INFORMATION BOOKLET Compiled by ESNZ Showhunter Version: 2.2 – September 2016 This booklet has been designed for people wishing to find out more about Show Hunter at grassroots level. We are sure it will be useful to those who already have Show Hunter knowledge. Whilst this is not a rule book, it is intended to be an easy interpretation of the Show Hunter discipline. It is always daunting to try something new and not knowing where to start. Sometimes when you arrive at your first show, it is difficult to source the information, so hopefully this book will help you enjoy Show Hunter. Contacts for your local Show Hunter group You can find most of the information you need for competing in Show Hunter in New Zealand on the ESNZ website at www.nzequestrian.org.nz There are contacts for the National Executive including the North and South Island Co‐ordinators, judges, judges’ advisors, rules and other useful information available. You will also find web sites for local groups on their individual web sites. Please note: while every care has been taken to ensure that the details in this booklet are correct, sometimes mistakes happen and rules, conditions and regulations change. So if you have any queries regarding anything in this booklet, or would like confirmation on anything, please don’t hesitate to contact any of the Show Hunter officials on the website. Contents Where did Show Hunter Come From? ................................................................................................... 4 The main reasons for promoting Show Hunter in New Zealand .......................................................... 4 Welcome to Show Hunter Competition ................................................................................................ 5 What is Show Hunter?....................................................................................................................... -
Waitemata Riding Club Inside This Issue Above Photograph Courtesy
Waitemata Riding Club March 2013 Hoofbeats Inside this issue Upcoming Events ........................ 3 Le Trek ....................................... 4 Member Profile .......................... 8 Meet Nannette Caldwellader ..... 9 Above Photograph Courtesy of Christine Bird Photography Gaze Burt Sponsorship ............... 11 Renee’s latest story ................... 14 Prez Sez Please support our Sponsors Abercothi Equestrian Hi everyone, I hope you have man- ready this year – our Showjumping Abode of Beauty aged to make the most of the summer day and our first Dressage day of the as it’s already March and the temper- year had fantastic entries, which does Beachcroft Equestrian ature is dropping. I don’t know about mean lots of work and commitment you, but I don’t think it has been a from our dedicated organisers who do Crescent Equestrian Centre particularly hot summer – yes there a fabulous job. I would like to remind have definitely been days when it’s everyone that it would be much ap- Dunstan been really hot, but not as many as preciated by organisers of any of our Dunn and Strickland Contracting last year or the year before. It is defi- events if you offer to help, either set Limited nitely dry though, the ground is hard, up, clear up or on the day. We can’t the grass is drying off and the dam run these days without helpers and Equestrian Supply where we get all our livestock water volunteers, and at the end of a long Equine Osteopath from is getting really low. We could day running a show the last thing we definitely do with a bit of rain right want to do is spend ages clearing up, Feed Direct now. -
Equipment Directions for Trotting Races in Sweden
EQUIPMENT DIRECTIONS FOR TROTTING RACES IN SWEDEN Valid from January 18, 2018 These directions are issued by The Swedish Trotting Association. Contact: Svensk Travsport 161 89 Stockholm, Sweden. Phone: +46 8 627 21 20 E-mail: [email protected] 2 Table of content Introduction 4 Bridles and cheek pieces 5 Bits 8 Overcheck and overcheck bits 11 The harness 13 Protective gear 13 Additional equipment 14 Racing under saddle 16 The racing bike 18 The racing authorities in the Nordic countries – Denmark, Finland, Nor- way and Sweden – have jointly listed the pieces of equipment permitted for use during trotting races in these four countries. Equipment of new design has to be approved by Animal Welfare Depart- ment of The Swedish Trotting Association. No exceptions will be granted. 3 Introduction The Swedish legislation on animal welfare is among the world’s strictest. Obviously, this has implications for the trotting industry – not least when it comes to the equipment used during racing and training. Since the arrival of 2018, trainers using equipment prohibited by the racing regulations will face increasingly harsh consequences – ranging from heavy fines to exclusion of individual horses from participation in a specific race. The ultimate responsibility for the equipment of a horse always rests on the trainer. In order to prevent the risk for incidents causing trouble and frustration among visiting trainers, we have produced this brief manual on equipment. Below, you will find general guidelines for the design and adjustment of equipment used during racing and training. The following sections offer brief descriptions of equipment details that are permitted. -
Customer Order Form
#386 | NOV20 PREVIEWS world.com Name: ORDERS DUE NOV 18 THE COMIC SHOP’S CATALOG PREVIEWSPREVIEWS CUSTOMER ORDER FORM Nov20 Cover ROF and COF.indd 1 10/8/2020 8:23:12 AM Nov20 Ad DST Rogue.indd 1 10/8/2020 11:07:39 AM PREMIER COMICS HAHA #1 IMAGE COMICS 30 RAIN LIKE HAMMERS #1 IMAGE COMICS 34 CRIMSON FLOWER #1 DARK HORSE COMICS 62 AVATAR: THE NEXT SHADOW #1 DARK HORSE COMICS 64 MARVEL ACTION: CAPTAIN MARVEL #1 IDW PUBLISHING 104 KING IN BLACK: BLACK KNIGHT #1 MARVEL COMICS MP-6 RED SONJA: THE SUPER POWERS #1 DYNAMITE ENTERTAINMENT 126 ABBOTT: 1973 #1 BOOM! STUDIOS 158 Nov20 Gem Page ROF COF.indd 1 10/8/2020 8:24:32 AM COMIC BOOKS · GRAPHIC NOVELS · PRINT Gung-Ho: Sexy Beast #1 l ABLAZE FEATURED ITEMS Serial #1 l ABSTRACT STUDIOS I Breathed A Body #1 l AFTERSHOCK COMICS The Wrong Earth: Night and Day #1 l AHOY COMICS The Three Stooges: Through the Ages #1 l AMERICAN MYTHOLOGY PRODUCTIONS Warrior Nun Dora Volume 1 TP l AVATAR PRESS INC Crumb’s World HC l DAVID ZWIRNER BOOKS Tono Monogatari: Shigeru Mizuki Folklore GN l DRAWN & QUARTERLY COMIC BOOKS · GRAPHIC NOVELS Barry Windsor-Smith: Monsters HC l FANTAGRAPHICS BOOKS Gung-Ho: Sexy Beast #1 l ABLAZE Aster of Pan HC l MAGNETIC PRESS INC. Serial #1 l ABSTRACT STUDIOS 1 Delicates TP l ONI PRESS l I Breathed A Body #1 AFTERSHOCK COMICS 1 The Cutting Edge: Devil’s Mirror #1 l TITAN COMICS The Wrong Earth: Night and Day #1 l AHOY COMICS Knights of Heliopolis HC l TITAN COMICS The Three Stooges: Through the Ages #1 l AMERICAN MYTHOLOGY PRODUCTIONS Blade Runner 2029 #2 l TITAN COMICS Warrior Nun Dora Volume 1 TP l AVATAR PRESS INC Star Wars Insider #200 l TITAN COMICS Crumb’s World HC l DAVID ZWIRNER BOOKS Comic Book Creator #25 l TWOMORROWS PUBLISHING Tono Monogatari: Shigeru Mizuki Folklore GN l DRAWN & QUARTERLY Bloodshot #9 l VALIANT ENTERTAINMENT Barry Windsor-Smith: Monsters HC l FANTAGRAPHICS BOOKS Vagrant Queen Volume 2: A Planet Called Doom TP l VAULT COMICS Aster of Pan HC l MAGNETIC PRESS INC. -
REGISTER of NOTIFIABLE APPROVED RACING GEAR August 2020 New Zealand Thoroughbred Racing
August 2020 REGISTER OF NOTIFIABLE APPROVED RACING GEAR New Zealand Thoroughbred Racing NZ Farriers Association New Zealand is a member of the International Federation of Special Thanks: Horseracing Authorities Register of Approved Gear which includes Australian Racing Board the following member authorities ~ Australian Racing Board, Racing Victoria Emirates Racing Authority, Hong Kong Jockey Club, New Zealand Hong Kong Jockey Club Thoroughbred Racing, and Singapore Turf Club 1 Contents Blinkers 1 All registered approved gear must be used in conjunction with New Visor Blinkers 1 Zealand Thoroughbred Racing’s rules and policies. All notifiable gear Pacifiers | Pacifiers and Blinkers 2 must be declared prior to the advertised withdrawal time in accordance with the programme directory. Side Winkers 3 Shadow Roll 4 Rules and Regulations 609 NZTR may determine and publish an approved gear list of: Brow Band | Brow Roll 4 (a) the type and nature of gear which is required to be used, and which it Ear Covers 5 is permissible to use, as racing gear for horses and riding gear for Riders; and Ear Covers Pre-Race 5 (b) Notifiable Gear, which is to be used in accordance with Rule 616, Ear Plugs 5 and a horse or Rider using racing or riding gear, as applicable, must only use gear in accordance with the requirements of these Rules except where: Ear Plugs Pre-Race 5 (c) a Stipendiary Steward grants a Rider who is temporarily visiting New Tongue Ties 6 Zealand permission to use gear which may not comply with the requirements of the approved gear list, -
Racingwithbruno, Nov. 6 @ Oak Tree. First Post Is 11:15
Page 1 of 3 Racingwithbruno, Nov. 6 @ Oak Tree. First post is 11:15 PDT Handicapping the Breeders Cup ~ My best asset I bring to you is my eyes and what I see. Use it to your advantage. Track surface : Turf is firm and great all the way around. Pro -Ride : The early morning track will be different from the midday track. As the temperatures rise around noon the track will become looser and speed will be tougher to pass. The main track goes from firm to yielding, in my book, for the rest of the day. Check out My Workout History Report Race 1 @ Breeders Cup at Oak Tree: Allowance 6 - Deal Breaker *hard trying sort stretches out again* 5 - Royal Punisher *will be on the lead for a while* 4 - Headache 3 - Riviera Cocktail Analysis & Wagering Strategies WPS, EX, TRI, SUPER, DD, Pick 3, Pick 4 Early Pick 4: 3 -4-5-6 with 1 -9-11 with 9 with 8 -9-10 -12 = $48.00 Race 2 @ Breeders Cup at Oak Tree: Allowance 11 - Miss McCall *monster race last out* 9 - Stunningly *may get the right scenario for once* 1 - Cherryblossommiss Analysis &Wagering Strategies WPS, EX, TRI, SUPER, DD, Pick 3 $ 2 Daily Doubles to play is 1 -9-11 to 5 -6-9 = $27.00 Race 3 @ Breeders Cup at Oak Tree: Breeders' Cup Marathon 9 - Man of Iron *love this guy is this spot* 5 - Father Time 6 - Mastery 4 - Cloudy's Knight Analysis & Wagering Strategies WPS, EX, TRI, SUPER, DD, Pick 3, Pick 6, H2H I love Man Of Iron in this spot. -
2019 Annual Report to the Community and Report on Philanthropy 2019 Annual Report to the Community and Report on Philanthropy
2019 Annual Report To the Community and Report on Philanthropy 2019 Annual Report To the Community and Report on Philanthropy Cover: Leading UH research on COVID-19, Grace McComsey, MD, Vice President of Research and Associate Chief Scientific Officer, UH Clinical Research Center, Rainbow Babies & Children's Foundation John Kennell Chair of Excellence in Pediatrics, and Division Chief of Infectious Diseases, UH Rainbow Babies and Children’s Hospital; and Robert Salata, MD, Chairman, Department of Medicine, STERIS Chair of Excellence in Medicine and and Master Clinician in Infectious Disease, UH Cleveland Medical Center, and Program Director, UH Roe Green Center for Travel Medicine and Global Health, are Advancing the Science of Health and the Art of Compassion. Photo by Roger Mastroianni The 2019 UH Annual Report to the Community and Report on Philanthropy includes photographs obtained before Ohio's statewide COVID-19 mask mandate. INTRODUCTION REPORT ON PHILANTHROPY 5 Letter to Friends 38 Letter to our Supporters 6 UH Statistics 39 A Gift for the Children 8 UH Recognition 40 Honoring the Philanthropic Spirit 41 Samuel Mather Society UH VISION IN ACTION 42 Benefactor Society 10 Building the Future of Health Care 43 Revolutionizing Men's Health 12 Defining the Future of Heart and Vascular Care 44 Improving Global Health 14 A Healing Environment for Children with Cancer 45 A New Game Plan for Sports Medicine 16 UH Community Highlights 48 2019 Endowed Positions 18 Expanding the Impact of Integrative Health 54 Annual Society 19 Beating Cancer with UH Seidman 62 Paying It Forward 20 UH Nurses: Advancing and Evolving Patient Care 63 Diamond Legacy Society 22 Taking Care of the Browns. -
National Gear Rules
NATIONAL GEAR RULES Effective from January 1, 2022 Published by Pony Club Australia Ltd ABN 95 090 080 265 www.ponyclubaustralia.com.au This publication can be downloaded for Pony Club purposes Contents Introduction .......................................................................................................................................................................... 6 Complying with the rules .................................................................................................................................................. 7 Gear Exemption Forms ..................................................................................................................................................... 7 Disciplines Covered in The National Gear Rules ................................................................................................................... 8 Definition of Formal, Informal and Open Rider Attire ........................................................................................................ 10 Section 1: Rider Attire ..................................................................................................................................................... 11 1.01 Air vests ............................................................................................................................................................... 11 1.02 Badges ................................................................................................................................................................