Chantilly Lace, but No Pretty Face
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Louis VII and the Towns
Chapter 4 All Citizens High and Low: Louis VII and the Towns Steven Isaac Introduction On 8 August 1137, Louis the Young, son of King Louis VI of France, was in Poitiers where, with his bride of two weeks, Eleanor of Aquitaine, they were recognized as duke and duchess of the province. Although he appears not to have known so on that day, the prince was already king. Louis VI had died on the first of August, and messengers found Louis VII either in Poitiers or on the road therefrom soon after his ducal coronation. In theory, he had been king since 1131 because of the Capetian practice of anointing sons during their own lifetime so as to ensure less dynastic disruption. That said, there was no misunderstanding that Louis VI remained fully in power until the end. Along with the announcement of Louis VI’s death, or so close on its heels as not to matter, came a different sort of news: the inhabitants of Orléans had decided to create their own local government, a commune. In doing so without permis- sion, they were effectively staging a rebellion. Thus, the newly married, new- to- power king faced his first crisis within days. He was all of sixteen years old.1 The paucity of narrative sources that marks much of Louis VII’s reign does not let us know what motivated the Orléanais at this exact moment. Likely, they saw an opportunity in his youth and inexperience, but they were to be disap- pointed. Louis VII moved against the town immediately and “chastised” it.2 The next spring, the situation seemed to repeat itself and worsen when the burghers of Poitiers formed themselves into a commune. -
City of New Orleans Residential Parking Permit (Rpp) Zones
DELGADO CITY PARK COMMUNITY COLLEGE FAIR GROUNDS ZONE 17 RACE COURSE ZONE 12 CITY OF NEW ORLEANS RESIDENTIAL PARKING E L Y PERMIT (RPP) ZONES S 10 I ¨¦§ A ES N RPP Zones Boundary Descriptions: PL F A I N E Zone 1: Yellow (Coliseum Square) AD L E D St. Charles Avenue / Pontchartrain Expwy / S AV Mississippi River / Jackson Avenue A T V S Zone 2: Purple (French Quarter) D North Rampart Street / Esplanade Avenue / A Mississippi River / Iberville Street O R TU B LA Zone 3: Blue NE ZONE 11 South Claiborne Avenue / State Street / V AV Willow Street / Broadway Street A C N AN O AL Zone 4: Red (Upper Audubon) T S LL T St. Charles Avenue / Audubon Street / O Leake Avenue / Cherokee Street R R A 10 Zone 5: Orange (Garden District) C ¨¦§ . S St. Charles Avenue / Jackson Avenue / ZONE 2 Constance Street / Louisiana Avenue Zone 6: Pink (Newcomb Blvd/Maple Area) Willow Street / Tulane University / St. Charles Avenue / South Carrollton Avenue Zone 7: Brown (University) Willow Street / State Street / St. Charles Avenue / Calhoun Street / Loyola University ZONE 18 Zone 9: Gold (Touro Bouligny) ZONE 14 St. Charles Avenue / Louisiana Avenue / Magazine Street / Napoleon Avenue ZONE 3 AV Zone 10: Green (Nashville) NE St. Charles Avenue / Arabella Street / ZONE 6 OR Prytania Street / Exposition Blvd IB LA C Zone 11: Raspberry (Faubourg Marigny) S. TULANE St. Claude Avenue / Elysian Fields Avenue / UNIVERSITY ZONE 16 Mississippi River / Esplanade Avenue ZONE 15 Zone 12: White (Faubourg St. John) DeSaix Blvd / St. Bernard Avenue / LOYOLA N North Broad Street / Ursulines Avenue / R UNIVERSITY A Bell Street / Delgado Drive ZONE 7 P O E L Zone 13: Light Green (Elmwood) E AV ZONE 1 Westbank Expwy / Marr Avenue / O ES V General de Gaulle Drive / Florence Avenue / N L ZONE 4 R Donner Road A HA I V . -
Catalogue of the Famous Blackborne Museum Collection of Laces
'hladchorvS' The Famous Blackbome Collection The American Art Galleries Madison Square South New York j J ( o # I -legislation. BLACKB ORNE LA CE SALE. Metropolitan Museum Anxious to Acquire Rare Collection. ' The sale of laces by order of Vitail Benguiat at the American Art Galleries began j-esterday afternoon with low prices ranging from .$2 up. The sale will be continued to-day and to-morrow, when the famous Blackborne collection mil be sold, the entire 600 odd pieces In one lot. This collection, which was be- gun by the father of Arthur Blackborne In IS-W and ^ contmued by the son, shows the course of lace making for over 4(Xi ye^rs. It is valued at from .?40,fX)0 to $oO,0()0. It is a museum collection, and the Metropolitan Art Museum of this city would like to acciuire it, but hasnt the funds available. ' " With the addition of these laces the Metropolitan would probably have the finest collection of laces in the world," said the museum's lace authority, who has been studying the Blackborne laces since the collection opened, yesterday. " and there would be enough of much of it for the Washington and" Boston Mu- seums as well as our own. We have now a collection of lace that is probablv pqual to that of any in the world, "though other museums have better examples of some pieces than we have." Yesterday's sale brought SI. .350. ' ""• « mmov ON FREE VIEW AT THE AMERICAN ART GALLERIES MADISON SQUARE SOUTH, NEW YORK FROM SATURDAY, DECEMBER FIFTH UNTIL THE DATE OF SALE, INCLUSIVE THE FAMOUS ARTHUR BLACKBORNE COLLECTION TO BE SOLD ON THURSDAY, FRIDAY AND SATURDAY AFTERNOONS December 10th, 11th and 12th BEGINNING EACH AFTERNOON AT 2.30 o'CLOCK CATALOGUE OF THE FAMOUS BLACKBORNE Museum Collection of Laces BEAUTIFUL OLD TEXTILES HISTORICAL COSTUMES ANTIQUE JEWELRY AND FANS EXTRAORDINARY REGAL LACES RICH EMBROIDERIES ECCLESIASTICAL VESTMENTS AND OTHER INTERESTING OBJECTS OWNED BY AND TO BE SOLD BY ORDER OF MR. -
Identifying Handmade and Machine Lace Identification
Identifying Handmade and Machine Lace DATS in partnership with the V&A DATS DRESS AND TEXTILE SPECIALISTS 1 Identifying Handmade and Machine Lace Text copyright © Jeremy Farrell, 2007 Image copyrights as specified in each section. This information pack has been produced to accompany a one-day workshop of the same name held at The Museum of Costume and Textiles, Nottingham on 21st February 2008. The workshop is one of three produced in collaboration between DATS and the V&A, funded by the Renaissance Subject Specialist Network Implementation Grant Programme, administered by the MLA. The purpose of the workshops is to enable participants to improve the documentation and interpretation of collections and make them accessible to the widest audiences. Participants will have the chance to study objects at first hand to help increase their confidence in identifying textile materials and techniques. This information pack is intended as a means of sharing the knowledge communicated in the workshops with colleagues and the public. Other workshops / information packs in the series: Identifying Textile Types and Weaves 1750 -1950 Identifying Printed Textiles in Dress 1740-1890 Front cover image: Detail of a triangular shawl of white cotton Pusher lace made by William Vickers of Nottingham, 1870. The Pusher machine cannot put in the outline which has to be put in by hand or by embroidering machine. The outline here was put in by hand by a woman in Youlgreave, Derbyshire. (NCM 1912-13 © Nottingham City Museums) 2 Identifying Handmade and Machine Lace Contents Page 1. List of illustrations 1 2. Introduction 3 3. The main types of hand and machine lace 5 4. -
The Old and the Neutral the Mile-Long Crescent Park in New Orleans Shows Ambitions Meeting Reality
THE OLD AND THE NEUTRAL THE MILE-LONG CRESCENT PARK IN NEW ORLEANS SHOWS AMBITIONS MEETING REALITY. BY JOHN KING, HONORARY ASLA MANDEVILLE WHARF An elliptical lawn marks the heart of Crescent Park, part of an ambitious project intended to revitalize a rough industrial edge of the Mississippi River in New Orleans. TIMOTHY HURSLEY TIMOTHY 80 / LANDSCAPE ARCHITECTURE MAGAZINE JULY 2018 LANDSCAPE ARCHITECTURE MAGAZINE JULY 2018 / 81 N A LANGUID FRIDAY floodwall roughly 10 feet high as well afternoon in New Orleans, as railbeds where freight cars might the sounds of the French Quar- sit for days between journeys. The Oter Festival spill downriver toward stylized promenade is promoted by Crescent Park. The music is loudest at some as New Orleans’s answer to Mil- the park’s Mandeville Wharf, but the lennium Park or the High Line, one dozen or so visitors seem to pay no with a photogenic bridge designed by notice as they lounge on a raised lawn the architect David Adjaye. Its impact next to remnants of a vast storage on the adjacent Bywater neighbor- shed, or ride scooters in the shade cast hood, where small colorful houses by the new corrugated roof, or lean line streets where the sidewalks come against galvanized steel guardrails and go, can be seen in the condo com- TOP to watch a barge plow through the plexes starting to rise along its edge. The industrial heritage dark waters. Nor can the distant din of the riverfront seen compete with the cries of the seagulls Viewed through a wider lens, Cres- in this 1950s photo is retained in the who have claimed a fenced-off stretch cent Park fits within the constellation forms and materials of the wharf as their own. -
Urban Public Space, Privatization, and Protest in Louis Armstrong Park and the Treme, New Orleans
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 2001 Protecting 'Place' in African -American Neighborhoods: Urban Public Space, Privatization, and Protest in Louis Armstrong Park and the Treme, New Orleans. Michael Eugene Crutcher Jr Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Crutcher, Michael Eugene Jr, "Protecting 'Place' in African -American Neighborhoods: Urban Public Space, Privatization, and Protest in Louis Armstrong Park and the Treme, New Orleans." (2001). LSU Historical Dissertations and Theses. 272. https://digitalcommons.lsu.edu/gradschool_disstheses/272 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. -
Banquettes and Baguettes
NEW ORLEANS NOSTALGIA Remembering New Orleans History, Culture and Traditions By Ned Hémard Banquettes and Baguettes “In the city’s early days, city blocks were called islands, and they were islands with little banks around them. Logically, the French called the footpaths on the banks, banquettes; and sidewalks are still so called in New Orleans,” wrote John Chase in his immensely entertaining history, “Frenchmen, Desire Good Children…and Other Streets of New Orleans!” This was mostly true in 1949, when Chase’s book was first published, but the word is used less and less today. In A Creole Lexicon: Architecture, Landscape, People by Jay Dearborn Edwards and Nicolas Kariouk Pecquet du Bellay de Verton, one learns that, in New Orleans (instead of the French word trottoir for sidewalk), banquette is used. New Orleans’ historic “banquette cottage (or Creole cottage) is a small single-story house constructed flush with the sidewalk.” According to the authors, “In New Orleans the word banquette (Dim of banc, bench) ‘was applied to the benches that the Creoles of New Orleans placed along the sidewalks, and used in the evenings.’” This is a bit different from Chase’s explanation. Although most New Orleans natives today say sidewalks instead of banquettes, a 2010 article in the Time-Picayune posited that an insider’s knowledge of New Orleans’ time-honored jargon was an important “cultural connection to the city”. The article related how newly sworn-in New Orleans police superintendent, Ronal Serpas, “took pains to re-establish his Big Easy cred.” In his address, Serpas “showed that he's still got a handle on local vernacular, recalling how his grandparents often instructed him to ‘go play on the neutral ground or walk along the banquette.’” A French loan word, it comes to us from the Provençal banqueta, the diminutive of banca, meaning bench or counter, of Germanic origin. -
Empathy, Mood and the Artistic Milieu of New Orleans’ Storyville and French Quarter As Manifest by the Photographs and Lives of E.J
UNIVERSITY OF CALIFORNIA RIVERSIDE Seeing and Then Seeing Again: Empathy, Mood and the Artistic Milieu of New Orleans’ Storyville and French Quarter as Manifest by the Photographs and Lives of E.J. Bellocq and George Valentine Dureau A Thesis submitted in partial satisfaction of the requirements for the degree of Master of Arts in Art History by Timothy J. Lithgow December 2019 Thesis Committee: Dr. Johannes Endres, Co-Chairperson Dr. Elizabeth W. Kotz, Co-Chairperson Dr. Keith M. Harris Copyright by Timothy J. Lithgow 2019 The Thesis of Timothy J. Lithgow is approved: Committee Co-Chairperson Committee Co-Chairperson University of California, Riverside Acknowledgements: Thank you to Keith Harris for discussing George Dureau on the first day of class, and for all his help since then. Thank you to Liz Kotz for conveying her clear love of Art History, contemporary arts and artists. Although not on my committee, thank you to Jeanette Kohl, for her thoughtful and nuanced help whenever asked. And last, but certainly not least, a heartfelt thank you to Johannes Endres who remained calm when people talked out loud during the quiz, who had me be his TA over and over, and who went above and beyond in his role here. iv Dedication: For Anita, Aubrey, Fiona, George, Larry, Lillian, Myrna, Noël and Paul. v Table of Contents Excerpt from Pentimento by Lillian Hellman ......................................................... 1 Introduction ............................................................................................................. 2 Chapter 1: Biographical Information for Dureau and Bellocq .......................... 18 Table 1 ...................................................................................................... 32 Excerpt from One Arm by Tennessee Williams.................................................... 34 Chapter 2: Colonial Foundations of Libertine Tolerance in New Orleans, LA .. -
The Lacenews Chanel on Youtube October 2011 Update
The LaceNews Chanel on YouTube October 2011 Update http://www.youtube.com/user/lacenews Bobbinlace Instruction - 1 (A-H) 1 1 Preparing bobbins for lace making achimwasp 10/14/2007 music 2 2 dentelle.mpg AlainB13 10/19/2010 silent 3 3 signet.ogv AlainB13 4/23/2011 silent 4 4 napperon.ogv AlainB13 4/24/2011 silent 5 5 Evolution d'un dessin technique d'une dentelle aux fuseaux AlainB13 6/9/2011 silent 6 6 il primo videotombolo alikingdogs 9/23/2008 Italian 7 7 1 video imparaticcio alikingdogs 11/14/2008 Italian 8 8 2 video imparaticcio punto tela alikingdogs 11/20/2008 Italian 9 9 imparaticcio mezzo punto alikingdogs 11/20/2008 Italian 10 10 Bolillos, Anaiencajes Hojas de guipur Blancaflor2776 4/20/2008 Spanish/Catalan 11 11 Bolillos, hojas de guipur Blancaflor2776 4/20/2008 silent 12 12 Bolillos, encaje 3 pares Blancaflor2776 6/26/2009 silent 13 13 Bobbin Lacemaking BobbinLacer 8/6/2008 English 14 14 Preparing Bobbins for Lace making BobbinLacer 8/19/2008 English 15 15 Update on Flower Project BobbinLacer 8/19/2008 English 16 16 Cómo hacer el medio punto - Encaje de bolillos canalsapeando 10/5/2011 Spanish 17 17 Cómo hacer el punto entero o punto de lienzo - Encaje de bolillos canalsapeando 10/5/2011 Spanish 18 18 Conceptos básicos - Encaje de bolillos canalsapeando 10/5/2011 Spanish 19 19 Materiales necesarios - Encaje de bolillos canalsapeando 10/5/2011 Spanish 20 20 Merletto a fuselli - Introduzione storica (I) casacenina 4/19/2011 Italian 21 21 Merletto a Fuselli - Corso: il movimento dei fuselli (III) casacenina 5/2/2011 Italian 22 -
So Many Italians Lived in the French Quarter in the Early
NEW ORLEANS From Bienville to Bourbon Street to bounce. 300 moments that make New Orleans unique. WHAT HAPPENED On March 14, 1891, 1718 ~ 2018 a mob of New Orleans citizens charged the parish prison and shot 300 nine and lynched TRICENTENNIAL two Italians. COURTESY BROCATO’S KNOWLA There were so many Italians living and working in After New Orleans Po- the French lice Chief David Hen- Quarter that nessey was allegedly it earned the assassinated by the name Little Italian mafia, a group Palermo.’ Angelo Brocato opened his first of citizens lynched storefront in the 500 block of Ursulines and killed 11 Italians. Street where Italians would come every Between 1850 and 1870, New Orleans had the largest The incident strained morning for lemon ice. Italian-born population in the United States. relations between the THE HISTORIC NEW ORLEANS COLLECTION THE LIBRARY OF CONGRESS U.S. and Italy. So many Italians lived in the French Quarter in the early 20th century, the Vieux Carré earned the nicknames “Little Italy” and “Little Palermo” for the number of Italians, and more specifically, Sicilians, who lived there., Between 1880 and 1910 the state brought After Hennessey’s murder, 19 Italians hundreds of Italian men from Naples, Tri- were arrested. Six of the men were acquitted THE HISTORIC NEW ORLEANS COLLECTION este and Palermo to replace the African- following the first trial, and many in the city American laborers went mad with outrage after the Civil War. at what they felt was The Italian population injustice. On March 14, flourished in the fol- 1891, a mob charged the lowing years, as many parish prison, shot nine became merchants and lynched two others and entrepreneurs. -
History of France Trivia Questions
HISTORY OF FRANCE TRIVIA QUESTIONS ( www.TriviaChamp.com ) 1> In what year did the twelve-year Angevin-Flanders War end? a. 369 b. 1214 c. 1476 d. 1582 2> Which English King invaded Normandy in 1415? a. Henry V b. Charles II c. Edward d. Henry VIII 3> Where was Joan of Arc born? a. England b. Switzerland c. Germany d. France 4> Signed in 843, the "Treaty of Verdun" was an agreement between Charles the Bald and whom? a. Charles the Simple b. Louis the Stammerer c. Louis the German d. Odo 5> Eleanor of Aquitaine was the Queen of France from August 1137 to March 1152. During this time, whom was she married to? a. Louis VI of France b. Philip II of France c. Louis VII of France d. Philip I of France 6> Which country massacred the French garrison in Bruges in 1302? a. Spain b. Germany c. The Country of Flanders d. England 7> What sport did Louis X play? a. Croquet b. Cricket c. Tennis d. Golf 8> How was Charles V known? a. Charles the Wise b. Charles the Short c. Charles the Simple d. Charles the Bald 9> Which French King suffered from mental illness, which earned him the name "The Mad"? a. Benito b. Charles VI c. Louis II d. Phillip I 10> Where is the Basilica of St. Denis? a. Bordeaux b. Toulouse c. Paris d. Tours 11> Who was holding Leonardo da Vinci when he died? a. Eleanor of Aquitaine b. Francis I c. Napoleon d. Cardinal Richelieu 12> Home of Louis XIV, where is the famous Sun Palace located? a. -
French Quarter Night Life
51 23 67 62 17 69 71 26 11 32 33 22 1 25 4 30 41 28 52 10 27 15 43 7 2 14 8 9 40 65 58 50 63 39 73 56 35 48 60 6853 31 74 24 47 61 55 59 13 66 42 72 29 64 54 36 49 45 19 12 5 21 18 57 38 44 46 3 6 70 16 37 34 20 French Quarter Night Life 1. Bombay Club 9. Bourbon Street Blues Company 17. Cocina 25. Erin Rose 33. Good Friends Bar 41. Le Roundup 830 Conti Street 441 Bourbon Street 1201 Burgundy Street 811 Conti Street 740 Dauphine Street 819 St. Louis Street New Orleans, LA 70112 New Orleans, LA 70130 New Orleans, LA 70116 New Orleans, LA 70112 New Orleans, LA 70116 New Orleans, LA 70116 504-588-0972 504-566-1507 504-522-9715 504-299-8496 504-566-7191 504-561-8340 2. 735 Nightclub and Bar 10. Cafe Beignet 18. Coop's Place 26. Fahy's Irish Pub 34. Hard Rock Cafe 42. Lucille's Golden Lantern 735 Bourbon Street 311 Bourbon Street 1109 Decatur Street 540 Burgundy Street 418 N. Peters Street 1239 Royal Street New Orleans, LA 70116 New Orleans, LA 70130 New Orleans, LA 70112 New Orleans, LA 70112 New Orleans, LA 70130 New Orleans, LA 70116 504-581-6740 504-525-2611 504-525-9053 504-586-9806 504-529-5617 504-529-2860 3. The Abbey 11. Cafe Lafitte In Exile 19. Corner Oyster Bar & Grill 27. The Famous Door 35.